University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 7-10-2014 Four Women: An Analysis of the Artistry of Black Women in the Black Arts Movement, 1960s-1980s Abney Louis Henderson University of South Florida,
[email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Race, Ethnicity and Post-Colonial Studies Commons Scholar Commons Citation Henderson, Abney Louis, "Four Women: An Analysis of the Artistry of Black Women in the Black Arts Movement, 1960s-1980s" (2014). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/5236 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact
[email protected]. Four Women: An Analysis of the Artistry and Activism of Black Women in the Black Arts Movement, 1960’s–1980’s by Abney L. Henderson A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts with a concentration in Africana Studies Department of Africana Studies College of Art and Sciences University of South Florida Major Professor: Cheryl Rodriquez, Ph.D. Kersuze Simeon-Jones, Ph.D. Navita Cummings James, Ph.D. Date of Approval: July 10, 2014 Keywords: Black Revolution, Cultural Identity, Creative Expression, Black Female Aesthetics Copyright © 2014, Abney L. Henderson DEDICATION “Listen to yourself and in that quietude you might hear the voice of God.” -Dr. Maya Angelou April 4,1928-May 28, 2014 For my mother, Germaine L.