The Magic of Hogwarts

Total Page:16

File Type:pdf, Size:1020Kb

The Magic of Hogwarts The Magic of Hogwarts: A Critical Examination of Teachers in Harry Potter by Einar Christopher Wong B.A., Simon Fraser University, 2008. A THESIS SUBMITTED IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACTULY OF GRADUATE AND POSTDOCTORAL STUDIES (Children’s Literature) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2014 © Einar Christopher Wong 2014 ii Abstract While there have been many young-adult and children’s novels and stories published that deal with school and teachers, there have been comparatively few studies done that analyze the messages these novels contain about formal classroom education, specifically about teacher characters. As well, the subject of school has been a relatively consistent theme for Hollywood movies and media geared towards teenagers and children, but, like their novel counterparts, analysis has been relatively light. J. K. Rowling’s Harry Potter series places itself in a very unique position in popular culture as the highest-selling book series and highest-grossing film series of all time; a series that mainly focuses on an education system, albeit for wizards and witches rather than muggles. Nonetheless, this thesis proposes to examine the professors at Hogwarts and to show whether or not Rowling has created a series of complex teacher characters; characters that are usually not a source of complexity in young adult or children’s literature. Additionally, this thesis will also examine how these characters have been adapted from the page to the screen and whether or not the movie versions of these teacher characters have retained any complexity found in Rowling’s novels. As Petra Rehling writes, “without question, Harry Potter has become the figurehead of our time” (249), and I firmly believe that this figurehead is worth examining and analyzing for its portrayals and representations of real- world teachers, people who are arguably one of the largest influences on children and teenagers during their early lives. iii Preface The contents of this dissertation are the original work of the author and have never been published before. All research was completed independently. iv TABLE OF CONTENTS Abstract ...................................................................................................................................... ii Preface ....................................................................................................................................... iii Table of Contents ....................................................................................................................... iv List of Tables .............................................................................................................................. v INTRODUCTION ...................................................................................................................... 1 CHAPTER 1: LITERATURE REVIEW 1.1 Introduction ........................................................................................................................... 7 1.2 Critical Theory ...................................................................................................................... 8 1.3 Influential Sources .............................................................................................................. 13 1.4 Teachers in Film ................................................................................................................. 15 1.5 Teachers in Young Adult and Children’s Literature ........................................................... 17 1.6 Articles Discussing Harry Potter and Education ................................................................ 20 1.7 Conclusions ......................................................................................................................... 29 CHAPTER 2: METHODOLOGY ............................................................................................ 31 CHAPTER 3: TEACHERS IN THE HARRY POTTER NOVELS 3.1 Introduction ......................................................................................................................... 39 3.2 Professor Albus Percival Wulfric Brian Dumbledore ........................................................ 42 3.3 Professor Minerva McGonagall .......................................................................................... 52 3.4 Professor Severus Snape ..................................................................................................... 61 3.5 Conclusions ......................................................................................................................... 72 CHAPTER 4: TEACHERS IN THE HARRY POTTER FILMS 4.1 Introduction ......................................................................................................................... 73 4.2 Professor Albus Percival Wulfric Brian Dumbledore ........................................................ 75 4.3 Professor Minerva McGonagall .......................................................................................... 83 4.4 Professor Severus Snape ..................................................................................................... 92 4.5 Conclusions ....................................................................................................................... 101 CHAPTER 5: CONCLUSIONS AND IMPLICATIONS ...................................................... 102 5.1 Relevance to Existing Literature ....................................................................................... 