DOCSLIB.ORG

Celebrating Contemporary Art and Music from Africa in the Historic City of Évora, Portugal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Celebrating Contemporary Art and Music from Africa in the Historic City of Évora, Portugal Celebrating contemporary art and music from Africa in the historic city of Évora, Portugal 25 May - 25 August 2018 Preview: 25 May Évora - Portugal Omar Victor Diop, Aminata, 2013 ​ ● More than 30 contemporary artists, musicians and performers from Africa will gather in the city of Évora in Portugal to celebrate the culture and heritage of the continent ● The contemporary art exhibition African Passions, curated by André Magnin and Philippe ​ ​ Boutté, will be accompanied by a music programme and concerts directed by Alain Weber and Alcides Nascimento ● Democratic Republic of Congo, Ivory Coast, Madagascar, Mali, Mozambique, Senegal, South Africa and Burkina Faso are some of the countries that will be represented in the festival ● Music and dance workshops will be part of the educational programme by the Mozambican music and dance company, the Xindiro Companhia, and by the orchestra of Ballaké Sissoko, master of the kora and Mandingue tradition From the 25 May until 25 August 2018, the Palace of the Dukes of Cadaval will present Evora ​ ​ Africa festival, a multicoloured and extravagant celebration of African heritage through a diverse ​ programme of exhibitions, concerts, performances, conferences, griots and DJs, in the historic city of Évora in Portugal. With the opening on the 25 May coinciding with Africa Day, African traditions will be preserved and imparted while interlinked with the blossoming contemporary African art scene. Bringing art and music from Africa to Portugal, Evora Africa will retrace the roots and historical connections between the continents while celebrating new urban expressions and the influences on Portuguese culture. Over its 3-month duration, Evora Africa aims to strengthen the cultural bonds and exchange between Africa and Europe. The contemporary art exhibition, African Passions ​ Curated by André Magnin and Philippe Boutté, experts in African art, the exhibition African Passions ​ will present some of the greatest representatives of African contemporary art throughout the palace. The exhibition will include works by Steve Bandoma, Filipe Branquinho, Frédéric Bruly Bouabré, Omar Victor Diop, Romuald Hazoume. Phumzile Khanyile, Klèmèguè, Houston Maludi, JP Mika, ​ ​ Marcel Miracle, Mauro Pinto, Chéri Samba, Amadou Sanogo, Malick Sidibé and Billie Zangewa. Each artist will present their own culture, style, creative techniques, and their own way of looking at and inventing the world. Previously Magnin has been the curator and director of the Pigozzi Collection and commissioned exhibitions at the Pompidou Centre, DIA Centre for the Arts, Guggenheim Bilbao, Tate Modern, the Smithsonian, and the Pigozzi Collection. He has also been advisor to the Art/Afrique, Le nouvel Atelier at the Louis Vuitton Foundation in Paris. Boutté was the administrator of the Contemporary African Art Collection - The Pigozzi Collection and coordinated its exhibitions in prestigious institutions such as the Grimaldi Forum and the Pinacoteca Giovanni e Marella Agnelli. Magnin and Boutté have worked together on several exhibitions including Beauté Congo 1926 – 2015 ​ Congo Kitoko, Fondation Cartier pour l’Art Contemporain, Paris, 2015; Les Initiés, Fondation Louis ​ ​ ​ Vuitton, Paris, 2017; and Malick Sidibé – Mali Twist, Fondation Cartier pour l’Art Contemporain, Paris ​ ​ 2017. The music programme Under the artistic direction of Alain Weber, the music programme will re-open the Cadaval Palace to ​ ​ African music lovers. A series of concerts will present the major families of African instruments, including the koras, sanzas, balafons, flutes and percussion, and showcase their capacity for invention, their sophistication, and the vast organologic palette of the continent. The musical programme will represent the concept of the exhibition – a journey between African tradition and heritage, continuity and change, and contemporary culture. It will take place throughout the palace in locations including the Roman Temple, the Cromlech of the Almendres and the Public Library. The performances will provide a reflection of the African beauty on display through the lyrics of griots and solo dancers. The programme includes concerts and performances by Áfrika Aki, Ballaké Sissoko, Ballaké Sissoko