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Born 2 Oct. 1966 in Denmark. Nordvangen 2, 3730 Nexø
CV born 2 Oct. 1966 in Denmark. Nordvangen 2, 3730 Nexø. Bornholm, Denmark Email: [email protected] www.michaelgeertsen.com phone: +45 27284584 Michael Geertsen (b. 1966) trained as a potter in Stensved, Denmark in 1988 and graduated from the department of Industrial Design at The Royal Danish Academy of Fine Arts, School of Design in 1993. His works are represented at the Metropolitan Museum, Cooper Hewitt National Design Museum and MAD/Museum of Arts and Design, all in New York City, The Victoria and Albert Museum in London and Designmuseum Danmark in Copenhagen. In 2012 he created a permanent installation at The V&A in London. Represented by: Jason Jacques Gallery in New York, Galerie NeC nilsson et chiglien in Paris and Køppe Contemporary Objects at Bornholm, Denmark EDUCATION 1988-93 Danish Design school, Copenhagen 1984-88 Trained with a potter (apprentice) MUSEUMS REPRESENTATIONS Cooper–Hewitt, Smithsonian Design Museum, New York, USA Metropolitan Museum of Art, New York, USA Museum of Arts and Design, New York, USA Victoria and Albert Museum, London, England Designmuseum Denmark, Copenhagen, Denmark Næstved Museum, Næstved. Denmark Trapholt Kunstmuseum, Kolding, Denmark Magnelli Museum, Vallauris, Frankrig. Ceramic Museum, Inceon, Korea. Museum of Fine Art, Huston, Texas, USA Nordenfjeldske Kunstindustrimuseum. Tronheim. Norway RAM – Racine Art Museum, Wisconsin, USA Fuller Museum, Massachusetts, USA FULE ceramic Museum, Fuping, China McManus museum, Dundee, Scotland International Ceramic Museum, Middelfart, Denmark Sealand Ceramic -
2017-08-19 Copenhagen Liberty
Copenhagen Liberty Sunday, August 20 We had a couple hours between flights and went to Huxley's for an English Breakfast. We both had opened the box breakfast British Airways offered about an hour and a half before landing... and we closed the boxes back up. Then we cleared the checkpoint for through passengers and had time to catch up before our connecting flight to Copenhagen. Liz had salmon eggs Benedict and I had eggs, English bacon and a banger, grilled tomato, and baked beans. The banger was less than tasty and my stomach began acting up, either from the curried chicken the night before or the banger this morning. I was uncomfortably cramped. We walked through the terminal to catch the transfer train to our gate. They had a standing, woman shaped screen which almost seemed like a hologram and, depending which language had been selected, spoke to passersby to tell them how to use the train. It was quite clever and very realistic. We followed her guidance and made our way to Gate 62 in A Terminal. The two hour flight passed quickly and we were immediately met at luggage claim by our guide to the hotel. There were six people in our ride but later that day we would be joined by another 19 people on the On Line Vacation extension. When we arrived at the Trivoli Hotel and Convention Center we were 121 surprised to see Olivier, our London hotel guide from last year. He would coordinate our booking and then go on to Stockholm later in the week. -
Danish Cold War Historiography
SURVEY ARTICLE Danish Cold War Historiography ✣ Rasmus Mariager This article reviews the scholarly debate that has developed since the 1970s on Denmark and the Cold War. Over the past three decades, Danish Cold War historiography has reached a volume and standard that merits international attention. Until the 1970s, almost no archive-based research had been con- ducted on Denmark and the Cold War. Beginning in the late 1970s, however, historians and political scientists began to assess Danish Cold War history. By the time an encyclopedia on Denmark and the Cold War was published in 2011, it included some 400 entries written by 70 researchers, the majority of them established scholars.1 The expanding body of literature has shown that Danish Cold War pol- icy possessed characteristics that were generally applicable, particularly