The Picture of London, for 1802
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Westminster Abbey a Service for the New Parliament
St Margaret’s Church Westminster Abbey A Service for the New Parliament Wednesday 8th January 2020 9.30 am The whole of the church is served by a hearing loop. Users should turn the hearing aid to the setting marked T. Members of the congregation are kindly requested to refrain from using private cameras, video, or sound recording equipment. Please ensure that mobile telephones and other electronic devices are switched off. The service is conducted by The Very Reverend Dr David Hoyle, Dean of Westminster. The service is sung by the Choir of St Margaret’s Church, conducted by Greg Morris, Director of Music. The organ is played by Matthew Jorysz, Assistant Organist, Westminster Abbey. The organist plays: Meditation on Brother James’s Air Harold Darke (1888–1976) Dies sind die heil’gen zehn Gebot’ BWV 678 Johann Sebastian Bach (1685–1750) The Lord Speaker is received at the East Door. All stand as he is conducted to his seat, and then sit. The Speaker of the House of Commons is received at the East Door. All stand as he is conducted to his seat, and then sit. 2 O R D E R O F S E R V I C E All stand to sing THE HYMN E thou my vision, O Lord of my heart, B be all else but naught to me, save that thou art, be thou my best thought in the day and the night, both waking and sleeping, thy presence my light. Be thou my wisdom, be thou my true word, be thou ever with me, and I with thee, Lord; be thou my great Father, and I thy true son, be thou in me dwelling, and I with thee one. -
Somerset House
Somerset House Conway Archive Old Somerset House, London – The River Front of Old Somerset House, from a Watercolour by Paul Sandby, RA, Image CON-B1035-F1-12 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Kenton Couse, Image CON-B1035-F1-01, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Thomas Sandby in Royal Library, Windsor Castle, Image CON-B1035- F1-15, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of 1797 described as after a painting of 1650 by Cornelis Bol, Image CON-B1035-F1-16, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of The Southern Front of Somerset House with its Extensive Gardens &c, Drawing by Jan Kip c. 1720, Image CON-B1035F1-10 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of Etching by W. Hallam (British Museum), 1607-77, Image CON-B1035-F1- 08, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – from Britannia Illustrata, vol. 1, 1714, pl.4, Image CON-B1035-F1-09, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of a painting by Cornelis Bol, c.1640-50, Evelyn Collection, Image CON- B1035-F1-17, The Courtauld Institute of Art, CC-BY-NC Somerset House, London - Detail of vestibule, Image CON-B1034-F2-13 The Courtauld Institute of Art, CC-BY-NC Details unavailable Somerset House, London – The Strand Façade, Image CON-B1034-F1-02, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South Side of courtyard area, taken 1969, Image CON-B1034-F1-28 The Courtauld Institute of Art, CC-BY-NC Somerset House, London – West side of covered way through north range, taken 1985, Image CON-B1034-F1-34, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South face of north range and gate linking with inner west range, taken 1969, Image CON-B1034-F3-19, The Courtauld Institute of Art, CC-BY-NC Somerset House, London, CON-B1034-F3-17, The Courtauld Institute of Art, CC-BY-NC. -
The Custom House
THE CUSTOM HOUSE The London Custom House is a forgotten treasure, on a prime site on the Thames with glorious views of the river and Tower Bridge. The question now before the City Corporation is whether it should become a luxury hotel with limited public access or whether it should have a more public use, especially the magnificent 180 foot Long Room. The Custom House is zoned for office use and permission for a hotel requires a change of use which the City may be hesitant to give. Circumstances have changed since the Custom House was sold as part of a £370 million job lot of HMRC properties around the UK to an offshore company in Bermuda – a sale that caused considerable merriment among HM customs staff in view of the tax avoidance issues it raised. SAVE Britain’s Heritage has therefore worked with the architect John Burrell to show how this monumental public building, once thronged with people, can have a more public use again. SAVE invites public debate on the future of the Custom House. Re-connecting The City to the River Thames The Custom House is less than 200 metres from Leadenhall Market and the Lloyds Building and the Gherkin just beyond where high-rise buildings crowd out the sky. Who among the tens of thousands of City workers emerging from their offices in search of air and light make the short journey to the river? For decades it has been made virtually impossible by the traffic fumed canyon that is Lower Thames Street. Yet recently for several weeks we have seen a London free of traffic where people can move on foot or bike without being overwhelmed by noxious fumes. -
Download Our 2019-20 Annual Report and Financial Statement