106 5.2 Limitations ........................................................................................................................ 112 5.3 A Final Note ...................................................................................................................... 117 BIBLIOGRAPHY ................................................................................................................... 118 v LIST OF TABLES Table 3.1 Number of Teacher Identities in the Harry Potter Novels ........................................ 39 Table 3.2 Dumbledore’s Identities in the Novels ..................................................................... 42 Table 3.3 McGonagall’s Identities in the Novels ..................................................................... 52 Table 3.4 Snape’s Identities in the Novels ................................................................................ 61 Table 4.1 Teacher Identities in the Harry Potter Films ............................................................ 73 Table 4.2 Dumbledore in Philosopher’s Stone and Chamber of Secrets .................................. 74 Table 4.3 Dumbledore in Prisoner of Azkaban ........................................................................ 77 Table 4.4 Dumbledore in Goblet of Fire .................................................................................. 78 Table 4.5 Dumbledore in Order of the Phoenix ....................................................................... 79 Table 4.6 Dumbledore in Half-Blood Prince ............................................................................ 80 Table 4.7 Dumbledore in Deathly Hallows I and II .................................................................. 81 Table 4.8 McGonagall in Philosopher’s Stone ......................................................................... 84 Table 4.9 McGonagall in Chamber of Secrets .......................................................................... 85 Table 4.10 McGonagall in Prisoner of Azkaban ...................................................................... 86 Table 4.11 McGonagall in Goblet of Fire ................................................................................ 87 Table 4.12 McGonagall in Order of the Phoenix ..................................................................... 88 Table 4.13 McGonagall in Half-Blood Prince .......................................................................... 89 Table 4.14 McGonagall in Deathly Hallows II ......................................................................... 90 Table 4.15 Snape in Philosopher’s Stone ................................................................................. 93 Table 4.16 Snape in Chamber of Secrets .................................................................................. 94 Table 4.17 Snape in Prisoner of Azkaban ................................................................................. 95 Table 4.18 Snape in Goblet of Fire ........................................................................................... 96 Table 4.19 Snape in Order of the Phoenix ................................................................................ 97 Table 4.20 Snape in Half-Blood Prince .................................................................................... 98 Table 4.21 Snape in Deathly Hallows I and II .......................................................................... 99 1 INTRODUCTION While years have passed since the publication of The Deathly Hallows and part II of the film adaption, there is no denying the cultural behemoth that Harry Potter has become. Worldwide, the Harry Potter series has sold at least 400 million copies (BBC “Rowling ‘makes £5 every second’”) and been translated into over 60 different languages. Additionally, the eight Harry Potter movies released have become the top-grossing film series of all time (Gray 2011) beating out other pop culture
Recommended publications
  • As the Pages Turn by Stormyskize
    As the Pages Turn by StormySkize AdultFanFiction.net Ashwinder http://ashwinder.sycophanthex.com/viewstory.php?sid=13233 Author’s Archive Digital Quill FanFiction.net FictionAlley LJ Author’s site LJ Community Mugglenet Obscurus Books OWL The Petulant Poetess The Restricted Section The Snape Hermione Gift Exchange The WIKTT Archives 1 A/N: This story is a combination of many genres. It is part parody, part romance, part general drama, and completely A/U. I have followed canon very loosely, drawing some inspiration from the films as well as the books. I have completely ignored the ending of HBP. For the purposes of this story, I needed Dumbledore alive, and so alive he is – at least here! The events of the books are meant to serve only as a framework on which to hang my plot. Events that, in the books, may have taken place over several days or even weeks are compressed into one day, or completely ignored. This is deliberate and I intend no disrespect to the story that JKR is telling. Almost all encounters between Hermione Granger and Severus Snape are the product of my own imagination. I wrote this story in response to a challenge posed on the WIKTT forum by Ladyofthemasque. The Challenge goes like this: Lost in a Book Challenge Offered by Ladyofthemasque Based upon the story “Lost in a (Not So) Good Book” by Bubblebunny (http://ashwinder.sycophanthex.com/viewstory.php?sid=12466) Here’s the Lost in A Book Challenge: 1. Hermione Granger and Severus Snape encounter a wizarding romance novel 2. They get sucked literally into the storyline, taking on the roles of the hero and heroine 3.
