PR E EFAC .
S A N S K RIT LIT E RAT RE i i r The m U s chiefly nve se . poe s and la s the hi t ri and l nd tr ati onlaw divinit p y , s o es ege s, e ses , y, a tr nm mathematicks and ind d narl all lit ratur s o o y, , ee e y e e
” Th Pr d is a an u iful in inmtr . e d a t a be g e e oso y e sy be , s ys
n It is innit l mr rich and m Sir WilliamJo es . fi e y o e ore
” ari d rv the l arnd Che than that of r k v e , obse es e e zy, G ee ;
” ll l f u f uantit Th n l and has no sy ab es o do bt ul q y. e ve erab e
l r k E a n 62 ak of the aid it afford i Co eb oo e ( ss ys . ) spe s s nde ciphering passages rendered obscure by the inaccuracy of the transcripts : he notices that the artifice of its constructionis
culiar and not d v id of in nuit and it is rich r h pe , e o ge y ; e t an that of an oth r lan ua e Yet man who ha y e g g . y ve attempted the tud inIndia uid d b a Pandit comlainth t s y , g e y , p a the art is intricat d d mst of the a irant ha e. Inee o sp s ve beendis heartened (as I was at first) ; for the Prosody is overlaid with a fu nof dantic r nmnt arithmtical and u r pro sio pe efi e e s, e s pe
ti iou Mo t of the rul in the S an s t s. s es skrit Prosodies are
n ui com er not l arnr i t nd to de . e ed g pos s, e e s vi P RE FA C E .
In 182 at Madra at the d i of the C ll Board I 7, s, es re o ege ,
rint d a h rt unt of T lu u and S ankrit Pro od p e s o acco e g s s y.
Ten ear aft r wh nI was inLondon the l arnd Prof or y s e , e , e e ess
’ Ro n who had dit d Colebrooke s E a r u t d me to se , e e ss ys, eq es e prepare a statement which he printed inthe Asiatic Journal f r 1 3 Thi fell int the hand of a oun rman t o 8 7. s o s y g Ge a
Konigsberg who had beenreading S anskrit for two years : and
n him In1855 Prof or Wil oni tr u hi e couraged . ess s n od ced m to me in London: he was Prof or Theodor Goldstiicker ess , whose skill in S anskrit lore has inlate years been acknow
n r hman inB n al B nar n l d ed b l ar d a a d Lahor . e g y e e b s e g , e es, e
He called uponme to prepare aneasier and more complete
t Acc rdinl h volume for the use of studens . o g y I ave written the rul a ain addr in the x lanation to the innr es g , ess g e p s beg e who now canlearnmore intendays thana pandit could have
u ht himint n ar ta g e ye s .
Professor Francis Johnson has with his usual kindness h superintended the printing of t ese pages .
Numerical Symbols are much used inS anskrit books on
Pr od as w ll as r ardin chronol . Of the I hav os y, e eg g ogy se e subjoined an ex planation: with some suggestions for a
in Enli h Memoria Technica g s .
C . P B. .
22 Kmma n(h umans L O ND O N , , ,
1 . Ap ril, 869
A S NSKRIT PROSODY EXPLAINED.
I ARKS NTRODUCTORY REM .
' The v w l a i u ri ln are sh rt : as in atlsa a o e s , , , , , o vfimq y n milita hi The r t are l . fnfsra fii ud mk i a. , g y , r p es o g
S h rt or r v is call d la - hu or hraswa manin o b e e e as g m , e g ' ’ ’ ’ ‘li h n ‘ r dir ha ‘l t . L n is call d uru h av o . g o g e gt g e y, gfi g o g ’ A r v c m uru if f ll wed b two c n nant as ‘ b e e be o es g o o y o so s, a
a ti or k h w l i nd Lri do va ra. But t e v e a W s , was o s B n lenth nthe r n w Thu s ik it ot ec di el i . g e p e g vo . s an r
A r v is marked with anu ri ht lin thu a tri rach b e e p g e s ; b , which we write uuu is marked The long mark is u
hich we use for a r I e a a ari th ch r w b eve . n D v ng e a acter re ml the P r ian hama s in B nali is imilar t se b es e s z ( ) , e g s o
h num r for six inthat al ha et t e be p b .
But the lanua is r nunced as it is writt n and th g ge p o o e , e quantity of each syllable is evident to the eye : the marks for
h r f r d mu long and breve are t e e o e sel o sed.
The l tt r Y is alwa a c n nant and r uir a v w l e e a ys o so , eq es o e ,
- h kar- am in m: dait a writ , fi f , sa a. 2 y , y fl yog m yy
Wh nthe c n nant M is nal as in Nal m e o so a fi , W W ii
ff li n Nal i abravit it d not su er e i . a. v. , oes s o ( I ’ m
S A N S K E IT P RO SO D Y .
Pr d is call d : chhandah that is fanc will oso y e w , , y, , ’ l a ur p e s e .
S ankrit Pr d is mea ur d with f t call d a a dent d s oso y s e ee , e g n, o e
b l tt r Ma Ya R n a arli r thanthe a etc. x d i d y e e s, , , , fi e ys e e
H mric a M r M thr l n s l o e ge. o a denoted a foot of ee o g y
‘ ’ ’ ‘ ’ lables as ma tas or L ni r h s lva . N a is a , jes ongi o a sy s
’ t us Ei ht ribrach of three breves like mulier or avib . g
uch f t r i inth T a l To ach I hav s ee a e g ve e m : or b e . e e ' add d a S ankrit and a Latin i st nc havin the am e s n a e, g s e initi l a .
TABLE OF FEET.
S YLLA LE nx a. S . mm 1mm. B Mantranam
M M ' wo t/ mmYa w it YatharthamW 1 A
Racshanam
f ‘ mm S a b . 5 m V 7 W M “at T a ” flaw
t Bhan'uram j gw l g ym la a
Latin nc m inta . na es, s es
S YLLABLE s m u g. Nm. S .
Molossus Ma cenas
’ Bacchius Ymetto
Creticus Reddidi
S imiles
T entare
Amphibrachys U Juvabit
Dactylus Bucula
T ribrachys Nivea 3 P RO SO D IA L FE E T .
Inthe thr c lumn hu arran d in anci nt tim the ee o s t s ge e es,
first has a long and a breve alternately ; the second has two
of ach the third has four e ; .
The dact l inthe r s nt a will mark d B. The y , p e e p ges, be e n spo dee will be marked as inLatin.
T o aid the mmr a l arnd rmanfri nd has iv nme e o y, e e Ge e g e the following sentence wrench m m: mmfin
‘ “ m m l l fi! The d c itful lf- c ntr llin Ravana t e e , se o o g utt r d his S ll in ha t innin with Pr rv us e e pe s s e, beg g ese e
fromd ath [ ] e . A long syllable is called Guru gt and a breve is Q la- ghu and the initials L are th is u d , , G, se
ml gagamor i ngi sponde us .
hichius la lamor m15 U U pyrr .
fl ga lam U trochaaus .
t l iamus a ] agam b .
A lin is call d ada orchara a manin a foot f ur uch f rm e e p n, e g ; o s o
r l k r ur of two or thr lla l a padya o s o . A p osodial meas e ee sy b es i ll a a ll it a foot s ca ed g na mbecause it is counted ; we ca .
’ ’ ’ Aksh m ‘l ll l S am ara a etter al is a a . , , m so sy b e s kru- tamor fln Gir- va- namanoth r namof the lan ua e , i t ( e e g g )
are called tri- literal or w rd of thr lla l . S o is Ak , o s ee sy b es 7 ""D M "“a“ 0 2 0 “ fa w h - 1 4 s a ram.
All s lla l r of a d nit l nth a ar nt to the e e y b es a e efi e e g , pp e y ; nne ar u o e do btful .
The la t lla l of ach lin inthe unif rmmtr is l n s sy b e e e, o e es, o g b rul u in is fr y e ; b t practice ee.
” ’ Pluta d ntin x t nsi n is the name i ento a uave , e o g e e o , g v q r
inchauntin the V I or r tract d sound u d da . n r d p o e , se g e s p oso y; it is merely a long syllable . 4 s n z msx rr p ao so nv .
The native treatises are crowded with numerical ex pressions which make the art mysterious ; but such devices merely im
d the r r of th l arnr pe e p og ess e e e .
O N T H E AN U S H T U P .
The Tale of Nala commences thus : each line being divided int f ur art o o p s . W ammfit‘mmum mafi uuitt tfi w mmfifi z : ' Asid raja Nalo nama Vira sé na suto bali Upapanno gunair ishtai | rfipavanas va kovidah
T his is called the Anushtup sloka mwhich some con h i mtr ach n sider the r c . E li c ntain ix t ns lla le e o e e e o s s ee y b s,
t l ne are one k or and wo i l c u l t. g m s , o p e é fi ’ Th ar f ur lla l in ach e The rst and ere e o sy b es e quart y. fi third quarters are free fromrule the second usually is U
fr lla l : the third has with fr lla l with a ee sy b e u u a ee sy b e .
M rkin the fr lla l s with w the line tand thu a g ee sy b e , s s s
The l arnr h uld r ad v ral a aloud au in after e e s o e se e p ges , p s g
n he will n r i th rh hm Aft r he each quarter : a d soo pe ce ve e yt . e
mli h d thi he can r c ed as foll ws has acco p s e s, p o e o
has fi arieti n is alrea n The second foot ve v es . O e dy see : the others are ex emplified inthese passages of the same poem
. na da w s hi v . 6 vé a ta as a t Bk II . m t m m m y y
acsh ri h s a vadi U I . 3 . W : I m a p ya aty
s n 116 damanah l . tasmai ra a U U . 7 Ha m p “ 8 b rahmarshibh cha bh a XIV. 1 . rfimm a s avit U U U m g y
The five feet admissible inthe second seat are Ma Ya Ra 5 T H E A N U S HT U P .
Bha Na : which may be recollected in the words Mayura bhanuh .
In 4 i t d in p. 36 of a volume onS anskrit Grammar pr ne
184 a c u l t is u d fr mh L f M nn 7, o p e q ote o t e aws o a
Asid idam tamo bhfitam aprajnatam a lakshanam
ratark m 1 n a p ya a v 3 eyam prasuptami vasarvatah.
And th r is add d fr mthe Rama an e e e , o y ,
Ma Ni ha r i h h w m a mh w h amah da at s t amt a a a 5. ati , s p g $ s s
Yat krauncha mi thunad ekam avadhih ka ma mohitam
The ex planationof the metre there givenis erroneous : as
l h of tw mr int n th re h wn T h ar a o o a c . e e s t ose o e s es, e s e
tud nt h uld divid the lin into four and he will r s e s o e es s, pe ceive the metre with ease . The remaining remarks onthe Anushtup are not intended f inner or beg s . The rules already givenwill suffi ce for most of the slokas
i Th f llowin rule found inthe Pur nas . e o g s are observed in th P m The intanc w re sel ct d b a Pan i f e oe s . s es e e e y d t rom
h Am Kosha t e ara .
Each half line having eight syllables ; the first and last are fr mark d x but the oth r six are u ct to rul R ee, e e s bje e . ule h lf regarding the first a .
wMYw w Utt hanampaurushé tan tre di hrs. I ni vaj ramastri syfit
'' ’ Pu 16ma a S achi d ’ | j , n ra. ni ' S ap tarchir damunah su crah
S a l twaramchapalamtur riam
Ni tyana varataj a sram
Abh rammegho varivi hah 6 S A N S K RIT P RO S O D Y .
’ ush avan tau wYRa: wU E ca y6cty5. p p
Vah ner dway6 r jwala kil an ' ' S iv a Bhavani Rudré xii
As yodyi namchaitrara tham
' R6 hitasvo vayu se khah
Kri pitayonir jvala | n6
'' Ka rinyc) bhramuh capi 1a
Pan chaité deva tara v6
Gha | na 31 mfita mudi ra
Vi s t6 sh patis sura pa | tih
Ka | 1 iny6 bhramu capi té
These eighteenvarieties are found inthe first eight syllables a few oth r variati n ccur but are not a r v d as har e o s o , pp o e mnious o .
The c nd half al c ntainin i ht lla l has five se o , so o g e g sy b es, variations : the first and last syllables alone remainfree from
“ A Edhas a unah wMJw m U Um g y naghé. g
U U U S an kshiptaih prati samskri taib
U U S a hachi ryach chak utra chit
U U U U S arv anfiamu chi sfida nah ' U U U U A nusrutya y athi ma ti
’ Thi last intanc is fr mKalida atica Chandrika s s e o sa s J .
The halves are independent : any one of the former eighteen m f llowed b an one f th la t fi ay be o y y o e t er ve.
O N EL I S IO N .
E ach c u l t c ni t of two line which inthe manu cri t o p e o s s s s, s p s
are unit d thus ita i. 25 e , (G ) mm : f i at a mm mm E L IS IO N . U N IFO RM M E T RE S . 7
W I RQ I W M : M
e mtc.
A aininx g v. 3
etc.
Here we see each half is runinto one unbrokenline : which
Eur an ch lar divid at the caasura int a c u l t. ope s o s e, , o o p e
Wh r uch li i n ccur inthe S cimn now to cit d e e s e s o o s pe e s be e ,
tw lin i k El wh r a sinl o es will be given: wh ch are ali e . se e e g e lin uffi ce e s s .
E THE UNIFO RM METR S .
Th hav f ur lin cannd alik in ach v r : on in ese e o es, s e e, e e se e m nral use run thu Th r is no rh . The f ll win ge e , s s . e e y e o o g
i n e mtre call d Sardfila is nfr u t us . e , e , eq e
In the followin intanc H d nt he Hit . o adeisa. g s es, e o es t p
R th Ra hu ma D . e Va s m. G . . an a Das wh rul are g G g , ose es i ninD ’ n v r. at S a krit rammar g e Y es s G .
u u O ‘ U u u n- ‘ u M l ml ftflftfi l m: umum :
vyomai kan taviha rinopi vihagah nsamprapnu vant a o y padam
After the tw lfth lla l th r is caasura the harmn e sy b e e e , o ic
pause : which inthese pages will be marked I This metre
is v r oft nu d : Inthe ita vinda th r is anin e y e se G Go e e stance, ina song ending with these words “iffilmfi fe! W uwi ll ma
Kandarpo piyamii yaté vi rachayan Sardfila vikriditam
fi r“ H H 41 n4a d na; 1 fi ’ ) l a o L a ' “i - d ” b l t n i H Q WUI 'T H A l Ad
S A N S K R IT P RO SO D Y .
