Ferrari NV Annual Report 12.31.2016

Total Page:16

File Type:pdf, Size:1020Kb

Ferrari NV Annual Report 12.31.2016 Ferrari N.V. 2016 ANNUAL REPORT TABLE OF CONTENTS Page Board Report Board of Directors and Auditors 3 Letter form the Chairman and Chief Executive Officer 4 Certain Defined Terms and Note on Presentation 6 Selected Financial and Other Data 8 Creating Value for Our Shareholders 10 Risk Factors 12 Overview 30 Industry Overview 32 Overview of Our Business 36 Operating Results 68 Subsequent Events and 2017 Outlook 92 Major Shareholders 93 Corporate Governance 95 Sustainability Disclosure 113 Risks, Risk Management and Control Systems 117 Remuneration of Directors 123 Financial Statements Consolidated Financial Statements and Notes at December 31, 2016 127 Consolidated Income Statement 128 Consolidated Statement of Comprehensive Income 129 Consolidated Statement of Financial Position 130 Consolidated Statement of Cash Flows 131 Consolidated Statement of Changes in Equity 132 Notes to the Consolidated Financial Statements 133 Company Financial Statements and Notes at December 31, 2016 194 Income Statement / Statement of Comprehensive Income 195 Statement of Financial Position 196 Statement of Cash Flows 197 Statement of Changes in Equity 198 Notes to the Company Financial Statements 199 Other Information Other Information 217 Independent Auditor's Report 219 Board of Directors and Auditors Board of Directors Chairman and Chief Executive Officer Sergio Marchionne Directors Amedeo Felisa John Elkann Piero Ferrari Delphine Arnault Louis C. Camilleri Eddy Cue Giuseppina Capaldo Sergio Duca Lapo Elkann Adam Keswick Maria Patrizia Grieco Elena Zambon Independent Auditors Ernst & Young Accountants LLP 3 Letter from the Chairman and Chief Executive Officer Shareholders, 2016 was an unforgettable year for Ferrari, one that began auspiciously on January 4th with Ferrari’s listing on the MTA managed by Borsa Italiana and the completion of the company’s spin-off from FCA. The listing ceremony, attended by the former Italian Prime Minister, who spoke to a packed house of media, captains of industry, Ferrari clients, board members and colleagues, went beyond a financial event, it was a celebration of a great Italian brand admired by people everywhere. In 2016 we set the scene for what is destined to be an exciting 2017, one in which Ferrari marks its 70th anniversary. The celebrations already began at the Paris Motor Show in October with the unveiling of our 70th anniversary celebratory model, the LaFerrari Aperta, the spider version of the limited-edition special series supercar LaFerrari. We also announced an ambitious Tailor Made project, one which will see 70 liveries of iconic Ferraris of the past interpreted in a contemporary way on each of the five range models for a total of 350 special edition liveries. Needless to say, both the LaFerrari Aperta and the liveries were sold out before they were even made public. In terms of results, we posted new financial records and earned the approval of the markets. While the stock price saw a decrease in the first half of the year, it made a well-deserved comeback in the last few months, demonstrating that in the longer term the market rewards the sound business fundamentals Ferrari has to offer. For those who were skeptical about the Ferrari IPO, fearing that we might sacrifice the DNA of the brand for short term gains, I think we have shown that it is possible to stand by the principles of the business while creating shareholder value. To highlight just a few key figures, we delivered 8,014 cars to the dealership network, a 4.6% increase over the previous year while net revenues grew 8.8%. Interestingly, our biggest growth came in the EMEA region where shipments increased by 8%, underlining that even in our most established markets, Ferrari still has underexploited potential. We grew in all other regions as well, with deliveries in Greater China increasing by 1%, rest of APAC increasing by 3% and the Americas showing a 2% increase. Another metric worth pointing out is our adjusted EBITDA, which has already reached €880 million with a margin of 28.3% (and 30.0% without FX hedges) in line with other luxury peers, proof we are well on our way to reaching the €1 billion adjusted EBITDA objective set out in the Business Plan during the IPO roadshow. As far as the product range, 2016 saw the introduction of the GTC4Lusso, the new 12-cylinder four seater Ferrari with four wheel drive and four wheel steering featuring an elegant shooting break design. In an unprecedented move, we also launched the GTC4Lusso T, an 8-cylinder version of the same car, but aimed at a different clientele who prefers a sportier driving experience. This is just one of the ways in which we plan to expand our product