with regard to alliance policy. As a small frontline state that shared naval borders with East Germany and Poland, Denmark found itself in a difficult situation in relation to the North Atlantic Treaty Organization (NATO) as well as the Soviet Union. With regard to NATO, Danish policymakers balanced policies of integration and screening. The Danish government had to assure the Soviet Union of Denmark’s and NATO’s peaceful intentions even as Denmark and NATO concurrently rearmed. The balancing act was not easily managed. A review of Danish Cold War historiography also has relevance for con- temporary developments within Danish politics and research. Over the past quarter century, Danish Cold War history has been remarkably politicized.2 The end of the Cold War has seen the successive publication of reports and white books on Danish Cold War history commissioned by the Dan- ish government. -
Denmark's Central Bank Nationalbanken
DANMARKS NATIONALBANK THE DANMARKS NATIONALBANK BUILDING 2 THE DANMARKS NATIONALBANK BUILDING DANMARKS NATIONALBANK Contents 7 Preface 8 An integral part of the urban landscape 10 The facades 16 The lobby 22 The banking hall 24 The conference and common rooms 28 The modular offices 32 The banknote printing hall 34 The canteen 36 The courtyards 40 The surrounding landscaping 42 The architectural competition 43 The building process 44 The architect Arne Jacobsen One of the two courtyards, called Arne’s Garden. The space supplies daylight to the surrounding offices and corridors. Preface Danmarks Nationalbank is Denmark’s central bank. Its objective is to ensure a robust economy in Denmark, and Danmarks Nationalbank holds a range of responsibilities of vital socioeconomic importance. The Danmarks Nationalbank building is centrally located in Copen hagen and is a distinctive presence in the urban landscape. The build ing, which was built in the period 1965–78, was designed by interna tionally renowned Danish architect Arne Jacobsen. It is considered to be one of his principal works. In 2009, it became the youngest building in Denmark to be listed as a historical site. When the building was listed, the Danish Agency for Culture highlighted five elements that make it historically significant: 1. The building’s architectural appearance in the urban landscape 2. The building’s layout and spatial qualities 3. The exquisite use of materials 4. The keen attention to detail 5. The surrounding gardens This publication presents the Danmarks Nationalbank building, its architecture, interiors and the surrounding gardens. For the most part, the interiors are shown as they appear today. -
Copenhagen, Denmark
Jennifer E. Wilson [email protected] www.cruisewithjenny.com 855-583-5240 | 321-837-3429 COPENHAGEN, DENMARK OVERVIEW Introduction Copenhagen, Denmark, is a city with historical charm and a contemporary style that feels effortless. It is an old merchants' town overlooking the entrance to the Baltic Sea with so many architectural treasures that it's known as the "City of Beautiful Spires." This socially progressive and tolerant metropolis manages to run efficiently yet feel relaxed. And given the Danes' highly tuned environmental awareness, Copenhagen can be enjoyed on foot or on a bicycle. Sights—Amalienborg Palace and its lovely square; Tivoli Gardens; the Little Mermaid statue; panoramic views from Rundetaarn (Round Tower); Nyhavn and its nautical atmosphere; Christiansborg Palace and the medieval ruins in the cellars. Museums—The sculptures and impressionist works at Ny Carlsberg Glyptotek; the Louisiana Museum of Modern Art and its outdoor sculpture park; paintings from the Danish Golden Age at the Hirschsprung Collection; Viking and ancient Danish artifacts at the Nationalmuseet; neoclassical sculpture at Thorvaldsens Museum. Memorable Meals—Traditional herring at Krogs Fiskerestaurant; top-notch fine dining at Geranium; Nordic-Italian fusion at Relae; traditional Danish open-face sandwiches at Schonnemanns; the best of the city's street food, all in one place, at Reffen Copenhagen Street Food. Late Night—The delightful after-dark atmosphere at Tivoli Gardens; indie rock at Loppen in Christiana; a concert at Vega. Walks—Taking in the small island of Christianshavn; walking through Dyrehaven to see herds of deer; walking from Nyhavn to Amalienborg Palace; strolling along Stroget, where the stores show off the best in Danish design. -
