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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
B2 Woodstock – the Greatest Music Event in History LIU030
B2 Woodstock – The Greatest Music Event in History LIU030 Choose the best option for each blank. The Woodstock Festival was a three-day pop and rock concert that turned out to be the most popular music (1) _________________ in history. It became a symbol of the hippie (2) _________________ of the 1960s. Four young men organized the festival. The (3) _________________ idea was to stage a concert that would (4) _________________ enough money to build a recording studio for young musicians at Woodstock, New York. Young visitors on their way to Woodstock At first many things went wrong. People didn't want Image: Ric Manning / CC BY (https://creativecommons.org/licenses/by/3.0) any hippies and drug (5) _________________ coming to the original location. About 2 months before the concert a new (6) _________________ had to be found. Luckily, the organizers found a 600-acre large dairy farm in Bethel, New York, where the concert could (7) _________________ place. Because the venue had to be changed not everything was finished in time. The organizers (8) _________________ about 50,000 people, but as the (9) _________________ came nearer it became clear that far more people wanted to be at the event. A few days before the festival began hundreds of thousands of pop and rock fans were on their (10) _________________ to Woodstock. There were not enough gates where tickets were checked and fans made (11) _________________ in the fences, so lots of people just walked in. About 300,000 to 500,000 people were at the concert. The event caused a giant (12) _________________ jam. -
LÚR Festival
Háskóli Íslands Hugvísindasvið Hagnýt menningarmiðlun LÚR festival Greinagerð um menningarviðburðinn LÚR festival: Listahátíð Lengst Útí Rassgati Greinagerð til MA-prófs í Hagnýtri menningarmiðlun Ólöf Dómhildur Jóhannsdóttir Kt.: 170281-4119 Leiðbeinandi: Sigurjón B. Hafsteinsson September 2015 ÁGRIP Greinargerð þessi er hluti af af lokaverkefni mínu í hagnýtri menningarmiðlun við Háskóla Íslands og fjallar um vinnsluferli miðlunarhluta verkefnisins og fræðilegra þátta. Miðlunarleiðin sem valin var er listahátíð sem ber nafnið „LÚR-festival“ með undirtitilinn „Listahátíð lengst útí rassgati“. Hátíðin er menningarhátíð ungmenna haldin í fyrsta sinn sumarið 2014 og í annað sinn sumarið 2015. Undirbúningur hátíðarinnar er stór hluti verkefnisins og er greint frá vinnuferlinu frá upphafi til enda og eru bæði verklegir og fræðilegir þættir teknir fyrir. Ég vil tileinka verkefnið öllum þeim ungmennum sem hafa áhuga á listum og menningu sem nær út fyrir hátíðarhöld sautjánda júní og annarra hefðbundinna hátíða. 1 Efnisyfirlit 1 Inngangur .................................................................................................................... 4 2 Farvegur lista og menningar ......................................................................................... 5 3 Samhengið ................................................................................................................... 7 3.1 Hvað er hátíð? .................................................................................................................. 7 3.2 Fyrir -
Koulutuskeskus Jedun Opiskelijalehti 1/2018
SOPULI Koulutuskeskus Jedun opiskelijalehti 1/2018 Yrittäjyyspäivä Kesätapahtumia Virkkaa kesäkassi Peliarvosteluja Haastatteluja: opiskelijoista, opettajista ja liettualaisista vieraista SakuStars Työssäoppimassa Wanhojen tanssit 1 Pääkirjoitus Sisällys Pääkirjoitus Kuluva lukuvuosi on ollut muutosten aikaa. Am- matillisen koulutuksen lainsäädäntö ja rahoitus Yrittäjyyspäivä muuttuivat, uudet tutkinnon perusteet astuivat Sakustars voimaan ja koulumme nimikin vaihtui. Oulaisten Kesätapahtumia ammattiopistosta tuli 1.1.2018 virallisesti Koulu- tuskeskus JEDU. Saimme myös uudet johtajat, Jedussa tapahtunutta koulutusjohtaja Tuija Huovisen ja koulutuspääl- Opiskelijahaastattelut likkö Ritva Joki-Kolehmaisen, jotka lähettävät Ammattilukiolaisten Wanhojen tanssit tässä keväiset terveiset Sopulin lukijoille: Kansainvälisyys Parhaillaan luonnossa on käynnissä suuri muu- tos: talvi on jäänyt taakse, kevät herättää luon- Novelli Todellista toa puhjetakseen kukkivaksi kesäksi. Kevät luo Pukeutumistyylejä gootista hippiin uusia versoja, jotka aikansa kasvettuaan kukois- Peliarvosteluja tavat kaikissa kesän väreissä. Ehyt ry:n vierailu Uudistumisen aika on näkynyt myös ammatilli- sessa koulutuksessa ja Koulutuskeskus JEDU, Ou- Virkkaa kesäkassi! laisissa. Olemme alkaneet toteuttaa 1.1.2018 Ansaitut eläkepäivät voimaan astunutta uutta lakia ammatillisesta koulutuksesta. Monet asiat ovat vielä muutok- sen alkuvaiheessa, mutta selkiytyvät ja kehitty- Koulutuskeskus JEDUn organisaation uudistus vai- vät valmistelutyön edetessä. Lainsäädännön kuttaa toimintaamme -
Open'er Festival
SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr. -
Discoursing Finnish Rock. Articulations of Identities in the Saimaa-Ilmiö Rock Documentary Jyväskylä: University of Jyväskylä, 2010, 229 P
JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston vanhassa juhlasalissa S210 toukokuun 14. päivänä 2010 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in Auditorium S210, on May 14, 2010 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2010 Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary JYVÄSKYLÄ STUDIES IN HUMANITIES 140 Terhi Skaniakos Discoursing Finnish Rock Articulations of Identities in the Saimaa-ilmiö Rock Documentary UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2010 Editor Erkki Vainikkala Department of Art and Culture Studies, University of Jyväskylä Pekka Olsbo Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Paula Kalaja, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Tarja Nikula, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä Cover picture by Marika Tamminen, Museum Centre Vapriikki collections URN:ISBN:978-951-39-3887-1 ISBN 978-951-39-3887-1 (PDF) ISBN 978-951-39-3877-2 (nid.) ISSN 1459-4331 Copyright © 2010 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2010 ABSTRACT Skaniakos, Terhi Discoursing Finnish Rock. -
Live Music Matters Scottish Music Review
Live Music Matters Simon Frith Tovey Professor of Music, University of Edinburgh Scottish Music Review Abstract Economists and sociologists of music have long argued that the live music sector must lose out in the competition for leisure expenditure with the ever increasing variety of mediated musical goods and experiences. In the last decade, though, there is evidence that live music in the UK is one of the most buoyant parts of the music economy. In examining why this should be so this paper is divided into two parts. In the first I describe why and how live music remains an essential part of the music industry’s money making strategies. In the second I speculate about the social functions of performance by examining three examples of performance as entertainment: karaoke, tribute bands and the Pop Idol phenomenon. These are, I suggest, examples of secondary performance, which illuminate the social role of the musical performer in contemporary society. 1. The Economics of Performance Introduction It has long been an academic commonplace that the rise of mediated music (on record, radio and the film soundtrack) meant the decline of live music (in concert hall, music hall and the domestic parlour). For much of the last 50 years the UK’s live music sector, for example, has been analysed as a sector in decline. Two kinds of reason are adduced for this. On the one hand, economists, following the lead of Baumol and Bowen (1966), have assumed that live music can achieve neither the economies of scale nor the reduction of labour costs to compete with mass entertainment media. -
Università Di Pisa
UNIVERSITÀ DI PISA Facoltà di Economia Dipartimento di Economia Aziendale Scuola di Dottorato “L. Fibonacci” Corso di Dottorato in Economia Aziendale (SECS-P/08) La ricerca di autenticità nel consumo e nel marketing del settore discografico italiano. Analisi teorica ed empirica nel campo della popular music Relatore Candidato Prof. Daniele DALLI dott. Matteo CORCIOLANI Ciclo XXII Alla mia famiglia Welcome my son… welcome to the machine. What did you dream? It’s all right we told you what to dream. You dreamed of a big star, He played a mean guitar, He always ate in the Steak Bar… He loved to drive in his Jaguar... So welcome to the Machine. Roger Waters Where the agent man won’t let you down Sell your soul to the company Who are waiting there to sell plastic ware And in a week or two If you make the charts The girls’ll tear you apart. Jim McGuinn, Chris Hillman Credi davvero Che sia sincero Quando ti parlo di me… Credi davvero Che mi spoglio Di ogni orgoglio davanti a te… Vasco Rossi And if by chance I wake at night and I ask you who I am, O take me to the slaughterhouse, I will wait there with the lamb. Leonard Cohen Sommario Ringraziamenti 1. Introduzione ......................................................................................................................... 13 1.1. Premessa ...................................................................................................................... 13 1.2. Finalità del lavoro........................................................................................................ 17 1.3. Struttura della tesi........................................................................................................ 19 2. La ricerca di autenticità nel consumo di popular music . Rassegna della letteratura ..... 21 2.1. Concetto di autenticità ................................................................................................. 21 2.1.1. L’autenticità dell’individuo ................................................................................ 22 2.1.2. -
VIPNEWSPREMIUM > VOLUME 146 > APRIL 2012
