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A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Das Nintendo-Schummelbuch
AÄ«i8®Ä' INHALTSVERZEICHNIS VORWORT 1 TAUSEND DANK 2 DER AUTOR 2 CAME BOY CHEATS 4 ADDAMS FAMILY 4 DEAD HEAT SCRAMB 14 ADVENTURE ISLAND 4 DR. FRANKEN 15 ADVENTURES OF LOLO 4 DR. FRANKEN II 15 AFTERBURST 4 DYNABLASTER 15 ALLEYWAY 4 ELEVATOR ACTION 15 BART VS THE JUGGERNAUTS 5 F-15 STRIKE EAGLE 15 BATMAN 5 FACEBALL 2000 |6 BATTLE BULL 5 FERRARI GRAND PRIX CHALLENGE |6 BATTLE PING PONG 6 FINAL FANTASY LEGEND II 17 BATTLETOADS 6 FLAPPY SPECIAL 17 BATTLE UNIT ZEOTH 6 FORTRESS OF FEAR i8 BEST OF THE BEST 7 GARFIELD i8 BILL £ TED’S EXCELLENT GARGOYLE’S QUEST 19 ADVENTURE 7 GODZILLA 19 BLASTER MASTER BOY 7 GOLF 20 BOMBERBOY 7 HUDSON HAWK 20 BOMBERMAN 8 HUMANS 20 BOOMERS ADVENTURE 8 JAMES BOND JR. 21 BUBBLE BOBBLE 9 KID DRACULA 21 BUGS BUNNY 10 KID ICARUS 21 BURAI FIGHTER 10 KING OF THE ZOO 21 BURAI FIGHTER DELUXE II KIRBY’S DREAMLAND 22 BURGER TIME DELUXE II KIRBY’S PINBALL LAND 22 CAPTAIN PLANET II KLAX 22 CAPTAIN SKYHAWK 12 KRUSTY’S FUNHOUSE 22 CASTLEVANIA 12 LEMMINGS 23 CASTLEVANIA II 12 LOCK’N’CHASE 23 CATRAP 12 LOONEY TUNES 24 CHESSMASTER 13 MEGA MAN 24 CHOPLIFTER II '3 MEGA MAN 2 24 CRAZY CASTLE 2 '3 MERCENARY FORCE 25 DEADALIAN OPUS 14 METAL GEAR 25 AAICKEY AAOUSE 25 TINY TOONS 2 40 MICKEY’S DANGEROUS CHASE 25 TOM 8 JERRY 40 NARC 26 TOP GUN 40 NINJA BOY 26 TOP GUN II 40 NINJA GAIDEN 26 TURRICAN 41 OPERATION C 26 ULTIMA 41 PARODIUS 26 WHO FRAMED ROGER RABBIT 41 PIPE DREAM 27 WIZARDS & WARRIORS - POWER MISSION 27 THE FORTRESS OF FEAR 41 PRINCE OF PERSIA 27 WORLD BEACH VOLLEY 42 PROBOTECTOR 28 WORLD CUP SOCCER 42 PUZZNIC 28 ZELDA - LINKS -
Sin City: Město Hříchu, Grafická Novela Filmového Plátna
MASARYKOVA UNIVERZITA Filozofická fakulta Ústav filmu a audiovizuální kultury Teorie a dějiny filmu a audiovizuální kultury Tereza Bajerová Sin City: Město hříchu, grafická novela filmového plátna Bakalářská diplomová práce Vedoucí práce: Mgr. Lukáš Skupa Brno, 30. dubna 2011 Prohlašuji, ţe jsem diplomovou práci vypracovala samostatně s vyuţitím uvedených pramenů a literatury. ………………………………… Tereza Bajerová V Brně dne 30. 4. 2011 2 Děkuji Mgr. Lukáši Skupovi za cenné rady i připomínky, které pomohly dát mé práci finální tvar, a svým nejbliţším za shovívavost a trpělivost. 3 ,,Podívejte se za správný roh v Sin City a můţete najít… cokoliv.’’ 1 ,,Proč je vlastně jazyk komiksu tak univerzálně srozumitelný? Proč stačí pár čárek a dvě tři srdíčka, aby všichni pochopili, ţe postava se právě zamilovala? A pár vlnovek, abychom pochopili, ţe je jí zima?“ 2 1 Sin City: Město hříchu (Robert Rodriguez, Frank Miller, Quentin Tarantino; USA, 2005). 2 McCloud, Scott (2008): Jak rozumět komiksu. Praha: BB/Art komiks. 4 Obsah 1. Úvod 7 1.1 Teoreticko-metodologický úvod 8 1.2 Neoformalistická analýza: Divák jako aktivní spolutvůrce 9 1.3 Film a komiks 11 1.4. Úvod k samotné analýze 13 1.5. Intermedialita 14 1.6. Ţánrová specifikace 17 1.7. Kulturně- historický kontext spojující médium filmu a komiksu 18 2. Ekonomický a kulturně – historický kontext 19 2. 1. Předloha 19 2.2. Autor nejen předlohy 20 2. 3. Příprava projektu a předprodukční fáze filmu 22 2. 4. Výroba filmu a jeho začlenění do širších produkčních rámců 25 2. 5. Přijetí snímku, faktografie jeho ţivota po premiéře 26 3. Neoformalistická analýza 28 3.1. -
