Macassan History and Heritage: Journeys, Encounters and Influences
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Framework for Prioritising Waterways for Management in Western Australia
Framework for prioritising waterways for management in Western Australia Centre of Excellence in Natural Resource Management University of Western Australia May 2011 Report no. CENRM120 Centre of Excellence in Natural Resource Management University of Western Australia Unit 1, Foreshore House, Proudlove Parade Albany Western Australia 6332 Telephone +61 8 9842 0837 Facsimile +61 8 9842 8499 www.cenrm.uwa.edu.au This work is copyright. You may download, display, print and reproduce this material in unaltered form only (retaining this notice) for your personal, non-commercial use or use within your organisation. Apart from any use as permitted under the Copyright Act 1968, all other rights are reserved. Requests and inquiries concerning reproduction and rights should be addressed to the University of Western Australia. Reference: Macgregor, C., Cook, B., Farrell, C. and Mazzella, L. 2011. Assessment framework for prioritising waterways for management in Western Australia, Centre of Excellence in Natural Resource Management, University of Western Australia, Albany. ISBN: 978-1-74052-236-6 Front cover credit: Bremer River, Eastern South Coast bioregion in May 2006, looking downstream by Geraldine Janicke. Disclaimer This document has been prepared by the Centre of Excellence in Natural Resource Management, University of Western Australia for the Department of Water, Western Australian. Any representation, statement, opinion or advice expressed or implied in this publication is made in good faith and on the basis that the Centre of Excellence in Natural Resource Management and its employees are not liable for any damage or loss whatsoever which may occur as a result of action taken or not taken, as the case may be in respect of any representation, statement, opinion or advice referred to herein. -
Lontara (25 Marks)
Lontara (25 marks) Buginese is a language of the southern region of Sulawesi, the third largest island of Indonesia. It is written using a script called Lontara. The script's name comes from the Malay word for palm, lontar . The long, thin leaves of the palm were once used to create scroll-like manuscripts. What you see below is a passage from the epic Indonesian creation myth Sureq Galigo, written in Buginese using the Lontara script. The same passage: English translation There is no one to call the gods Lord, or to offer praise to the underworld. Why Lord don't you have one of your children descend, and incarnate him on the earth; do not leave the world empty and the earth uninhabited. You are not a god, Lord, if there are no humans under the heavens, above the underworld, to call the gods Lord. Buginese with the Latin alphabet, scrambled The Buginese text of this passage is shown again below, but this time written in the Latin alphabet instead of the Lontara script. Unfortunately, it has also been chopped up into ten pieces and scrambled up. Notes about spelling: • e is a vowel (/ ə/), pronounced u as in mud. • é is a vowel (/ ɛ/), pronounced e as in bed. • q is the glottal stop (/ ʔ/), the sound in the middle of uh-oh. a. ajaq naonro lobbang linoé b. lé namasuaq mua na sia c. makkatajangeng ri atawareng. d. mappaleq wali ri pérétiwi. e. mattampa puang lé ri batara, f. mattampa puang lé ri batara. g. ri awa langiq, lé ri ménéqna pérétiwié, h. -
Kimberley Cruising