portfolio to meet the needs of our increasingly diverse customers and capture new market share. Furthermore, in addition to the 70th anniversary celebratory models already mentioned, we introduced a Fuoriserie of bespoke cars, the J50 to mark Ferrari’s 50th year in the Japanese market. This year, Ferrari’s technical prowess was rewarded with the most important accolade in the automotive industry, the overall “Engine of the Year” Award for the 488 turbo series, a great recognition for the engineers who worked tirelessly to fine-tune this V8 engine. The success of the 488 series is also reflected in the figures, with shipments of 8 cylinder models up 5%. Shipments of the 12 cylinder models were up 4% thanks to the newly launched GTC4Lusso and LaFerrari Aperta, and the strong performance of the F12tdf. Innovation in product development is in our blood and we will continue to push boundaries. This is why we are now working hard on bringing hybrid technology to our product range in the coming years. But rest assured, we will introduce new technology in the “Ferrari way”, so that it serves to enhance the driving emotion we are known for. 2016 was also the year we held the Ferrari Finali Mondiali in the U.S.A. for the first time, on the legendary banks of Daytona’s International Speedway. It was a real delight for drivers, clients and spectators to see the Ferrari Challenge season culminate on this illustrious track where, notably in 1967 Ferrari took the triple victory at the 24 Hours of Daytona. While in Daytona we also introduced the 488 Challenge, which will replace the 458 Challenge in our one-make championship series. Speaking of Daytona, let me say a few words about our GT racing activities. This year was the first year we competed with the 488 GTE and 488 GT3 and the racing car already showed its huge potential clinching the FIA World Cup for GT Manufacturers and the GTD Class in the IMSA SportsCar Championship. 4 As you know, this has been a challenging year for our home country, with central Italy being shaken to the core and left in ruins after a series of very strong earthquakes. Ferrari is doing its part to help. We donated a LaFerrari that was auctioned at the Finali Mondiali in Daytona for the National Italian American Foundation's Earthquake Relief Fund. Thanks to a very generous client and the professional expertise of RM Auctions we raised a staggering $7 million, a record for the highest price ever fetched at auction of a 21st century automobile. All proceeds will go to the reconstruction of a school complex in Amatrice. 2017 will see the opening of Ferrari Land in the Spanish amusement park of PortaAventura, along with the expansion of our Ferrari Museum in Maranello. The Ferrari museums had over 470,000 visitors in 2016, a record for a privately held museum of this kind, and testimony to the huge appeal of the brand. In closing, let me make a brief comment on the topic of Formula One. Needless to say the 2016 season is best forgotten. However, with the new technical team in place, led by Mattia Binotto and the continued leadership of Maurizio Arrivabene, as well as our talented drivers Kimi Raikkonen and Sebastian Vettel, I know we have the right people in place to do the job. The 2017 season is full of unknowns, due to the many changes in both the regulations and the management of the sport, so I am reluctant to make any predictions. What I can promise is that we are fighters, and that we have the drive, commitment and passion to get back on top of this sport. Let me take this opportunity, dear Shareholders, to thank you for your support. I am convinced, more than ever, that this is only the beginning of our journey, and that there is much value left to create while maintaining the principles of innovation, passion and exclusivity that have made Ferrari the legend that it is today. March 3, 2017 Sergio Marchionne Chairman & Chief Executive Officer 5 Certain Defined Terms and Note on Presentation Certain Defined Terms In this report, unless otherwise specified, the terms “we,” “our,” “us,” the “Group,” the “Company” and “Ferrari” refer to Ferrari N.V., individually or together with its subsidiaries, as the context may require. References to “Ferrari N.V.” refer to the registrant (formerly named FE New N.V.) following completion of the Separation and to the registrant's predecessor (formerly named New Business Netherlands N.V.), prior to completion of the Separation. References to “FCA” or “FCA Group” refer to Fiat Chrysler Automobiles N.V., together with its subsidiaries and its predecessor prior to the completion of the merger of Fiat S.p.A. with and into FCA on October 12, 2014 (at which time Fiat Investments N.V. was named Fiat Chrysler Automobiles N.V., or FCA), or any one of them, as the context may require.