DocuSign Envelope ID: 2F76974F-6ABC-477C-BD62-86076B65FA72 Registered charity number 1063640 Company number 03388137 Somerset House Trust Report and financial statements for the year ended 31 March 2020 DocuSign Envelope ID: 2F76974F-6ABC-477C-BD62-86076B65FA72 Somerset House Trust Legal and Administration details For the year ended 31 March 2020 Registered Office Somerset House Strand London WC2R 1LA 1063640 Registered Charity number Company Number 03388137 incorporated in England and Wales Directors (Trustees): The directors of the company who were in office during the year and up to the date of signing the financial statements were: Mr William Sieghart CBE Chair of the Board of Trustees Ms Judy Gibbons Deputy Chair of the Board of Trustees Mr Jonathan Higgins Resigned 18 March 2020 Sir Malcolm Grant Resigned 9 December 2019 Mr Marcus Lyon Resigned 25 September 2019 Ms Caroline Michel Resigned 25 September 2019 Mr James Lambert OBE Member of the Audit & Risk Committee Mr Brian Eno Chair of Creative Ambassadors Group Mr Julien Sevaux Mrs Melanie Hall QC Member of the Audit & Risk Committee Mr Paul Goswell Ms Carol Fairweather Chair of the Audit & Risk Committee Mr Nader Mousavizadeh Resigned 31 January 2020 Mr Oluwole Kolade Appointed 12 June 2019 Member of the Nominations & Governance Committee Ms Martine D'Anglejan-Chatillon Appointed 12 June 2019 Mr Jonathan Newhouse Appointed 18 March 2020 Ms Alix Burge Appointed 18 March 2020 Member of the Audit & Risk Committee Ms Monica Monajem Appointed 18 March 2020 Chair of the Development Advisory -
The Royal Tour : the Wedding of Hrh Prince William of Wales to Catherine ‘Kate’ Middleton
THE ROYAL TOUR : THE WEDDING OF HRH PRINCE WILLIAM OF WALES TO CATHERINE ‘KATE’ MIDDLETON Trip Highlights: Buckingham Palace Westminster Abbey Windsor Castle Hedsor House Kensington Palace Edinburgh Castle TUESDAY ARRIVE LONDON 26 APRIL 2011 Arrive London Heathrow Airport and meet your guide who will escort you to your coach for transfer directly to central London for a panoramic sightseeing tour. Sights include Westminster Abbey, Houses of Parliament, Big Ben, St. Paul’s Cathedral and Buckingham Palace. Continue to your hotel in central London, where accommodation is reserved for 6 nights on a bed and breakfast basis. WEDNESDAY WINDOR CASTLE—THE TOWER OF LONDON 27 APRIL 2011 This morning visit Windsor Castle one of three official residences of The Queen, and the home to the Sovereign for over 900 years. The imposing towers and battlements of the Castle loom large from every approach to the town, creating one of the world's most spectacular skylines. No other royal residence has played such an important role in the nation's history. You will also visit St George's Chapel, one of the most beautiful ecclesiastical buildings in England. There will be time at leisure to enjoy lunch before travelling to the Tower of London, home to the Crown Jewels and an integral part of British Royal history. Here you will discover the Tower’s 900‐year history as a Royal Palace and fortress, prison and place of execution, mint, arsenal, menagerie and jewel house. THURSDAY LONDON : KEW PALACE—KENSINGTON PALACE 28 APRIL 2011 This morning visit Kew Palace, the smallest of English Royal Palaces with its privacy that made it the favourite country retreat for the Royal family in the late 18th century. -
The Commission for Somerset House in the “Eye of the Public”’, the Georgian Group Journal, Vol
Jocelyn Anderson, ‘The Commission for Somerset House in the “Eye of the Public”’, The Georgian Group Journal, Vol. XXIV, 2016, pp. 81–94 TEXT © THE AUTHORS 2016 THE COMMISSION FOR SOMERSET HOUSE IN The ‘EYE OF THE PUBLIC’ JOCELYN ANDERSON Although architectural historians have long identified been debated in Parliament and in the press. This Somerset House as the single most important public article examines these debates and explores the public building project to be built in late eighteenth-century interest which surrounded the Somerset House project Britain, relatively little work has been done on public when Chambers received the commission, and in reactions to it. When Sir William Chambers received doing so, it analyses the context in which he produced the commission in November 1775, the project had his designs. been underway for months, during which time it had Fig. 1. North Front (Strand Facade) Somerset House. (Courthauld Institute of Art) THE GEORGIAN GROUP JOURNAL VOLUME XXIV THE COMMISSION FOR SOMERSET HOUSE IN THE ‘ EYE OF THE PUBLIC ’ omerset House (Fig. 1) has long been recognized In the days that followed this announcement, a Sas the single most important public building series of proposals were debated by the House, project to have been executed in late eighteenth- and, although they were ultimately passed, they led century Britain. Intended to house offices for the to disputes. Newspapers criticised the project as a Navy, several tax departments, the Royal Academy, royal conspiracy, members of Parliament debated Royal Society and Royal Society of Antiquaries, what architectural style and expenditure would it was designed by Sir William Chambers. -
Proposed Café and Carriage Display, Gunnersbury Park
