Jaki Der Ernste
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Prospectus for the Listing of $1.5 Billion 4.500% Senior Notes
Prospectus dated August 14, 2015 FIAT CHRYSLER AUTOMOBILES N.V. (a public limited liability company incorporated under the laws of the Netherlands No. 60372958) $1,500,000,000 4.500% SENIOR NOTES DUE 2020 $1,500,000,000 5.250% SENIOR NOTES DUE 2023 _________________________________________________________________ On April 14, 2015, Fiat Chrysler Automobiles N.V. (the “Issuer”), a public limited liability company (naamloze vennootschap) incorporated and operating under the laws of the Netherlands, issued its $1,500,000,000 4.500% Senior Notes due 2020 (the “Initial 2020 Notes”) and its $1,500,000,000 5.250% Senior Notes due 2023 (the “Initial 2023 Notes” and collectively, the “Initial Notes”). The Initial Notes have not been registered under the U.S. Securities Act of 1933, as amended (the “Securities Act”), or any state securities laws. The Initial Notes may not be offered or sold to U.S. persons, except to persons reasonably believed to be qualified institutional buyers in reliance on the exemption from registration provided by Rule 144A under the Securities Act and to certain persons in offshore transactions in reliance on Regulation S under the Securities Act. You are hereby notified that sellers of the Notes may be relying on the exemption from the provisions of Section 5 of the Securities Act provided by Rule 144A. For a description of certain restrictions on transfers of the Notes see “Transfer Restrictions” in the Original Prospectus (as such term is defined below). On July 28, 2015 the Issuer issued $1,460,345,000 aggregate principal amount of its 4.500% Senior Notes due 2020 registered under the Securities Act (the “2020 Notes”) and $1,467,939,000 aggregate principal amount of its 5.250% Senior Notes due 2023 registered under the Securities Act (the “2023 Notes” and together with the 2020 Notes, the “New Notes”). -
30 06 2019 Annual Financial Report
30 06 2019 ANNUAL FINANCIAL REPORT ANNUAL FINANCIAL REPORT 30 06 2019 REGISTERED OFFICE Via Druento 175, 10151 Turin Contact Center 899.999.897 Fax +39 011 51 19 214 SHARE CAPITAL FULLY PAID € 8,182,133.28 REGISTERED IN THE COMPANIES REGISTER Under no. 00470470014 - REA no. 394963 CONTENTS REPORT ON OPERATIONS 6 Board of Directors, Board of Statutory Auditors and Independent Auditors 9 Company Profile 10 Corporate Governance Report and Remuneration Report 17 Main risks and uncertainties to which Juventus is exposed 18 Significant events in the 2018/2019 financial year 22 Review of results for the 2018/2019 financial year 25 Significant events after 30 June 2019 30 Business outlook 32 Human resources and organisation 33 Responsible and sustainable approach: sustainability report 35 Other information 36 Proposal to approve the financial statements and cover losses for the year 37 FINANCIAL STATEMENTS AT 30 JUNE 2019 38 Statement of financial position 40 Income statement 43 Statement of comprehensive income 43 Statement of changes in shareholders’ equity 44 Statement of cash flows 45 Notes to the financial statements 48 ATTESTATION PURSUANT TO ARTICLE 154-BIS OF LEGISLATIVE DECREE 58/98 103 BOARD OF STATUTORY AUDITORS’ REPORT 106 INDEPENDENT AUDITORS’ REPORT 118 ANNUAL FINANCIAL REPORT AT 30 06 19 5 REPORT ON OPERATIONS BOARD OF DIRECTORS, BOARD OF STATUTORY AUDITORS AND INDEPENDENT AUDITORS BOARD OF DIRECTORS CHAIRMAN Andrea Agnelli VICE CHAIRMAN Pavel Nedved NON INDEPENDENT DIRECTORS Maurizio Arrivabene Francesco Roncaglio Enrico Vellano INDEPENDENT DIRECTORS Paolo Garimberti Assia Grazioli Venier Caitlin Mary Hughes Daniela Marilungo REMUNERATION AND APPOINTMENTS COMMITTEE Paolo Garimberti (Chairman), Assia Grazioli Venier e Caitlin Mary Hughes CONTROL AND RISK COMMITTEE Daniela Marilungo (Chairman), Paolo Garimberti e Caitlin Mary Hughes BOARD OF STATUTORY AUDITORS CHAIRMAN Paolo Piccatti AUDITORS Silvia Lirici Nicoletta Paracchini DEPUTY AUDITORS Roberto Petrignani Lorenzo Jona Celesia INDEPENDENT AUDITORS EY S.p.A. -