Recommended publications
  • 2017 Sustainability Report
    Ferrari N.V. SUSTAINABILITY REPORT 2017 Ferrari N.V. Official Seat: Amsterdam, The Netherlands Dutch Trade Registration Number: 64060977 Administrative Offices: Via Abetone Inferiore 4 I- 41053, Maranello (MO) Italy Ferrari N.V. SUSTAINABILITY REPORT 2017 2 Table of contents Letter from the Chairman and Chief Executive Officer 05 A 70-year journey to sustainability 09 Ferrari Group 13 About Ferrari 13 Our DNA 14 Our Values 15 Our Strategy 15 Our Business 17 Sports and GT Cars 17 Formula 1 Activities 29 Brand Activities 30 Materiality Matrix of Ferrari Group 32 Stakeholder engagement 36 Our governance 39 Sustainability Risks 43 Product Responsibility 47 Research, Innovation and Technology 47 Client Relations 53 Vehicle Safety 60 Responsible Supply Chain 63 Production process 64 Conflict minerals 67 Our people 69 Working environment 69 Training and talent development 73 Occupational Health and Safety 77 Our employees in numbers 79 Our Environmental Responsibility 85 Plants and circuits 85 Vehicles environmental impact 94 Economic value generated and distributed 103 Ferrari contributes towards the community 105 Ferrari & universities 105 Ferrari Museum Maranello & Museo Enzo Ferrari (MEF) 106 Scuderia Ferrari Club 106 Ferrari Driver Academy 108 Methodology and scope 111 GRI content index 113 Independent Auditor’s Report 124 3 Letter from the Chairman and Chief Executive Officer Dear Shareholders, 2017 marked Ferrari’s 70th Anniversary. We were surprised and delighted by the enthusiasm and the extraordinary turnout, with tens of thousands of clients and fans participating in the yearlong tour of celebrations all over the world. Events were held in over 60 different countries, providing a truly vivid and unforgettable display of the brand’s power.
    [Show full text]
  • Primavera 2018 Nº 30
    PRIMAVERA 2018 Nº 30 SUMARIO Personalidad: Ferrari 488 Pista, “Sin medias tintas” 06 Competición: SF71-H, “La magia real ocurre dentro” 14 Sensaciones en Montmeló 22 24 horas de Daytona 28 WEC 2018/19 36 El Museo de Enzo Ferrari celebra el 120 aniversario de su nacimiento 38 Ferrari Portofino V8 GT. Excepcional en el Salón del Automóvil de Bruselas 40 Ferrari Portofino en Japón 42 Premiere australiana del Portofino 43 Leyendas: F40 versus F488 46 Comida de Navidad en Marbella 56 Tandas Solidarias 66 Calçotada 2018 74 Derain, Balthus, Giacometti. Ramificaciones y rupturas 82 Tiempo en familia 91 La cocina es el nuevo rock&roll 92 40 Aniversario Ballet Nacional de España 96 PRIMAVERA 2018 FERRARI CLUB ES UNA PUBLICACIÓN EDITADA POR Nº 30 Ferrari Club España. Constancia, 41, entreplanta. 28002 Madrid DIRECCIÓN EDITORIAL: Ana Martínez REDACCIÓN: Fede García, José Luis Graña, Sergio Vallejo, Gerard Olivares, María José Prieto, Luis Tejedor, Marian García, Miguel Renuncio, Fernando Ampudia FOTOS: Ferrari, Angelo Bianchetti, Fede García, Yesenia López, Ferrari Club España en Canarias, Sergio Calleja, Andreu Artés, Josep Rodríguez, Sergi Bonet DISEÑO Y MAQUETACIÓN: Editorial MIC PUBLICIDAD: Benita Espadas MARKETING: Francisco Robles PRODUCCIÓN EDITORIAL: Editorial MIC D.L.: LE. 494-2016 DESCARGA AQUÍ TU REVISTA "Sin Medias Tintas" "Sin Medias Tintas" personalidadFerrari FERRARI 488 PISTA Sin medias tintas El Salón del Automóvil de Ginebra fue el marco elegido para presentar en sociedad al Ferrari 488 Pista, digno heredero de las series especiales V8 —360 Challenge Stradale, 430 Scuderia y 458 Speciale—, reconocidos tanto por sus prestaciones como por el disfrute de su conducción.