Orquestra, Bambaram, Bassekou Kouyaté, Congo Brazaville, Congo Kinshasa, Congo Stars de ​ ​ Vibration, Mybe Ebrime, Pantsula dance choreographed by Sibusiso Mthembu, The Masks of the Moon, Sara Tavares, Selma Uamusse, Xigubo Zulu Dance, the dancers of Xindiro Companhia, the griot «jeli» and the “Epic of Sundaita”, The Zaouli de Manfla, and DJ sets by Bucabar Djabaté, Celeste Mariposa, Costa Neto, DJ Ibaaku, DJ Lucky, DJ Rycardo, Irmãos Makosa, Johnny Cooltrain, Lady G Brown, Miroca Paris and Rita Só. In addition to African Passions and the music programme, there will be lectures and conferences, ​ ​ educational activities and public art focused on African music, culture and heritage. Esther Mahlangu will be producing a mural celebrating African heritage, which will become one of the highlights of Evora Africa. Master of the kora and Mandingue tradition, Ballaké Sissoko’s Orchestra will be in Évora for the opening week of the festival to teach the kora. The Xindiro Companhia, a Mozambican music and dance company, will deliver lessons on dance and music in July. This company focuses on providing complementary educational support for local disadvantaged children in Mozambique. Having trained more than 900 children and they will present some of their projects during Evora Africa. About the location - Cadaval Palace For over 8 years the Cadaval Palace was home to the Os Orientais Festival dedicated to art and music of the Orient, and which saw cultural celebrations of the rich traditions from the East, Morocco and India. This year, and with Evora Africa, the palace is reopening its doors, now with a focus on Africa. The Cadaval Palace has been the home and the property of the Dukes of Cadaval’s family since its foundation in the 14th century until today. Built on the ruins of a Moorish castle, and subject to many changes over the centuries, the final result is a unique combination of Mudéjar, Gothic, Manueline and Medieval styles in the different sites of the Palace. Stood in the historic centre of Évora, a UNESCO World Heritage Site, across from the Roman Temple, it features a vast residential area, developing over several floors, two inner gardens and a church, which is the final resting place for every generation of the Dukes of Cadaval family. The church is also of national interest, given its stunning interior, highlighted by azulejo tile panels, signed by their artist, António de Oliveira, and dating from the early 18th century. The Cadaval Palace is currently the residence of the Duchess of Cadaval and her family, although the church and some of the rooms are open to the public throughout the year, exhibiting rare items: books, charters, arms, paintings, sculptures, furniture, porcelain, portraits and travel accessories, among other objects of value and significant historical interest. For the last 21 years, the Cadaval Palace has also hosted a series of cultural events: the Classic Évora Festival, The Os Orientais Festival, focused on traditional music from the East, and the Évora Sacred Music Festival, dedicated to traditional and devotional musical heritage of music around the world. The Cadaval Palace often welcomes national and international choirs, for performances open to the public as well as soloists and music groups, and international art exhibitions featuring painting, sculpture and photography, and fashion exhibitions such as Unforgettable Wedding Gowns a haute ​ ​ couture exhibition of wedding gowns curated by Hubert de Givenchy himself as his only exhibition in Portugal to date. More information is available at www.palaciocadaval.com ​ Press Enquiries: Juan Sánchez Sutton T: +44 (0) 20 7183 3577 E: [email protected] ​ Co Financed: Organization: Institutional Support: Collaborations: Supported by: Editors’ notes 1. AFRICAN PASSIONS - List of Artists ​ Steve Bandoma Houston MaludI Born in 1981 in Kinshasa, Democratic Born in 1978, Kinshasa, Democratic Republic Republic of the Congo of the Congo Lives and works in Kinshasa Lives and works in Kinshasa Filipe Branquinho JP Mika Born in 1977, Maputo, Mozambique Born in 1980 in Kinshasa, Democratic Lives and works in Maputo, Mozambique Republic of the Congo Lives and works in Kinshasa Frédéric Bruly Bouabré Born c. 1923, Zéprégüé, Ivory Coast Marcel Miracle Died in 2014, Abidjan, Ivory Coast, where he Born in 1957, Moramanga, Madagascar worked and lived Lives and works in Lausanne and in South Tunisia Omar Victor Diop Born in 1980, Dakar, Senegal Mauro Pinto Lives and works in Dakar Born in 