” The c ncludin w rd Sardfila vikridita iv the nam o g o s, , g e e
of the mtr which is al call ar ul e e, so ed S d a. S ome metres have two pauses : Thus the m Mandakranta: in which The Cloud Messenger is com
posed . o u u u u “ u m a n mm
H . 11. 25 .
Maunanmfirkhah pravachana patur vatulo jalpako vi
The name is recollected by this line m amfi aflnm ni fi m
” ri ff r he d is s u By slow and perseve ng e o ts t mai ubd ed .
This is one of the memorial lines framed by Ganga D58 ;
’ t r at tranlati n: which I use thr u h ut wi h D . Y es s o o g o . The S ragdhara metre also has two pauses
“ “ U “ ll U U U U U U ll U
Intanc fr mthe S akuntala v r s e, o , e se 7 W fi t ma133 mm: II « W e
Griva bhang abhiréxmam muhur anupatati
n ané datta d ish ih sya d r t .
ak the tana The mmrial lin is Four such lines m e s z . e o e W ammz l m n
The Indra vajrammis a short metre : of which the first
t l a ur an ther f r i marked x syllable is long or short a p e s e ; d e o e s .
“ “ “ “ $ U U I U U
5 H i 4 . 31 13111!111 l warm: . . 7 UN I FO R M M E T RE S .
Here the first syllable inthe first line is short : inthe second it is l n o g .
nhi n P ofe r hn n I s t onthe Hito adesa . 280 r o es p , p , sso Jo so r marks that alth h not enoind b a rul of ro d a e , oug j e y e p so y, slight caesura may oftenconveniently be made at the close of ” the fth lla l ur is of imrtanc to c mo r fi sy b e . The caes a po e o p se s, but th r ad i The S ankrit writ r on e e er may safely neglect t. s e s
r d divid f h nif rmmtr int thr e p oso y e every line o t e U o e es o e s, di re ardin h n s g g armo y.
H rac u a imilar mtr Trahunt ue siccas machina: o e ses s e e . q carin as . More thana hundred Uniformmetres are described : but not fifty are inuse : and the few described inthe nex t pages are all that the l arnr re uir For the r nt he ma e e q es . p ese y ' a th m A a b unr ad and roc d to the r . p ss e y e , p ee y The last syllable ineach line by rule should be long : in
racti r The feet p ce it is free : either long or short at pleasu e . are,
U I O U ‘ U
O r if the initial is hort s ,
U “ U ll U U “ U
Intr H od . firma unit arm . 19.
Inthe first line of this instance the initial syllable is long “ nthe cond ri- it is ho t artha i é r . se , p y , s
If the first syllable is short it is called Upendra Vajra: if the two are minl as th usuall are thi is call d d , m . g e , ey y s e l T n But these names are need ess . he o e original name is en h not inuse In c : H I tr u : th oth r are . stan . n o g e e s es od. lO S A N S K R IT P RO S O D Y .
- 4 1 2 n R . 11 . 1 v. 9 5 4 B k i 2 80 1 14 etc . a d , , 7 . oo . 7, , , , 7 ;
- 2 t 1 6 , e c.
The Rathaddhata ”( M u u u u I
H . iii. 153 .
Inthis instance the two lines forming the couplet runinto
- - 55 . on n h n R i x i 1 1 x ix . 1 e a ot r Inta c : . x . 68 . 9 e . s es ; ;
al The mark is a signthat this metre is unusu .
[ swagata m u u u u mm: ma
ix 3 W mm B. . 7
Salini mfg -ah
R ix 64. Eif wfé lfi z fiiw nmm . .
XII S lla l y b es . " The Vamsasthavila m U U U U U ‘ U
H i . . ver. 16 2 1 1 15 161 etc. “Himnm , , , ,
' The D rutaVilambita gafi arfiaa UUU O U ‘ O U U
-
i 32 . W mug«flgfi xfimn H . .
Also 52 . S uhrid. 71 .
’ " [ Totaka i lz ai o u o u O U
R . viii. 90 .
12 S A N S K RIT P RO SO D Y .
Mandakranta mm
v S ee ver.160. R . viii. 94 ; x i . 87, etc.
Th M ha ta is writteninthi mtr e eg Du s e e .
Hafi ni tfi uh " U U U U U U Or thus
“ u u u o u no o u
W u m nm l w m
H . iv. 106 . R. iii. 70. Prithvi bharamqu fint
“ “ U “ U U U U I U U U
H Notes . 8. . , p 10
II S lla l XVI y b es .
ari ha or L r nm am ka or N c ali o Va a ali . Mah ali : , ; , ,
“ “ U U U U U U U
R . x u . 104 W t fi mfi fi fi mfi w .
Charchari afifi
“ “ “ U U U U I U U U U I U U U U I U U
The following hymn to Ananga is quoted fromthe S iva
- amtaminthe Sarada tilaka k r ri m. a n , imvmmnnnmmu nwvmwuz s 13 ALT E RNAT E U N mo R M M E T RE S .
x 1x S lla l y b es .
namis Sardula Thi h alr ad n laind. This . s as e y bee ex p e e noticed inColebrooke : but he gives the same title to a different mtre of ei h n ll l r m te m s . e , g e sy ab es ( s j )
XXI S llables y .
The S ra dhara Thi has alr ad n x laind. g . s e y bee e p e
XXV S lla l s y b e .
The Kroncha- a a [ p d .
“ o u II o u I uuuu uuuu l uuuu o u
D m m m m G. .
The native prosodians scan all metres by trisyllabic feet and thi one lik the S ra dhara is fanci d intricat cau s , e g , e e be se such scansiondoes not agree with the melody : but if divided
h re h i ar Thi mtr i h a i of the as wn it s cl . s t e e s o , e s e e b s s ntl nti which will r c d. ow , p ese y be o e
ALTERNATE UNIFORM METRE .
” M u ical timis call d the llici ictus as s e e po s ,
H rac call it : h nc the n ali T i o e s e e ya. he e ghth canto of the Ra hu Vamsa in thu g beg s s .
m fi l w o u o u l “ u u W h a l u vfi w: o u 0 0 11 u u
atha ta8 | ya vi | vaha kau | tukam lalitambibhrata eva parthivah
The alternate lines have one long syllable inserted after the 14 S A N S K RIT P RO SO D Y .
thi e Hit0 ad. l ts. S e rd. Each stanza has two such coup e p
S u hridb . 33 85 S hi 101 . , , 86 . and ,
If a l n lla le is added the mtr is call d Au achchhan o g sy b , e e e p
’ dasika i i n Thu Ra hu Vamsa or A Var at . mm o s, g ,
ix . 66 ,
' “ W W I namfam o u n u u
’ “ afi mfifi nm fif o u o u n u u
Thi is u d inthe la t cant of the Ma hamwh r the com s se s o g , e e mentator observes S argé sminAupachchhandasikamvrittam;
” - Vaitali é urv sdhik at mu as 7 ; . y g y m1 W faw nInthis canto the metre is (Aupachchhandasikam) a
variation in the Vaitali amwith anadditi nal lon s lla l . , be g y o g y b e ' ' Hit A variety of this is called Pushpitagra gfq am( op .
S uhrid 42 . ) W I m
' gfirfi wfi é s nfit fifz ma
" “ " U U U U U U ll U U U U U II “ U “ U “
See also Hito . Vi ra a 145 n l i. . S aku ta a 32 p g h , .
Inall these metres the slok has two similar lines : of which
i h r lo Th n ll I c te t e fi st a ne . e fi al sy able of each couplet is long
rule : but in ractic is often h rt as her ex hi it b d. y p e s o , e b e
The alternate metres are popular : as Wilsonobserves (inhis
ammar 44 ntir cant th nth M h r . of ccur i e e a G , p 7) e e os ese o g , i h h Kiratar uni a and Na s ad a. j y ,
T here are some varieties of the Vaitaliya : one is called
thu d nd b Col k ci in A ara vaktra : r t R . ix 0 p s efi e y eb oo e, g . 7
24 invol 1 1 f his Es a s . Both r e are i e 1 . . o v . . e ch h (p . s y ) e s s ( a alf is) terminated by three Iambicks : and beginwith four short 15 A LT E RN AT E U N I FO R M M E T RE s .
inl hort lla l and syllables : but one verse interposes a s g e s sy b e, ” That is the other a trochee .
" O U
W 111W 113!
' One vari t of Vaitali a call d Pravrittaca run thu e y y , e , s s
Inthe first and third lines Inthe second and fourth
The evenlines prefix a long syllable : and may be ex pressed thu s, Lines 1 and 3 U U U 2 and 4
The following instance is givenby Colebrooke (p. ( t at- « W
M W
Listento this pure auspicious and pleasing history of the
f Bharata as uttered fromthe mouth f V as rac o o a. e , y
Mr l r in nded b . Co ook n 55 The notes a . 9 a d 1 ppe y eb e, pp 7 , may require a little ex planation: but these refinements are needless to learners .
alt rnat line are call d b diff r nt nam Th The e e s e y e e es . e
lins 1 and 3 are called Udich Th uneven e ( ) ya. e second and f h w i h are lon r b one lla l re nam ourt h c a d Prach a. , ge y sy b e, e y A stana havin four Udich a line is call d Cha z g y s e ru basini.
One como d of f ur Prach as is namd A arantika p se o y e p . 16 S A N S K R IT P Ro so nv .
' ’ THE ARYA Tani-r
' Ar é u f t that containfour r v e uiva y ses ee b e es, q having a long syllable inthe
l st seat 2nd
3rd
Both long Four short U U U U
n n of th m u d ineven at 2 A o e a viz . 4 6 . Each y ese y be se se s, , , half must end ina long syllable : so it requires either the
n t Th foll n o d or the ana a . e owi is inH i 33 sp ee, U U p es g . . .
2
7 8
1 2 3 0 aml ml fi m 4 5 6 7 M l unfi l g l fifi t
l 2 3 o u o u o u
4 5 6 “ U U U U U U U
nth i hth at inthi intanc ach half has a lon I e e g se ( s s e) e g.
ix th the r t half has anamhi rach : but the sec Inthe s , fi s p b ond has a single breve. This is the usual mode : having variations inthe six th and 17 T H E ARYA.
‘ i hth lac Bu a ar a- iti has thos e g p es . t kind called flli l f lfil y g e
’ places otherwise : Kalidasa s N alodaya has many instances thu can 1 1 41 s ( to . )
m4 m5 m6 m7 m8
r and the second half is constructed inthe same manne .
The nal lla l in ach half b rul is lon : but in rac fi sy b e e , y e g p tic is oft n h rt e e s o .
Th mhi nthe unv n at e a p brach Jamis never used i e e se s which ar l 3 5 To d t e mmr I x r the rul e . ai h , , , 7 e o y e p ess e ” t us H r h Aryae sedibus imparibus prohibete Jajspa. e e ” ar i d a nth [Enid i 6 an as s a s o azus as aur i e . 98 d y p n , e e ,
vii. 190. " The six th foot ineach half is either NL U U U U or J U U
r l r o a sing e b eve . ' The few rul now iv nare uffici nt to x lainthe Ar es g e s e e p ya.
The r mainin ervation which nativ tutors coni e g obs s, e s der
ntial ma conid r d at l i A ur . mtr u d esse , y be s e e e s e e e se by
or milar to the Ar a H ace is si y .
’ ’ Miserar est neq a mori Dare In dumneque dul ci ma1a | vino Lavere aut ex ani mari Metuen tes patru a: vulnera lingua: 18 S A N sx RIT P RO S O D Y .
Tibi qua lumGytha reae Puer a les tibi té las 0 per osae
’ que Miner vae studi aufert N eobu le Lipa rae | i nitor Hebri
U U
“ “ U U | l U U
U U
“ “ U U I | U U
Anoth r Hora ianmtr is analo ou : thu e t e e g s s,
Sic te diva potens Cypri
Sic fra tr H l 11a3 1ucida id ra etc. es e e | | | s e ,
U U I I U U U U
But these are Uniformmetres : whereas the Aryahas many
ari tion followin i mlodiou v a . The c mof th m e s s g spe es, so e e
’ mr matt r of curio it are r rv d in at r mm e e e s s y, p ese e Y es G a ar.
The fanciful intanc th r co i d froman aDas ar ariou s es e e p e G g , e v s
h mn so contriv d as to x hi it the nm f t i a o he c . y s, e e b e spe es
t all u in as a fr m Bu I sh s bjo p s ges o popular poems .
The r t call d mmPath a or rdinar has alr ad n fi s , e y , o y, e y bee
ex plained .
' ' ” 2 Vi uls a r ad or x t niv cla admittin . p fi gat, b o e e s e ss, g
ti S om re m v ral vari . a c o d ntir l of r v se e e es e o p se e e y b e es,
n l - x c t of cour the al lla . Thi is call d Na vi ula e ep se fi sy b es s e p ,
f N a h because composed o ( a) trib c s . S ome verses inthe same ' Arya metre are written(ex cepting the six th seat as usual) entirely inlong syllables : this is called M a- vipula: because it may be measured by (molossi) feet of three longs : which of
fl) SA N sE RIT a s nv P o o .
Emh l flfipwnfh l q ms wi
lJ ‘ U O U ‘ u uu u uu ‘ uu uuuu I U I
If Kri hna r clinin n s , e g egligently against a tree in the
Vrinda w d and la in his utewith a milin f main oo , p y g fl s g ace, re s ” inthe mind th nwhat i h , e s eaven?