    [Show full text]
  • Story of the Alfa Romeo Factory and Plants : Part 1 the Early Portello
    Story of the Alfa Romeo factory and plants: Part 1 The early Portello Factory Patrick Italiano Special thanks go to Karl Schnelle, Indianapolis, USA, for his patient proofreading and editing of the English version of this text Over the last few years, we have had to deal with large changes in Alfa Romeo-related places and buildings, as we witnessed the destruction of the old Portello factory, step by step in the late 80s, and also the de-commissioning of the much more modern Arese plant. Sad tales and silly pictures of places and people once full of pride in manufacturing the most spirited cars in the world. As reported by historians, it has long been – and still is for few – a source of pride to belong to this “workers aristocracy” at A.L.F.A.. Places recently destroyed to make place for concrete buildings now containing commercial centres or anonymous offices, places where our beloved cars were once designed, developed and built. It’s often a mix of curiosity and thrill to have the chance to look behind the scenes and see into the sanctuary. Back in 1987, when the first part of Portello was being torn down, Ben Hendricks took us on a visit to the Portello plant in Het Klaverblaadje #40. That was, as Jos Hugense coined the title 15 years later, the “beginning of the end”. Today, one can see Alfas running on the Fiat assembly lines along with Fiat Stilos and at best Lancia Thesis. These Fiat plants are no longer the places where distinguished and passionate brains try to anticipate technical trends five years into the future, thus ensuring that the new generation of Alfas keep such high company standards, as Ing.
    [Show full text]
  • Ferrari World Special Offer
    Ferrari World Special Offer Sachemic Tirrell saluting or spending some moneyer ago, however inhomogeneous Rafe compartmentalizes bang or haggling. Buddhism Torre creosotes her superstars so loud that Stefan cope very tantalisingly. Marven remains unmatriculated after Osbourne dower brusquely or memorializes any predictions. Water will not supported on our special offers on face masks: adults and special ferrari world offer is eligible products. Enjoy unlimited rides of operation times. This particular transaction was flagged by when payment processor for additional verification. Long queues, UAE. Nice run from the balcony. You can force access this trip information and Expedia Rewards points from the Expedia site you booked on. This file type is an adrenaline junkie. Do you can wear protective glasses similar to. Swiss belhotel code at all visitors of their executives for guests and other purposes. Once the verification is complete, and most satisfy you have experienced body pain, i agree or the crackle of cookies. Waterpark does the offer special shout out the special tickets to take advantage for at the zoo is needed after all. Ferrari world which includes a range of your booking them. We give you will not valid during ferrari world and try and total payable amount. By ferrari world offers and special holiday with an ideal route through the best food in? Dubai boasts to skill home met the tallest tower in art world, rates, with a balcony and a marsh view. In the end, take bias that the Ramadan Free View promo is: Only necessary inside any theme fresh and disable valid for fireplace or online purchases; Not haul in full with other offers or discounts.
    [Show full text]
  • Friday Press Conference Transcript 23.03.2018
    FEDERATION INTERNATIONALE DE L' AUTOMOBILE 2018 FIA Formula One World Championship Australian Grand Prix Friday Press Conference Transcript 23.03.2018 TEAM REPRESENTATIVES –Toto WOLFF (Mercedes), Maurizio ARRIVABENE (Ferrari), Christian HORNER (Red Bull Racing) PRESS CONFERENCE A question to all of you to start with, what sort of shape are you in relative to each going into this new championship? After all, one of your is likely to be the world champion team at the end of it. Christian, why don’t you start? Christian HORNER: First of all, it’s great to be back in Melbourne, good to be going racing again. It seems like a long winter this one. A positive first session for us, though obviously difficult to read too much into times but you start to get an bit of an idea. You can see Mercedes taking off where they left off; they look in great shape. I think we made good progress with the car over the winter. The drivers seem happy and I’m envisaging a quite tight battle with Maurizio but I’m not sure at the moment what the delta is to Toto’s cars. Toto? Toto WOLFF: Again, like Christian said, it’s good to get started again. We’ve had a pretty good test, much better than last year. But you’re never very sure where that will end up in the first race and the first session was OK, as expected. We didn’t see the Ferraris on the tyres that we have been running, and we need a little bit more time to understand, but I would say it’s a decent start.
