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A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
11eyes AChannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub BenTo Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokurochan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba DFrag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon EnmaKun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! JuudenChan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes GaRei Zero Gatchaman Crowds Genshiken Getbackers Ghost -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Das Nintendo-Schummelbuch
AÄ«i8®Ä' INHALTSVERZEICHNIS VORWORT 1 TAUSEND DANK 2 DER AUTOR 2 CAME BOY CHEATS 4 ADDAMS FAMILY 4 DEAD HEAT SCRAMB 14 ADVENTURE ISLAND 4 DR. FRANKEN 15 ADVENTURES OF LOLO 4 DR. FRANKEN II 15 AFTERBURST 4 DYNABLASTER 15 ALLEYWAY 4 ELEVATOR ACTION 15 BART VS THE JUGGERNAUTS 5 F-15 STRIKE EAGLE 15 BATMAN 5 FACEBALL 2000 |6 BATTLE BULL 5 FERRARI GRAND PRIX CHALLENGE |6 BATTLE PING PONG 6 FINAL FANTASY LEGEND II 17 BATTLETOADS 6 FLAPPY SPECIAL 17 BATTLE UNIT ZEOTH 6 FORTRESS OF FEAR i8 BEST OF THE BEST 7 GARFIELD i8 BILL £ TED’S EXCELLENT GARGOYLE’S QUEST 19 ADVENTURE 7 GODZILLA 19 BLASTER MASTER BOY 7 GOLF 20 BOMBERBOY 7 HUDSON HAWK 20 BOMBERMAN 8 HUMANS 20 BOOMERS ADVENTURE 8 JAMES BOND JR. 21 BUBBLE BOBBLE 9 KID DRACULA 21 BUGS BUNNY 10 KID ICARUS 21 BURAI FIGHTER 10 KING OF THE ZOO 21 BURAI FIGHTER DELUXE II KIRBY’S DREAMLAND 22 BURGER TIME DELUXE II KIRBY’S PINBALL LAND 22 CAPTAIN PLANET II KLAX 22 CAPTAIN SKYHAWK 12 KRUSTY’S FUNHOUSE 22 CASTLEVANIA 12 LEMMINGS 23 CASTLEVANIA II 12 LOCK’N’CHASE 23 CATRAP 12 LOONEY TUNES 24 CHESSMASTER 13 MEGA MAN 24 CHOPLIFTER II '3 MEGA MAN 2 24 CRAZY CASTLE 2 '3 MERCENARY FORCE 25 DEADALIAN OPUS 14 METAL GEAR 25 AAICKEY AAOUSE 25 TINY TOONS 2 40 MICKEY’S DANGEROUS CHASE 25 TOM 8 JERRY 40 NARC 26 TOP GUN 40 NINJA BOY 26 TOP GUN II 40 NINJA GAIDEN 26 TURRICAN 41 OPERATION C 26 ULTIMA 41 PARODIUS 26 WHO FRAMED ROGER RABBIT 41 PIPE DREAM 27 WIZARDS & WARRIORS - POWER MISSION 27 THE FORTRESS OF FEAR 41 PRINCE OF PERSIA 27 WORLD BEACH VOLLEY 42 PROBOTECTOR 28 WORLD CUP SOCCER 42 PUZZNIC 28 ZELDA - LINKS -
NOVEDADES Eccediciones.Com TM & © DC Comics
MAYO 2013 << SUPERMAN Y SU FAMILIA COMUNICADO DE NOVEDADES eccediciones.coM TM & © DC Comics ANTES DE WATCHMEN: MINUTEMEN núm. 6 (de 6) GUION DARWYN COOKE DIBUJO DARWYN COOKE EDICIÓN ORIGINAL Before Watchmen: Minutemen núm. 6 USA PERIODICIDAD Mensual FORMATO 32 págs. | Grapa | Color | 168x257 mm. PVP 2,50 € De la mano de los mejores artistas de la industria del cómic, llega a nosotros Antes de Watchmen, una genial colección de series limitadas y números especiales que indagan en el mundo de Watchmen y sus personajes, con un respeto absoluto hacia la obra original. En Minutemen, con firma del magistral Darwyn Cooke, asistimos a la creación y el desarrollo del mítico primer equipo de superhéroes del universo Watchmen. EL HOMENAJE DE LA GENERACIÓN AL CÓMIC QUE CRECIÓ CON WATCHMEN eccediciones.com MÁS IMPORTANTE DE LA HISTORIA 9 7 8 8 4 1 5 8 4 4 4 3 3 ANTES DE WATCHMEN: OZYMANDIAS núm. 6 (de 6) GUION LEN WEIN DIBUJO JAE LEE EDICIÓN ORIGINAL Before Watchmen: Ozymandias núm. 6 USA PERIODICIDAD Mensual FORMATO 32 págs. | Grapa | Color | 168x257 mm. PVP 2,50 € De la mano de los mejores artistas de la industria del cómic, llega a nosotros Antes de Watchmen, una genial colección de series limitadas y números especiales que indagan en el mundo de Watchmen y sus personajes, con un respeto absoluto hacia la obra original. En Ozymandias veremos cómo los míticos Len Wein y Jae Lee dan forma a las aventuras de un personaje que solo la historia podrá tildar de magnífico héroe o grandioso villano. EL HOMENAJE DE LA GENERACIÓN AL CÓMIC QUE CRECIÓ CON WATCHMEN eccediciones.com MÁS IMPORTANTE DE LA HISTORIA 9 7 8 8 4 1 5 8 4 4 4 5 7 TM & © DC Comics ANTES DE WATCHMEN: DR. -
Research Commons at The