Plug and Play Language Models: a Simple Approach to Controlled Text
Published as a conference paper at ICLR 2020 PLUG AND PLAY LANGUAGE MODELS: A SIMPLE APPROACH TO CONTROLLED TEXT GENERATION Sumanth Dathathri ∗∗ Andrea Madotto ∗ Janice Lan Jane Hung CMS, Caltech HKUST Uber AI Uber AI Eric Frank Piero Molino Jason Yosinski yy Rosanne Liu y Uber AI Uber AI Uber AI Uber AI [email protected], [email protected] {janlan, jane.hung, mysterefrank, piero, yosinski, rosanne}@uber.com ABSTRACT Large transformer-based language models (LMs) trained on huge text corpora have shown unparalleled generation capabilities. However, controlling attributes of the generated language (e.g. switching topic or sentiment) is difficult without modifying the model architecture or fine-tuning on attribute-specific data and en- tailing the significant cost of retraining. We propose a simple alternative: the Plug and Play Language Model (PPLM) for controllable language generation, which combines a pretrained LM with one or more simple attribute classifiers that guide text generation without any further training of the LM. In the canonical scenario we present, the attribute models are simple classifiers consisting of a user-specified bag of words or a single learned layer with 100,000 times fewer parameters than the LM. Sampling entails a forward and backward pass in which gradients from the attribute model push the LM’s hidden activations and thus guide the gener- ation. Model samples demonstrate control over a range of topics and sentiment styles, and extensive automated and human annotated evaluations show attribute alignment and fluency. PPLMs are flexible in that any combination of differen- tiable attribute models may be used to steer text generation, which will allow for diverse and creative applications beyond the examples given in this paper. -
The Avatars of Masculinity in Robocop (1987) and Its Remake (2014)
Représentations dans le monde anglophone – Janvier 2017 Man Made and Remade: the Avatars of Masculinity in Robocop (1987) and its Remake (2014) Cyril Besson, Univ. Grenoble Alpes, ILCEA4 Keywords: Robocop, Verhoeven, Padilha, remake, gender, genre, point of view in film. Mots-clés: Robocop, Verhoeven, Padilha, remake, genre, sexes, point de vue au cinéma. It is tempting to begin with a truism: nothing comes from nothing. This is a belief articulated by many in the twentieth century, among whom George Steiner in After Babel, where he presents culture as a long chain of translations and transformations of verbal, thematic or formal constants. The problem raised by the notion of a syntax of culture, however, is the same as with language, as exemplified by de Saussure’s distinction between langue and parole: if all one ever does is move around “building blocks” following the constraints imposed by a system, what of individual creativity? If the question is, generally speaking, of little import to most speakers of a given language, things are different when it comes to art and culture: finding one’s voice, embodying a sort of progress for one’s chosen form of expression and leaving one’s mark on the latter, is what being an artist is about. The question of whether there is such a thing as true artistic singularity might be insoluble (no artist exists, who has not been influenced in some way, no matter how unpleasant the idea might be to him)1; however, one could say that in the field of popular culture, the twenty-first century inverts the proposition, especially in the collaborative form of art that is the cinema. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Sidelining Women in Contemporary Science- Fiction Film