The nx t thr intanc oint a mt r of r e ee s es p to a te me e curiosity. It is regarding the use of the amphibrachys (Ja) inthe fourth
t. n ii 5 a I H . se . s mms s fisn1 s fim
‘ alas yamstri seva| sarogzi
Here the fourth foot of the first half has (Ja) the amphibrachys saro a : th m wh e a ccur in rs 16 1 162 and l r . g s e o s ve es , e se e e
Thi is call d M ukha cha els or KaMuom. s e W p , y
But thi ma ccur inthe cond half and th nis namd s y o se , e e
- n 1 1 . 4 h a S o i H . m Jag ana chapal or KaXM nvw . 7 the second half has lnwwgwfifimh mwh i ” Here is the amphibrachys inthe fourth seat ; bhavant . But sometimes the amp rachys occupies the fourth seat in
ch h f Thi is called ha a cha ala: or M aha ea al . s w qmUb y p n ha ala. I ha l r . l c c pala ( see Co eb . p or simp y m p
i l a t/cak we t Thus inthe Greek this mght be sty ed /up nor p ) .
hilo o hical tr ati S ankh a Karika v r 6 1 p s p e se y , e se , RURQ Q MN t fi fi Ep fifi fihflWfiWt i nsml fiMNHT Eflhmfifiwvfll R H YM I N G M E T ER S .
Prakriteh sukumi rataram
Nakimhi etc c , . Ya drisht semi ti punar N 5. darshfi, etc.
thin inm ini nis mr ntl thannatur : nce No g, y op o , o e ge e e o
ware of havin n nshe d not a ain x h rs lf a g bee see , oes g e pose e e ” t z f oul C l rooke to he ga e o s . ( o eb ) . These instances of Chapala may be passed over by the
n in of n im l ar r o rtanc . e e , be g po e
42 ” 0 20 1 5 4.
ON RH MIN METRES . Y G 4,
A few mtr use a cl in rh mc nnctin two lins int e es os g y e, o e g e o
one c u l t. One is call d Pra a ika m or Manari o p e e jj t j
It is imilar the Kroncha a alr ad d scri ed m. to ad , e s p y e b
t that is uniformwh reas the Manari admits f t e ui a bu , e j ee q v
l nt to a S nd in narl the amas tho used inthe e po ee, be g e y s e se
' “ Ar a x c tin a anam and the f t us d are y e ep g U U (J g ) , ee e ,
B havin a lon inthe r t g g fi s place .
nth third S i e . nd G5 the S o . , p ee
U U U .) N L f hort U U U U our s s .
t ll l in ach lin is lon The las sy ab e e e g.
Mfidha ja hihi dhan agama trishnam Kuru tanu buddhi ma | nah suvi trishxiam
The Mu dha- bodha or Mallet of elusi n a o ul g D o , p p ar carol 22 SA N S K R IT P Ro so nv .
attri ut d to the anci nt a S ankara har a was r t rint d b e e s ge c y , fi s p e “ b Sir William n who r mark that it is c m d in y Jo es, e s o pose regular anapaestic verses according to the strictest rules of ” r k r B i m nd d . ut he iv no anal of the tr a G ee p oso y g es ys s e e, non can f h l Yet tho who e be ound inany publis ed vo ume . se have listened to the verse as chanted by learned Brahmans will i n t perceive that the definitionI have g ve is correc .
fi rm
g fll gfi flmq fi l gflml
’ mni fi u mfifi w’a
fi l h fi nfiz fll fi fi u
E milmml fi l gs
ml fi - flwnflflfi l fi s
mus t angz mnmz fi l ml ml mz n
« fil finfimmz l fi l
II “ UU
2 5 M E L O D IE S .
5 T he bod is n head the mouth toothless : the . y totteri g ; the grey ; ' delicate stafi trembles in the hand which holds it : still the fiagon of covetousness remains unmtied e p .
How w soon how lon l in inthe 6 . soon are we born! ho dead ! g y g
’ mother s womb ! how great is the prevalence of vice in this world ! Wherefore 0 manhast thou complacency here below ?
n de art and . D a and ni ht evenin and mornin winter and s ri 7 y g , g g, p g, p return: time s orts li ass s on et the wind of ex ectationcontinues p , fe p e y p unres rain t ed .
8 . T o dwell under th mansionof the h h ods at the foot of a tree to e ig g , have the round for a couch and a hide for vesture to renounce all g , ; ex trinsic enjoyments ; whomdoth not such devotionfill with delight ?
'
9. Place not th afi ns stronl onfoe or friend ona sonor a y ectio too g y , kinsman inwar or be th e en- minded towards all if thou ; peace ou v , desirest s edil a he na re of Vishnu pe y to ttaint tu .
10 T h Ei m Indra the S un . e ht reat mountains the sevenseas Breh e g g , , , , , and Rudra these are ermanent not thou nor I nor this or that eo le , p , , p p wherefore thenshould anx iety be raised inour minds 1?
1 1 . Inthee inme ine r other bein is Vi shnu foolishl art thou , , ve y g ; y
‘ ofiended with me not hearin ma roach : see ever soul inthine own , g y pp y soul inall l i n di ersit ; p aces lay aside a not o of v y .
12 uth so lon ursu s s . T he boy so long delights inhis play ; the yo g p e hi damsel the old manso l n broods over uneasiness that no one meditates o g , onthe S u reme Bein p g .
13 l di t n . T his is the instruction of learners delivered in twe ve s i ct stanz as ; what more canbe done with such as this work fills not with
v n de otio .
It is aid that a Another instance is given of this metre . s serpent lodged ina dry tree was described ina dry verse by a V denti e ,
U U U U for which Kalida a r d x t mor inthe ame mtre s p opose , e e p e, s e , 26 S A N S K R IT P Ro so nv .
M umfww fit rm? “ o u uuuu uuuu o u uuuu
The Moha M udgara was printed inthe Telugu character at
Madras in 1865 : and to it is subjoined a continuationin
ft n tanas innin thu fi ee s z , beg g s,
mummmamwsm
’ fi aflfinm l eml i m
W l mfis l afisl vfim
There are some popular melodies unnoticed inthe treatises
onPro od Inthe twent - first canto of the tenth ook of s y . y b
’ the S ri Bhagavat there are a set of vfifi msfia Milkmaids
Carol which are u uall considered mu ical fr fromro o s, s y s , ee p s
dial u w n th are r ular allowin of a rul . B t e hall fi d e s ey eg , g
variationinth innin of line The nal s lla l is fr e beg g a . fi y b e ee .
W fll fi mw efi fs l
‘ {ffla l ml fz w l w
afi l maa l fi ‘ eta ete R g r t tfinfaa fi .
This metre is not ex plained inthe Manj ari nor by Ganga
D as Cole rooke at s or veninW r 3 1 wh r , b , Y e , e ebe (p . 7 e e he de cri e the l venth t m s b s e e sys e .
A N D A K A D .
The andaka mis a chant dith ramic mtr or tical D g , y b e e, poe
AP P E N D I X .
As it is mo ect to imlif the Pro od l hav iv nonl y bj s p y s y, e g e y
uch rul as are in enral use and inthe followin a e s es g e , g p g s
uch matt r will noticed ar v alu d b the l arned s e s be as e e y e , thou h of mall utilit to the learnr If at a futur da he g s y e . e y
’ r ads a nativ treati e on the u ect or We er rman e e s s bj , b s Ge volum he will find a wildernss of rul t ndin rath r to e, e es e g e
mede thanfacilitate his r p p ogress .
at an arl a e and have n inuse thr u hout India for e y g , bee o g
anci nt line writt nb Panini e , e y ,
na sa 1a gam
Each of these s llables is the name of a foot : and that
ll l with the nx t two will e emlif th f ot Thu the sy ab e e x y e o . s
t thr e ar mata w i nx t thr r e a h ch is the foot . The fi s e Y , Y e ee" M h t T Ra ahha Meters make the foot T nTara a are the foo . . e j j
h n i B B t dact l N ala i a a n i he . a s R whil a s . ha asa s , e J b J , y s
i r n he ana t The is N the tr ach a d S ela emis S t azs . , b ; g , p l l L l closing sy lab es are for breve and G for a ong. T A BLE S O F U N I FO R M M E T RE S .
Some other feet are knownby names merely compounded i fromthose already g ven.
GRE EK NAME . INST A NCB.
Choriambus U U bha- gam ebrietas
U U ya- lam Alex ander
U U ta- lam producere
Ionic h minore U U similes sint
Pmn bha- lam temoribus a I. U U U p
- nia U U U ja lam pote t
- m animatus U U U se la
celeritas
E a- am salutantes pitrite I . y g
ra- gam concitati
communicans
incantare
r leusmi - l hominibus P oce at c U U U U na am
The Ta l nif rmM tr i Mr Col r k and b es of U o e es g venby . eb oo e
r t n t r uire l n D . a are corr ct a d valua l bu m x a a Y es e b e, eq so e e p i B i l t w t on. e ng trans a ed fromnative orks they are rendered intricate with arithmetical contrivances apparently intended to
inv lv th rt inmt r or intan if we r hin e a . F c a e arc o e ys e y s e, se g
for a d nitionof that familiar mtr the Serdula we r t efi e e, , fi s
mu t c unt the lla le inone lin : th in nineteen w s o sy b s e ese be g , e
c nult at who lac it 3 0 und r the Nin n o s Y es, p es (p. 7 ) e etee th ” ” nu ci 3r But h mi s d . o t th m T Ge s as Spe e e s e na es . o find n t 24 w “ the amwe mu t turn o . 6 h r at x rx is i e s p , e e, , g ven
the namof the nu Atidhriti and h r at No 3 we e Ge s e e, . , h discover the name soug t. 30 X S A N S K R IT P RO S O D Y . A P PE ND I .
Mr l wa cl ar mak . Co r k alwa x act but not al eb oo e, ys e , ys e , es
the matter m in i t in 1 b chanin the numeral ore tr ca e ( p . 63) y g g , thu : int ad f h x xx th h mrk the nu as x l v th and s s e o t e e a s ge s , d n it X IV Atidhriti 19 4 : 6 and h r is the mtr efi es , x 7 e e e e
Serdula iv n as the rst S eci : d nd thu Serdula , g e fi p es efi e s ” vicridita or Sardtila 12 ms s 2 t S D 2 T A S 1 c. , ( 7) j g + The numerals denote that there is a pause or caesura after the “ ” twelfth s lla l The l tt r ms s 2 t d not the f t y b e . e e s j g e e ee
ma a amsa a am t an h c ital S etc . iv the e c. d t e a g n , g n , , p s D, , g e initial f a n n o nd a dact l a d o . s spo ee, y , so
’ Intran a in D r ate has r rv d sl t g Ganga Das s prosody . Y s p ese e n nm the memorial lin which are u ful as r c rdi the a . es, se e o g es
B t a h i r Thu the ninth u not er arrangement would be eas e . s
canto of the Ra hu Vamsa O ns with thi metre g pe s ,
“ U U U U U “ U U “ U “ N B B R
To discover the name we must first count the syllables : as they
are tw lve we turnto ate wher und r the 12th nu e , Y s, e, e Ge s
35 w fin t nthe n . e d it as he 9th s i But to l ar am (p 7) pec es . e e
we mu t r f r 425 h t Vil to . w r at x u 9 is the ru a am s e e p , e e, . D ” ita b .
S tenz ler inhis ro odial not s onthe o mfollows the , p s e p e ,
nativ routin but u in till furth curit Int ad of e e, s g s er obs y . s e
tatin that th r are twelv lla l he a a ati Siv s g e e e sy b es, s ys J g , e disticha 48 leaving the reader to guess that as there
are forty- eight inthe stanza there are twelve syllables inthe
l Jagati is merely a mysterious word for twe ve . This and the other similar names are rarely remembered evenby ex cel
l of no use ent pandits : and are . T A B LE S o r U N I FO RM M E T RE S . 3 1
h Chhands The names of t e . I aspen XIV naifi II W I vfimfiifi
XVII
XVIII
s finrz (Nom. ems) W was ) q‘fi} XXII 6 flfi li XXIII
s Nom IV fi g ; ( . fi gu) XX
XXVI
M etre of r at r l nth are call d mmu ical ro of s g e e e g e g , s p se, which th r are man ari ti e e y v e es .
D r Ro n th l arnd i l nf d . e e e d tor of Co rook co e to se , e eb e, sse me that he had rint d the ta les with t un r i m p e b ou de stand ng the .
The metres mentioned as having less thanelevensyllables are oft n ortion of lon r kind T h are n onl in e p s ge s . ey see y nativ ook on ro od and are of no advanta to the e b s p s y, ge n stude t .
The l tt r M B R n h L etc. d ot t e fe t accordin e e s , , J, , G, , , e e e g
i nt meth to the anc e od .
XI V h n l . r avi e v n lla l in ach lin e ses g e e sy b es e e .
“ “ 1 W U 11 U U “ U 2 T J 32 S A N sx RIT P RO S O D Y . A P P E N D I X .
Ex ample givenby w l W i nfi h nd Holdin r th ma mountaininhis l ft a . w i t g ove e e
“ “ ‘ nO U “ U J T J h n f s wa rm : S hining with the pearly brig t ess o
thunder olt etc . b s,
“ - - N 2 J L G 3 . 1313s? u u u 0 0 0 0 0
S he autiful eh ld his darkn fi fmmW , be , (b e ) ess r n f dest oyi g ace.
4 ‘ “ M 2 T Gs . mfi fi fi U \ U ‘ £1111 mf g -ah firm: True faith inVishnu (promotes h h f mn t e oliness) o e .
5 M B T Ga . W W U U
' W T lira firqrafi fi rsts? As a raging wind destroys a boat in h mid t f th t e s o e sea.
“ M B N L G 6 . m o u u u u u
m An x and d ow r adornd with m e p e fl e e
humming bees .
“ “ ' B T N Gé 7 . 1 1mi 0 0 u u u u m afi a“ Is there any one in the world whose (wish) has not beengranted ?
“ “ “ R N R L G 8 . mm u u u u u U u (
- h n M i na( mat S he was startled at t e sou d of ’ Krishna s flute .
“ “ “ R N B Gfi 9 . Guam 0 u u u 0 0 m : grail: All the gods respect him. 10 “ “ “ 3 E G5 . i t“ L N 0 0 0 0 mm : Placed at the foot of the Kadamba
und r which the ods a s ml . tree, e g s e b e T A B L E S O F U N I FO RM M ET RE S .
— - “ u 0 0 0 0 I) T 2 J L G
t armi of mu m The destructionof the grea es the inf ernals .