1974, Maputo, Mozambique Lives and works in Maputo, Mozambique Romuald Hazoumè Born 1962, Porto Novo, Benin Chéri Samba Lives and works in Porto Novo Born in 1956, Kinto M'Vuila, Democratic Republic of Congo Phumzile Khanyile Lives and works in Kinshasa, Democratic Born in 1992 in Soweto, South Africa Republic of Congo Lives and works in Johannesburg Amadou Sanogo Born on July 1, 1977 in Ségou, Mali Klèmèguè Lives and works in Bamako, Mali Born 1982, Koutiala, Mali Lives and works in Bamako, Mali Malick Sidibé Born in 1935 in Soloba, Mali Esther Mahlangu Died on April 14, 2016, in Bamako, Mali, where he lived and worked Born in 1935, Middeleburg, South Africa. Lives and works in Mabhoko Billie Zangewa Born in 1973 in Blantyre, Malawi, Lives and works in Johannesburg, South Africa 2. Evora
Load more

Recommended publications
  • Informazione Regolamentata N. 0149-29-2015
    Informazione Data/Ora Ricezione Regolamentata n. 04 Maggio 2015 MTA 0149-29-2015 20:08:05 Societa' : EXOR Identificativo : 57616 Informazione Regolamentata Nome utilizzatore : EXORN01 - Mariani Tipologia : IRCG 01 Data/Ora Ricezione : 04 Maggio 2015 20:08:05 Data/Ora Inizio : 04 Maggio 2015 20:23:05 Diffusione presunta Oggetto : Filing of EXORs lists of candidates for corporate bodies Testo del comunicato Vedi allegato. Turin, May 4, 2015 PRESS RELEASE Filing of EXOR’s lists of candidates for corporate bodies With reference to next Annual General Meeting, which will be held on May 29th, 2015 EXOR hereby reports that the shareholder Giovanni Agnelli e C. S.a.p.az. has filed the following list of candidates for the renewal of the EXOR’s Board of Directors: Annemiek Fentener van Vlissingen (Independent Director) Andrea Agnelli Vittorio Avogadro di Collobiano Ginevra Elkann John Elkann Mina Gerowin (Independent Director) Jae Yong Lee (Independent Director) António Horta-Osório (Independent Director) Sergio Marchionne Alessandro Nasi Lupo Rattazzi Robert Speyer (Independent Director) Michelangelo Volpi (Independent Director) Ruthi Wertheimer (Independent Director) Giuseppina Capaldo (Independent Director) A group of international and domestic investment management companies and institutional investors, which owns 1.02% of EXOR shares, filed the following list: Giovanni Chiura ( Independent Director) The Company welcomes these candidacies, which, if approved by Shareholders, will allow for the election of a Board of Directors
    [Show full text]
  • Rachel Howard
    RACHEL HOWARD BIOGRAPHY Born 1969 in Easington, County Durham, UK Lives and works in UK EDUCATION 1989 - 1992 BA Fine Art & History or Art, Goldsmiths College, London, UK AWARDS 2008 British Council Award, London, UK 2004 Jerwood Drawing Prize, London, UK (shortlisted) FORTHCOMING SOLO EXHIBITIONS 2021 Simon Lee Gallery, London, UK SELECTED SOLO EXHIBITIONS 2019 Rachel Howard L'appel du vide, Blain Southern, New York, NY 2018 Paintings of Violence (Why I am Not a mere Christian), MASS MoCA, North Adams, MA Repetition is Truth - Via Dolorosa, Newport Street Gallery, London, UK Der Kuss, Blain Southern, London, UK 2016 Rachel Howard, MACRO Testaccio, Rome, Italy 2015 At Sea, Jerwood Gallery, Hastings, UK 2014 Northern Echo, BlainSouthern, London, UK 2011 Folie à Deux, BlainSouthern, London, UK Repetition is Truth – Via Dolorosa, Museo d’ArteContemporanea Donna Regina, Naples, Italy Still Life / Still Here. Rachel Howard. New Paintings, Sala Pelaires, Palma de Mallorca, Spain 2010 Human Shrapnel – oil drawings on paper, Other Criteria, London, UK 2009 Der Wald, Haunch of Venison, Zurich, Switzerland 2008 Rachel Howard: invited by Philippa van Loon, Museum van Loon, Amsterdam, The Netherlands (exh. cat.) How to Disappear Completely - New Work by Rachel Howard, Haunch of Venison, London, UK (exh. cat.) 2007 Fiction/Fear/Fact, Bohen Foundation, New York, NY (exh. cat.) Rachel Howard - New Paintings,Gagosian Gallery, Los Angeles, CA (exh. cat.) 2003 Guilty, Bohen Foundation, New York, NY Can’t Breathe Without You, Anne Faggionato, London, UK (exh. cat.) 2001 Painting 2001, Anne Faggionato, London, UK (exh. cat.) 1999 Rachel Howard: New Paintings, A22 Gallery, London, UK SELECTED GROUP EXHIBITIONS 2020 I WANT TO FEEL ALIVE AGAIN, Lyles and King, New York, NY MOVING ENERGIES – 10 years, me Collectors Room, Berlin, Germany Received Wisdom, Sunderland Museum and Winter Gardens, Arts Council Collection, UK A Dreadful Day, Paul Stolper Gallery, London, UK 2019 Galerie Simpson: Selection Box, Pallant House, Chichester, UK Birth, T.