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 12 | 2016 Mapping gender. Old images ; new figures Sidelining Women in Contemporary Science- Fiction Film Marianne Kac-Vergne Electronic version URL: http://journals.openedition.org/miranda/8642 DOI: 10.4000/miranda.8642 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marianne Kac-Vergne, “Sidelining Women in Contemporary Science-Fiction Film”, Miranda [Online], 12 | 2016, Online since 02 March 2016, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/8642 ; DOI: https://doi.org/10.4000/miranda.8642 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Sidelining Women in Contemporary Science-Fiction Film 1 Sidelining Women in Contemporary Science-Fiction Film Marianne Kac-Vergne 1 The success of the Alien franchise and of the first two Terminator films, and the resulting cult status of their remarkably tough female protagonists, Ellen Ripley and Sarah Connor, often obscures the fact that women rarely play more than a bit part in science fiction films centered almost exclusively on male heroes. Ripley and Connor have attracted so much critical analysis1 that little attention has been paid to the status and role of women in the genre as a whole2, thus skewing the debate in favor of “action heroines.” In 1993, Yvonne Tasker announced the arrival of muscular action heroines taking on the physical and narrative attributes of masculinity, as “a response of some kind to feminism,” (Tasker 15) a forecast confirmed in 2007 by Silke Andris and Ursula Frederick in Women Willing to Fight (2): “The 1980s and 1990s heralded the arrival of powerful muscular heroines the likes of Ellen Ripley (Alien quartet [1979, 1986, 1992, 1997]), Sarah Connor (The Terminator trilogy [1984, 1991, 2003]) and G.I. -
View Full Catalog of Encoded Compatible Content
D-BOX HOME ENTERTAINEMENT IMMERSIVE EXPERIENCES (Hold the Ctrl keyboard key and press the F (Ctrl+F) to search for a specific movie) HaptiCode Release Date RECENTLY ADDED (Year-Month-Day) Star Wars: The Bad Batch - 1st Season EP11 2021-07-09 Black Widow 2021-07-09 Lupin 1st Season EP 6,7 2021-07-07 Loki 1st Season EP 4 2021-07-06 Ace Venture - When Nature Calls 2021-07-06 Ace Ventura - Pet Detective 2021-07-06 Star Wars: The Bad Batch - 1st Season EP10 2021-07-02 Lupin 1st Season EP 4,5 2021-06-30 Loki 1st Season EP 3 2021-06-29 Star Wars: The Bad Batch - 1st Season EP9 2021-06-25 Always 2021-06-23 Lupin 1st Season EP 2,3 2021-06-23 Loki 1st Season EP 2 2021-06-22 Jack Ryan - 2nd Season EP 7,8 2021-06-22 Star Wars: The Bad Batch - 1st Season EP8 2021-06-18 Astérix - The Mansion of the Gods 2021-06-17 Lupin 1st Season EP 1 2021-06-16 Wandavision 1st Season EP 9 2021-06-16 Loki 1st Season EP 1 2021-06-15 Jack Ryan - 2nd Season EP 5,6 2021-06-15 Star Wars: The Bad Batch - 