“ “ “ 12 3 111 “ U O U U T J T L G m Whit and c ntantl unf m all m e o s y y g W p people
“ “ ‘ “ U u u u o u O U R N B S
mm: The ath of the moonis o truct d W W p bs e
b thick arkn y d ess .
“ 2 M 0 - 1) u u u “ U J T J R m mW fi g: The sweet- toned flute (was filled)
the f li s by breeze o his p .
A grammarianhas here remarked that the metre commonly employed in ” ra e i b s th s w f h lass But the r c Greek T g d es much resemle i t el t c . t agi
s a s in e ns mare niform metre re ariable while tho e th S a krit s ste . v , y U
- - J S S 3 . mm 0 0 u u u u o u J
the amuna Y .
“ “ 4. W IN U u u w ard mm0 S erpent ! (make) your departure ui h a q ckly to t e se .
“ O i) In) “ o ur 4 8
3 Go ha to tainfr ed mfromi in m , S n m m ppy ob e o h n t e iro age.
“ 6 . a fifi t u u U 4 R
' ‘ film31 afiqlfi M ay his f rmhe a rac l t inm { W o b e e y o om b s . 34 S A N S K RIT P RO S O D Y . A PPE ND IX .
s “ “ “ “ 2 M 2 Y 7 . fi ni h U U ma: mar am0 brother ! every goddess will be wor hi s pped.
- “ - S 2 S 8 . s tems ( I 11 0 0 0 o u u u J
’ W W m : The melodious sounds of Krishna s i vo ce .
“ ‘ “ “ N 2 B R 9 . 3mm u u u o u o u U
Enchantin b his wift l w and M g y s , s o
d li htful e g paces . lo w fiwfi u u u u u u “ u u 2 N 2 R w W m Fromwhose lotos- feet the Mandakini S run p g. 1 L fi fi m u u u U “ “ u u u U “ “ N Y N S m m (His form) is adorned with flowers
wh nhe wand r inthe r e e s g ove .
1 - - “ “ N 2 Y 2 . m u u u 11 0 0 0 U J
Th l to f nm f M o ac 0 o ura. mm m y s e, e e y
“ 1 - - “ N 2 J R 3 . WEIR u u u 0 0 11 0 U W W WEIRHI : And the bee is constantly embracing w r the flo e . " 14 mm 0 u u U “ “ T Y T Y
’ muffifqm m Anima lik a cha l t of red m g e e p e l pear s .
“ “ r 5 r " M N L M G 1 . m u uu u G
New cl ud for the d tro in of h at amW o s es y g e .
XIII.
S A N S K R IT P RO SO D Y . A P PE ND IX .
2 1 “ “ “ S B2 G§ . mm U U U J U U U U EU mfamt filmm : The tila plant and the glory of the ro is full l wn g ves b o .
“ “ “ “ 2 N R S L G 3 . W mUUU UUU U UU U 11mmThe armunder the command of the W y son f o Yadu was invincible . 4 W m U U U U U U “ U U U U U U “ 2 N B N L G ’ mfil mm fi rmO Cupid ! thy flow ry arrow gives r at ain g e p .
5 . mesh
U U U U M T N M Ga
r f Kam m ‘jflfil mfi mafiaWhenthe destroye o sa danc he r ml th a n tr es ese b es e V sa ta ee .
“ “ M S M B Ga 6 . often O U O U
ll?“ m0 fair one the lor of outh a m , g y y is trani nt h i n s e as a flas of l ghtni g.
“ “ “ “ 2 N 2 T G5 7 . WW U UU UUU U U
’ W W W It s surface is rendered vocal by
birds .
afi m or fi f r . . u fi s i
“ U U U U U U U UU U UU U U 4 N S
nhi for m m The crescent painted (o s e th nd a t head) wi sa al p s e .
2 . mfi nfi UU U U U U ll U U “ “ 2 N Ga nG2 Y ‘ v i Ri dhi wh umd the W mfs fi mj mMay o ass e ’ lo f M hu d tro r t cti n co ur o ad s es yer grant p o e o . T AB L E S O F U N I FO RM M E T RE S .
5 M 3 . w as m : mi: w as : Full of play with the
ri htl la f l mi mid Sp g y p y u lk a s .
4. m at
“ U U U U U “ U U U “ U U N S N 2 R m m W fi The tfla lant is infull bloomin p
th in f rin e open g o Sp g.
5 “ “ . {on U U U U I R h R J J R 7 troc ees and a long.
’ W W W A golden quiver full of Cupid s
RIT OWS . 6 m - u M R M 2 Y m flwh o amv ii mRi dha was like the moon
hinin li l h dark clou s g a tt e throug a d .
7 fi m U “ “ U “ “ 3 M 2 Y mm m His formis ornamented with a w r m n one of ri h ncklac of wild o r li t arl . e e fl e s, ese b g b g pe s
l S manica a l or m dou a Co ebr. , b e (s ys )
“ “ “ “ “ “ “ U “ U U U U U U U S trochees
' an6 2s trig?! w as l mu th i s m 1 n r I 711131 1 ( Inthis metre each line ends i a b eve ) . muse
on the o Vi h u the wor hi of who f t imart e, s n, s p se ee p s
virtu havin th tr wr ath d with wild ow r dis e, g y esses e e fl e s,
i as a c w r gu sed o he d . a m
“ “ “ U U U U U U U U U U U U B R 3 N G
m The rancin of the hu l hant W m p g ge e ep rul d K e by amsa. S A N S K RIT P RO S O D Y . A P PE ND IX .
U U U U B S M T N G
mash gummm(The earth) was terrified at the
wick d ur uit of the almo t ininci le i t e p s s s v b g ans .
’ 4. or fqfi i , , m
“ “ “ “ S iambicks U U U U W W W fi nmfilfiifi He dwells ina house made of hinin arls at the root of a c l tial tr s g pe , e es ee.
5 . 1: a
“ U U U U U U U U M B N M N G
mam rm: d ha is languishing onthe
win l ncin f s g (ba a g doubt) o love .
6 “ “ “ “ “ “ N RB R . “fir UUU U UU U U U J G
‘ ' W s WflIgflTfillfi filW M ay the goddess of speech now in ir inme the rac of o tr sp e g es p e y.
7 . W m U U U U O U Y M N S R G
m i fi M a thi d li htful S rt of ( a w y s e g po
i r wit Hari a ds p evail h .
8 . 1 fi srgfii U U U U U U U U U U U U U U U U 16 breves 5 N L
mun W W W M ay he who sustained the o irtu u heart tainonly shine into my v o s .
9 “ “ “ “ N J BJ R G . m UUU U U UU U U U mmmM It is like the cry of the eagle t whenit frightens the monstrous serpents of the gians. T A B LE S O F UN IFO RM ME T RE S .
“ “ “ I UU U UU UU U Y M N S B L G w e: as 1 W WII m e 3 fi sfimzw: as!firs t! mintmi :
s his mn nfall mthe hand of this child we shall S ee ! hould t ou tai fro , b certainly be destroyed : this should be thought of y us all.
“ “ “ “ “ “ “ U U UU U I U UU U U J S J S Y L G
h k nt by t e wic ed gia s .
1 3 . 1m
“ “ UU “ U“ UUU II UU UUU U B RN BN L G
“ W W II ( afarmat A d mp of water fallenby night na fr h l upo es eaf. 44 1m
“ “ “ I U U UUU I U U M BN 2 T Ga ' 31m HmW ET afi l T N T By slow and persevering
efforts the maid is subdued.
5 . rfi nfi
“ “ “ UUU UU“ I I! U UU U N S M RS L G
’ W “S IRE?W WW mBramha took the deer s n eyes and gave them(to these wome ) .
or with anoth r cae ura . Th m 6 . m m is a , , e s , y
th n s ll l have a pause at e 7th a d 13th y ab es .
. “ “ “ UU U U “ U U U U “ U U U N J B 2 J L G U \ mm : The t d crib himin W m poe ( es es)
mn l of this kind a y p easing verses . I ” i f .
S A N S K RIT P RO SO D Y . A PPE ND I X .
7 man
I UU UUU U I U “ M BN M Y L G
mm« fit mmsmr- mHow is it o i l that a t p ss b e ’ Radha hould not ca tivat K h a f s p e ris ns oe. 8 . m m
“ “ “ I UU UUU I U UU U M BN R S L G mm mmfi rflx fawn- umThis body of mine is O r d with u t nin the r t m t i pp esse s s ai g g ea ouna n.
The flowerin shrubs sli htl shaken he southernbreez es which g , g y by t
raise a entle swell inthe la ful amuni g p y Y .
2 . m
“ “ “ “ UUU U U UU U I U “ U “ U N JE J2 R mmmmfi wfi O friend ! go to the Vrinda w d the li h of th in oo d t e arth for ha . , e g e , pp ess
3 “ “ “ “ “ “ “ N 4R . m UUU UUU I U U U U 2 I !) m M flai l Lo ! she sends the heart i rcin arr w fromher e e p e g o y .
4. fafi m
“ “ “ “ I UU UUU U I U “ U M E N 3 Y mmmmm His dear eyes were fix ed onthi w ndr u autiful cr atur s o o s be e e .
“ U U “ U “ U UU “ “ U UU “ M S J S Y S
I i 1 Kama havin b his a nraq ?mmfirfiat wi l l w e s g y w r himlf int a mimi i r for h ntin h r po e formed se o c t ge u g t e dee . T A B LE S O F U N I FO R M M E T RE S .
“ “ “ “ U I UUU UU I U U Y M N S 2 R G ni h firings: ms fsrr« i nfirm li the clouds at g t are luminu wi h h i o s t t e viv d flashes of lightning.
2 Lik n “ “ “ “ it . m the r c din o l int ad of U e p e e g, y s e U “ has U “ U “ “ mm“mm mfli rt ml: The distresses of life ' do not aflect those who have takenrefuge inthe shadow
of hi f t s ee .
‘ 3 uri s fi 'rfifs a
“ “ UU“ U “ U UU “ I “ U “ U M S J S 2 T G wa W IT?a? r amI will not trou l ou i wa mm a b e y
with thi wide a in ti r of a world s g p g ge . 4 m
i s t -a ind o taind nfu e? rai l new met mmt Gov a b e li n t r f h milkm de cious ec a o t e aids . 5 W
“ “ “ I UUU UUU U U M Ga2 N 2 T Ga ” my ; 2m?mrmw : W Anunparalleled branch of flowers fromthe celestial tree fell onthe head of the
Opposer of the demons .
1 W
“ “ “ “ U“ II UU UUU U ll UU U M R BN Y B L G N W I w fi rm nfi w mfi fled wfih
c ta she dw ll h in her full of t ar of o . e s sy e s, av g eyes e s j y 6 S A N S K R IT P RO SO D Y . A P PE ND IX .
2 . rfifirrrr
“ “ “ “ UU U U U U “ UU U “ UU “ U“ S 2 JB R S L G fires {Ft w W W m(The flute) attended with the fannin and ini f t milkmaid ins ir d g s g ng o he s, p e
Hari. 3 . Ta “ “ “ “ “ “ “ “ “ “ “ “ U U I U “ U I U U I U RT RT RT G L m w firs -JIM (He pleases) by the variou m mn nh ntin f rm s ove e ts and gestures of his e c a g o .
4 i ron
“ “ “ “ UUU UUU U U YM 2 N 2 T Ga W fi vfi fi mmaz w ar m Krishna ! there i s a certaincreeper having its head adorned with a multi f tude o bees .
“ “ “ “ “ “ M U I UUU UUU I U U RG.NNG,RRG W N I W WW W MWIM body of sh u the herdsmanw arin a wr h and a ncklac of Vi n , e g eat e e
r r u inth w rl arl v o e o d . pe s, p ese e y
2 4 1ml
“ “ “ “ UUU U U UU UUU UUU UUU U N J B 3 N R
- im l n W « Th aw erag firm! The perishab e o e was versed in amours with the deer- eyed stream- e mid f a s o Vraja.
I UUU UUU UUU UUU 2 M G5.4 N G5
« e il a rrfirr m fit see ar how w W m t s s mh the a il swanis la in amid the lili g e p y g es.
S A N S K R IT P RO S O D Y . A P PE ND I X .
tainbreez es which are attended w th the s n f he cuckoo and the hum , i o g o t ,
‘ of the wantonbees of spring ; yet glowing with heat through having bathed insandal water and reclinin ona bed comosed of lotos leaves which , g p , are reatl a itated b g y g y the heat arising fromthe body.
which like the preceding may be divided into
line Su if rm s . ch metres might be considered not uno
but alt rnate e .
U U U U U U U U U U U U U U “
W IW IW W
ml ml afirfirl m
W ri te r-su m W a lsfi mlwfi mm mlfi fi l mfi rfi
i ra m i fi a to n“ “ c
e Hari whose mind does not the swift amuna ca tivate? which has S e , Y p
i s es imressed with the footste s of add birds is rendered vo l with t sid p p p y , ca
th weetest notes adorned with full- blownlotoses rendered enchanin b e s , , t g y
the humof bees ti s with hone havin its surface covered with bri ht p y y, g g
f u n wa es oamand beauteo s with rolli v . , g
thu divid d at the au s e p ses,
2 M Ga
U U U U U U U U U U 3 N L G
“ “ U U U U 5 T ABLE S o r U N I FO RM M ET RE S . 4
W m: mm
M A n u who is worshi ed with nlified hands b the ay chy ta preserve yo , pp p y ' flri h d female nts and who destro s the ride of the tremendous a g te serpe , y p snake dwelling ina bed of the Yamune.
VI] Inthis clas are lac d the andaka alr ad de XX . s p e D , e y scribed ; and other modes of compositionfor which there
n rul are o es .
THE UDGATA O R O DES “In
There are some wild carols seldomreducible to prosodial
rul wh r inthe t f ll w his fanc numeris ue fertur es, e e poe o o s y, q ” Mr l l solutis as H rac a . . C r k . 131 cite ege , o e s ys o eb oo e (p ) s the following fromthe twelfth canto of the Kirat Arjuniya
’ wh r in as inthe ft nth cant of Ma ha ic mthe e e , fi ee o g s ep poe ,
u Udgata occ rs .