Overseas Adventure Travel®
YOUR O.A.T. ADVENTURE TRAVEL PLANNING GUIDE® Fjord Cruise & Lapland: Norway, Finland & the Arctic 2022 Small Groups: 20-25 travelers—guaranteed! (average of 22) Overseas Adventure Travel ® The Leader in Personalized Small Group Adventures on the Road Less Traveled 1 Dear Traveler, For me, one of the joys of traveling is the careful planning that goes into an adventure—from the first spark of inspiration to hours spent poring over travel books about my dream destinations—and I can’t wait to see where my next journey will take me. I know you’re eager to explore the world, too, and our Fjord Cruise & Lapland itinerary described inside is an excellent way to start. As for Fjord Cruise & Lapland, thanks to your small group of 20-25 travelers (average 22) you can expect some unforgettable experiences. Here are a few that stood out for me: Gain insights into Sami and northern Lapland culture in Ivalo where a local guide will offer their perspective on the oppression of Europe’s last indigenous community during a visit to the Siida Museum. You’ll learn about the forced relocation of the Sami people in the 1800s and the challenges that face the community as they fight to preserve their time-honored customs. But the most moving stories of all are the ones you’ll hear directly from the local people. You’ll meet them, too, and hear their personal experiences when you visit the owners of a reindeer farm and learn about the important role they play in the Sami peoples’ daily lives. -
Jason Jacques Inc. Art Nouveau & Japonist Ceramic Masterworks Michael Geertsen
JASON JACQUES INC. ART NOUVEAU & JAPONIST CERAMIC MASTERWORKS MICHAEL GEERTSEN MICHAEL GEERTSEN, born 1966 in Denmark FREELANCE INDUSTRIAL DESIGN Lives & works in Copenhagen MUUTO Cor Unum Kähler City and Housing Department Royal Copenhagen House of Prince Paustian IKEA EDUCATION GROUP EXHIBITIONS (selected since 2003) 1988-93 Danish Design School, Copenhagen 2011 Flora & Fauna - MAD about Nature. Museum of Arts & 1984-88 Trained with a potter (apprentice) Design NYC 2010 ‘Across’ Carlsberg, Copenhagen MUSEUM REPRESENTATION European Ceramic Context. Bornholm Art Museum, Metropolitan Museum of Art, New York City, USA Denmark Trapholt Kunstmuseum, Kolding, Denmark 2009 Cheongju International Craft Biennale 2009, South Korea Magnelli Museum, Vallauris, Frankrig Kuwait Art Foundation LLC, Kuwait Ceramic Museum, Inceon, Korea ‘Collect” Saatchi Gallery, Køppe Gallery, London Museum of Fine Art, Huston, Texas, USA 2008 Røsska Design Museum, Sweden Nordenfjeldske Kunstindustrimuseum, Tronheim, Norway Opening Show at Columbus Circle. Museum of Arts & RAM – Racine Art Museum, Wisconsin, USA Design, NYC, USA Victoria and Albert Museum, London, England ‘Statistic Ceramic’ New Danish Ceramics, Kunst & Fuller Museum, Massachusetts, USA Gewerbe Museum, Hamburg, Germany Museum of Arts and Design, New York City, USA Duo show with Bodil Manz, Tong in Gallery, Seoul, South FULE Ceramic Museum, Fuping, China Korea McManus Museum, Dundee, Scotland Ceramic Biennial Vallauris. Winner in the ‘Container” International Ceramic Museum, Middelfart, Denmark category -
Download Exhibition Catalog