Frank Lloyd Wright Between USA and Italy
FONDATORI / FOUNDER Lewis Long Frank Lloyd Wright Associate Director of External Affairs Giovanni Agnelli Jennifer Mock Marella Caracciolo Agnelli Associate Director of Education Margaret Agnelli De Pahlen and Public Programs John Elkann tra AmericA e Italia Lapo Elkann Denise Murrell Ginevra Elkann Frank Lloyd Wright between USA and Italy Ford Foundation Postdoctoral Paolo Fresco Research Scholar Gianluigi Gabetti Francesca Gentile Camerana 28/03 - 01/07 2018 Eddie José Bartolomei Franzo Grande Stevens Exhibitions Manager Alessandro Nasi Zachary Valdez Administrative Assistant Annette Castro, Evan Clinton, COMITATO DIRETTIVO / Presentata da / Presented by Diego Espaillat BOARD OF DIRECTORS Avery Architectural & Fine Arts Library, Columbia University Gallery Attendants Presidente Onorario / Honorary President In collaborazione con / In collaboration with Un vivo ringraziamento alla Marella Caracciolo Agnelli the Miriam & Ira D. Wallach Art Gallery, Columbia University Wallach Art Gallery e alla Avery Library e a tutto lo staff delle Presidente / President due istituzioni e, Ginevra Elkann A cura di / Curated by in particolare a / A warm thank you to the Wallach Art Gallery Membri / Members Jennifer Gray and to the Avery Library and in Gianluigi Gabetti particular to: John Elkann Deborah Cullen Morales Lapo Elkann Carole Ann Fabian Sergio Marchionne Segretario / Secretary MAIN PARTNER: Gianluca Ferrero Ufficio Stampa / Avery Architectural & Fine Arts Library, Press Office Columbia University Carola Serminato COLLEGIO SINDACALE / Carole -
2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
Celebrating Contemporary Art and Music from Africa in the Historic City of Évora, Portugal
Celebrating contemporary art and music from Africa in the historic city of Évora, Portugal 25 May - 25 August 2018 Preview: 25 May Évora - Portugal Omar Victor Diop, Aminata, 2013 ● More than 30 contemporary artists, musicians and performers from Africa will gather in the city of Évora in Portugal to celebrate the culture and heritage of the continent ● The contemporary art exhibition African Passions, curated by André Magnin and Philippe Boutté, will be accompanied by a music programme and concerts directed by Alain Weber and Alcides Nascimento ● Democratic Republic of Congo, Ivory Coast, Madagascar, Mali, Mozambique, Senegal, South Africa and Burkina Faso are some of the countries that will be represented in the festival ● Music and dance workshops will be part of the educational programme by the Mozambican music and dance company, the Xindiro Companhia, and by the orchestra of Ballaké Sissoko, master of the kora and Mandingue tradition From the 25 May until 25 August 2018, the Palace of the Dukes of Cadaval will present Evora Africa festival, a multicoloured and extravagant celebration of African heritage through a diverse programme of exhibitions, concerts, performances, conferences, griots and DJs, in the historic city of Évora in Portugal. With the opening on the 25 May coinciding with Africa Day, African traditions will be preserved and imparted while interlinked with the blossoming contemporary African art scene. Bringing art and music from Africa to Portugal, Evora Africa will retrace the roots and historical connections between the continents while celebrating new urban expressions and the influences on Portuguese culture. Over its 3-month duration, Evora Africa aims to strengthen the cultural bonds and exchange between Africa and Europe. -
1 a Day in New York Alain Elkann It Had Been a Few Days Since I Was