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. FROM 'AMBIGUOUSLY GAY DUOS' TO HOMOSEXUAL SUPERHEROES: THE IMPLICATIONS FOR MEDIA FANDOM PRACTICES A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Screen and Media At The University of Waikato By GEMMA CORIN The University of Waikato 2008 Abstract Despite traversing the fine line between homosocial and homosexual (Brooker, 2000) in his controversial text Seduction of the Innocent, Fredric Wertham’s (1954) description of Batman and Robin as a ‘wish dream of two homosexuals living together’ (Lendrum, 2004, p.70) represents one of the first published queer readings of superhero characters. This text can also be interpreted as the commencement of, and subsequent intense interest in the way superhero characters often portray a ‘camp’ sensibility (Medhurst, 1991) representative of a queer performative identity (Butler, 1993). -
Poison and Revenge in Seventeenth Century English Drama
"Revenge Should Have No Bounds": Poison and Revenge in Seventeenth Century English Drama The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Woodring, Catherine. 2015. "Revenge Should Have No Bounds": Poison and Revenge in Seventeenth Century English Drama. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17463987 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA “Revenge should have no bounds”: Poison and Revenge in Seventeenth Century English Drama A dissertation presented by Catherine L. Reedy Woodring to The Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of English Harvard University Cambridge, Massachusetts May 2015 © 2015 – Catherine L. Reedy Woodring All rights reserved. Professor Stephen Greenblatt Catherine L. Reedy Woodring “Revenge should have no bounds”: Poison and Revenge in Seventeenth Century English Drama Abstract The revenge- and poison- filled tragedies of seventeenth century England astound audiences with their language of contagion and disease. Understanding poison as the force behind epidemic disease, this dissertation considers the often-overlooked connections between stage revenge and poison. Poison was not only a material substance bought from a foreign market. It was the subject of countless revisions and debates in early modern England. Above all, writers argued about poison’s role in the most harrowing epidemic disease of the period, the pestilence, as both the cause and possible cure of this seemingly contagious disease. -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
Aachi Wa Ssipak Afro Samurai Afro Samurai Resurrection Air Air Gear
1001 Nights Burn Up! Excess Dragon Ball Z Movies 3 Busou Renkin Druaga no Tou: the Aegis of Uruk Byousoku 5 Centimeter Druaga no Tou: the Sword of Uruk AA! Megami-sama (2005) Durarara!! Aachi wa Ssipak Dwaejiui Wang Afro Samurai C Afro Samurai Resurrection Canaan Air Card Captor Sakura Edens Bowy Air Gear Casshern Sins El Cazador de la Bruja Akira Chaos;Head Elfen Lied Angel Beats! Chihayafuru Erementar Gerad Animatrix, The Chii's Sweet Home Evangelion Ano Natsu de Matteru Chii's Sweet Home: Atarashii Evangelion Shin Gekijouban: Ha Ao no Exorcist O'uchi Evangelion Shin Gekijouban: Jo Appleseed +(2004) Chobits Appleseed Saga Ex Machina Choujuushin Gravion Argento Soma Choujuushin Gravion Zwei Fate/Stay Night Aria the Animation Chrno Crusade Fate/Stay Night: Unlimited Blade Asobi ni Iku yo! +Ova Chuunibyou demo Koi ga Shitai! Works Ayakashi: Samurai Horror Tales Clannad Figure 17: Tsubasa & Hikaru Azumanga Daioh Clannad After Story Final Fantasy Claymore Final Fantasy Unlimited Code Geass Hangyaku no Lelouch Final Fantasy VII: Advent Children B Gata H Kei Code Geass Hangyaku no Lelouch Final Fantasy: The Spirits Within Baccano! R2 Freedom Baka to Test to Shoukanjuu Colorful Fruits Basket Bakemonogatari Cossette no Shouzou Full Metal Panic! Bakuman. Cowboy Bebop Full Metal Panic? Fumoffu + TSR Bakumatsu Kikansetsu Coyote Ragtime Show Furi Kuri Irohanihoheto Cyber City Oedo 808 Fushigi Yuugi Bakuretsu Tenshi +Ova Bamboo Blade Bartender D.Gray-man Gad Guard Basilisk: Kouga Ninpou Chou D.N. Angel Gakuen Mokushiroku: High School Beck Dance in -
The Muppets Take the Mcu