Kimberley Cruising Great Escape The Kimberley is a land of captivating contrast. Discover one of the world’s most amazing untouched wilderness areas and cruise past breathtaking waterfalls and dramatic cliff faces, while relaxing on the deck of your vessel. A Kimberley cruise is an adventure you will never forget! Of course there’s more to the Kimberley coastline than spectacular scenery. Reach for the binoculars to take in the abundance of birdlife and embark on an excursion to see some of the oldest Aboriginal rock art galleries featured in natural caves. As you cruise along the Kimberley coastline, visit some of the most incredible attractions Australia has to offer. Witness the natural phenomenon at Montgomery Reef, where white water rapids reveal a vast reef eco-system. Marvel at the tiered waterfall at King Cascade, on the Prince Regent River and take a thrilling ride through the Horizontal Falls. Spot crocodiles along the Mitchell River and explore the beaches and ancient rock art on Bigge Island. Just sit back, relax and enjoy the breathtaking scenery that will surround you. A whole new world of underwater wonder is yours to enjoy at Rowley Shoals Marine Park, 300 kilometres west of Broome. The coral atolls, clear lagoons and incredible marine life are exceptional. Take a dive on Clerke or Mermaid Reef and be on the lookout for everything from colourful coral gardens to various fish species. Come face to face with sea turtles, manta rays and dolphins. It’s an underwater playground. After a full day of exploring the wilderness, dine on sumptuous fresh food and watch the spectacular Kimberley sunset. -
I La Galigo a Visionary Work for the Theatre Inspired by Sureq Galigo, an Epic Poem from South Sulawesi, Indonesia
I La Galigo A visionary work for the theatre inspired by Sureq Galigo, An epic poem from South Sulawesi, Indonesia August 7‐10, 2008 Taipei Metropolitan Hall Credits Direction, set design, lighting concept Robert Wilson Text adaptation and dramaturgy Rhoda Grauer Music Rahayu Supanggah Artistic coordination Restu I Kusumaningrum Costume designer Joachim Herzog Co‐director Ann Christin Rommen Lighting designer AJ Weissbard Collaborator to set design Christophe Martin Textile design and costume coordination Yusman Siswandi and Airlangga Komara Dance master Andi Ummu Tunru Assistant director Rama Soeprato Cast Abdul Murad, Amri Asrun, Ascafeony Daengtanang, B. Kristiono Soewardjo, Coppong Binti Baco, Didi Annuriansyah, Erythrina Baskorowati, Faizal Yunus, Herry Yotam, I Gede Sudiarcana, I Ketut Rina, Indrayani Djamaluddin, Indra Widaryatno, Iwan Wiyanto, Jusneni Fachruddin, Kadek Tegeh Okta WM, Kinanti Reski, Muhammad Agung, M. Gentille , Murniati, Ni Made Sumartini, Ridwan Anwar, Samsari Hatipe, Satriani Kamaluddin, Sefi Indah Prawarsari, Simson Lawari, Harlina Darni, Sri Qadariatin, Taufiq Ismail, Tenri Lebbi, Wangi Indriya, Widyawati, Yusan Budiawan Nadjamuddin, Zulsafri Nurdin Musicians Rahayu Supanggah (music director), Abdul Bashit, Anusirwan, Arifin Manggau, Basri Baharuddin Sila, Hamrin Samad, I Wayan Sadera, Imran Rauf, Danis Sugiyanto, Peni Candra Rini, Solihing Bin Dorahing, Sri Joko Raharjo, Zamratul Fitria and Puang Matoa Saidi 1 1 Technical Director Amerigo Varesi; Stage manager Evelyn Chia; Assistant stage manager Tinton Prianggoro; -
The Human Wallace Line: Racial Science and Political Afterlife
Med. Hist. (2019), vol. 63(3), pp. 314–329. c The Author 2019. Published by Cambridge University Press 2019 This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/mdh.2019.29 The Human Wallace Line: Racial Science and Political Afterlife FENNEKE SYSLING* Department of History and Art History, University of Utrecht, Drift 6, 3512 BS Utrecht, The Netherlands Abstract: This paper examines racial science and its political uses in Southeast Asia. It follows several anthropologists who travelled to east Nusa Tenggara (the Timor Archipelago, including the islands of Timor, Flores and Sumba), where Alfred Russel Wallace had drawn a dividing line between the races of the east and the west of the archipelago. These medically trained anthropologists aimed to find out if the Wallace Line could be more precisely defined with measurements of the human body. The paper shows how anthropologists failed to find definite markers to quantify the difference between Malay and Papuan/Melanesian. This, however, did