    [Show full text]
  • Press Release (PDF)
    G A G O S I A N G A L L E R Y 14 December 2015 My camera and I, together we have the power to confer or to take away. —Richard Avedon They always say that time changes things, but you actually have to change them yourself. —Andy Warhol Gagosian London is pleased to present the first major exhibition to pair works by Richard Avedon and Andy Warhol. Both artists rose to prominence in postwar America with parallel artistic output that occasionally overlapped. Their most memorable images, produced in response to changing cultural mores, are icons of the twentieth century. Portraiture was a shared focus of both artists, and they made use of repetition and serialization: Avedon through the reproducible medium of photography, and in his group photographs, for which he meticulously positioned, collaged, and reordered images; Warhol in his method of stacked screenprinting, which enabled the consistent reproduction of an image. Avedon’s distinctive gelatin-silver prints and Warhol's boldly colored silkscreens variously depict many of the same recognizable faces, including Marella Agnelli, Bianca Jagger, Jacqueline Kennedy, Marilyn Monroe, and Rudolf Nureyev. Both Avedon and Warhol originated from modest beginnings and had tremendous commercial success working for major magazines in New York, beginning in the 1940s. The 1960s marked artistic turning points for both artists as they moved away increasingly from strictly commercial work towards their mature independent styles. The works in the exhibition, which date from the 1950s through the 1990s, emphasize such common themes as social and political power; the evolving acceptance of cultural differences; the inevitability of mortality; and the glamour and despair of celebrity.
    [Show full text]
  • Fondazione Pinacoteca Del Lingotto Giovanni E Marella Agnelli
    Fondazione Pinacoteca del Lingotto Paranormal Un vivo ringraziamento a tutti i prestatori delle opere Giovanni e Marella Agnelli Tony Oursler vs Gustavo Rol in mostra e, in particolare a / A warm thank you to the 3 novembre 2017 – 25 febbraio 2018 lenders of the artworks and in particular to: November 3, 2017 – February 25, 2018 Fondatori / Founders Pinacoteca Giovanni e Marella Agnelli Tony Oursler Giovanni Agnelli Giovanna Demeglio Marella Caracciolo Agnelli A cura di / Curated by Laura Russo, Sotheby’s Margaret Agnelli De Pahlen Paolo Colombo Museo di antropologia criminale “Cesare Lombroso”, John Elkann Sistema museale di ateneo, Università di Torino Lapo Elkann Direzione della Mostra / Director of the Exhibition Ginevra Elkann Marcella Pralormo e a tutti i collezionisti privati che preferiscono mantenere Paolo Fresco l’anonimato / and the private collectors who do not wish Gianluigi Gabetti Progetto di allestimento / Exhibition Design to be mentioned. Francesca Gentile Camerana Marco Palmieri Franzo Grande Stevens Alessandro Nasi Collaborazione all’organizzazione della mostra Un ringraziamento speciale a Maria Luisa Giordano e alla comunicazione / Collaboration to the organization per l’aiuto / A special thank you to Maria Luisa Giordano of the exhibition and to communication: for her kind help. Comitato Direttivo / Board of Directors ARTECO: Beatrice Zanelli, Marta Di Vincenzo Presidente Onorario / Honorary President Organizzazione presso lo studio di Tony Oursler / PARTNER Marella Caracciolo Agnelli Organization at Tony Oursler’s
    [Show full text]
  • Vogue on Yves Saint Laurent
    Model Carrie Nygren in Rive Gauche’s black double-breasted jacket and mid-calf skirt with long- sleeved white blouse; styled by Grace Coddington, photographed by Guy Bourdin, 1975. Linda Evangelista wears an ostrich-feathered couture slip dress inspired by Saint Laurent’s favourite dancer, Zizi Jeanmaire. Photograph by Patrick Demarchelier, 1987. At home in Marrakech, Yves Saint Laurent models his new ready-to-wear line, Rive Gauche Pour Homme. Photograph by Patrick Lichfield, 1969. DIOR’S DAUPHIN FASHION’S NEW GENIUS A STYLE REVOLUTION THE HOUSE THAT YVES AND PIERRE BUILT A GIANT OF COUTURE Index of Searchable Terms References Picture credits Acknowledgments “CHRISTIAN DIOR TAUGHT ME THE ESSENTIAL NOBILITY OF A COUTURIER’S CRAFT.” YVES SAINT LAURENT DIOR’S