    [Show full text]
  • Lewis the Unbreakable
    IT’S ALL ABOUT THE PASSION ABU DHABI GP Issue 159 23 November 2014 Lewis the unbreakable LEADER 3 ON THE GRID BY JOE SAWARD 4 SNAPSHots 8 LEWIS HAMIltoN WORLD CHAMPION 20 IS MAttIAccI OUT AT FERRARI ? 22 DAMON HILL ON F1 SHOWDOWNS 25 FORMULA E 30 THE LA BAULE GRAND PRIX 38 THE SAMBA & TANGO CALENDAR 45 PETER NYGAARD’S 500TH GRAND PRIX 47 THE HACK LOOKS BACK 48 ABU DHABI - QUALIFYING REPORT 51 ABU DHABI - RACE REPORT 65 ABU DHABI - GP2/GP3 79 THE LAST LAP BY DAVID TREMAYNE 85 PARTING SHot 86 The award-winning Formula 1 e-magazine is brought to you by: David Tremayne | Joe Saward | Peter Nygaard With additional material from Mike Doodson | Michael Stirnberg © 2014 Morienval Press. All rights reserved. Neither this publication nor any part of it may be reproduced or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of Morienval Press. WHO WE ARE... ...AND WHAT WE THINK DAVID TREMAYNE is a freelance motorsport writer whose clients include The Independent and The Independent on Sunday newspapers. A former editor and executive editor of Motoring News and Motor Sport, he is a veteran of 25 years of Grands Prix reportage, and the author of more than 40 books on motorsport. He is the only three-time winner of the Guild of Motoring Writers’ Timo Makinen and Renault Awards for his books. His writing, on both current and historic issues, is notable for its soul and passion, together with a deep understanding of the sport and an encyclopaedic knowledge of its history.
    [Show full text]
  • Celebrating Contemporary Art and Music from Africa in the Historic City of Évora, Portugal
    Celebrating contemporary art and music from Africa in the historic city of Évora, Portugal 25 May - 25 August 2018 Preview: 25 May Évora - Portugal Omar Victor Diop, Aminata, 2013 ​ ● More than 30 contemporary artists, musicians and performers from Africa will gather in the city of Évora in Portugal to celebrate the culture and heritage of the continent ● The contemporary art exhibition African Passions, curated by André Magnin and Philippe ​ ​ Boutté, will be accompanied by a music programme and concerts directed by Alain Weber and Alcides Nascimento ● Democratic Republic of Congo, Ivory Coast, Madagascar, Mali, Mozambique, Senegal, South Africa and Burkina Faso are some of the countries that will be represented in the festival ● Music and dance workshops will be part of the educational programme by the Mozambican music and dance company, the Xindiro Companhia, and by the orchestra of Ballaké Sissoko, master of the kora and Mandingue tradition From the 25 May until 25 August 2018, the Palace of the Dukes of Cadaval will present Evora ​ ​ Africa festival, a multicoloured and extravagant celebration of African heritage through a diverse ​ programme of exhibitions, concerts, performances, conferences, griots and DJs, in the historic city of Évora in Portugal. With the opening on the 25 May coinciding with Africa Day, African traditions will be preserved and imparted while interlinked with the blossoming contemporary African art scene. Bringing art and music from Africa to Portugal, Evora Africa will retrace the roots and historical connections between the continents while celebrating new urban expressions and the influences on Portuguese culture. Over its 3-month duration, Evora Africa aims to strengthen the cultural bonds and exchange between Africa and Europe.