O U “ O “ U U U U
“ “ U U U O U O U
O U U U U O “ U U
“ “ “ O U O U O U
W W W m urmur?!
'' But the king of the Chedis was impatient of the honours which the son of Pi lidu commanded to be showninthat assembly to the foe of Madhn;
for the mind of he ud is envious of the h t pro prosperity of ot ers. 46 S A N S K R IT P RO SO D Y . A P PE ND I X .
Anth r vari t namd runs thu G D at o e e y, e s ( . . Y es
U U U U U U U U U U U U
U U U U U U “ U U
“ “ “ U U U U U U U U
N mwi lt git earn mfimftmore
‘ The res lendent Yamunll lides briskl amon the outhful she herdesses p g y g y p ,
’ reflecting the tremulous light of the moons beams onthe bright eyes of
K s rishna (Yate ) .
Another kind of Lalita. O U “ U “ U U U
“ U U U O U U
“ U U U U U U U U
“ U U U “ U U U
’ t nectar distilled fromthe beamin face of Mura s enemis like The swee g y,
s mthe moon and is imbibed b the s h that which fall fro , y beauteou appy youth of Vraja.
vari t of Ud ata run thu Another e y g s s .
“ “ O U “ O U O U
“ “ U U U O U O U
“ O U U U U U U U
“ “ “ U U “ O U O U U U T H E UD G AT A .
'rfilr mr rvr fi r ml tmfi fi t y
ThenDhananjaya (Vulcan) at the command of Indra with a pleasing countenance performed the appointed austerities to secure the favour of the ” tireless three- e ed one Id y . ( . p . n h A t r vari t call d S aurabhaca ih. . 386 o e e y, e ( p )
“ U U U “ U U U “ S J S G
U U U U U U “ U “ N N R L G
“ U U U U “ U U R N B G
U U U “ U U U “ U “ U S J S J G
mum
W W “ 0 Hari ! whose heart does not the astonishing sweet fragrance of thy
lotos - lips enchant ? for it far ex cels the scent proceeding fromhundreds of
bloomin lili g es .
The i hth k of th Ma cl se with this v rs which e g boo e gha o s e e,
the c m n n nkn nmtr . o me tator calls W a u ow e e
“ “ 1 W m a U U U U 2 em 6 U U U U ‘ U
“ “ “ c U U U U U U
m d U U
“ “ “ 3 « m m e U U U
’ 4 mmrl 48 X S A N S K RIT P RO S O D Y . A P PE N D I .
All thi is one tana infour lin of un ual l nth mark d s s z , es eq e g e l 2 3 4 , , , .
The divi ion h r mark d a c e are alik : the th r lin s s e e e , , , e o e es are irr ul Thi nt inan work on eg ar. s metre does o appear y
r d p oso y.
Inthe mu ical com ition uch as the Gite vinda the s pos s, s Go , laws of harmony supersede those of prosody ; this very name instead of U is accented at pleasure Govinda : and Krishna
ft n m i u hn Th w ll- kn n c anam Kri a. e w n o e be o es (U b s) s e o so g, first printed by Sir WilliamJones inhis Essay onthe Musical
Mod of the Hindu innin qfsm EI?"11 i es s, beg g W m t
tc suflici ntl x mli thi li rt m via? e e y e e p fies s be y. 1 //a / l ’ M 1 JA / fl ( f / h A 2 7 /
ON THE SANSKEIT SYMBOLS USED
FOR NUME RALS .
IN S ankrit chronl arithmtic and x lanati n of s o ogy, e , e p o s
the Pr od numral are oft n x r d b mol in os y, e s e e p esse y sy b s :
words onthe lan f a M mria T c ni Th p o e o e h ca. e cypher is
x r d b sk s ace or an nnm of tho w rd e p esse y y , p , y sy o y e se o s .
An hras for the moonthe earth or the bod tand for one y p e , , y , s s .
Th unit is u all nmd t A dat cc r t t e u a r . u a d thu s y e fi s e o s, s e s,
Ritu na a vardhi himamsu i nif in the six a on the , g , , ; s g y g se s s, ei ht mountain the our a and the mn: innin fr m g s, f se s, oo beg g o n the unit the im rt is 1 4 8 6 . A ai : Sara ahu Rama po , , , g , b , , ” vasudha r r nt 5 2 3 1 that is the ar of S alivahana ep ese , , , , ; , ye
In an diti n of the Rame an the dat is t 1325 . e o y e s ated
' ’ Na ana dharadha rshi nelina- vairi ankh a S adhiira y , s y , na ” nama amat- ara that is in the ar titl d S adhara a s b s , , ye e n, ” ill es moon hi ha in the num r e es h s sa . T is 2 1 v g be y , , g , s 77 ,
n t A 1 ri o D 50 . h n nt 1 2 anw . . 8 E ac Si f S S . o and de o es 77 , s e g g
i nd a arat sun an namof the sun the zod ac being assig e sep e , y e ” welve Inone incri tion a air of un d nt denotes t . s p p s s e o es ” 12 12 Netra S ur a Chandra un mn r r nt . , y , (eyes, s s, oo ) ep ese
n nt - tw 2 12 1 : that is 1 122 l v nhundr d a d tw o . , , , , e e e e e y O ccas ionally numerals are mingled with symbols : thus
’ ” v am wt i am Nin k two mn that N a ara d h m su . s b , , e, y, , oo ,
is 9 0 2 1 1209. ( , , , ) 50 S A N S K R IT S Y M BO L S .
Inmost of the S anskrit treatises onprosody such enigmatic nam are u d : thus inthe Sardfila mtr the au fall on es se e e, p ses the syllables denoted by the number of Martandas (suns ; i l n v z . tw fth a d of th Mu i viz . Thi e ) , e ns (sages ; s mth d inc n h r a s the diffi cult a d is t r for o ular . e o e se y, e e e p p
Havin nmuch mara d b th r nmnts I think g bee e b sse y ese efi e e , an x lanationma u ful The am t ma ar in e p y be se . s e sys e ppe s volum onM th u in r H a mti k tr nm h D . es e a c s and As o o y . T s
’ ' K rns tranlation fromAr a Bhatta ' verse inthe Ar a e s s y ,1 a ( y metre) is cited
The revolutions o Ju iter multi lied b the number of the si ns 12 f p , p y g ( ) are t e r f i r w h l ns ual h ea s o Ju te called A a u a etc. is revo utio a e y p , s y j , re q to the number of the Jinas (24) a couple (2) the Vedas (4) the seasons (6) the
fires i e. 3 ( . 64,
The mth d of dec herin thi is x laind inthe follow e o yp g s, e p e in s g page .
i n f utisha B s d the nam iv nb Mr. Pri se a set o a e es es g e y p, Jy k will n al o o ic d . phrases (mar ed J . ) s be t e E ach name has several synonyme : thus for S ea we may us e
n etc O c an N e tu . e , p e,
The O ci h r is called kha ananta akaSamamara v oma , p e , , , , b , y ,
n S ac sk heav n the ndle circl nti . de o g p e, y, e , e ss ( e)
n namof the moon A oni h . A d s n t 1 a C a dra Indu e c. y e , s ; , ,
‘
h rithvi bhll ku . The od tanu Va The art etc. na e , p , , b y, , (J .
li r ru a f rmfac alone o ta . , s y ; p , o , e
2 Pak ha a win Iletra e e ahu armha ta hand . s , g ; , y ; b , ; s , ;
n i e S ee the S ruta Bodha ri ted inthe ur al Asiat u Dec. 1854 b , p Jo n q , , y h M. Ed . Lancereau, who has added a translationinFrenc .
' n f l 8. I the Journal o the Ro al Asiati S o iet o . x x . of 18 . 3 1 y c c y, v 63, p 7
52 . SA N S K R IT S Y M BO L S .
anti the i ht that tand under the i ht int of the D , e g s e g po s n n ' h av . Fortu e a man ll s ala bh ti etc. e e s [ , g , , J nh 9 . Ra d ra ri c n tril e c Plant ar t . , o fi es (eyes, e s, os s, ) e s
raha includin the sun nd mn a o . (g , g o )
10 . S ide Dik di he the i ht oint of the coma s ( , s , e g p s p ss, with the nith and nadir Pan i h a na wa eneti ze . ct : t us R va s p
riva ten- nck d : a rt n In th w a or oci t of te . . e r g , e e p y s e y J o d
Karma is inuse.
1 i r Ru r : l nd mi- so S va o d a v od c ll . 1 . e e e e g s a ed [J adds
wo la h the rd b a. ]
2 S ur a cau ch m 1 . : a onth h i o n un Pu hk as ts w s . s ara y be se e ,
a set of 12 as 12 ar . Al o the i n of th odiac S e a , ye s s s g s e z . e nth R A S ish mi e . . t o . ur l 1 na 863 . 3 J o 8. y p e Jo , , p 7
Mr Prinse has i ena lon r li t : ut I n fi th . p g v ge s b do ot nd at the additional name are inu se a few how r are w ll s ; , eve , e known: thus
Th nas a s t f w h 24. e i e o od r i d the aina J , g s o s ppe by J s (see
1863 . , p
2 anta T th : the num f h m 3 . r o t e hu ant th. D , ee be ee
The followin dat a few out of man intance x mlif g es, y s s, e e p y h T n the mt d. he umral are tho of the era of S alivahana e o e s se ,
h mmnc d inA D 9 Th . whic co . . . e ar A . D 1800 is ss 1 22 e e 7 ye . . 7 ,
a now to s .1 . The t D . 1860 is s 82 d u t d ar nr A . 7 es be q o e e e g aven
le onmarb .
ss .
2 5 is ex re d Pancha Tricaml chana : that is five an 3 p sse , , o , d three and eyes .
’ ’ Vasv asht a hta. 1826 vol. x x . art 3 . 888 . s , p , p
h r t w rd is a s mol the oth r are lainnumral Here t e fi s o y b , e s p e s .
V ma a Indu the mn 1012 Ravi o z r . . y ( e o), ( oo ) S A N S K RIT S Y M BO LS .
1 1 S a i mn acshi id kha Sk aike one . C l 02 . s ( oo ) , p (s es) , ( y) , ( ) o e
’ ro k E a 11 . 39 1 . b o e s ss ys,
1 1 19 Randhra nin subhr smu mn ru a f rm . ( e) , s ( oo ), p ( o ) , nakshatra na aka moon y ( ) .
h ruta odha a S ankrit tr ati onPro od th r is Int e S b , s e se s y, e e
n Fr nch rsi n int d Vedair Andhrair atra etc. a d the v o pr e y , , e e ' says that this alludes to an Andhra dynasty of nine princes ” nth hhano manari it dha Thi is an rr r. I e C d inMaga . s e o j
mr rr ctl rint d randhra th Yedeinr andhra ? is o e co e y p e us,
' t m all atau a se il M at a a ur . , y g y
1 181 Chandra one Kari l hant S asankantwo mn . ( ) , (e ep s) , ( oo s) .
5 il s hi m a i That is five arrow two 122 Ba e u am . . s y g s s ( ) s, h 124 thi i mi n n n Int e i . s i air a d m . v p s (eyes) , oo , s s t r 245 e preted 1 .
1325 ahu rama u ha But inanth r incri S ara vas d . s . , b , , o e p ti nS ra u hu a rama chanr In anth r S a b d a. ara danta o , j , , o e , , ,
n H r dant t th d not thirt - two cha r a . d a. e e ( ee ) e es y
1343 S a i vahni Veda hara drik M n r v das and . s , , , , oo , fi es, e ,
’ Si a inle Inthi int the unit is namd not rst v s s g eye. s s ance e fi
ut la t b s .
an i u 145 e hu na ite ake. Th is ted 8 . Va u b va an b s , b , g s s q o y Westergaard inthe introduction to his Radices S anscritica:
Bonn but b v r i ht he has mitt d the r t numral ( , y o e s g o e fi s e
rin d i 45 as here p te t is only 8 . n ke Th i Kri ha n a w S anka Sa . i the dat 1 53 . s u Ba a a s s 7 , , s , s e
’ f the o k i S ankalanah rint d at Calcutta A . D . 183 1 o o N ti ( ) b , p e
inthe B n ali charact r e g e .
1 64 Ved artu a t endumite sake at of an ditionof 7 . , s , . D e e p o
the Kuvala anan m rint d at Puni Inthi the numral y da p e . s e
sevenis u d se . N U ME RI C A L SYM BO L S .
1 2 A .D Na ana h r hi na V . dharad a a Ris Nali 77 ( y , , , airi
s hill n n .e. a m t f n iti of the i . a o a ed Ram i eye , s, s ges, oo D e o
an rin d a M r y p te t ad as .
NUMERICAL SYMBOLS
W H E R E I N E N G L I S H W O R D S A R E U S E D .
’ This is an effort to adapt Européenwords to the HIndoo
mthod . Th k ht h d Thus e e rec oning commences at the rig an .
’ 186 w uld be nine six i ht one or Mu S rin Ei 2 o , , e g , , se, p g,
O the ci her ro is x res d Air S ace sk . E . p , ze , e p se , p , y gg,
oval round lo e orb . Al o b r k l tt r at 8 as , , g b , s y G ee e e s, , B, 7 , , h wn will be s o .
RamM n 1 Ari . . es, , oo
2 Tauru Bull. . s,
The r t are r re s nt d b words chi of one s lla le es ep e e y efly y b , l t having so many et ers .