DAUPHIN n fashion history, Yves Saint Laurent remains the most influential I designer of the latter half of the twentieth century. Not only did he modernize women’s closets—most importantly introducing pants as essentials—but his extraordinary eye and technique allowed every shape and size to wear his clothes. “My job is to work for women,” he said. “Not only mannequins, beautiful women, or rich women. But all women.” True, he dressed the swans, as Truman Capote called the rarefied group of glamorous socialites such as Marella Agnelli and Nan Kempner, and the stars, such as Lauren Bacall and Catherine Deneuve, but he also gave tremendous happiness to his unknown clients across the world. Whatever the occasion, there was always a sense of being able to “count on Yves.” It was small wonder that British Vogue often called him “The Saint” because in his 40-year career women felt protected and almost blessed wearing his designs.
    [Show full text]
  • Press Release
    Simon Starling A-A’, B-B’ 15 October 2019 - 11 January 2020 Galleria Franco Noero is pleased to announce the opening A-A’, B-B’, the sixth solo exhibition by Simon Starling and the first to be shown in the spaces of Piazza Carignano 2. This expansive new body of work is composed of an intricate network of objects and images held together by physical transformations, juxtapositions, historical facts, speculation and the artist’s own brand of logic. The exhibition is, in part, inspired by the elaborate 18th century interior of the exhibition space it will occupy on Piazza Carignano. The project is in two parts. An exhibition currently happening at the Modern Institute in Glasgow until the end of October, followed by the one in Piazza Carignano. The exhibition’s title, A-A’, B-B’, refers to two cuts made approximately two hundred years apart, through two very different objects – Giambattista Tiepolo’s painting The Finding of Moses and a blue Fiat 125 Special, which was a favourite car of Giovanni Agnelli, the former head of the Turin- based manufacturer and an influential Italian industrialist. Starling’s ability to identify connections in seemingly disparate narratives ties the story of the cutting of The Finding of Moses to the Fiat supremo. The Finding of Moses, painted circa 1736–38, takes a humble biblical story and glamorously restages it in the context of, what appears to be, 17th century courtly splendour with all the accompanying trappings; ladies-in-waiting, halberdiers, dwarfs and sylphlike greyhounds. Even the lowly halberdiers are dressed in noble finery.
    [Show full text]
  • Marella Agnelli: the Last Swan Free Ebook
    FREEMARELLA AGNELLI: THE LAST SWAN EBOOK Marella Agnelli,Marella Caracciolo Chia | 256 pages | 22 Apr 2015 | Rizzoli International Publications | 9780847843213 | English | New York, United States Becoming an Agnelli A Breathtaking New Book Charts the Life of Style Goddess Marella Agnelli. By Hamish Bowles. October Although she was born into a aristocratic family, her life really began when she married Gianni Agnelli in The book written with her niece Marella Caracciola. Nicknamed "The Swan" by Richard Avedon when he photographed her iconic portrait in , Marella Agnelli is not only one of the great beauties of the last. Marella Agnelli: The Last Swan Marella Agnelli: The Last Swan Hardcover – October 14, Marella Agnelli ( Author), Marella Caracciolo Chia (Author) Hardcover: pages Publisher: Rizz. Although she was born into a aristocratic family, her life really began when she married Gianni Agnelli in The book written with her niece Marella Caracciola. Nicknamed "The Swan" by Richard Avedon when he photographed her iconic portrait in , Marella Agnelli is not only one of the great beauties of the last. Marella Agnelli, Society’s ‘Last Swan’ and a Passionate Gardener, Is Dead at 91 A Breathtaking New Book Charts the Life of Style Goddess Marella Agnelli. By Hamish Bowles. October In an adaptation from her memoir, Marella Agnelli recalls a life of behavior filled my imagination during those last war-torn years with a kind of longing. I thought I was the only swan,” he answered only, “Oh, well, darling. A lovely little picture book about this card carrying member of the jet set and her privileged lifestyle.
