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The Lord of the Rings: the Card Game Scenarios, a Select Few Are Only Intended for Use When Playing the Scenarios Presented in the Hobbit Saga Expansions
The Hobbit: On the Doorstep features new cards that players may use to customize their decks when playing the scenarios in The Hobbit Saga Expansions. While most of the included player cards are fully compatible with all published The Lord of the Rings: The Card Game scenarios, a select few are only intended for use when playing the scenarios presented in The Hobbit Saga Expansions. Component Overview ™ The Hobbit: On the Doorstep includes the following components: - This rules insert - 165 cards, consisting of: - 5 Hero Cards “He was trembling with fear, but his little face was set and grim. Already he was a very different hobbit from the one - 45 Player Cards that had run out without a pocket-handkerchief from Bag- - 102 Encounter Cards End long ago. He had not had a pocket-handkerchief for ages. He loosened his dagger in its sheath, tightened his - 13 Quest Cards belt, and went on.” There is an online tutorial for the game available at –J.R.R. Tolkien, The Hobbit http://www.fantasyflightgames.com/lotr-tutorial You can enter and track your plays and scores of these scenarios and others online through The Lord of the Welcome to The Hobbit: On the Doorstep, the second and Rings: The Card Game Quest Log at http://www. final part of The Hobbit Saga Expansion for The Lord of the fantasyflightgames.com/lotr-questlog. Rings: The Card Game! Unlike other The Lord of the Rings: The Card Game expansions, which explore new adventures set in Middle- Saga Expansion Player Cards earth, the Saga Expansions give players the opportunity to directly participate in, or even recreate, the narrative events All of the player cards in this saga expansion are fully described in the classic novels written by J.R.R. -
The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
Nordic Roots in Tolkien's Writings Mr
Nordic Roots in Tolkien's Writings Mr. Rayan Akbari & Dr. Sayyed Rahim Moosavinia Associate Professor of English Literature Faculty of Letters and Humanities Shahid Chamran University of Ahvaz Ahwaz, Khuzestan, Iran Introduction The social cataloguing website, Goodreads, in accord with Amazon, ranks The Lord of the Rings as the third best-selling book of all time, and The Hobbit as the fourth. This statistic is also confirmed by Facebook's 2014 data analysis of over 130,000 accounts for finding the top 100 most popular books. Sophie Hinger believes that this success stems from Tolkien's different attitude towards his writing. She suggests that Tolkien has pictured "Middle-earth as a mythological version of Europe, rather than creating a new and separate world as many fantasy authors after him did" (3). Her view is perhaps shared by many of the scholars who are searching for the outside influences of Tolkien's works. So far, as different sources as Celtic, Anglo-Saxon, Viking, Old Norse, Finnish, Arthurian, and biblical have been suggested by scholars like Thomas, Atherton, Hinger, Birkett, Tarkka, and Carpenter. Yet, the Nordic side of the argument seems to be better recognized. Many articles and books have established their aim to find these Nordic references; still, none seems to consider Scandinavia as a concrete place. Therefore, articles on different aspects of the culture like the mythology, literature, and specific people, like Vikings, and Finnish are popular in Tolkien studies. The present paper, however, does not discriminate between the different aspects of the concept; therefore, words like Norse, Nordic, Icelandic, Northern, and Scandinavian have all been used by the researchers to refer to the same thing, meaning the culture and literature of the Northern Germanic people. -
Norse Monstrosities in the Monstrous World of J.R.R. Tolkien