A Day in New York Alain Elkann It had been a few days since I was alone in the house. They were all away for different reasons. Now and then a young Ukrainian man came to do some work on the basement and the garden. His name was Sergio and he spoke Italian with me as he knew no English, no French, or any other languages but Ukrainian and Italian. We had both lived in Italy for many years. He had lived in the country in Umbria, I in Rome. Now we were both in New York for work. Sergio was in his mid-twenties, thin and tall, very pale with brown eyes. He was kind, but extremely stubborn. He rarely smiled and was a pessimist by nature. In New York he refused to visit anything cultural and had no friends. The only thing he liked was having some free time to visit stores that sold electronics. He pretended to know about and understand everything, but he was often wrong. That morning we had breakfast together at around eight. He only ate white bread and butter, and drank coffee with two spoons of white sugar. He liked to listen to the radio, Ukrainian programmes in particular, songs or sporting events. He loved cars and the Internet. He loved country villages and small towns. He liked order and Italian shoes. As I said, the house was empty. Anita was in the country, Victoria on vacation in London, Zeno in California, Masha in Europe for a friend’s wedding. The dogs were with Anita in the country. -
Party of the Year
SOCIAL SAFARI | by R. COURI HAY Ariana Madonna @ Rockefeller, Raising Malawi Hannah Selleck and Georgina Bloomberg @ NY Botanical Garden Winter Wonderland Ball Event planner Harriette Rose Katz @ Animal Ashram Anne Hathaway @ NY Botanical Prince Pavlos, Garden Princess Marie- Winter Chantal and Wonderland Princess Olym- Bal pia of Greece and Denmark graced Gstaad Board Members Audrey and Martin Gruss @ Lincoln Center Fund Gala, Georgina Chapman honoring Carolina Herrera hosted a dinner in Gstaad PARTYGstaad,Valentino, Georgina OF Chapman, THE Botanical Garden, CarolinaYEAR Herrera, Karolína Wilbur Ross, Madonna & Animal Ashram Kurková @ Raising Malawi TEARS OF A CLOWN artwork by Damien Hirst, Ai Weiwei, Julian Schnabel, Cindy Sher- If parties could win an Oscar, then Madonna’s Raising Malawi baccha- man, Richard Prince, Steven Meisel and a piece by Tracey Emin, nal would take home top honors for 2016. It was a night of a hundred who beamed from the audience when it sold for $550,000. Karolína stars including Leonardo DiCaprio, Adriana Lima, A-Rod, Donna Kurková sold a diamond snake by Bulgari to Prince Alexander von Karan, Len Blavatnik, Jeremy Scott, Natasha Poly, Alexander Gilkes, Furstenberg for $180,000, but only afer she ofered to lick the serpent. P. Diddy, Calvin Klein, Ron Burkle and David Blaine, who smirked Ooh la la! When a Fiat 500 came on the block, she slapped Agnelli as he swallowed a broken wineglass. Tey all played a role in this night heir Lapo Elkann, saying, “Tis car has been arrested along with its of fun, performance -
Informazione Regolamentata N. 0149-29-2015
Informazione Data/Ora Ricezione Regolamentata n. 04 Maggio 2015 MTA 0149-29-2015 20:08:05 Societa' : EXOR Identificativo : 57616 Informazione Regolamentata Nome utilizzatore : EXORN01 - Mariani Tipologia : IRCG 01 Data/Ora Ricezione : 04 Maggio 2015 20:08:05 Data/Ora Inizio : 04 Maggio 2015 20:23:05 Diffusione presunta Oggetto : Filing of EXORs lists of candidates for corporate bodies Testo del comunicato Vedi allegato. Turin, May 4, 2015 PRESS RELEASE Filing of EXOR’s lists of candidates for corporate bodies With reference to next Annual General Meeting, which will be held on May 29th, 2015 EXOR hereby reports that the shareholder Giovanni Agnelli e C. S.a.p.az. has filed the following list of candidates for the renewal of the EXOR’s Board of Directors: Annemiek Fentener van Vlissingen (Independent Director) Andrea Agnelli Vittorio Avogadro di Collobiano Ginevra Elkann John Elkann Mina Gerowin (Independent Director) Jae Yong Lee (Independent Director) António Horta-Osório (Independent Director) Sergio Marchionne Alessandro Nasi Lupo Rattazzi Robert Speyer (Independent Director) Michelangelo Volpi (Independent Director) Ruthi Wertheimer (Independent Director) Giuseppina Capaldo (Independent Director) A group of international and domestic investment management companies and institutional investors, which owns 1.02% of EXOR shares, filed the following list: Giovanni Chiura ( Independent Director) The Company welcomes these candidacies, which, if approved by Shareholders, will allow for the election of a Board of Directors -
Rachel Howard
RACHEL HOWARD BIOGRAPHY Born 1969 in Easington, County Durham, UK Lives and works in UK EDUCATION 1989 - 1992 BA Fine Art & History or Art, Goldsmiths College, London, UK AWARDS 2008 British Council Award, London, UK 2004 Jerwood Drawing Prize, London, UK (shortlisted) FORTHCOMING SOLO EXHIBITIONS 2021 Simon Lee Gallery, London, UK SELECTED SOLO EXHIBITIONS 2019 Rachel Howard L'appel du vide, Blain Southern, New York, NY 2018 Paintings of Violence (Why I am Not a mere Christian), MASS MoCA, North Adams, MA Repetition is Truth - Via Dolorosa, Newport Street Gallery, London, UK Der Kuss, Blain Southern, London, UK 2016 Rachel Howard, MACRO Testaccio, Rome, Italy 2015 At Sea, Jerwood Gallery, Hastings, UK 2014 Northern Echo, BlainSouthern, London, UK 2011 Folie à Deux, BlainSouthern, London, UK Repetition is Truth – Via Dolorosa, Museo d’ArteContemporanea Donna Regina, Naples, Italy Still Life / Still Here. Rachel Howard. New Paintings, Sala Pelaires, Palma de Mallorca, Spain 2010 Human Shrapnel – oil drawings on paper, Other Criteria, London, UK 2009 Der Wald, Haunch of Venison, Zurich, Switzerland 2008 Rachel Howard: invited by Philippa van Loon, Museum van Loon, Amsterdam, The Netherlands (exh. cat.) How to Disappear Completely - New Work by Rachel Howard, Haunch of Venison, London, UK (exh. cat.) 2007 Fiction/Fear/Fact, Bohen Foundation, New York, NY (exh. cat.) Rachel Howard - New Paintings,Gagosian Gallery, Los Angeles, CA (exh. cat.) 2003 Guilty, Bohen Foundation, New York, NY Can’t Breathe Without You, Anne Faggionato, London, UK (exh. cat.) 2001 Painting 2001, Anne Faggionato, London, UK (exh. cat.) 1999 Rachel Howard: New Paintings, A22 Gallery, London, UK SELECTED GROUP EXHIBITIONS 2020 I WANT TO FEEL ALIVE AGAIN, Lyles and King, New York, NY MOVING ENERGIES – 10 years, me Collectors Room, Berlin, Germany Received Wisdom, Sunderland Museum and Winter Gardens, Arts Council Collection, UK A Dreadful Day, Paul Stolper Gallery, London, UK 2019 Galerie Simpson: Selection Box, Pallant House, Chichester, UK Birth, T. -
Gucci and FIAT to Unveil Fiat "500 by Gucci" During New York Fashion Week
August 16, 2011 Contact: Jiyan Cadiz (248) 512-4903 (office) (248) 821-4885 (cell) [email protected] Ariel Gavilan (248) 512-3404 (office) (248) 495-4645 (cell) [email protected] Gucci and FIAT To Unveil Fiat "500 by Gucci" During New York Fashion Week Auburn Hills, Mich. , Aug 16, 2011 - Set to debut during New York Fashion Week (Sept. 8 – 15) on Fashion’s Night Out (Sept. 8), the new Fiat 500 by Gucci limited-edition models represent the perfect combination of craftsmanship and style, and bring together two of Italy’s most respected brands. In the year that sees the 150th anniversary of the unification of Italy and Gucci’s 90th anniversary, these special editions of the Fiat 500 and 500 Cabrio have been customized by Gucci Creative Director Frida Giannini in partnership with Fiat's Centro Stile. “In the 50s, the Fiat 500 created a style revolution when it first hit the road. It quickly became the must-have car of its time. Travelling in style has also been at the heart of Gucci ever since Guccio Gucci founded his company as a producer of leather trunks, suitcases and handbags in 1921. So, when Lapo Elkann suggested the idea of this collaboration it struck me as a perfect opportunity to create a new modern travel statement in Gucci's 90th anniversary year,” said Frida Giannini. Inspired by neo-classic black-and-white film, the new black-and-white Fiat 500 and 500c by Gucci models are finished in unique eye-catching glossy pearl-glass paint. These two distinct colors complement one another: black with detailing in shiny chrome paired with interiors that contrast sharp black and white for a contemporary and racy attitude. -