    [Show full text]
  • Gilbert & George
    GILBERT & GEORGE GILBERT, Born 1943, Dolomites, Italy GEORGE, Born 1942, Devon, United Kingdom Live and work at 12 Fournier Street, London, United Kingdom EDUCATION 1967 Met and studied at St Martin’s School of Art, London, United Kingdom AWARDS & HONORS 2011 Lifetime Achievement Award, New Museum, New York 2008 Honorary Degree in Philosophy, London Metropolitan University, London 2005 Gilbert & George, British Pavilion at Venice Biennale, 51st International Art Exhibition, Venice 1986 Winner of the Turner Prize, United Kingdom 1984 Shortlisted for the Turner Prize, United Kingdom SELECTED SOLO EXHIBITIONS 2017 The Beard Pictures, Galerie Thaddaeus Ropac, Paris The General Jungle or Carrying on Sculpting, Lévy Gorvy, London Luther Und Die Avant-Garde, St Mathew’s Church, Berlin Drinking Pieces & Video Sculpture 1972-1973, Galerie Thaddaeus Ropac, London Scapegoating Pictures for Budapest, Ludwig Museum of Contemporary Art, Budapest 2015 The Early Years, Museum of Modern Art, New York Utopian Pictures, ARNDT, Singapore The Banners, White Cube, London The Art Exhibition, Museum of Old and New Art, Berriedale 2014 A Family Collection, Nouveau Musée National de Monaco, Villa Paloma, Monaco Films and Video Sculptures, 1972-1981, Lehmann Maupin, New York Scapegoating Pictures, Galerie Thaddaeus Ropac, Paris Scapegoating Pictures for London, White Cube, London Artist Rooms, Royal Albert Memorial Museum & Art Gallery, Exeter 2013 London Pictures, Casal Solleric, Palma; also traveled to: Museum Küppersmühle, Duisburg 2012 London Pictures, Galerie
    [Show full text]
  • Letters to Shareholders – First 10 Years Collection 2.82 MB
    Letters to Shareholders First 10 years INVESTOR DAY 21 November 2019 I’m grateful for the support you have shown Exor during our first decade as we’ve worked to change our scope, form and organization. We have, however, not changed our purpose, which is to build great companies, and we look forward to continuing to do that with your support. I have enjoyed writing our annual letters to you as they are a special moment each year to pause and learn from our past and to think about our future. Going through those letters, what is reassuring is that there has been consistency between the intentions we expressed and the outcomes we achieved - something we are determined to maintain going forward. As we have reflected on our next decade, we have spent time defining the culture we’ve created within Exor, which combines an entrepreneurial spirit, financial discipline, clarity of purpose and a set of shared values. We believe these will continue to provide us with a strong base on which to build and create value for all of our stakeholders. I would like to conclude with a special thank you to all my colleagues both within Exor and also throughout our companies for their many achievements to date and, more importantly, in anticipation of the things we will achieve together in the future. 2009 Dear Shareholders, 2009 was a very significant year for our Company. First and foremost, in March we were able to complete the merger between IFIL and IFI, the two historical holding companies listed on the Italian Stock Exchange, to create Exor, a company now 47% held by the market and 53% by Giovanni Agnelli e C., the private company fully owned by my family.