3 Cat do owl elk fox bat. . , g, , , ,
4 Shi oat ri tr wo d. . p, b , b g, ee, o
5 Hor t d rac r riz . . se, s ee , e , p e
n rin ummr autumn win r 6 S eas te . . o , sp g, s e , ,
ith r lla l i nu h n r w Rainb w s rai o bo . 7 . o ; e e sy b e e o g ,
n th Vic t ria a r viat d Vic. 8 . Str e g , [ o ] bb e e
Croc dil alli ator tel sc t l ra h the first s lla l 9 . o e, g , e ope, e eg p ( y b e
’ nin ‘Muses The e . sufi ces) .
h to ra h Archimd C romand l. 10 . P o [ g p ] , e es, o e
l ctricit Ni htinale the Fr nch Onz e. 1 1 . E e y, g g , e 0 n uz or T 12 ur ouz . Thu 1262 is Bull S ri do e aurus . J y, D e s , p g, , , 5 N U ME RIC A L S YMBO LS . 5
3 dit r nanTr iz Tred ecim. Thus 1362 is Bull 1 . Me er a e , e e, [ ] ,
S rin tr iz . p g, e e
n nnation Con tantin l . Thu 1496 is 14. Tra s fo [ ] , s[ op e] s
m n nthe r t I omit the T en which is S rin u Tra s . I p g, se, es , ll commonto a .
n r Thus 1500 15 An word c nnect d with hand as . . y o e , fi ge
nd hand nd . 15 15 is ha . is ta hand and 1558 is Vic. hor ha Be , se,
16 An word connct d with a which has six f t and . y e e bee, ee
- i d ll Thus 1646 is S rin at bee or Seas n a six s de ce . p g, bo , ; o , n hi wint r m . s p, e , oo
t k nda Th 1 An w rd connct d wi h a we as S u . us 7 . y o e e e , y
1 69 is Mus S rin w k or thu Cro ummr bow ram 7 e, p g, ee ; s, , s e , , , n i nd Ri. 1869 is T el S ri Ri 18 Ei. Thu 18 15 s Ha . . s , p g, i 1800 is Beta E .
19 is Cro Ram.
23 is S k ull or lo Tauru . y, b ; G be, s
ur hat is r at d is x r d b Two or Pair Thu A fig e t epe e e p esse y . s
i A ur thric u d is x r 1855 is Two Lights and E . fig e e se e p essed
i w nd a k o Thu 1 s Two Bo a . An Thrice or Tri . s 777 s Wee d
rin umm n 1666 w uld S r and . S k S ri Ei is o be p g, s e , bee y, p g,
1860.
Man ci h r to th r as 000 0000 are re r nt d b y p e s ge e , , , p ese e y
l f h h t Th or o i etters o t e alp abe . us C C s three ciphers ; E or fi i w n E0 is ve ci h r . s ritt Go W t. H r p e s e es e e G,
in the v nth l tt r tand for v nci h rs Fo S rin be g se e e e , s s se e p e . p g
Gr k H r w l tt r ma u d Thu Z ta in ee or eb e e e s y be se . s ( e be g
the ix th l tt r Z ta- S rin Or if we use H r w s e e ) e p g , eb e
- tt r Van int r. le e s, W e
k nin with the r ui it l tt r Thu Or a r word e in . , G ee b g g eq s e e e s 56 N U M E R IC A L S Y M BO LS .
Th ti S ocrat Thu for A d ntin four e s es s , e o g ci h r w m l hi e a use n. p e s, y De p Verses framed onthese methods will be more easy to recol
’ l ct thantho i i T hni e se g ven nGrey s Memoria ec ca.
The ammth d ma ur u d inoth r lanua the s e e o y be p s e e g ges,
Ci h r n t O e and Two in di o d of as alr ad at d. p e , , , be g sp se e y s e
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d e . 1 48 gilt e g s . 60 Pa ern08 ter Row London 5 , t , .
Chalmers — THE ORI GIN OF THE CH INESE ; anAttempt to Trace the connectionof t th ations in i i nS u erstitio he Chinese wi WesternN their Rel g o , p ns , Arts Lan e n B OHN AL H F a 8vo ua nd Traditi C H M . oolsc , g g , a o s . y J ERS , A. p .
cloth . 8 . 2 8 . 6d , pp 7 . — Chalmr . TH E P TI NS O T HYSI S AN D RA TY e s S ECULA O N ME AP C , POLITY, MO LI ” or TH E OLD PH H E R Transla the Chins with ILOSOP LAU Tez s . m ted fi o e e, I n uction h d 62 8 . dd a r n . ntrod b hn alme A F . a Jo C s M. ca 8vo cloth x x . . 4 y , . p . , — Charnock . LUDUS PATRONYMI CUS or the Et molo of Curious S ur ; , y gy name B RICHA RD H EN A n1 TEP H RNO CE Ph. D I . y S C , . ,
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x rvt x V I h n 1 8 . h, t , x vuth, and x vr th centuries . 0 ’ E k P E r . SSAYS ON r be 2 CH A i s. I 1 . UCER ; H s Word s and Wo art . t s ’ ' Review of S andras s E tude sur Chem consider- ecomme Imitateur des Trouveres , , ranla e T ri it Hall Ca br d e nd revised t s t b Ho ts M . A mi a d y J. W. VanRees s , . , n y , g , “ b th Au r — r tinTr a i e onthe Chilindr : F y e tho . II. A Thirteenth Centu y La e t s e or b m hilindr i da hi mannee Tale Edited with a Trans c e t is rime of . y y p y (S p ) , a i a W dc t of the Iiistrument l t on b Mr. E DM U N D Bu x and illustrated b oo u , y oc , y fr mh A t e hm . o s ole MS , 1 522 . ’ 3 A TEMPO P Six - Tex t Editionof Chaucer s . RARY REFACE to the
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th a B . URNIVA L L E n t ri e . F F . e D s a d S a es of the Pil ma etc. etc J s y g g g , , y . , q ,
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LL D .é L 23. H A , . .
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Edited b F. HA LL Es . D . C . L . 43. y , q ,
Ex tra S eries. 1 TH E ROMANCE OF WILLIAM OF FALERN E ( otherwise knownas the . man the Werwol Tranlated from Romance of Willia d f) . s the French at the n 1 r umhre e Bohu about A . D 35 t mmand of Si H d . 0 o which is ad co p y , , ded a f a ent of the Alliterative Roma ce of Alisaunder translated fromth r gm n , e
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n H ail u d i 4 . cl t 80 10s 6d ma r w . n. to o h x i and 1 . . C o e b Ne E it o . p y, y y . , pp . M moir read before the AN H ROP OLOGI CAL S OCIE TY OF LONDON 1 863 e s T ,
n v e 8 . l th l . Ino e olum vo 42 o 2 1 864 . 5 c s , , pp , . . — ’ NT NT S . I nthe e o Pl ce N ur s H E . O me CO N gr s a in at e. By Ja unt, Presid nt f a i L n— he W i h he Brain e o the Anthropologic l Soc ety of ondo . II . Ont e g t of t — n he Ne ro . B Thomas eacoc D . . . . P I . s rv o he Pas t i t B . P M . F R C I I O e ati ns ont g y k , , b n ati n W l s — wo and Prese t Popul o s of the New or d . By W . Bollaert, E q. , IV . Onthe T ms f ri n li u s hu ni l For o Anci nt B tish d a sh ll J T am . D . Pri c a e a G u S . B . rn Es . M p k y , q , , W — nro h or h itho r Plates . . I meri a it L g aphic and Wood cuts V t du ctionto t e Palaeography of A c ; , Observations onAncient Picture and Figurative WrIting inthe New World ; onthe Fictitious W in inN orth merica nth ui f t Peru i x mintion f urious ui us . rit g A ; o e Q pu o he v ans, and E a a o Sp Q p W m r E — W E . B illia Bollae t s . VI . Viti and its Inha itants . B T ri chard s y , q , b y . . P t , q , — V nthe As r nomof the Red M of he W r d llaert II . O t Bo o y an t N ew o l . By W . , — m s n rth l S ull : its e u i r for ati n nidered an mi all . E . VIII The Nea de a c l a o co s ato c q , . k p y — - a nard Davis M D . X n he Di over f lar e Kis n n he . B r sc a By J , . , I . O t y o g t v e s o t ” Muc le H e in h sland f nst land n nin f hl riti hi o t e I o U Shet co tai Urns o C o c Sc st. B k g, ( ) , g y
. W . n H umanRemin B r e E Ro erts E s H o . A . it otes o a Geo g . b , q , n Sec. S L . h N the s . y — a Es nsome F ts conn ted wi h he D h man. C . Carter Bl e . F. G S . X . Notes o ac ec t t a o k , q , . a har n — n rtain hro ol i al Ma ters nnecte t Ric d F. Burto nt t B C . XI . O ce A o c co d y p , p g mmthe Sou th Sea Island rs the oans B W . . ritchard Es . e Sam . T P ) , q , — n halli W d o . n ia. E dwar ell n. II he tor of Anhr lo I . the P c ors 0 I T His t o X I O hip By S o X I . y p gy
- — nd sh . n o m f e M A . Vi residen . XI . he Tw nci al F r s o B T . B e ce P t A S . L . V O t o Pri y y , , p ni n ri ish an ndix of a l Of Measurement B A c e t B t d Gaulis S ulls Part II . with A e T es . h k . p p b y — nmM . W ohnThur a D . P P E N D I x nth e h of the rainand J , , A . O e ig t B Cap acity f h r nial Cavi of the Ne eaco M D o t e C a t ro . B Thomas B . P c . . y g y k, ,
r d b fore he A 1 - M moirs ea e t TH R O G AL O TY N N 8 6 . e N OP LO I C S CIE OF LO DO , 65
V l . II. 8vo . x . 464 c h n 1 66 1 o . l t . L ndo 8 . 2 pp , o o , 3 . — n N T E N T S . I he Differe e e w h W CO . T c t eent e Lar nx f e t anan i . b y o th hi e M d Negro . B Dr. G bb — nthe D rvish s f he Eas . B n I as II . O e e o t t Armi ius Vame I I . ri n n m h y b ry . O gi a d Custo s o t e Gallin — n B J. Me er H a f ierra L o On he Permanen f nhr . B o S e e. y y rris IV. t ce o A t opological Typ es y
- M a a Al h e — B doe. he t WmB l . VI T l f H . . Dr ed V. T a . l . y p b By . a aert . he Peo p e o Spain. By J - n — v n . e ealo and thr a a . An o lo . B M rsh 1 VIII imi us ulls . C . Be VII G o G . Ma a1 . . S o S gy p gy y . k — — l . IX . ni he . arter B a e A New meter. B r P aul roca. X nhr o o f B C C Go o D . B A t o l o t y k y . p gy W — W l . mBollae I . f New or d . B rt . X Onthe Ps chi a h ris i s o the Enli h B Lu e y y c l C aracte t c g s . y k — no f — enPi e I . Ico r h h W l X W . H . es e . II Or h h Pro Ow a o t e S ull . B o ra c k I g p y k y y X I . t g p i n - ectionof the S ull B A . H i s . H n i n i du Neolo . B Ma or wen. X l V O 8 . R . 1 O j k . y gg . gy j . ne — h ro hs r n s . V. T e B c of O . B eor X VI . Ancie t Cait es Remains . B oe X k y y G ge Petrie. y J — - nd rs n. II . D scri on n r D r A e o V e ti of ivi B . Sh rtt . VII . on an X p L g Mic ocephale. y o X I Notes — — ma hrodite. B a tain l r ur n llo . e H e C B to n he act Pu a. B E . S e n . manc p p XIX . O t S i j y XX Rese b Inscri tions on ritish nd Amenc e ann— of ni n of a B Dr. S e m . XX I . S erilit he o p anRocks . y t t U f White and Blac Ra ces B W — s Iml o . R . B . Analo ou For s 0 Flin e . N al er. II m k y . k XX g t p — n B . W me ts . H M eetro II I lor n B a an l d Dr . . ns in et rass d et an . B . . Ex atio U y pp XX p , y , Z — n r id n. H u t P es e t XX IV. Re ort Of Ex editionto etland . B al h Tate. XX V. The end , p p Z y R p f h W s En — n h ave for o t e e t of land . D r l ns i he irk ad C at B . Be . Ex oratio t K e ms g y ddoe XXVI . p ne M — . mn Dr . lve to B . P . orris . VII On h u n of Po onthe H u a Bod . B U rs J XX . t e Infle ce s t y y — n t n — h H unt VII O S o e Inscri tion in h of B assa B D r. H unt I . T e . XX p s t e Island r y . XX X nient Sla er — s or of A c v B D nBo l Relationshi M e. B Hi t . r oh w . B o in arria y y y . J en XXX p g y
Mitchell . Dr. Arthur — ff refeci M rx . GRAMMATICA SYRIACA uam ost o u s H o manni t e , q p p ME D en D BERTU S Rx i n Priv. oc s L l D r . i i n A n niv. L tt e e si . A , Ph . . Theol Lic. U . J
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iet . hical S oc . 8vo x x viii. and 1 l th . s . 6d p y . pp 74, c o 7 . — A TI ON AR M n E G H il M l r . DI C RA d N I S om ed b o e o th A TH a L . sw Y, I C p y J T MOLE W ORT H ass ted nd TH O MAS CAN nd Edition . . S is b E RGE a , y G O DY . Seco , revis n r B ed a d nla ed . J T . Ro a 4 an 922 e MOL T H l t . . Es R . x x x . d g y y o. pp ,
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oth Shan ae 4 48 . cl . gh , £ — MU E D . B n Muhammed . TH E LI FE OF H AMM ased O Muhammed Ibn
lshak B Abd El ali IbnHisham. E dited b D r FER DI N A ND W y M k y . iiST E N n h a ic e E ne volume containi t e Ar b T x t. 8v 2 F I L D . O o. . 1 0 6 sewed g pp , . P A th r volume c n inin ntroducti n rice 2 13 . no e o ta I o Note n I , g , s , a d ndex in
Germa 8v . 1x x ii and 66 ewed s 6d a h n o . 2 s . . . E c o . . 7 art s ld se aratel pp , p p y . The test ased onthe Manuscri ts of the Berlin Lei sic Goths and Le d enL aries has b p , p , y ibr , eencarefull revised b the learned editor and rinted with the utmos ex t b y y , p t ac ness .
M - RIGINAL SAN SHRIT TEs on the Ori inand o uir. O Hist r Of h , g y t e n Pe le of India their Reli ion and Institutio s . Collected Tr ns op , g , a lated and
. . h V I l trated b O H N MUIR Es LL D P D . ol. M l us J . . I. : thi y , q , , y cal and e dar Accounts f th Ori i of C aste with anEn u Leg n y o e g n , q iry into its ex istence
n n - rit nan inthe Vedic A e. S eco d editio re w te d reatl enlar ed. I g , g y g n1 vol .