    [Show full text]
  • Librarians and Harry Potter: an Introduction of the SHHH! Personality Assessment Instrument Connie J
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CommonKnowledge Volume 14 , Number 1 Lively Librarians Loose in the Limelight: Libraries in Popular Media (Spring 2008) | Pages 9 - 13 July 2014 Librarians and Harry Potter: An Introduction of the SHHH! Personality Assessment Instrument Connie J. Bennett Eugene Public Library Follow this and additional works at: http://commons.pacificu.edu/olaq Part of the Library and Information Science Commons Bennett, C. J. (2014). Librarians and Harry Potter: An Introduction of the SHHH! Personality Assessment Instrument. OLA Quarterly, 14(1), 9-13. http://dx.doi.org/10.7710/1093-7374.1186 © 2014 by the author(s). OLA Quarterly is an official publication of the Oregon Library Association | ISSN 1093-7374 | http://commons.pacificu.edu/olaq Librarians and Harry Potter: An Introduction of the SHHH! Personality Assessment Instrument by Connie J. Bennett adame Pince, the cranky mis- of the Hogwarts library’s restricted shelves, Director, tress of the library at Hogwarts, would stand squarely with the latter group. Eugene Public Library Mis hardly a role model to emulate. J.K. Rowling has acknowledged that the In the librarian’s constant search for profes- Pince caricature is merely a plot device. Dur- sional balance between providing generous ing a benefit reading on August 2, 2006 at community access to resources on the one Radio City Music Hall, answering a question hand—and safeguarding those resources from a librarian in the audience, she said, from the public on the other—she’s clearly “I thought you were going to attack me for on the parsimonious end of the continuum.
    [Show full text]
  • Co-Creating Harry Potter: Children’S Fan-Play, Folklore and Participatory Culture
    CO-CREATING HARRY POTTER: CHILDREN’S FAN-PLAY, FOLKLORE AND PARTICIPATORY CULTURE by © Contessa Small A thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Folklore Memorial University of Newfoundland April 2015 St. John’s Newfoundland Abstract A number of scholars have argued that children’s traditional artifacts and play are being replaced by media culture objects and manipulated by corporations. However, while companies target and exploit children, it is problematic to see all contemporary youth or “kid” culture as simply a product of corporate interests. This thesis therefore explores children’s multivocal fan-play traditions, which are not only based on corporation interests, but also shaped by parents, educators and children themselves. The Harry Potter phenomenon, as a contested site where youth struggle for visibility and power, serves as the case study for this thesis. Through the examination of an intensely commercialized form of children’s popular culture, this thesis explores the intricate web of commercial, hegemonic, folk, popular and vernacular cultural expressions found in children’s culture. This thesis fits with the concerns of participatory literacy which describes the multiple ways readers take ownership of reading and writing to construct meaning within their own lives. Due to the intense corporate and adult interests in Pottermania, children have continually been treated in the scholarly literature as passive receptors
    [Show full text]
  • A Critical Examination of Teachers in Harry Potter by Einar Christopher
    The Magic of Hogwarts: A Critical Examination of Teachers in Harry Potter by Einar Christopher Wong B.A., Simon Fraser University, 2008. A THESIS SUBMITTED IN PARTIAL FUFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACTULY OF GRADUATE AND POSTDOCTORAL STUDIES (Children’s Literature) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2014 © Einar Christopher Wong 2014 ii Abstract While there have been many young-adult and children’s novels and stories published that deal with school and teachers, there have been comparatively few studies done that analyze the messages these novels contain about formal classroom education, specifically about teacher characters. As well, the subject of school has been a relatively consistent theme for Hollywood movies and media geared towards teenagers and children, but, like their novel counterparts, analysis has been relatively light. J. K. Rowling’s Harry Potter series places itself in a very unique position in popular culture as the highest-selling book series and highest-grossing film series of all time; a series that mainly focuses on an education system, albeit for wizards and witches rather than muggles. Nonetheless, this thesis proposes to examine the professors at Hogwarts and to show whether or not Rowling has created a series of complex teacher characters; characters that are usually not a source of complexity in young adult or children’s literature. Additionally, this thesis will also examine how these characters have been adapted from the page to the screen and whether or not the movie versions of these teacher characters have retained any complexity found in Rowling’s novels.