Proposed Café and Carriage Display, Gunnersbury Park HERITAGE IMPACT ASSESSMENT January 2015 KATHARINE BARBER AND MIRIAM HOLLAND 15 Bermondsey Square, Tower Bridge Road, London SE1 3UN [email protected] www.purcelluk.com All rights in this work are reserved. No part of this work may be reproduced, stored or transmitted in any form or by any means (including DOCUMENT ISSUE without limitation by photocopying or placing on a website) without the prior permission in writing of Purcell except in accordance with ISSUE 1 (MARCH 2014) - EALING AND HOUNSLOW COUNCILS the provisions of the Copyright, Designs and Patents Act 1988. Applications for permission to reproduce any part of this work should be ISSUE 2 (JANUARY 2015) - EALING AND HOUNSLOW COUNCILS addressed to Purcell at [email protected]. Undertaking any unauthorised act in relation to this work may result in a civil claim for damages and/or criminal prosecution. Any materials used in this work which are subject to third party copyright have been reproduced under licence from the copyright owner except in the case of works of unknown authorship as defined by the Copyright, Designs and Patents Act 1988. Any person wishing to assert rights in relation to works which have been reproduced as works of unknown authorship should contact Purcell at [email protected]. Purcell asserts its moral rights to be identified as the author of this work under the Copyright, Designs and Patents Act 1988. Purcell® is the trading name of Purcell Miller Tritton LLP. © Purcell 2015 KB/tro/234320 CONTENTS -
Aldwych-House-Brochure.Pdf
Executive summary • An iconic flagship in the heart of Midtown • This imposing building invested with period grandeur, has been brought to life in an exciting and modern manner • A powerful and dramatic entrance hall with 9 storey atrium creates a backdrop to this efficient and modern office • A total of 142,696 sq ft of new lettings have taken place leaving just 31,164 sq ft available • A space to dwell… 4,209 – 31,164 SQ FT 4 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 5 Aldwych House • MoreySmith designed reception • Full height (9 storey) central atrium fusing a modern which provides a light, modern, interior with imposing spacious circulation area 1920s architecture • Floors are served by a newly refurbished lightwell on the west side and a dramatically lit internal Aldwych House totals 174,000 atrium to the east from lower sq ft over lower ground to 8th ground to 3rd floor floors with a 65m frontage • An extensive timber roof terrace onto historic Aldwych around a glazed roof area • Showers, cycle storage and a drying room are located in the basement with easy access from the rear of the building • The ROKA restaurant is on the ground floor 6 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 7 8 | ALDWYCHHOUSE.COM Floorplate Typical upper floor c. 18,000 sq ft Typical upper floor CGI with sample fit-out 10 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 11 Floorplate Typical upper floor with suite fit-out 12 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 13 SOHO TOTTENHAM COURT ROAD MIDTOWN | LONDON Aldwych House, now transformed as part of the dynamic re-generation of this vibrant eclectic midtown destination, stands tall and COVENT GARDEN commanding on the north of the double crescent of Aldwych. -
The Heart of the Empire
The heart of the Empire A self-guided walk along the Strand ww.discoverin w gbrita in.o the stories of our rg lands discovered th cape rough w s alks 2 Contents Introduction 4 Route map 5 Practical information 6 Commentary 8 Credits 30 © The Royal Geographical Society with the Institute of British Geographers, London, 2015 Discovering Britain is a project of the Royal Geographical Society (with IBG) The digital and print maps used for Discovering Britain are licensed to the RGS-IBG from Ordnance Survey Cover image: Detail of South Africa House © Mike jackson RGS-IBG Discovering Britain 3 The heart of the Empire Discover London’s Strand and its imperial connections At its height, Britain’s Empire covered one-quarter of the Earth’s land area and one-third of the world’s population. It was the largest Empire in history. If the Empire’s beating heart was London, then The Strand was one of its major arteries. This mile- long street beside the River Thames was home to some of the Empire’s administrative, legal and commercial functions. The days of Empire are long gone but its legacy remains in the landscape. A walk down this modern London street is a fascinating journey through Britain’s imperial history. This walk was created in 2012 by Mike Jackson and Gary Gray, both Fellows of the Royal Geographical Society (with IBG). It was originally part of a series that explored how our towns and cities have been shaped for many centuries by some of the 206 participating nations in the 2012 Olympic and Paralympic Games. -
CANDIDATE BRIEF for the POSITION of CHAIR, SOMERSET HOUSE MAY 2021 Candidate Brief | Somerset House