1st Season EP7 2021-06-11 In the Heights 2021-06-11 Wandavision 1st Season EP 7,8 2021-06-09 Jack Ryan - 2nd Season EP 3,4 2021-06-08 Star Wars: The Bad Batch - 1st Season EP6 2021-04-06 Conjuring : The Devil Made Me Do It 2021-06-04 Wandavision 1st Season EP 5,6 2021-06-02 Jack Ryan - 2nd Season EP 1,2 2021-06-01 Star Wars: The Bad Batch - 1st Season EP5 2021-05-28 Cruella 2021-05-28 Star Wars: The Clone Wars S07 EP 9,10,11,12 2021-05-27 Wandavision 1st Season EP 3,4 2021-05-26 Get Him to the Greek 2021-05-25 Jack Ryan 1st Season EP 7,8 2021-05-25 Star Wars: The Bad Batch -
The Complete Frank Miller Robocop Omnibus Free
FREE THE COMPLETE FRANK MILLER ROBOCOP OMNIBUS PDF Frank Miller,Steven Grant,Juan Jose Ryp | 400 pages | 20 Dec 2016 | SIMON & SCHUSTER | 9781608869121 | English | United Kingdom The Complete Frank Miller Robocop Omnibus (Volume) - Comic Vine Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview The Complete Frank Miller Robocop Omnibus a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Steven Grant. Ed Brisson. Frank Miller. Bear witness to the wall-to-wall violence, black comedy, science fiction, and neo- noir that never made it to the big screen. Get A Copy. Paperbackpages. More Details Frank Miller's RoboCop Other Editions 1. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Dec 21, Chad rated it it was ok Shelves: When I found out these existed I thought it was a cool idea. Frank Miller's unproduced screenplays from Robocop 2 and The Complete Frank Miller Robocop Omnibus. Sounds great. Like a lot of Avatar's comics, it's full of graphic violence to the point of just being gross. It's full of rampant sexism and T and A. The female police officers get their clothes blown off until they are girls with guns in lingerie. It's ridiculous. -
Science Fiction and Fantasy
Libraries SCIENCE FICTION AND FANTASY The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1000 Eyes of Dr. Mabuse DVD-0048 Abominable Dr. Phibes/Dr. Phibes Rises Again DVD-3313 10th Victim DVD-5591 Abyss DVD-8020 12 Monkeys DVD-8358 Adjustment Bureau DVD-9591 DVD-3375 Adventures of Prince Achmed DVD-8364 1984 (Hurt) DVD-4640 After Life DVD-4558 DVD-6795 Akira DVD-0315 1984 (O'Brien) DVD-6971 DVD-1214 20 Million Miles to Earth DVD-3608 Akira c.2 DVD-0315 c.2 DVD-9632 Alice in Wonderland (Depp) DVD-4917 20,000 Leagues Under the Sea DVD-8356 Alien DVD-0838 2001: A Space Odyssey DVD-0260 Alien c.2 DVD-0838 c.2 DVD-1239 Alien Intruder DVD-9648 DVD-8357 All of Me DVD-2988 2001: A Space Odyssey (Blu-Ray) DVD-9457 Alphaville DVD-0369 2010: The Year We Make Contact DVD-3418 Alphaville c.2 DVD-0369 c.2 2012 DVD-4759 Alphaville c.3 DVD-0369 c.3 3 World of Gulliver c.2 DVD-4239 c.2 Amazing Spiderman DVD-9581 3 Worlds of Gulliver DVD-4239 Andromeda Strain DVD-2868 300 c.2 DVD-6064 c.2 Animatrix DVD-5910 300: Rise of the Empire DVD-9092 Animatrix c.2 DVD-5910 c.2 7th Voyage of Sinbad DVD-4166 Another Earth DVD-7319 A.I. Artificial Intelligence DVD-2714 Armageddon DVD-4794 DVD-2713 Around the World in 80 Days (1956) DVD-1729 8/30/2019 Around the World in 80 Days (Chan) DVD-6073 Beetlejuice DVD-1974 Atlantis Season 1 DVD-7531 Beetlejuice c.2 DVD-1974 c.2 Attack the Block DVD-7739 -
Retroalimentación En El Universo De Frank Miller 45