not diminish the conceptual power of the Wallace Line, as the idea of a boundary between Malays and Papuans was taken up in the political arena during the West New Guinea dispute and was employed as a political tool by all parties involved. It shows how colonial and racial concepts can be appropriated by local actors and dismissed or emphasised depending on political perspectives. Keywords: Anthropometry, race, Southeast Asia, Alfred Russel Wallace, human diversity Introduction The human diversity of insular Southeast Asia has long been a source of wonder and the subject of various strategies of scientific inquiry. -
Anastasia Bauer the Use of Signing Space in a Shared Signing Language of Australia Sign Language Typology 5
Anastasia Bauer The Use of Signing Space in a Shared Signing Language of Australia Sign Language Typology 5 Editors Marie Coppola Onno Crasborn Ulrike Zeshan Editorial board Sam Lutalo-Kiingi Irit Meir Ronice Müller de Quadros Roland Pfau Adam Schembri Gladys Tang Erin Wilkinson Jun Hui Yang De Gruyter Mouton · Ishara Press The Use of Signing Space in a Shared Sign Language of Australia by Anastasia Bauer De Gruyter Mouton · Ishara Press ISBN 978-1-61451-733-7 e-ISBN 978-1-61451-547-0 ISSN 2192-5186 e-ISSN 2192-5194 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. ” 2014 Walter de Gruyter, Inc., Boston/Berlin and Ishara Press, Lancaster, United Kingdom Printing and binding: CPI books GmbH, Leck Țȍ Printed on acid-free paper Printed in Germany www.degruyter.com Acknowledgements This book is the revised and edited version of my doctoral dissertation that I defended at the Faculty of Arts and Humanities of the University of Cologne, Germany in January 2013. It is the result of many experiences I have encoun- tered from dozens of remarkable individuals who I wish to acknowledge. First of all, this study would have been simply impossible without its partici- pants. The data that form the basis of this book I owe entirely to my Yolngu family who taught me with patience and care about this wonderful Yolngu language. -
Evolutionary Dynamics of Bird Populations in Southeast Asia Haw Chuan Lim Louisiana State University and Agricultural and Mechanical College, Haw Chuan [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Evolutionary dynamics of bird populations in Southeast Asia Haw Chuan Lim Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Recommended Citation Lim, Haw Chuan, "Evolutionary dynamics of bird populations in Southeast Asia" (2010). LSU Doctoral Dissertations. 1372. https://digitalcommons.lsu.edu/gradschool_dissertations/1372 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. EVOLUTIONARY DYNAMICS OF BIRD POPULATIONS IN SOUTHEAST ASIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Biological Sciences Haw Chuan Lim B. Env.Sc., University of Wollongong, Australia, 1996 M.S., National University of Singapore, Singapore, 2002 August 2010 Acknowledgments I am very thankful to Dr. Frederick Sheldon, my advisor, for agreeing to take me as a graduate student. Up to that point, I only had experience as an avian ecologist. The members of my graduate committee, Drs. Robb Brumfield, Bryan Carstens, Phil Stouffer, and Fred, are prominent experts in their fields, and they have been very generous in the giving their time and providing advice. I also benefited greatly from interactions with other staff and faculty members of the Museum of Natural Science and the Department of Biological Sciences. -
Provisional Reel List