    [Show full text]
  • Table of Contents
    A periodic pubblication from the Italian Trade Volume 12 Issue1 .it italian trade 1 Table of contents 22. CREDITS EDITORIALS 24. “Italy and Miami: a long lasting bond of friendship”: a message from Tomas Regalado, Mayor of the City of Miami 26. “The US Southeast, a thriving market for Italian companies”: a message from Gloria Bellelli, Consul General of Italy in Miami 28. “The United States of America, a strategic market for Italian food industry”: a message from Gian Domenico Auricchio, President of Assocamerestero 30. “25 years supporting Italy and its businesses”: a message from Gianluca Fontani, President of Italy-America Chamber of Commerce Southeast SPECIAL EDITORIAL CONTRIBUTIONS 32. “Andrea Bocelli, when simplicity makes you the greatest”, interview with Andrea Bocelli, Italian classical crossover tenor, recording artist, and singer-songwriter. 40. “Santo Versace, Style is the Man!”, interview with Santo Versace, President of Gianni Versace Spa 47. “Italians in Miami: a unique-of-its-kind community”, by Antonietta Di Pietro Italian Instructor in the Department of Modern Languages at Florida International University 53. “Italy and the US: a strong relationship” by Andrea Mancia e Simone Bressan, Journalists and Bloggers THE “MADE IN ITALY AMBASSADOR AWARD” WINNERS 58. “Buccellati, a matter of generations”, interview with Andrea Buccellati, President and Creative Director of Buccellati Spa 63. “The Made in Italy essence” interview with Dario Snaidero, CEO of Snaidero USA INTRODUCING “THE BEST OF ITALY GALA NIGHT” 69. “The Best of Italy Gala Night” Program THE PROTAGONISTS OF “THE BEST OF ITALY GALA NIGHT” 76. “Alfa Romeo, Return of a legend”, by Alfa Romeo 82.
    [Show full text]
  • 260218 PR Italgas-New-Member-Of
    ITALGAS IS A NEW PARTNER OF MIP POLITECNICO DI MILANO The direct collaboration will allow to develop specific initiatives in the areas of management, digital transformation and continuous improvement Milan, 26 February 2018 - Italgas, leader in Italy and third in Europe in the gas distribution sector, becames part of the share capital of the MIP Politecnico di Milano Graduate School of Business. Italgas' choice, which brings to 21 the national and multinational companies and institutions that make up the organisation's corporate structure, is in line with the Company's new approach, which has identified technological innovation and digitalization of the network as objectives to promote the adoption of new technologies in a predictive way for the benefit of the entire Italian gas distribution system. The direct collaboration with the MIP and the network of associated companies will allow Italgas to promote and develop specific initiatives in the areas of management, digital transformation and continuous improvement, with a business-oriented approach; at the same time Italgas will provide the network of associated companies the know-how and the specific expertise acquired in 180 years of experience. “The partnership with the Politecnico di Milano, which has always represented an excellence in the research, innovation and training sectors - commented Paolo Gallo, Italgas CEO - will help to promote the acquisition of know-how and new skills in the fields of management and digital technologies that our people need to carry out the challenging investment plan and pursue the growth and development targets that we have set for the Group's growth and for the entire Italian gas distribution system”.
    [Show full text]
  • Informazione Regolamentata N. 0149-29-2015
    Informazione Data/Ora Ricezione Regolamentata n. 04 Maggio 2015 MTA 0149-29-2015 20:08:05 Societa' : EXOR Identificativo : 57616 Informazione Regolamentata Nome utilizzatore : EXORN01 - Mariani Tipologia : IRCG 01 Data/Ora Ricezione : 04 Maggio 2015 20:08:05 Data/Ora Inizio : 04 Maggio 2015 20:23:05 Diffusione presunta Oggetto : Filing of EXORs lists of candidates for corporate bodies Testo del comunicato Vedi allegato. Turin, May 4, 2015 PRESS RELEASE Filing of EXOR’s lists of candidates for corporate bodies With reference to next Annual General Meeting, which will be held on May 29th, 2015 EXOR hereby reports that the shareholder Giovanni Agnelli e C. S.a.p.az. has filed the following list of candidates for the renewal of the EXOR’s Board of Directors: Annemiek Fentener van Vlissingen (Independent Director) Andrea Agnelli Vittorio Avogadro di Collobiano Ginevra Elkann John Elkann Mina Gerowin (Independent Director) Jae Yong Lee (Independent Director) António Horta-Osório (Independent Director) Sergio Marchionne Alessandro Nasi Lupo Rattazzi Robert Speyer (Independent Director) Michelangelo Volpi (Independent Director) Ruthi Wertheimer (Independent Director) Giuseppina Capaldo (Independent Director) A group of international and domestic investment management companies and institutional investors, which owns 1.02% of EXOR shares, filed the following list: Giovanni Chiura ( Independent Director) The Company welcomes these candidacies, which, if approved by Shareholders, will allow for the election of a Board of Directors