    [Show full text]
  • Wands & Witches
    Wands & Witches Version 0.42 by @Great_Chicken_Studio Guide by @Manfegor Wands & Witches v0.42 guide @Manfegor Guide Introduction ................................................................................................................................................................. 4 Prologue .................................................................................................................................................................................. 4 Interface ................................................................................................................................................................................... 5 Courses .................................................................................................................................................................................... 7 - Defend Against the Dark Arts lesson ............................................................................................................................... 8 - Potions lesson ..................................................................................................................................................................... 8 - Transfiguration lesson ........................................................................................................................................................ 8 - Charms lesson ....................................................................................................................................................................
    [Show full text]
  • Inquiring Minds - Aggies on Broomsticks - 1
    Inquiring Minds - Aggies on Broomsticks - 1 Aggies down here on the Quad had replaced the magical Inquiring Minds - Aggies sport’s most iconic piece of equipment, the broomsticks, with PVC pipes, which they held with one hand while they on Broomsticks ran tirelessly up and down the grassy green. After practice, I approached then team captain Cameron 04/18/2019 VomBaur and shared what little I could bring to the table. Besides my enthusiasm, there was my name. I am Professor McGonagill, much like Minerva McGonagall, the (function(d, s, id) { var js, fjs = strict but fair head of Gryffindor house. It was McGonagall, d.getElementsByTagName(s)[0]; if (d.getElementById(id)) Transfiguration teacher and Quidditch aficionado, who return; js = d.createElement(s); js.id = id; recruited Harry for the Gryffindor Quidditch team and gave js.src = 'https://connect.facebook.net/en_US/ him his first broom. sdk.js#xfbml=1&version=v3.0&appId=111921562831182&autoLogAppEvents=1'; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', Back at my desk in Old Main, I did my homework. I learned 'facebook-jssdk')); that students at Middlebury College in Vermont were There’s Hogwarts magic that happens when literature credited with inventing a real-life version of the sport. spills over into real life Quidditch played by Muggles (non-magical folk) resembles a combination of hockey, basketball, and dodgeball, with a refreshing dose of rugby and self-depreciating quixotism mixed in. An athletic close-contact sport, to be sure, but with a strict code and high ethics. From the Page to the Pitch Students from English were wishing for Harry’s Nimbus Quidditch teams have sprung up all over the world.
    [Show full text]
  • Performance and Participation in Media Fandom Sebastiaan Gorissen University of New Mexico - Main Campus
    University of New Mexico UNM Digital Repository Communication ETDs Electronic Theses and Dissertations Spring 5-4-2017 Common among wizards, popstars, and cowboys: Performance and participation in media fandom Sebastiaan Gorissen University of New Mexico - Main Campus Follow this and additional works at: https://digitalrepository.unm.edu/cj_etds Part of the Communication Commons Recommended Citation Gorissen, Sebastiaan. "Common among wizards, popstars, and cowboys: Performance and participation in media fandom." (2017). https://digitalrepository.unm.edu/cj_etds/101 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Communication ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Sebastiaan Gorissen Candidate Communication & Journalism Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Dr. David Weiss , Chairperson Dr. Judith Hendry , Chairperson Dr. Richard Schaefer i COMMON AMONG WIZARDS, POPSTARS, AND COWBOYS: PERFORMANCE AND PARTICIPATION IN MEDIA FANDOM BY SEBASTIAAN GORISSEN BACHELOR OF ARTS | MEDIA & CULTURE UNIVERSITY OF AMSTERDAM 2013 MASTER OF ARTS | FILM STUDIES UNIVERSITY OF AMSTERDAM 2014 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS COMMUNICATION The University of New Mexico Albuquerque, New Mexico July, 2017 ii ACKNOWLEDGEMENTS I would like to acknowledge Dr. Judith Hendry and Dr. David Weiss, my advisors and committee chairs, for their invaluable support. Their insights, comments, questions, and critiques have been instrumental in crafting this thesis, and helped me strive for improvement with every draft of every chapter.