Manuscripts of the National Library of Indonesia Reel no. Title MS call no. 1.01 Lokapala CS 1 1.02 Sajarah Pari Sawuli CS 2 1.03 Babad Tanah Jawi CS 3 2.01 Pratelan Warni-warni Bab Sajarah Tanah Jawa CS 4 2.02 Damarwulan CS 5 2.03 Menak Cina CS 6 3.01 Kakawin Bharatayuddha (Bratayuda Kawi) CS 7 3.02 Kakawin Bharatayuddha (Bratayuda Kawi) CS 9 3.03 Ambiya CS 10 4.01 Kakawin Bharatayuddha CS 11a 4.02 Menak Lare CS 13 4.03 Babad Tanah Jawi CS 14a 5.01 Babad Tanah Jawi CS 14b 5.02 Babad Tanah Jawi CS 14c 6.01 Babad Tanah Jawi CS 14d 6.02 Babad Tanah Jawi CS 14e 7.01 Kraton Surakarta, Deskripsi CS 17 7.02 Tedhak Dalem PB IX Dhateng Tegalganda CS 18 7.03 Serat Warni-warni CS 19 7.04 Babad Dipanagara lan Babad Nagari Purwareja KBG 5 8.01 Platuk Bawang, Serat CS 20 8.02 Wulang Reh CS 21 8.03 Cabolek, Serat CS 22 8.04 Kancil CS25 8.05 Carakabasa CS 27 8.06 Manuhara, Serat CS 29 8.07 Pawulang Ing Budi, Serat CS 30 8.08 Babad Dipanegara CS 31a 8.09 Dalil, Serat CS 28 9.01 Kraton Surakarta, Deskripsi CS 32 9.02 Primbon Matan Sitin CS 33 9.03 Harun ar-Rasyid, Cerita CS 34 9.04 Suluk Sukarsa CS 35 9.05 Murtasiyah CS 36 9.06 Salokantara CS 37 9.07 Panitipraja lsp CS 38 9.08 Babasan Saloka Paribasan CS 39 9.09 Babad Siliwangi CS 40 9.10 Dasanama Kawi Jarwa (Cirebonan) CS 42 9.11 Primbon Br 139 9.12 Pantitipraja lap KBG 343 10.01 Babad Dipanegara CS 31b 10.02 Babad Tanah Jawi (Adam - Jaka Tingkir) KBG 7a 11.01 Babad Tanah Jawi KBG 7c 11.02 Babad Tanah Jawi KBG 7d 11.03 Babad Tanah Jawi KBG 7e 11.04 Purwakanda Br 103a 12.01 Purwakanda Br 103b 12.02 Purwakandha Br 103c 12.03 Purwakandha Br 103d Reel no. -
Universitat Pompeu Fabra Estrategias Filipinas Respecto a China
^ ui' °+ «53 T "" Biblioteca Universitat Pompeu Fabra Tesis doctoral Estrategias filipinas respecto a China: Alonso Sánchez y Domingo Salazar en la empresa de China (1581-1593) Barcelona, 1998 Volumen 1 Autor: Manel Ollé Rodríguez Directora: Dolors Folch Fornesa Documento 12 Autor: Alonso Sánchez Lugar y fecha: Manila, 1585 Localización: AGÍ Filipinas 79, ARAH Jesuitas. tomo VII y ANM, Colección Fernández Navarrete, II, fol. 253, dto. 8o.256 2^6 Se reproduce en esta edición el manuscrito localizado en ANM, Colección Fernández Navarrete, II, fol. 253, dto. 8o 238 Relación brebe de la jornada que hizo el P. Alonso Sánchez la segunda vez que fué a la China el año 1584. 257 En el año del582 habiendo yo ido a la China y Macan sobre negocios tocantes a la Gloria de Dios y al servicio de su magestad, por lo que el gobernador D. Gonzalo Ronquillo pretendía y deseaba de reducir aquella ciudad y puerto de portugueses a la obediencia de Su magestad, cuyos eran ya los reynos de Portugal. Pretendían esto el gobernador y obispo y capitanes y las religiones de todas estas yslas, por parecerles que no había otro camino para la entrada de cosa tan dificultosa y deseada como la China, sino era por aquella puerta, principalmente si se hubiese de hacer por vía de guerra, como el gobernador y los seculares pretendían y todos entienden que es el medio por el qual se puede hacer algo con brebedad y efecto. Hízose lo que se deseaba, juntándose con el Capitán Mayor y obispo y electos y las religiones y jurando a su Magestad, por su Rey y Señor natural, de lo qual y de otras cosas importantes dieron al P. -
Five Arts Centre Report: January – December 2011
FIVE ARTS CENTRE REPORT: JANUARY – DECEMBER 2011 Five Arts Centre is a collective of artists and producers dedicated to generating alternative art forms and images in the Malaysian creative environment. The collective’s scope of work includes theatre, dance, music, visual arts and young people’s theatre. Since it was formed in 1984, Five Arts Centre has been committed to articulating multiple Malaysian identities and championing local creativity. Founded by theatre directors Chin San Sooi and Dato’ Krishen Jit, and dancer- choreographer Marion D’Cruz, Five Arts Centre has been instrumental in the growth of a Malaysian identity in the arts. Today, the collective includes 14 arts activists and practitioners from across the generations and disciplines. Current members of Five Arts Centre include Anne James, Chee Sek Thim, Chew Kin Wah, Fahmi Fadzil, Ivy N. Josiah, Janet Pillai, June Tan, Kubhaer T. Jethwani, Lew Chee Seong, Mac Chan, Marion D’Cruz, Mark Teh, Ravi Navaratnam, and Suhaila Merican. For 27 years, Five Arts has been at the forefront of creating