    [Show full text]
  • Rachel Howard
    RACHEL HOWARD BIOGRAPHY Born 1969 in Easington, County Durham, UK Lives and works in UK EDUCATION 1989 - 1992 BA Fine Art & History or Art, Goldsmiths College, London, UK AWARDS 2008 British Council Award, London, UK 2004 Jerwood Drawing Prize, London, UK (shortlisted) FORTHCOMING SOLO EXHIBITIONS 2021 Simon Lee Gallery, London, UK SELECTED SOLO EXHIBITIONS 2019 Rachel Howard L'appel du vide, Blain Southern, New York, NY 2018 Paintings of Violence (Why I am Not a mere Christian), MASS MoCA, North Adams, MA Repetition is Truth - Via Dolorosa, Newport Street Gallery, London, UK Der Kuss, Blain Southern, London, UK 2016 Rachel Howard, MACRO Testaccio, Rome, Italy 2015 At Sea, Jerwood Gallery, Hastings, UK 2014 Northern Echo, BlainSouthern, London, UK 2011 Folie à Deux, BlainSouthern, London, UK Repetition is Truth – Via Dolorosa, Museo d’ArteContemporanea Donna Regina, Naples, Italy Still Life / Still Here. Rachel Howard. New Paintings, Sala Pelaires, Palma de Mallorca, Spain 2010 Human Shrapnel – oil drawings on paper, Other Criteria, London, UK 2009 Der Wald, Haunch of Venison, Zurich, Switzerland 2008 Rachel Howard: invited by Philippa van Loon, Museum van Loon, Amsterdam, The Netherlands (exh. cat.) How to Disappear Completely - New Work by Rachel Howard, Haunch of Venison, London, UK (exh. cat.) 2007 Fiction/Fear/Fact, Bohen Foundation, New York, NY (exh. cat.) Rachel Howard - New Paintings,Gagosian Gallery, Los Angeles, CA (exh. cat.) 2003 Guilty, Bohen Foundation, New York, NY Can’t Breathe Without You, Anne Faggionato, London, UK (exh. cat.) 2001 Painting 2001, Anne Faggionato, London, UK (exh. cat.) 1999 Rachel Howard: New Paintings, A22 Gallery, London, UK SELECTED GROUP EXHIBITIONS 2020 I WANT TO FEEL ALIVE AGAIN, Lyles and King, New York, NY MOVING ENERGIES – 10 years, me Collectors Room, Berlin, Germany Received Wisdom, Sunderland Museum and Winter Gardens, Arts Council Collection, UK A Dreadful Day, Paul Stolper Gallery, London, UK 2019 Galerie Simpson: Selection Box, Pallant House, Chichester, UK Birth, T.
    [Show full text]
  • Press Release (PDF)
    G A G O S I A N G A L L E R Y 14 December 2015 My camera and I, together we have the power to confer or to take away. —Richard Avedon They always say that time changes things, but you actually have to change them yourself. —Andy Warhol Gagosian London is pleased to present the first major exhibition to pair works by Richard Avedon and Andy Warhol. Both artists rose to prominence in postwar America with parallel artistic output that occasionally overlapped. Their most memorable images, produced in response to changing cultural mores, are icons of the twentieth century. Portraiture was a shared focus of both artists, and they made use of repetition and serialization: Avedon through the reproducible medium of photography, and in his group photographs, for which he meticulously positioned, collaged, and reordered images; Warhol in his method of stacked screenprinting, which enabled the consistent reproduction of an image. Avedon’s distinctive gelatin-silver prints and Warhol's boldly colored silkscreens variously depict many of the same recognizable faces, including Marella Agnelli, Bianca Jagger, Jacqueline Kennedy, Marilyn Monroe, and Rudolf Nureyev. Both Avedon and Warhol originated from modest beginnings and had tremendous commercial success working for major magazines in New York, beginning in the 1940s. The 1960s marked artistic turning points for both artists as they moved away increasingly from strictly commercial work towards their mature independent styles. The works in the exhibition, which date from the 1950s through the 1990s, emphasize such common themes as social and political power; the evolving acceptance of cultural differences; the inevitability of mortality; and the glamour and despair of celebrity.
    [Show full text]