11 12 6 14 4 4 VIPNEWS PREMIUM > VOLUME 146 > APRIL 2012 3 6 10 8 1910 16 25 9 2 VIPNEWS > APRIL 2012 McGowan’s Musings It’s been pouring with rain here for the last below normal levels. As the festival season weather! Still the events themselves do get couple of days, but it seems that it’s not the looms and the situation continues, we may covered in the News you’ll be glad to know. right type of rain, or there’s not enough of see our increasingly ‘green’ events having it because we are still officially in drought. to consider contingency plans to deal with I was very taken by the Neil McCormick River levels across England and Wales are the water shortages and yet more problems report in UK newspaper The Telegraph from lowest they’ve been for 36 years, since our caused by increasingly erratic weather. I’m the Coachella festival in California, as he last severe drought in 1976, with, according sure that many in other countries who still wrote, “The hairs went up on the back of my to the Environmental Agency, two-thirds picture England as a rain swept country neck…” as he watched the live performance ‘exceptionally ’ low, and most reservoirs where everybody carries umbrellas will find of Tupac Shakur…” This is perfectly it strange to see us indulging in rain dances understandable , as unfortunately, and not to over the next couple of months! put too fine a point on it, Tupac is actually dead. His apparently very realistic appearance Since the last issue of VIP News I have was made possible by the application of new journeyed to Canada, Estonia and Paris, and holographic projection technology. -
DARKWOODS MAILORDER CATALOGUE March 2018
DARKWOODS MAILORDER CATALOGUE March 2018 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 11.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they started with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”.. -
Segmentation of Music Festival Attendees Kinnunen, Maarit; Luonila, Mervi; Honkanen, Antti
CORE Metadata, citation and similar papers at core.ac.uk Provided by LaCRIS - University of Lapland Current Research System University of Lapland This is a self-archived version of an original article. This version usually differs somewhat from the publisher’s final version, if the self-archived version is the accepted author manuscript. Segmentation of music festival attendees Kinnunen, Maarit; Luonila, Mervi; Honkanen, Antti Published in: SCANDINAVIAN JOURNAL OF HOSPITALITY AND TOURISM DOI: 10.1080/15022250.2018.1519459 E-pub ahead of print: 01.01.2018 Document Version Version created as part of publication process; publisher's layout; not normally made publicly available Citation for pulished version (APA): Kinnunen, M., Luonila, M., & Honkanen, A. (2018). Segmentation of music festival attendees. SCANDINAVIAN JOURNAL OF HOSPITALITY AND TOURISM, 1-22. https://doi.org/10.1080/15022250.2018.1519459 Document License Unspecified Download date: 11. May. 2020 1 Maarit Kinnunen, Mervi Luonila & Antti Honkanen (2019) Segmentation of music festival attendees, Scandinavian Journal of Hospitality and Tourism, 19:3, 278-299, DOI: 10.1080/15022250.2018.1519459 Segmentation of music festival attendees Maarit Kinnunena*, Mervi Luonilab and Antti Honkanenc a, cMultidimensional Tourism Institute, University of Lapland, Rovaniemi, Finland b The Sibelius Academy of the University of the Arts Helsinki, Finland *corresponding author Abstract Festivals have seen a surge in both size and numbers leading to a more business- oriented festival management. Thus, knowledge regarding the audiences and consumption of festivals deserve more attention, and monetary properties such as ticket sales and partnerships have become focal points in festival management. All these aims can be achieved by market segmentation. -
Audizione Fondazione Arezzo Wave Italia 7° Commissisone Del Senato Della Repubblica Giovedi 26 Febbraio 2015 (Ore 14)
Audizione Fondazione Arezzo Wave Italia 7° Commissisone del Senato della Repubblica Giovedi 26 Febbraio 2015 (ore 14) Offerta culturale nel settore musicale, al fine di identificare delle strategie in grado di mantenere vivo l’immenso repertorio italiano e di attivare processi virtuosi di creazione e innovazione musicale, permettendo l’accesso e il confronto con la realtà internazionale (atto 409). Chi Siamo “Lo scrittore belga Paul Carvel ha scritto che la musica meriterebbe di essere la seconda lingua obbligatoria in tutte le scuole del mondo. È in effetti un lingiaggio universale e che detiene un posto privilegiato nella vita culturale dell’Europa, il che ne fa un argomento fondamentale della cooperazione culturale europea da più di dieci anni.” Cit. di Harald Hartung, capo dell’Unità della Curlura Europea presso la Direzione Generale Educazione e Cultura, Commissione Europea, in occasione dell’evento organizzato dalla Fondazione Arezzo Wave Italia “Musica per tutti”, Arezzo, 25 Febbraio 2005 La Fondazione Arezzo Wave Italia (FAWI) nasce il 18 aprile 2002 come ente no profit, diretta erede dellʼesperienza e della rete di relazioni nazionali ed internazionali di Arezzo Wave Love Festival, il principale evento musicale estivo nel campo delle musiche attuali italiane ed internazionali. La Fondazione Arezzo Wave Italia si presenta come una struttura unica in Italia per la costante ricerca e valorizzazione dei nuovi talenti delle scene musicali oltre che per la promozione, valorizzazione e comunicazione della cultura contemporanea. La FAWI è inoltre l'unico rappresentante italiano all’interno di ETEP, il progetto di esportazione musicale finanziato dalla Commissione Europea, e membro di YOUROPE, l’associazione di tutti i festival rock d’Europa.