    [Show full text]
  • Harry Potter
    THE BLADE, TOLEDO, OHIO O SUNDAY, JULY 15, 2007 SECTION B, PAGE 6 Keeping INup HONOR OF with JULY 4TH Harry Here’s a guide to the fi rst six books in the Harry Potter series WARNING: If you haven’t read the books, it may spoil the endings for you Harry Potter and the In the fi rst book of the series we are fi rst-year-students, Ron Weasley and former follower of Voldemort, of trying introduced to Harry, a bespectacled Hermione Granger, friends who help to steal the stone, it is discovered after Sorcerer’s Stone orphan with a thunderbolt scar on his Harry in his adventures. several dangerous adventures that forehead, who has been living with his Once at the school, Harry fi nds that it is Voldemort — working through aunt and uncle since he was a baby. he is a celebrity in the wizarding world the Defense Against the Dark Harry’s adoptive family, the Dursleys, and the truth about his parents’ deaths Arts teacher, Professor Quirrel treats him with scorn and loathing, — that his parents were killed battling — who is trying to take the while spoiling their obese son, Harry’s Lord Voldemort and when Voldemort stone and revive his power. self-centered cousin Dudley. tried to kill Harry using a killing curse it Voldemort is so weak he is On his 11th birthday, Harry learns rebounded, destroying the evil wizard. forced to live in Quirrel’s body he is a wizard and has been accepted Over the course of the school year, to survive.
    [Show full text]
  • James Potter and the Train Ride to Hogwarts By: Maggie Mcgill Current Grade: 5Th School: St
    James Potter and the Train Ride to Hogwarts By: Maggie McGill Current Grade: 5th School: St. Robert Bellarmine Catholic School “Have you got everything?” asked Mr. Potter. “Yes.” answered James. “Are you sure?” he inquired. “Yes, Father, now can I go?” asked James impatiently. “Be good; watch out for the moving stairs, and DON’T GO INTO THE FORBIDDEN FOREST. Did you hear that last part, James?” asked Mr. Potter. “Yes.” said James with a shrug of his shoulders. “Well, then, I suppose there’s nothing else for us to tell you. We love you and we will see you at Christmas.” said Mrs. Potter tearfully. “Alright, then, bye Mother, bye Father, I love you both, see you at Christmas!” As he got on to the train, James thought about the friends he would make and the adventures they would go on together. He had been waiting for this moment all his life. ‘I wonder what House I’ll be in,’ James thought, ‘and if my new friends will be in the same House as me.’ He walked around to find an empty compartment. About five minutes after he got settled, a boy with shoulder-length hair walked in. “Hello, I’m Sirius Black, nice to meet you. What’s your name?” “James Potter, pleasure to meet you.” “Would it be okay if I rode in here for the journey to Hogwarts?” asked Sirius. “Oh, yes, I don’t mind.” James said. As they talked, laughed, and got to know each other better, James could tell that he and Sirius would be good friends.
    [Show full text]
  • Diagon Alley: Being a Stranger
    Harry Potter and the Sacred Text 1.05- Diagon Alley: Being a Stranger Casper: Hi, this is Casper. We recorded this episode before the attacks in Orlando, and wanted to offer our thoughts and love in response to the tragedy. A lot of people will turn to prayer or to their religious communities in such times of despair. We know that, for a whole ton of our listeners, that’s not really an option. What we wanted to suggest was, if there are times of sadness and loss of hope and courage, that this can be a kind of prayer, that turning to this text, and delving into it with attention and love, is a kind of prayer. So we found this one little passage that, for us, really speaks volumes in this time of mourning and of anger, that we hope will speak to you also. Vanessa: This offering is from The Goblet of Fire. It is the speech that Dumbledore makes when ​ ​ Cedric Diggory dies at the hands of Lord Voldemort. And every time I say the name ‘Cedric Diggory,’ I will be thinking of the forty-nine victims in Orlando, and of their families. “It is my belief, and never have I so hoped that I am mistaken, that we are all facing dark and difficult times. Some of you in this hall have already suffered directly. Many of your families have already been torn asunder. A week ago a student, Cedric Diggory, was taken from our midst. Remember Cedric. Remember if the time comes when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good and who was kind and brave, because he strayed across the path of violence.