8 vo . . x x 532 cloth. 2 13 . pp , , — AN SK TEXTS on h ri in nd i . ORI GIN AL S RIT t e O a H stor Muir , g y of the nd Institu i n Peo le Of India their Reli ion a t o s. Collected Translat p , g , ed, and
O H R Es LL D . Ph D B N MUI . . . onn Illustrated b J . Volum , y , q , , e III . , h Vedas : O inions of their Authors and of ater IndianWrite T e p , l rs , ontheir n i at on and Autho nd editi n enlar n I s r i rit . S eco o O ri i ed . 8vo. x x g , p , y , g pp . i .
and 31 2 , cloth. 1 63 . Mum— ORI GIN AL SAN SH RI T TEe onthe Ori inand Histor Of g y the ndia thei Reli o n and Instituti n Coll Peo le of I r i o s . ected Translate p , g , d into
is n Illustrated Re ar s . B HN M UI R Es . P l h a d b m JO L . En L D h D . B g , y k y , q , . , . , onn. V l IV C omarisonof the Vedic with the later re resentati n f t . o o he rin o . p p p cip al nd cl th 153 n anD ities . 8 o . x ii. a 440 o . . A n I di e v . New Editio ol pp , [ of V . II .
is inp rep aration. Main— ORI GIN AL SAN SKRIT TEXTS onthe Ori inand H istor O , g y f the Peo le of India their Reli iou and Institu tions Collected Trans a p , g s . , l ted into E is d Illustrated b mar B O HN I R E L M . L D . P nl h an Re s . J U s h D. B g , y k y , q , , . , onn.
Vol V Contributions to a Knowled e of Vedic M tho o . I t . . l n he r g y gy [ p ess . Mullen— TH E SACRED H YMNS OF TH E BRAH MIN S as reserved , p to us in
the oldest collectionof reli io oetr the Ri - Veda - Sanhita tra g us p y, g , nslated and Mii M x L E . T ri f M x nd . E M nP o of Od e lai e B A L R . A a lo a n . r essor er Eu p y , , y ropean ’ Lanua es in the Universit Of O x ford Fellow of All Souls C olle g g y , ge. In8 l 8 c i nd 2 6 1 23 d v I . vo . li . a 4 . 6 l . um o s Vo e . pp . . Newman— A H AN DBOOK OF MODERN ARABI C consistin of a Pr , g actical Grammar with numerous Ex amles Dialo ues and News a er Ex trac , p , g , p p ts, ina B W E E u n T e. F. MA N merit r ess Euro ea . N W s P of or of Uni p yp y , versity nd n f rmerl ellow f Balli l e x f r lle e Lo o o F o o Colle O d. P Co o os t 8vo . g , ; y g , pp .
2 t . Lond n 866 . 6 x x . and 1 9 , clo h o , 1 3 . ma — TH E TEx T OF T H E IGU VI NE IN S RIPTI ON S with in New n C , terlinear ranla ion and B F N E W MAN lat s t R C I . N e Latin T Notes . y A S W , Professor of i C l a d 4 sew nat Univers o le e Lond n 8vo . . x vi . n 5 d ti t o . e 2 La y g , pp , . 3 . — M IT Notle . A CO PAR ATIVE GRAMMAR OF TH E FREN CH ALIAN SPANI SH y , , ,
RT U GUES E LAN GUA G E B EDWIN A NOTLEY . Crow O l A N D PO S . n o . b n 8 y g vo. 1 . nd 96 . 03 d cloth x v. a 3 . 6 . , pp — Tho P ublications the Oriental Tex t S o Oriental Tex t Society ( of ciety . ) 1 TH EOPH ANIA or Divine Manifestations of our Lord and S aviour ; , . By
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MAH A LBA CH ARI TA or a o kri Pla . 8 . V Hist r O R ns t f ama. A S a , y y Edite b H TRI EN d F. T H 8vc . 1848 1 53 y . . . .
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1 A LA - - L A n 0 . S MAN U URSA Roma c f mi h i E in ; e O Ja (Ds am) . dited
Per nb A L C O N ER 4t 1 8 3. 3 sia F F o . 4 1 0 y . . . ’ 1 MI N STOR F H RE 1 . RHH O D S HI Y O T E AT x Edi d in P r ian A s . te e s by
W M 1 0 . 1 . H . ORLEY . 87 0 . 85 23.
- - 1 2 . TUH EAT UL AHRAR the Gift of the Noble A Poem B ami ; . . y J Dshami E dit d inP r ian F e e s b . FA L CO N ER . 1843. 1 3 . ( ) . y 0 Osburn —TH MO TAL I ST n . E NUMEN H ORY Of EGYPT as recor O h , ded t e Ruins f h r Temles ala and m B O e P ces To b WILLIAM O S U R N . Illustrate s . d p , , y B
with Ma s lates et . 2 8vo . x ii n 46 vii 64 l P c vols . a d 1 . and c ot 3 . 2 2 p , , . pp . ; , h £ 3 . - mthe ol niz a ion f h V e Vol . I . Fro C o t O t e all y to the Visit Of the Patriarch Abram. — mth f r Vol . IL Fro e isit O amto the Ex V Ab odus .
- EGYP TI A H O LES i h har on of Sa Palmer. N R NI C w t a m cred and C , y E tianChronolo and anA endix onBab lonianand Ass rianAnti uiti gyp gy , pp y y q es . B W L IA M M ER M A and M dalen olle I L PAL . . late Fellow Of a C e x for y , , g g , O d . l nd 42 d iii a d 3 1 86 1 1 8 c th lx x i . a 8 an v n 6 . 2 vols . vo. o . v 6 3 2 , , pp , . . ’ : ll — COWASJEE PATE LL S CH R ON OLOGY contamin corres ondin Bate , g p g a O f the different Eras u d Ch i ti n ws Gree D tes se by r s a s . Je , ks , Hindus ,
Mohamedans Parsees Chinese Ja anese etc. B C OWA S JEE S O RA B EB , , , p , y J nd T . 4to . . viii. A 1 84 cloth . 5 . PA ELL pp , 03 ’ — BISH OP PERCY S FOLI O MAN USCRIPTS - ALLADS AN D R MA S . E Percy B O NC . ’ M. A Fe d ted b JohnW. Hales llow an late Assistant Tutor of hris s Edi y , ., C t m nd Frederi ni all M A of Trini Colle e C a brid e a c J. Fur v . . t Hall Cam g , g ; k , , y , brid e assisted b Professor Child Of Harvard Universit Cambnd e g ; y , y, g , n u 6 v l. . . ha el Eu etc. I 3 ol mes . Vo I 1 0 l Vo . 2 W. C l 681 pp , , pp , p. .
— - m v h lf o d 22. 2 3 E 8 8 a n . x a de 3 . 40. };e o . b u tr m ol. 6 vo. ha t bound V , pp y , y , ’ Wha mans ri bed a er 31. 1 53 . Ex tra ro al 8vo a er co e n n t b . v rs o W o p p , y , p p hat ' ’ ’ ns best ribbed a er 1. 1 s . 6d Lar e 4to . a er covers n ma 7 . o Whatman p p , 7 g p p , s
t ribbed a er 1 51. l 5a. bes p p , — T Edition r EN LI SH LU DI C IONARY . New evis d . G U e b . Perrill . Z , y J A
r u mC ur f atal. 1 BR IC R H ILL Inter eter to the S re e o t o N 2m. 22 clo th , p p pp . 6 , ,
rmar t ur 1 865 . 53 . Piete i zb g, — PROPOSALS for the Publica io Of a NEW EN GLI SH Philological SOCIety . t n
8 . 32 sewed . 6d . DI CTIONARY . vo . pp , ’ r about 1 394 AnnO D m Tr ri Pierce thePloughmans C ede ( o ini) . ansc bed an ri ts f rinit C ll mri r m usc o T o e e a b d e R . 8 5 C l and Edited f o M p y g , C g , , 1 . o
i i l R 1 8 . B x vii. nth B ti . Muse d i scr ts B b e . i e ri sh um nu . an lated with Ma p g , w th ’ Tex t Of 1 553 t which is a ended God s eds the Pl u h the Old Printed , o pp p o g mMan 62 15 nnO Domini Fro uscri ts Landsdowne . B th ( about 00 A ) . p , 7 y e ’ E W S K EA T M A late Fello f ri t olle e C amr d v WA L T R . . . w o C s s b i e Re . , , h C g , g .
x x and 5 cloth. 1 867 . 23 . 6d. p . . 7 , ! - or The Prakrit Grammar f araruchi with h Pr ta Prakasa ; , O V , t e lete e it Commentary ( Manorama) of Bhamaha. The first COm d ion Of the O riginal T ex t with Various Readings froma Collation0 Six Manuscripts in Li rar at O x f rd and the Libraries of the Ro al Asiatic S i t the Bodleian b y o , y oc e y he East India House with o ious Notes anEnlish Translation and and t ; c p , g , d ra rit words to whi is x aneas Introductionto Pra rit Inex of P k , ch prefi ed y k r mr B EDW A RD BYLES WE L L Of Ma dal n Hall O x ford Pro ama . O e G y C , g , , 6 P at rn er w L n n. 1 0, e ost Ro , o do 7
fes sor ofSanskrit at Cambrid e Second ue with nw fa g . iss , e Pre ce, and corrections .
n v . an I 1 ol. 87 0 x x x ii d 2 04 . 43. . pp . 1 — Pfi aulL UIE SH ON ES MOSAI CE or the first ar O f Q ; , p t the Book Of G enesis comared with the remains o f ancient reli i B p g ons. y OBMON D D E BE RI U 5 A vi nd 48 l 1 . q I E P A Lx 8vo . ii a c oth. 23 . pp . . , Bu wflitL— A COLLECTIO N OP H IND U APOLOGUES inthe Bra Bhasha d , j
Lan a e. Revise ion With Prefac No s nd S l u d edit . 3. e te a u ementar g g , , pp y
B F E L . lo r ITE AL . o 2 2 G a DW RD H Es 8v loth 04 . 1 3 . ss . A . c y y , q , pp — ESSAY on h A I T E f h B RamRam t e RCH ECTUR O t e HINDU S . RAM RAz y , Native Jud e and M a istrate Of Banalore C orres ondin Member O fthe R A . S g g g , p g . . O f Great Britainan Irel n With 4 8 late 4to x iv nd 4 d a d. s. . . . a 6 se p pp , wed. London 1834 O ri i al llin ri 1 1 13 d red u d for a . n se ce . 6 . ce short time t 1 , g g p , £ . ( ) o 23 . — MM P L - A N TONG Fro h Rash A GRA AR O TH E AN G O S XO UE . mt e Danish of Erasmus Rusk Professor of Literar Histor in and Librarian , y y , to, the Universit Of Co enha en etc B BEN J AM I N T B O R P E Member of the M ni y p g , . y , u ch Ro al Academof S ciences and of the S ociet of Netherlandish L y y , y iterature,
L den. S econd iti n orrected and imro ved. 1 80 30 . 200 l ed o c . c oth. 53 6d ey , p pp , . . Rawhnson— A COMMENTARY ON TH E C UN EI PORM INSCRI PTI ON S OP BA Y LON IA AN D AS SY RIA includin Readins of the Ins cri tiono nthe Nimrud B , g g p O belis and Brief Notice o f the Ancient Kins Of Nineveh and B n k, g abylo , M r C W Read b efore the Ro al A siatic Societ b a o H . RA L IN S 8 y y, y j . ON . vo . ,
n 5 . 84 w L d 1 8 0 2 . d o on . 3 6d se e . ppt , , — OUTLIN E S OP ASSYR HI STORY fromthe Inscri lmn. IAN i n Raw so , pt o s of
Nin h. B i t C ol AW I ON C . B followed b om eve L eu . R L NS . s e Remar s b y . , , y k y v wed L n D L li se 1 . H LAYA E D Es C 8vo . x . . o don 52 1 . . . . 8 3 A . , q , . . , pp , , . Hanan— AN ESSAY ON TH E AGE AND AN TIQ UIT Y OP TH E BOOK or JE I U T T hi is added anIna tu NABA T H AN AGR C L U RE . O w ch ugural Lec re onthe iti nOf hemitic Nations inthe Histor of Civili ati n B M R P s o the S o . E E o y z y . N S T ’ w 8v i. R N M r d l ns titu nl v l cro n o . x v and 4 l th EN m . . A e b e e I t. I o 1 8 c o . 33 . 6d " , , , pp , . — dle KAMI LAROI DIP PIL AN D TURRUBUL . Lanua es S okenb y , , g g p y
R IDL EY M . A. O AustralianAb ori ines . B Rev . WM. f the U rsit g y , , nive y O f S dne Minist r Of the Presb terianChurch Of New South ales Prin d y y e y W . te
ot nd 90 303 . u hori mall 4to l h . a b a t t . S . c vi . . y y , pp
- Th acred H mns of th Brahmns eda Sanhita The . e S e i as Big ( ) y ,
P - preserved to us inthe Old est collectionOf Religious oetry . The Rig Veda M iiL L n x a . F. Ax M ER M A Ta lo t d a d l ined B . ria Sauhita, transla e e p y , . , y n P o f Modern uro eanLanua es inthe Universit Of Ox ford Fe rofess r O E p g g y , llow ’ lii. and f All Soul s C olle e. In8 vols Vol. I . 8vo . . c 264. 1 23 . 6d . O g . pp O inthe V I . s [ L p res . — - A OLLE CTI ON OF ANCIENT HIND U HYMNS . on Rig Veda Sanhita. C C utin the First Ashtaka or Boo Of the Ri - veda the Oldest authorit for stit g , k g y h Hind Translated fro th the religious and social ins titutions of t e us . m e Original
M A. etc. H H . WILS ON . etc. etc. B he late . Se nd S anskrit. y t , , co
nwith a Postscri t b Dr FIT z BDWAED HALL . Vol. I . 8vc. cloth ditio . E , p y ,
nd 348 ri e 2 13 . Iii. a c pp. , p — - Sanhxta A CollectionOf Ancient Hindu H mns constitut Rig veils . y , he Fifth to Ei hth Ashtakas or boo s Of the Ri - Veda the Old ing t g , k g , est ns Of the Hi d Autho rity for the Religious and Social Institutio n us . T ranslated nal S ans rit b the late HO R AC E H AY M A N WILS N M A mthe O ri i O . . fro g k y , ,
M A. Princi al etc Edited b E . B. C OW EL L . of the Calcutta . y , , p
loth 1 4s . V l V 8vo . 2 1 4 c . le e. o . I . . S ans krit C ol g , , pp , nd . ill . a I . int o nd II st left. V V o ies O f V ls . I I . a I he ress A few c p [ p .