Cine en viñetas y cómic en celuloide: retroalimentación en el universo de Frank Miller 45 CINE EN VIÑETAS Y CÓMIC EN CELULOIDE: RETROALIMENTACIÓN EN EL UNIVERSO DE FRANK MILLER Javier GARCÍA-CONDE MAESTRE RESUMEN Frank Miller revolucionó el lenguaje narrativo de los cómics de superhéroes con una mezcla de influencias cinematográficas que abarcaban desde el cine negro a las películas asiáticas de artes marciales. En la cumbre de su carrera fue tentado por Hollywood y, aunque las primeras experiencias como guionista no cumplieron sus expectativas, el boom de las adaptaciones de cómics al cine le dio una segunda oportunidad, esta vez como director. La alternancia entre ambos medios desde los años noventa le ha permitido utilizar recursos de uno en el otro, y viceversa, así como reciclar elementos argumentales en ambas direcciones. Palabras clave: Frank Miller, cómic, cine, género negro, ciencia ficción. Si hay dos nombres en el panorama del cómic norteamericano convencional que han llevado al cinéfilo a profundizar en la obra original adaptada, estos son Alan Moore y Frank Miller. Mientras el primero renegó primeramente de cualquier adaptación potencial de su obra a la gran pantalla, para pasar después a hacerlo de cualquier secuela impresa y finalmente del cómic en general, Frank Miller ha dado su beneplácito para cualquier adaptación e incluso ha coqueteado delante y detrás de las cámaras en adaptaciones propias o ajenas. Seguiremos su carrera, claro ejemplo de posmodernidad, donde las fronteras entre uno y otro medio se llegan a convertir en auténticas puertas giratorias. Frank Miller siempre tuvo claro que quería ser dibujante de cómics. -
Film and Television Projects Made in Texas (1910 – 2021) Page 1 of 36
Film and Television Projects Made in Texas (1910 – 2021) Page 1 of 36 PROJECT NAME TYPE PRODUCTION COMPANY PRODUCTION DATE(S) CITY/TOWN SHOT IN MAGNOLIA TABLE - SEASON 4 TV Series (Network/Cable/Digital) Blind Nil LLC 2021-06-14 – 2021-07-02 Valley Mills; Waco MAGNOLIA TABLE - SEASON 3 TV Series (Network/Cable/Digital) Blind Nil LLC 2021-04-06 – 2021-04-23 Valley Mills Austin; College Station; Fredericksburg; San QUEER EYE - SEASON 6 TV Series (Network/Cable/Digital) Netflix / LWT Enterprises 2021-03-22 – 2021-07-02 Antonio BBQ BRAWL - SEASON 3 TV Series (Network/Cable/Digital) Rock Shrimp Productions 2021-02-22 – 2021-04-02 Austin; Bee Cave; Buda; Cedar Park; Manor Bee Cave; Driftwood; Dripping Springs; BBQ BRAWL - SEASON 2 TV Series (Network/Cable/Digital) Rock Shrimp Productions 2021-02-22 – 2021-04-01 Fredericksburg; Luckenbach Highland Haven; South Padre Island; LAKEFRONT BARGAIN HUNT - SEASON 12 TV Series (Network/Cable/Digital) Magilla Entertainment 2021-01-27 – 2021-06-10 Surfside Beach Rebel 6 Films / TLG Motion FREE DEAD OR ALIVE Feature (Independent) Pictures 2021-01-24 – 2021-03-03 Alpine; Austin; Buda; Lajitas; Terlingua READY TO LOVE - SEASON 3 TV Series (Network/Cable/Digital) Light Snack Media, LLC 2021-01-20 – 2021-03-27 Houston MAGNOLIA TABLE - SEASON 2 TV Series (Network/Cable/Digital) Blind Nil LLC 2021-01-18 – 2021-01-28 Valley Mills VAN GO TV Series (Network/Cable/Digital) Rabbit Foot Studios 2020-11-17 – 2021-05-12 Austin Austin; Bartlett; Bastrop; Lockhart; WALKER - SEASON 1 TV Series (Network/Cable/Digital) CBS