Norse Monstrosities in the Monstrous World of J.R.R. Tolkien Robin Veenman BA Thesis Tilburg University 18/06/2019 Supervisor: David Janssens Second reader: Sander Bax Abstract The work of J.R.R. Tolkien appears to resemble various aspects from Norse mythology and the Norse sagas. While many have researched these resemblances, few have done so specifically on the dark side of Tolkien’s work. Since Tolkien himself was fascinated with the dark side of literature and was of the opinion that monsters served an essential role within a story, I argue that both the monsters and Tolkien’s attraction to Norse mythology and sagas are essential phenomena within his work. Table of Contents Abstract Acknowledgements 3 Introduction 4 Chapter one: Tolkien’s Fascination with Norse mythology 7 1.1 Introduction 7 1.2 Humphrey Carpenter: Tolkien’s Biographer 8 1.3 Concrete Examples From Jakobsson and Shippey 9 1.4 St. Clair: an Overview 10 1.5 Kuseela’s Theory on Gandalf 11 1.6 Chapter Overview 12 Chapter two: The monsters Compared: Midgard vs Middle-earth 14 2.1 Introduction 14 2.2 Dragons 15 2.3 Dwarves 19 2.4 Orcs 23 2.5 Wargs 28 2.6 Wights 30 2.7 Trolls 34 2.8 Chapter Conclusion 38 Chapter three: The Meaning of Monsters 41 3.1 Introduction 41 3.2 The Dark Side of Literature 42 3.3 A Horrifically Human Fascination 43 3.4 Demonstrare: the Applicability of Monsters 49 3.5 Chapter Conclusion 53 Chapter four: The 20th Century and the Northern Warrior-Ethos in Middle-earth 55 4.1 Introduction 55 4.2 An Author of His Century 57 4.3 Norse Warrior-Ethos 60 4.4 Chapter Conclusion 63 Discussion 65 Conclusion 68 Bibliography 71 2 Acknowledgements First and foremost I have to thank the person who is evidently at the start of most thesis acknowledgements -for I could not have done this without him-: my supervisor. -
Readers' Guide
Readers’ Guide for by J.R.R. Tolkien ABOUT THE BOOK Bilbo Baggins is a hobbit— a hairy-footed race of diminutive peoples in J.R.R. Tolkien’s imaginary world of Middle-earth — and the protagonist of The Hobbit (full title: The Hobbit or There and Back Again), Tolkien’s fantasy novel for children first published in 1937. Bilbo enjoys a comfortable, unambitious life, rarely traveling any farther than his pantry or cellar. He does not seek out excitement or adventure. But his contentment is dis- turbed when the wizard Gandalf and a company of dwarves arrive on his doorstep one day to whisk him away on an adventure. They have launched a plot to raid the treasure hoard guarded by Smaug the Magnificent, a large and very dangerous dragon. Bilbo reluctantly joins their quest, unaware that on his journey to the Lonely Mountain he will encounter both a magic ring and a frightening creature known as Gollum, and entwine his fate with armies of goblins, elves, men and dwarves. He also discovers he’s more mischievous, sneaky and clever than he ever thought possible, and on his adventure, he finds the courage and strength to do the most surprising things. The plot of The Hobbit, and the circumstances and background of magic ring, later become central to the events of Tolkien’s more adult fantasy sequel, The Lord of the Rings. “One of the best children’s books of this century.” — W. H. AUDEN “One of the most freshly original and delightfully imaginative books for children that have appeared in many a long day . -
The Medieval Cardinal Virtues in Tolkien's the Hobbit
The Medieval Cardinal Virtues in Tolkien’s The Hobbit BA Thesis Anne Sieberichs Student Number: 1271233 Online Culture: Art, Media and Society / Global Communication / Digital Media Department of Culture Studies School of Humanities and Digital Sciences Date: July 2020 Supervisor: Dr. Inge van der Ven Second Reader: Dr. Sander Bax ‘There is a lot more in him than you guess, and a deal more than he has any idea of himself.’1 1 J.R.R Tolkien, The Hobbit, or There and Back Again (United Kingdom: HarperCollinsPublishers, 2011), 19. 2 Table of contents 1.0 Introduction……………………………………………………………………………………. 4 1.1 Method………………………………………………………………………………… 5 1.2 Previous Research on Tolkien………………………………………………………….7 1.3 Tolkien’s Opus and The Hobbit………………………………………………………. 