Fiat 500 by Gucci Debuts at Fashion's Night out in New York
Contact: Ariel Gavilan General Media Inquiries Fiat 500 by Gucci Debuts at Fashion’s Night Out in New York September 8, 2011, New York, NY - Fashionistas, tastemakers, shoppers and car enthusiasts crowded the Gucci store on Fifth Avenue to witness the U.S. debut of the 2012 Fiat 500 by Gucci. The limited-edition model represents the perfect combination of craftsmanship and style and brings together two of Italy’s most respected brands. In the year that sees the 150th anniversary of the unification of Italy and Gucci’s 90th anniversary, these special editions of the iconic Fiat 500 and 500 Cabrio were customized by Gucci Creative Director Frida Giannini in partnership with FIAT’s Centro Stile. “In the ‘50s, the Fiat 500 created a style revolution when it first hit the road. It quickly became the must-have car of its time. Travelling in style has also been at the heart of Gucci ever since Guccio Gucci founded his company as a producer of leather trunks, suitcases and handbags in 1921. So, when Lapo Elkann suggested the idea of this collaboration, it struck me as a perfect opportunity to create a new, modern travel statement in Gucci’s 90th anniversary year,” said Frida Giannini. “With Gucci as our design partner, we’ve amplified the Italian style of our Fiat 500 with unique exterior and interior looks that will make the car truly unique on the road,” said Laura Soave, Head of FIAT Brand North America. “This special edition adds dimension to the Fiat 500 portfolio and will appeal to North American customers who appreciate Italian style just as much as modern technology, value and fuel efficiency.” Inspired by neo-classical black-and-white films, the new Black and White Fiat 500 and 500c by Gucci models are finished in unique eye-catching pearl-gloss paint. -
Nber Working Paper Series Corporate Control Around
NBER WORKING PAPER SERIES CORPORATE CONTROL AROUND THE WORLD Gur Aminadav Elias Papaioannou Working Paper 23010 http://www.nber.org/papers/w23010 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 December 2016 We thank Julian Franks, Rafael La Porta, Florencio Lopez-de-Silanes, and Andrei Shleifer for useful suggestions and comments. All errors are our sole responsibility. The views expressed herein are those of the authors and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer-reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2016 by Gur Aminadav and Elias Papaioannou. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Corporate Control around the World Gur Aminadav and Elias Papaioannou NBER Working Paper No. 23010 December 2016 JEL No. F30,G3,G34,G38,K11,K12,K31 ABSTRACT We provide an autopsy of the patterns of corporate control and ownership concentration in a dataset covering more than 40,000 listed firms from 127 countries over 2004 2012. Employing a plethora of original and secondary sources, big data techniques, and applying the Shapley-Shubik algorithm to quantify shareholder’s voting power we trace ultimate controlling shareholders from the complex, pyramidal, and often obscure corporate structures. First, we show that there are large differences in the type of corporate control (widely held firms with and without significant equity blocks, firms controlled by families, governments, and other public-private firms) across and within continents.