experimental, interdisciplinary and intercultural work, as well as providing platforms for the next generation of arts practitioners. Contemporary social and cultural issues impinging on Malaysian life are precipitated by the collective by way of exhibitions, performances, and creative and research workshops. The collective has performed and presented its work widely in South-East Asia, Japan, Korea, Hong Kong, India, Egypt, Australia, Canada, Germany, Austria, Belgium, Portugal and the UK. From 2004 to 2006, Five Arts Centre was the manager of Arts Network Asia, a regional organisation supporting arts work in Asia. -
<1> Miwoc in California 12 Points
OzCLO2014 NATIONAL ROUND Marking Guide <1> Miwoc in California 12 points In general, the endings of each of these Miwoc words indicate information about who or what is doing something to whom or what, i.e., a combination of subject and object features — to use linguist speak. Before attempting the tasks assigned below, it may help you to fill out the following grid. Some cells are filled in as a guide, e.g., nixmaš on the end of a verb indicates that 'we' do something to 'you', while put indicates that 'they' do something to 'me', and š means that 'you' do something. HINT: In some cells you will have alternating endings, while the same ending may appear in more than one cell. A B C Subject → I we you you all he they Object ↓ me (k)mu (k)muč t put 1 us (k)mušme (k)mušmeč m pum you (k)muš (k)nixmaš n pun 2 you all (k)mutoš toknixmaš ton puton him m/k (k)maš š toš ∅ p 3 them m/k (k)maš š toš ∅ p 4 (none) m/k (k)maš š toš ∅ p Task 1: 2.5 points [0.5 for each correct] Write the five verb stems (i.e., minimal part of word expressing verb meaning without the Tense or Subject and Object endings) corresponding to bite, speak (to), catch, come (to) and watch. (Write the Miwoc verb stem below the corresponding English verb.) bite speak (to) catch come (to) watch yil kač lot xin šiyič Task 2: 1.5 points [0.5 for each correct] a. -
Preserving the Diversity of Traditional Dances in Malaysia Through Appreciation of the Art of Early Childhood Education
SHOW UP & BE SEEN: A STUDY TOWARDS QUANTUM LEADERSHIP IN QUANTUM ERA PJAEE, 17 (6) (2020) PRESERVING THE DIVERSITY OF TRADITIONAL DANCES IN MALAYSIA THROUGH APPRECIATION OF THE ART OF EARLY CHILDHOOD EDUCATION Sri Watini1, Qurotul Aini2, Marviola Hardini3, Untung Rahardja4, Ankur Singh Bist5 STKIP Panca Sakti Bekasi1, Universitas Raharja2,3,4, Graphic Era Hill University Bhimtal Campus5 [email protected], [email protected], [email protected], [email protected], [email protected] Sri Watini, Qurotul Aini, Marviola Hardini, Untung Rahardja, Ankur Singh Bist: Preserving The Diversity Of Traditional Dances In Malaysia Through Appreciation Of The Art Of Early Childhood Education-- Palarch’s Journal Of Archaeology Of Egypt/Egyptology 17(4), 1-14. ISSN 1567-214x Keywords: Citizen's awareness; Traditional dances; Malay ABSTRACT The Malay is one of the Austronesian ethnic groups which has maintained its Austronesian heritage until now. Austronesian cultures between these regions have in common. Through the results of this study, it aims to describe the variant of traditional Malay dances in Malaysia, by increasing awareness in preserving culture, in accordance with the traditions and special local characteristics of the Malay state. Education for the younger generation of Malays teaches that cultural diversity must be recognized as a valuable treasure, and the culture of their country needs to be preserved. This is a qualitative ethnographic study, where ethnographic studies are usually about social communities, beliefs, religions, and traditions, including traditional dances. This research was conducted in Shah Alam, Malaysia. The research data were collected using field observations as one of the methods, then open and in-depth interviews were also conducted with direct interaction with the community concerned.