- T DIE S IN ENGLI SH or Glimses Of the Inn Schele d c vere. S U , p er
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Schlagintweit — GLOSSARY OP GEOGRAPH I CAL TERMS PROM INDI A AND t r ns ri tion and T ransliteration H ER M A N DE T I ET with N a ive T a c . B N B , p y rmn ith a Route Boo Of the We i A GIN EI T . Fo i w sternH mala a S C H L T W g, k y , ” n ’ t nd rkistan the Third Volume O f H A. a d R D S C H L G I NT EI T S Tibe , a Tu , , . E A W ” t a ientifi is ionto India and H i h Asia Wi in Resul s of S c c M s g . th anAtlas
n ramas and Views . Ro 4to x merial folio O f Ma s P a o al . x iv. and i p , p , , y . , pp
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nd 1 96 3 6d . v x x viii. a . 7 . 8 o. pp . — TI ON RY OF TH E ENGLI S H LAN GUAGE mile A DI C A . Co d Stratmann. p I t and v nturi s r mthe writins Of the ma th K v h x th ce e . B FRAN I f o g , , y C S
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MA N . l th 60 3 d I ENR Y TR AT N 8vo. c o . 3 Edite by FRA N C S H S , pp. . RU S SE L abo — The BOke of Nurture. B JOHN L ut 1 460 1 470 A y , nnO mi B nne B WY N KY N DE WO R D E Ann Do ni The e Of Ker . m . ok y g y , O D o ini B H H RH E S nn mn 1 51 3 The Bo e O f Nurture. UG O D A O Do i i 15 Edite . k y , 7 7 . d fromthe ri inals inthe British M useumLibrar b FR E DER IC K J F R N O g y , y . U I V M nit H al C bri e Member O f C ouncil of the A L L A . Tri l am d Philol i , . , y , g , og cal
- n E n i ex i 4t . half mr c t to a d arl E l sh T t Societ es o o o co il . x ix and 1 6 y g . , g p , pp . 4 ,
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L AN N D 1 62 - 13 anno domini Edit d fromnumerous Man GL A ( about 3 80 ) . e us W E W t n a Glossa . th Rev T R cri ta with Prefaces No es a d r B e . AL . SKE AT p , , , y y , 3 6 8 rnn . M A . i an 5 l 1 6 e o x t Tex t A . x l v d 1 c oth 8 7 V Te . d . . pp . , , . ; 7 Thomas — A COLLECTI ON OF SOME OF TH E MI SCELLANEOUS ESSAYS ON
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l f his ll uns d Inone v m o half- boun on O t Co ectionremain ol . olu e 8v . d. y , — — — E N s The li i . tri CON T T . OnAncient IndianWeights . E ar es t IndianCo nage Bac anCo ins
n a a - No n dian Numr - Onthe h Ide f and . te o In e als Ont e tity O Xandrames and Kr . Coins Of the Gupta Dynas ty - Ear1y Armenian Coins - 0 bservations Introductory to the Ex planationO f the O riental Legends to b e found on certain Imperial and Furtho- Persian Coins - Sassanian
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- - o A H 60 80 A . D . 1203 1 397 . Of the c untry, . . 0 0, homas — EARLY SASSANIAN IN SCRIP TI ON S SEALS AND COIN S illustratin T , , g E rl Histor Of the S assanianD nast containin Proclamations of Ar the a y y y y, g de n his S uccessors With a Criti l Ex aminati n shir Babe Sa or I . a d . ca o a k, p , nd E lanationOf the Celebrated Inscri tioninthe Huiabad Cave demonstratin x p p j , g nw Pro in B hat Sa or the Conueror Of Valeria as a fess Christian. ED WA t p , q , g y RD Il d. 3 d . H OMAS Es . 8vo cloth . 1 48 lustrate 7 . 6 T , q . , pp ,
TindalL— A GRAMMAR AND VOCABULARY OP TH E NAMAQ UA- HOTT ENTOT L We le ionar DAL nMiss . 8 LAN GUA G E . B H ENRY TIN s a vo. . 1 2 y , y y , pp 4,
sewed . 63 . Vander Tank — OUTLINES or A GRAMMAR OR TH E MALAGASY LANGUAG E .
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. 400. £ 2 53 . ' p W ! — am. T ENGL SH D N S s A DIC I ONARY I AN SA CRIT . , By MONI ER WIL L IA d under the Pat ona e M S , M . A. Publishe r g of the Honourable Eas t India C m t n o n . 2 clo h Lo d n 5 a 4to . x ii 86 . o 185 . £ 3 33 . p y . pp . , , Wilson— Work f he l e H ORACE H AYMAN SON M s o t at WI L . A , . , Member of the Ro al As tic S ocieties O f Calcutta and Paris y ia , and of the Oriental S ociet of German etc and BodenProfessor of S ans rit inthe Univ y y, k ersity of
O x ford . V Also u nder his t ols I . and 1 1 . , t ti le, E S S AYS AN D LEC T D RE s chieflon Hindus b th lat H WI S t e R eli i nof the e e H . N h o . L O M y g , y , . A. ,
etc. Colle t d n di b Dr RE IN H O L D R O . c e a d e ted . S T 2 vols . cloth . x ii y , pp i . and 3 99, vi . and 41 6 . 2 13 . — Wilson. Works he l e HO RACE HAYMAN WI L SO f t at N . O M . , A , Member of the R o al Asiatic S ocieties of C alcutta and Pari y s, and of the O rie t nd d n Pr f nal S o i t man etc . a Bo e o essor c e y of Ger y, , of S anskrit inthe Universi f I I IV and V Also under t of O x ord . Vols . I . . th titl E y , , e e of ssays Anal tical C ritical a d Philolo ical on sub ects connect d y , , n g , j e with Sanskrit
Literatur . n dited b D r. RE IN H O L D R e Collected a d E O S T . 3 y vols. 8 vo. 63 . 4 406 . ce 3 . pp 08 , , and 390, cloth Pri W11son— Works Of h Late HORACE HAYMAN . t e WILSON . V l o s .
VI . VII. VIII and IX. Also under the title of the Vish u Puranfi a s stem , , n , y , n a of Hindu mtholo and tradition. T ra sl ted fromthe ori inal S ans rit n y gy g k , a p
Illustrated b Notes derived chiefl fromother Pu ra im. B the lat y y n y e H . H . W I L SO N Boden Professor Of S ans rit inthe Universit of Ox ford et , k y , c. , etc . di V E M A D L O x on. ted b FI T z E DW ARD H AL L . . C . ols . I . to IV y , . 8vo. ,
cx l and 2 34 4 46 Cloth. 21. 23 Vela . and i . . 00 4 3 4 3 . V VI . nthe r pp ; ; ; , [ p ess . Wils — E H E ’ on SELECT S P ECI MEN S OP T H E T HEATR OP T HINDUS . Trans lated fromth i B H O R A C E H AY MAN WILS O N ri n anskrit M . e O al S A. F. R g . y , , . S . Seco n an 4 15 l t nd i d 4 c o h . Ed t . I . 38 . 1 5 n ols . 3 io 2 v . vo . 8 , pp , ,
C ON T EN T S .
- — — Vol . I f mOf the Hindus a . Pre ace Treatise onthe Dramatic Syste Drams translated fromthe — Ori inal Sans rit— The Mrichchakati or the To Cart Vikrama and Urvasi or th g k , y , e H ero and the m — tara Rama Cheritra or continuationOf th Ny ph Ut , e His tory of Rams . — — Vol . n II . Dramas translated f omthe Ori inal Sans rit Mali a a d Madhava or th r g , e Stolen k — Marria e— Mud ra Ra shasa or the S i net of the Minister Retudvali or he g k , g , t Ne — nin short ac ounts of different Dram cklace A en n c as . pp dix , co tai g Wilson— TH E PRES EN T STATE OP TH E CULTI VATI ON OP ORIENTAL
LIT E R AT U R E A Lecture delivered at the Meetin O f the Ro al . g y Asiatic
S ciet H WI L S O N . 8 vo o . B the Director Professor . H . . 2 6 w y y , , pp. , se ed . L 6 ondon, 1 852 . d . — MEDI WISC . COMMENTARY ON H E HIN DU SYSTEM OP CIN E . B T T . y A. W S n 432 M n a M i 8vo . x . a d t I E . D . Be l edical Serv ce. . x clo h. 7 3 6 , , g , pp , . d . — O ES O H ESE ITERATURE with introductor Re Wylie. N T N C IN L ; y marks onthe P rogressive Advancement of the Art ; and a list of translations fromthe W n E e n Lanua e A. Y L IE A ent Chi s nto v i us uro a s. B e e, i ar o p g g y , g of the l British and Forei nBible S ociet inC hina. 4to . . 2 96 , c oth. Price II. 1 03 g y pp , . — v W. Yate G B the late Re . T D . s A BEN L GRAMMAR . A ES A I y Y , D Re nt d ith fromhis Introductionto the Benai ri e w imrovements l Lanu . p , p , g g age
n 1 0 bds . Calcu 8 E W vo . iv a d 5 tta dited b I . N G E R . Fca 8 . . 1 64 33 G y E p . , pp , , . . d
R RO TRUBNER 81. CC . , 60, PAT ERNO STE W. S ome R ecent P ublications
The Hindu- Arabic Numerals continued
not of A rabic ori in and altho u h numerous mono ra hs have g , g g p beenwrittenco ncernin their derivation no sinle work has et g , g y appeared inwhich the complete s tory of their rise and develop In h r r tio f hi tr tis th r ment has b eentold . t e p epa a nO t s ea e e autho s have ex amined every important book and monograph that has a eared u on the sub ect consultin the rinci al lib raries Of pp p j , g p p Euro e as well as America ex aminin man manuscri ts and p , g y p , siftin the evidence with reatest car T he result is a scholarl g g e. y discussionof the entire uestionO f the ori inof the numerals the q g , introductionof the z ero the influence Of the Arabs and the s read , , p O f the sys temabout the shores of the Mediterraneanand into the o s countries Of Eur e vari u op .
Wentworth- Smith Mathematical Series
- For Me comlete series see e 1 o H z /z - ool atalo u p , p ag 3 8 f g Sc/z C g By G E O RG E WE NT WO RT H and D A VID E UG E N E S M IT H
BY combinin their knowled e skill and workin ca acit these g g , , g p y , two noted authors bring to the important duty O f providing tex t books for o ur schools a higher degree Of effi ciency thanhas ever ' h i before beendevoted to that end . 1 at this combinat onof peda gogical skill and thorough scholarship is productive O f the best results is conclusively proved by the enthusiastic receptionthat is dail b ein accorded o he books O f his ri s y g t t t se e .
Wentwo rth Plane and Solid Geometry (Revised)
' G . A WE N I WO RT H Revised b n B . E RG E E T O R H a D V ID y . y G O W N W T d A E U G E N E S M IT H I z mo l h iii a . c ot v 0 es illustrated , , 47 p g , ,
InTwo Volumes
Plane G eometry (Revised) I s mo cloth i 2 a s ill d nts v 8 e ustrate 80 ce . , , 7 p g , ,
Solid G eometry (Revised) I s clo h i 1 ill n t x ii 0 a es ustrated ce ts . , , 9 p g , , 7 5
T H E Wentworth- Smith revision O f the Wentworth G eometry may confidently be described as the most usable tex tbo o k inthe sub ect that America has ever ro u j p d ced . S ome R ecent P ublications
Slocumand Hancock Tex tboo k onthe Strength O f
B M Prof ss r f li d Ma S . E LO U e o o A e n . S C thematics i the ni y , pp U vers ity of na H AN O P f or f C incin ti and E . L . C C K ro ess o A lied c anics i , , pp Me h nWorcester ni s tute Worces ter Mas s 8v0 cl Pol tech c Inti . oth x x x viii 2 a es y , , , , 37 p g ,
’ S LOC U M AN D H AN cocx s T ex tbook onthe S trength of Mate rials has beenrevised that it may be abreast Of the most recent i h s pract cal developments ont e ubject. T he method O f presenta tionhas beensimplified that the subject may be easily understood b avera e technical students O f unior rade y g j g . onsiderabl nw material has b nad C e e ee ded . T O facilitate numer ical calculations a set O f tables has beenplaced at the beginning O f he volume InPart I the most imortant additions r rti l t . p a e a c es
onthe desi nOf reenforced concrete beams shrinka e and forced g , g fits the desi n Of eccentricall loaded columns the desi n and , g y , g efficienc O f riveted oints the eneral theor Of the torsion O f y j , g y S rin s ractical formulas for the colla se O f tubes and anex ten p g , p p , sionO f the method Of least work to a wide variety O f practical T his s incl des a simle ener l for l r h problems . la t u p g a mu a fo t e i defl i f beams ne er before ublish N rl on shear n ect onO v ed . ea e g , p y hundred and fifty o riginal and practical problems have also been dded to P I a art .
InPart II the recent advances inthe manufacture Of steel have
been ivens ecial attention includin the ro erties O f vanadium g p , g p p
d hi h- s eed steel Re nforc d concrete steel man anese steel an . e e , g , g p
s re i a more ade uate treatment and the cha ter on has al o ce ved q , p
ho ro u hl revised and moderniz e this subject has beent g y d .
Smith The T eaching
Smith and K By D A V ID E U ns ruc o r inMathematics in C o lu mb ia U niversit and L O U IS C . K A R P IN S K I I t t y, , i An Arb o r rz mo cloth i 1 6 0 a es illus the U nivers it of Mich an n . V + y g , , , p g , trated , A LT HO U GH it has long b eenknownthat the numerals o rdinarily
emlo ed inbusiness and co mmo nl attributed to the A rabs are p y , y ,
‘ 7 5- 2 91 B/ /?t z _