CANDIDATE BRIEF FOR THE POSITION OF CHAIR, SOMERSET HOUSE MAY 2021 Candidate Brief | Somerset House ABOUT SOMERSET HOUSE Somerset House is one of the London’s foremost cultural institutions, built on historic foundations and situated in the very heart of the capital. We are a dynamic working arts centre and home to the UK’s largest creative community. Dedicated to backing progress, championing openness, It is what we are proud of. And it is what makes the nurturing creativity and empowering ideas, our cultural experience of visiting or working in Somerset House programme is ambitious in scope. inspiring and energising, urgent, exciting, and original, because there is nowhere else quite like it. We insist on relevance, but are not afraid of irreverence, and are as keen on entertainment as enrichment. We By embedding an extraordinary community of artists, embrace the biggest issues of current times but are makers and creative organisations inside Somerset equally committed to the delicate task of oxygenating House, we are establishing a radical new approach new work by emerging artists. where our residents form part of our creative engine, driving and shaping our cultural programme and fuelling It is this creative tension – the way in which we harness interdisciplinary, intergenerational collaboration. This our heritage, put the too-often overlooked on the central means that Somerset House is constantly overflowing stage and use the neo-classical backdrop to showcase with new ideas and fresh perspectives, forming a ground-breaking contemporary culture – that inspires blueprint for today’s changing world. our programme. Old and new, history and disruption, art and entertainment, high-tech and homemade, combined with the fact that Somerset House is home to a constantly shape-shifting working creative community: this is its point of difference. -
IMAGINING EARLY MODERN LONDON Perceptions and Portrayals Ofthe Cipfrom Stow to Stvpe, R5g8-1720
IMAGINING EARLY MODERN LONDON Perceptions and Portrayals ofthe Cipfrom Stow to Stvpe, r5g8-1720 EDITED BY J. l? MERRITT CAMBRIDGE UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB~PRU, UK 40 West 20th Street, New York, NY 1001 I -421 I, USA 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarcon 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa 0Cambridge University Press 2001 The book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2001 Printed in the United Kingdom at the University Press, Cambridge Typeset in I 1/12.5pt Baskerville System gb2 [CE] A catalogue recordfor thh book is avaihbkjFom the British Libray Library of Congr~sscataloguing in publication data Imagining early modern London: perceptions and portrayals of the city from Stow to Strype, 1598-1720 / edited by J. E Merritt. p. cm. Largely revised papers of a conference held at the Institute of Historical Research in July 1998. Includes bibliographical references and index. ISBN o 521 77346 6 I. London (England)- History - 17th century - Congresses. 2. Stow, John, 1525?-1605. Survey of London - Congresses. 3. London (England)- History - 18th century - Congresses. 4. London (England)- Historiography - Congresses. 5. Strype,John, 1643-1737 - Congresses. I. Merritt, J. ~~681.1432001 942.1'06-dc21 2001025~92 ISBN o 521 773466 hardback CHAPTER 4 C@, capital, and metropolis: the changing shape of seven teen th-century London Vanessa Harding Stow's original Survey and Strype's edition of it mark two date-points on the trajectory of early modern London's growth: neither the beginning nor the end, but sufficiently far apart for complex and dramatic changes to be visible in the city they describe. -
Individual Project Final Report London Loop: a Mobile Guide Through the London Outer Orbital Path
Individual Project Final Report London Loop: A mobile guide through the London Outer Orbital Path Emma Hulme Under the supervision of Professor Michael Huth June 18, 2015 1 Abstract The London Loop is a 150 mile signed walk along public footpaths, through parks, woods and fields around the edge of Outer London. Currently, there exists a guide book, a section on the Transport for London website, and some information from the walker of the Lon- don Loop themselves. However, we are in an age today where society breathes technology, where society searches online for an answer to a problem before their brain can even respond. So how is our tech- nology driven society to find such beautiful scenery as can be found on a walk like the London Loop? My solution is therefore to create a smart phone app to effectively guide a walker through the London Loop walk, interactively taking the user step-by-step from their front door to the walk, through the walk, and back. With careful research into the current methods used to guide a walker through the London Loop, and research into how I could prac- tically make use of these methods in a smart phone app through the use of online resources, I was able to develop a smart phone app which could solve these problems, and provide motivation for more users to begin the London Loop walk. 2 Acknowledgements I take this opportunity to express gratitude to my project supervisor, Profes- sor Michael Huth, for his guidance and support. I also thank my parents and my partner for their constant support, encouragement and time throughout this project.