    [Show full text]
  • Collecting Collections
    CÍRCULO ARTE Y MECENAZGO COLLECTING COLLECTIONS GINEVRA ELKANN Chairwoman of Pinacoteca Giovanni e Marella Agnelli, Turin CaixaForum Madrid © of the text by the author © of the images by their authors © of the translation by the author © of this edition by Fundación Arte y Mecenazgo, 2012 Avda. Diagonal, 621, Torre 2, Planta 3, 08028 Barcelona, Spain CÍRCULO ARTE Y MECENAZGO Collecting Collections Ginevra Elkann Chairwoman of Pinacoteca Giovanni e Marella Agnelli, Turin I´m just going to start by telling you a bit about the architecture of this place because the Pinacoteca Agnelli is in a space on the roof of the Lingotto Building in the Torino Fiat Industrial Historical Complex. The pinacoteca permanently houses the private art collection which belonged to Giovanni and Marella Agnelli. Opened on September 20th 2002, the pinacoteca marks the final step in the 20 year long restructuring process of the whole Lingotto site, signed by Renzo Piano. The structure that today hosts the pinacoteca is the result of a long historical and architectural process of development that begins at the turn of the 20th century. So I thought it was important to give you a history of what the Lingotto used to be before it then becomes what it is today. Pictures of the current appearance of the Pinacoteca Giovanni e Marella Agnelli ©RPBW ph. Enrico Cano 1 Lecture by Ginevra Elkann, Collecting Collections, CaixaForum Madrid. CÍRCULO ARTE Y MECENAZGO After a few trips to the United States and much discussion, in 1915 my great great great grandfather went to visit the Ford factories where they would basically chain belt and that was a huge inspiration to him and he decided to bring back this new technique to Europe.
    [Show full text]
  • TC Swans Page 1
    Babe Paley American socialite and style icon first married Lady ‘Slim’ oil-heir Stanley Mortimer Keith followed by wealthy American socialite café-society-outsider and fashion icon was Paley, who was the the former wife of builder of Columbia both Hollywood Broadcasting System director Howard (CBS). Babe, who was Hawks, dying of cancer during and then Broadway the fallout from the ‘book’, agent and producer, never spoke to Truman again after Answered Leyland Hayward. Prayers was published. Her third husband was British banker, Kenneth Keith. Gloria Friendship ceased with publication of Answered Prayers. "I felt very bereft. I Guinness grieved...I never spoke to him after that." International socialite and fashion icon, as well as a contributing editor to Harper's Bazaar from 1963 until 1971. C.Z. Guest American stage actress, author, columnist, horsewoman, fashion designer and socialite. C.Z. remained a faithful friend until Truman's death. "What did all those silly women Marella Agnelli expect a writer was going to do? Of course he was Italian noblewoman, art collector, going to use the material sooner or later." socialite, style icon and wife of Fiat chairman, Gianni Agnelli. Marella discontinued her Lee Radziwill friendship with Truman before American socialite, public Answered Prayers was published: relations executive, interior "He told decorator, former actress and me one or sister of Jackie Kennedy two things remained a friend until to hurt Truman’s addiction became too me....there much. "He didn't understand was that he was being treated like a something toy (by those people). That was the part that so vicious, destroyed him......He stayed with us at our house for so nasty weeks....He was no longer the Truman I knew....The that I got greatest way you can save somebody is by showing frightened great love and support.
    [Show full text]
  • Ron Arad Artist Biography
    RON ARAD | ARTIST BIOGRAPHY RON ARAD ARTIST BIOGRAPHY Born in Tel Aviv in 1951, educated at the Jerusalem Academy of Art and later at the Architectural Association in London, Ron Arad co-founded with Caroline Thorman the design and production studio One Off in 1981 and later, in 1989, Ron Arad Associates architecture and design practice. In 2008 Ron Arad Architects was established alongside Ron Arad Associates. From 1994 to 1999 he established the Ron Arad Studio, design and production unit in Como, Italy. He was Professor of Design Product at the Royal College of Art in London up until 2009. Ron Arad was awarded the 2011 London Design Week Medal for design excellence and was became a Royal Academician of the Royal Academy of Arts in 2013. Ron Arad’s constant experimentation with the possibilities of materials such as steel, aluminium or polyamide and his radical re-conception of the form and structure of furniture has put him at the forefront of contemporary design and architecture. Alongside his limited edition studio work, Arad designs for many leading international companies including Kartell, Vitra, Moroso, Fiam, Driade, Alessi, Cappellini, Cassina, WMF and Magis among many others. Ron Arad has designed a number of Public Art pieces, most recently the Vortext in Seoul, Korea, and the Kesher Sculpture at Tel Aviv University. RON ARAD | ARTIST BIOGRAPHY EXHIBITIONS AND FAIRS 2017 / 'The World of Ron Arad', Over the Influence, Honk-Kong / 'The World of Ron Arad', Gary Tatinrsian Gallery, Moscow, Russia / 'Beautiful, Useful, Love', Grob Gallery, Geneva, Switzerland 2014 / Inaugural Show: Looking Back.
    [Show full text]