Bend, Bubble and Shine 2 Preface 5 Copenhagen Ceramics 8 Touching from a Distance Garth Johnson 15 Artist plates 52 Artist biographies 56 Colophon Gallery owners Kim Hostler Preface & Juliet Burrows, 2019. Though varying in style and process, they advance an art which is central to the creative culture of Denmark, evolving the possibilities of the medium and expanding its future. Each demonstrates a profound investigation within their practice, and they express themselves through a myriad of energies and tone. Composition, structure, proportion, and glazing in the end leave us with profound beauty and conflict, and a vibrance which emanates from the clay. These enigmatic and multi-faceted works evoke music, mystery, and narratives of which we may not know the details, but can grasp nonetheless. It is an honor to collaborate with Copenhagen Ceramics in bringing this exhibition to the US, and working with Martin, Bente, and Steen has been a delight as well as a sustaining reprieve from the isolation of Covid Bend, Bubble and Shine; these three words, describing varying aspects quarantine; they are exemplary ambassadors for Danish art and culture. of the ceramic process, also imply a kind of sorcery, vaguely reminiscent We are deeply thankful to all nine artists for their contributions to this of a spell invoked over a simmering cauldron. For me there has always endeavor and for the trust they have placed in us as gallerists in been a sense of enchantment to the ceramic process, whether wrought presenting their works to a wider audience. by the artist as sorcerer, or the intensity of the kiln, or the element of chance. -
STINE BIDSTRUP Danish (B
STINE BIDSTRUP Danish (b. 1982) EDUCATION 2005-06 Post-Baccalaureate (honors) in glass, Rhode Island School of Design, USA 2005-06 Exchange student, Rhode Island School of Design, USA 2004 BA, The Royal Danish Academy of Fine Art, School of Design, Bornholm, Denmark SOLO EXHIBITIONS 2020 focus | Stine Bidstrup, Heller Gallery, New York, NY 2018 Architectural Glass Fantasies: Utopia Materialized, Heller Gallery, New York, NY 2015 To Present What Has Already Past, 7th Floor Gallery, University of Wisconsin-Madison, USA 2013 Knotted Narratives, X-rummet, HUSET i Asnæs, Denmark 2012 Award Recipient of 2012, Hempel Glass Museum, Denmark Rupert’s Chaos, BOX Gallery, Lynfabrikken, Aarhus, Denmark 2011-12 Studies in Search of Order and Chaos, Glass Museum Ebeltoft, Denmark 2010 New Work, Galleri Jytte Møller, Fredericia, Denmark 2009 When the Earth Reflects (with Charlotte Krogh), HUSET i Asnæs, Denmark 2008 Sense of Reflection, Agallery, Copenhagen, Denmark We Map Ourselves Inside of It, Tesch & Hallberg, Copenhagen, Denmark 2006 Double Visions (with Kim Harty), Hillel Gallery, Brown University, Providence, USA SELECTED GROUP EXHIBITIONS 2020 It’s Good To Be Home, Gallery FUMI, London, United Kingdom The Spring Exhibition, Kunsthal Charlottenborg, Copenhagen, Denmark Palatset / The Palace , The Glass Factory, Boda Glasbruk, Sweden Detox - Clean it up! Rejmyre Art Lab Residency Exhibition, Rejmyre Glass Museum, Sweden Opening Exhibition - Contemporary Glass, Holmegaard Værk, Denmark Intersect Aspen 2020, represented by Heller Gallery, Virtual -
Northern Fjordland
Northern Fjordland Day 1 - 27 Jun 19-Depart Australia Please note this flight maybe indirect. Day 2 – 28 Jun 19 - Arrive in Copenhagen, Denamrk Arrival to Copenhagen airport, private transfer to your hotel. Remain of the day at leisure. An exciting and trendy city Split by lakes and surrounded by sea, an energetic and hip waterside vibe permeates Copenhagen, one of Northern Europe’s most user-friendly (and trendy) capitals. Copenhagen city centre is waiting to be enjoyed. It’s a welcoming, compact city with a centre largely given over to pedestrians (and cyclists) and an emphasis by day on café culture and top-notch museums. The historic core of the city is Slotsholmen, originally the site of the twelfth-century castle and now home to the huge Christiansborg complex. Just across the Slotsholmen Kanal to the north is the medieval maze of Indre By (“inner city”), while to the south the island of Christianshavn is adorned with cutting-edge architecture in addition to the alternative enclave of Christiania. North-east of Indre By are the royal quarters of Kongens Have and Frederiksstaden, while to the west the expansive Rådhuspladsen leads via Tivoli Gardens to Central Station and the hotspots of Vesterbro and Nørrebro. Just off hectic Vesterbrogade outside the station is Copenhagen’s most famous attraction, Tivoli, an entertaining mixture of landscaped gardens, outdoor concerts and fairground rides. Helsingør’s Kronborg Castle dates from the sixteenth century when it jutted into the sound as a formidable warning to passing ships not to consider dodging the toll, and it remains a grand affair, enhanced immeasurably by its setting; the interior, particularly the royal chapel, is spectacularly ornate. -