    [Show full text]
  • The Names in Harry Potter 1
    The Names in Harry Potter 1 J.K. Rowling (cover TIME magazine) This article was published in Perspectives: Studies in Translatology 12. 56-72 (2004) J.K. Rowling (source: TIME magazine) THE NAMES IN HARRY POTTER Katrine Brøndsted and Cay Dollerup, Copenhagen, Denmark Abstract This article discusses the translation of some of the names in J. K. Rowling’s Harry Potter books into five languages. It is argued that these names are found in different dimensions, viz. (a) a British one where the author addresses a British audience, (b) the translator’s perception and interpretation of this British universe, and (c) one in which readers respond to the realisations of the names in the target culture. The names are loosely divided into four cat- egories. The first concerns the main characters, for which there is virtually only direct transfer, and the second concerns English student names that present few problems. The third comprises characters connected with the Hogwarts School of Witchcraft and Wizardry, and the last group comprises names of other characters, including some descriptive names. The article notes that translators were obliged to use the names of the main characters from the British original in order to promote the sale of merchandise. It is concluded (a) that the main characters’ ‘Britishness’ is realised only as British names without any overtones in translation, (b) that even with different target languages, it is possible to document that each translator has used individualised and highly different approaches to the translation of the names, and (c) that the author’s exploitation of adult Britons’ knowledge of English literature and Latin probably elicits a different response from that of readers of translations, whereas the main narrative linearities (e.g.
    [Show full text]
  • The Reflection of Attachment Style in J.K. Rowling's
    THE REFLECTION OF ATTACHMENT STYLE IN J.K. ROWLING’S PLAYSCRIPT HARRY POTTER AND THE CURSED CHILD TERM PAPER By: ANISA FAJRIANTI 2014130068 STRATA ONE (S-1) OF ENGLISH DEPARTMENT FACULTY OF LETTERS DARMA PERSADA UNIVERSITY JAKARTA 2018 THE REFLECTION OF ATTACHMENT STYLE IN J.K. ROWLING’S PLAYSCRIPT HARRY POTTER AND THE CURSED CHILD TERM PAPER Submitted in Part Fulfilling for Obtaining Strata One (S-1) Degree By: ANISA FAJRIANTI 2014130068 STRATA ONE (S-1) OF ENGLISH DEPARTMENT FACULTY OF LETTERS DARMAPERSADAUNIVERSITY JAKARTA 2018 ii Universitas Darma Persada iii Universitas Darma Persada iv Universitas Darma Persada v Universitas Darma Persada ACKNOWLEDGEMENT Alhamdulillahi rabbil ‘aalamiin, praise be to Allah SWT who has given the mercy and blesses to me to be able to finish my term paper entitled The Reflection Of Attachment Style In J.K. Rowling’s Playscript Harry Potter And The Cursed Child. This paper is submitted as a partial fulfillment of the requirements for obtaining the Strata One (S1) degree at the English Department, the Faculty of Letters, University of Darma Persada. There are many great people who always guide and support me from the beginning until I finish this term-paper. Their advices are very helpful for me to finish this term paper. By account of that, I would like to deliver a lot of gratitude to them, those great people are: 1. Dra. Karina Adinda, MA as the advisor who has guided me patiently and kindly in making my term-paper. 2. Drs. Rusydi M. Yusuf, M.Si as the reader who has checked and corrected the word by word in this term-paper patiently.
    [Show full text]