THE MUPPETS TAKE THE MCU by Nathan Alderman 100% unauthorized. Written for fun, not money. Please don't sue. 1. THE MUPPET STUDIOS LOGO A parody of Marvel Studios' intro. As the fanfare -- whistled, as if by Walter -- crescendos, we hear STATLER (V.O.) Well, we can go home now. WALDORF (V.O.) But the movie's just starting! STATLER (V.O.) Yeah, but we've already seen the best part! WALDORF (V.O.) I thought the best part was the end credits! They CHORTLE as the credits FADE TO BLACK A familiar voice -- one we've heard many times before, and will hear again later in the movie... MR. EXCELSIOR (V.O.) And lo, there came a day like no other, when the unlikeliest of heroes united to face a challenge greater than they could possibly imagine... STATLER (V.O.) Being entertaining? WALDORF (V.O.) Keeping us awake? MR. EXCELSIOR (V.O.) Look, do you guys mind? I'm foreshadowing here. Ahem. Greater than they could possibly imagine... CUT TO: 2. THE MUPPET SHOW COMIC BOOK By Roger Langridge. WALTER reads it, whistling the Marvel Studios theme to himself, until KERMIT All right, is everybody ready for the big pitch meeting? INT. MUPPET STUDIOS The shout startles Walter, who tips over backwards in his chair out of frame, revealing KERMIT THE FROG, emerging from his office into the central space of Muppet Studios. The offices are dated, a little shabby, but they've been thoroughly Muppetized into a wacky, cozy, creative space. SCOOTER appears at Kermit's side, and we follow them through the office. -
Batman: Eye of the Beholder Free Ebook
FREEBATMAN: EYE OF THE BEHOLDER EBOOK Andy Clarke,Tony Daniel | 168 pages | 13 Nov 2012 | DC Comics | 9781401234706 | English | United States Batman Eye of the Beholder Batman Annual #14 (The Eye of the Beholder: Two-Face) Comic – January 1, out of 5 stars 4 ratings See all formats and editions Hide other formats and editions. The four-part "Eye of the Beholder" revolves around a wealthy technology developer and his daughter. They come to town in search of a joint project with. Batman, Eye of the beholder, Daniel, Tony, $ Written by TONY DANIEL Art by TONY DANIEL and others Cover by TONY DANIEL Bruce Wayne may have. Batman: Eye of the Beholder Review Batman: Eye of the Beholder collects Batman issues # – , skips # & # written by David Hine and illustrated by Guillem March, and adds Pieces, a Two-Face story that went from # Batman: Eye of the Beholder is a Batman storyline and collected edition written by Tony S. Daniel, along with Eye of the Beholder itself. This paperback collects the Batman: Eye of the Beholder and the Batman: Pieces. Both storylines were originally published in the comic book series Batman. The Batman: Eye of the Beholder storyline was published from January to April, , and was written and illustrated by Tony S. Daniel. The. Batman: Eye of the Beholder (Collected) Batman: Eye of the Beholder collects Batman issues # – , skips # & # written by David Hine and illustrated by Guillem March, and adds Pieces, a Two-Face story that went from # "Batman: Eye of the Beholder" is a fine addition to anyone's library of graphic novels. -
TMR Volume 10 AW Edit
GEEK MYTHOLOGY: NOSTALGIA IN FOUR COLORS RYAN HAMPTON he cover of Marvel Comics’ The West Coast Avengers #11 depicts Iron Man, an armored and helmeted superhero, locked in heated battle with Shockwave, an Tarmored and helmeted supervillain. Both their arms are raised, the fingers of Iron Man’s right hand intertwined with Shockwave’s left hand in a power struggle to hold the other close. Iron Man’s left hand is clenched into a fist about to hammer Shockwave’s silver face shield, while Shockwave’s right hand is extended in a karate chop formation about to strike Iron Man’s back. In the middle distance, Hawkeye, a nebulous hero clad in a purple costume and armed with bow and arrow, and Mockingbird, an acrobatic ingénue armed with an extendable steel staff, are fending off Razorfist, who has large razors for hands, and Zaran, a self-proclaimed weapons master. In the background, a crowd of frightened onlookers recedes into the distance. As an adolescent, this cover spoke to me in a way that it does not now. I had never purchased a comic book before, but something about the characters and their struggles prompted me to buy it, take it home, and devour its contents. I hold no emotional ties to the comic itself (the cover image and the story inside were long forgotten until rereading the issue very recently), except that it was the entry point for years of comic book collecting that eventually waned and died with the advent of adulthood and the speculator boom and crash of the mid-1990s.