The Royal Library of Denmark Annual Report 1996
The Royal Library of Denmark Annual Report 1996 The Royal Library has been and will in the coming years still be in a state of constant change and development. This is reflected in the annual report. As change and development is at the hart of the activities of the library these years the summary is not so much about the usual routine management but about the exeptional activities leading towards a new, modern and efficient library. Routine management does take place, we are open to the public in spite of all the activities caused by renovations, the building of new main stacks and the new building at the Harbourfront. Building Planning Office Physical changes in the form of reshuffles and moves marked 1996 to an even greater extent than 1995. A total of 188 members of staff who worked in the Hansen building, the extension from the 1960s facing the harbour, were rehoused, some on Amager, some in the huts in Chr. Brygge 12, some in the old part of the library. While the personnel have been under a lot of pressure from the construction work, with preparations, moves and reshuffling in both 1994 and 1995, the public did not really notice the inconvenience until July 1996, when service was curtailed with the closure of Slotsholmen and with the introduction of Monday closing and other changed routines. The library is in a serious dilemma; on the one hand, preparations for the new extended facilities have to be made, on the other hand, the public have to be served here and now. -
A Harbour of OPPORTUNITIES
1 A HARBOUR OF OPPORTUNITIES Visions for more activity within the Harbour of Copenhagen 2 FOREWORD – A HARBOUR OF OPPORTUNITY A GReat POtentiaL With this Vision, the City of Copenhagen wishes to spotlight the enormous pervading potential in the recreational development of the Harbour of Copen- hagen. Many new developments have taken place in the harbour in recent years, and lots of new projects are currently in progress. Even so, there is still plenty of room for many more new ideas and recreational activities. The intent of the Vision is to • inspire more activities within the harbour area • increase Copenhageners’ quality of life and health • create a stimulating abundance of cultural and recreational activities • heighten Copenhageners’ awareness of the Harbour of Copenhagen • make the city more attractive to future residents • bring together the harbour’s stakeholders to focus on jointly developing the harbour. The Harbour should be • a harbour of possibilities • a harbour for people • a harbour for everyone Thanks to the Interreg IVC-program AQUA ADD for financing of translation from Danish to English and the print of the english version. 3 COntent PURPOSE 4 AREA 5 VISION: — AN ACTIVE AND ATTRACTIVE HarBOUR 7 OWNERSHIP WITHIN THE HARBOUR AREA 8 HARBOUR USERS 10 SELECTED THEMES 13 1 — MORE ACTIVITIES WITHIN THE HarBOUR 14 2 — BETTER ACCESS TO AND FROM THE WATER 15 3 — MORE PUBLIC spaces 16 4 — BETTER ROUTES AND CONNECTIONS 17 5 — A CLEAN, INVITING HarBOUR 18 6 — A HarBOUR WITH A HEALTHY NATURAL ENVIRONMENT 19 7 — EVENTS AND TEMPORARY PROJECTS 20 8 — VARIATION AND ROOM FOR EVERYONE 21 RECOMMENDATIONS 22 PROCESS AND SCHEDULE 23 THE HARBOUR'S HISTORICAL DEVELOPMENT 24 PROJECTS SITED AT THE HARBOUR 26 4 PURPOse The purpose of this Vision is to establish the framework In recent years, many of the large manufacturing industries and desire for more liveliness and activity in the Harbour of have left the harbour.