8 2.0 A Short History of Cardinal Virtues in the Middle Ages………………………………………9 3.0 Medieval Cardinal Virtues in Tolkien’s opus………………………………………………….11 3.1 Christianity and Tolkien……………………………………………………………….11 3.2 Prudence: ‘For even the very wise cannot see all ends.’2……………………………...12 3.2.1 Gandalf the prudent in The Hobbit………………………………………….15 3.3 Justice: ‘There is more in you of good than you know, child of the kindly West.’ 3….17 3.3.1 the case of Justice through the Arkenstone in The Hobbit………………….18 3.4 Fortitude: ‘But I expect they had lots of chances, like us, of turning back, only they didn’t.’4…………………………………………………………………………………….21 3.4.1. Fortitude: A case study of Bilbo’s Fortitude in The Hobbit………………… 24 3.5 Temperance: ‘If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.’5………………………………………………………………. -
The Enigma of Radagast: Revision, Melodrama, and Depth
Volume 26 Number 1 Article 8 10-15-2007 The Enigma of Radagast: Revision, Melodrama, and Depth Nicholas Birns New School, NY Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Birns, Nicholas (2007) "The Enigma of Radagast: Revision, Melodrama, and Depth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 26 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol26/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Investigates the tangled textual history of Radagast, a much-neglected character, and what it says about Tolkien’s writing technique and care in making revisions. Investigates changes in his function between The Hobbit and The Lord of the Rings, and why and how he disappears from the later story. -
Names of Middle-Earth
NAMES OF MIDDLE-EARTH COLIN CHAPMAN - VERSION 1.7.2 MALE NAMES OF THE BEORNINGS: mond), Rich (Richard), Rob/Robbie/Robin (Robert), Rod/Roddy (Roderick/Rodney), Rowlie (Rowland), Sage Beorn (Warrior), Beran (Bear), Beranald (Bear-Old), (Sage), Sid (Sidney), Spike (Spike), Stan (Stanley), Stew Beranbold (Bear-Bold), Berangár (Bear-Spear), Beran- (Stewart), Ted/Teddy (Edward), Terry (Terence), eo grim (Bear-Fierce), Beranhame (Bear-Coat), Beranhelm (eobald/eodore), Toby (Tobias), Tod (Todd), Tom/ (Bear-Protection), Beranhere (Bear-Host), Beranmód Tommy (omas), Wally/Walt (Walter), Wes (Wesley), (Bear-Spirit), Beranmund (Bear-Hand), Beranor (Bear- Wil/Willy (Wilbur/Wilfred/Willard/William), Win/ One), Beranwine (Bear-Friend), Grim (Fierce), Grimald Winny (Winfred), Woody (Woodrow). (Fierce-Old), Grimbeorn (Fierce-Warrior), Grimbold (Fierce-Bold), Grimfara (Fierce-Traveller), Grimfast FEMALE NAMES OF BREE: (Fierce-Loyal), Grimgár (Fierce-Spear), Grimhelm (Fierce-Protection), Grimhere (Fierce-Host), Grimwine Ada/Adel (Adela), Aggy (Agnes), Ash (Ashleigh), Aud (Fierce-Friend). (Audrey), Avi (Avis), Babs/Barb (Barbara), Bell/Bindy (Belinda), Berni (Bernice), Berti (Bertha), Bev (Bev- FEMALE NAMES OF THE BEORNINGS: erly), Daisy (Daisy), Darla (Darlene), Dawn (Dawn), Dee (Deena), Dora/Dot/Dotty (Dorothy), Edi (Edith), Beornhild (Warrior-Battle), Beornwyn (Warrior-Joy), Emmy (Emily), Fay (Faye), Fern (Fern), Flo (Flora), Gertie Beranhild (Bear-Battle), Beranwyn (Bear-Joy), Grimhild (Gertrude), Hattie (Harriet), Hayley (Hayley), Hazel (Fierce-Battle), Grimwyn (Fierce-Joy). (Hazel), Hettie (Henrietta), Holly (Holly), Ivy (Ivy), Joy (Joy), Lily (Lillian), Lindy (Belinda), Marge (Margaret), Milly (Emily/Mildred), Minnie (Wilhelmina), Myrtie FAMILY NAMES OF BREE: (Myrtle), Poppy (Poppy), Robyn (Robyn), Rosa (Rosalin/ Rosalind/Rosamund), Rose/Rosie (Rose), Sage (Sage), Appledore, Birchdown, Blackthorn, Butterbur, Butter- Tilly (Matilda), Trudie (Gertrude), Violet (Violet), Wilma cup, Dogwood, Ferny, Goatleaf, Gooseberry, Harebell, (Wilhelmina), Winnie (Winifred). -
Studies in the Sources of J.R.R. Tolkien's the Lord of the Rings
.-- . .,l,.. .I~ i . ,. s._ .i. -_. _..-..e.. _ . (3 f Preface i In the Spring of 1968 while I was studying the Old English poem Beowulf with Dr. Rudolph Bambas, my colleague and classmate Judith Moore suggested that I might enjoy reading a new work by J:R.R. Tolkien, known to us as the editor of Sir Gawain and the Green Knight and the author of that seminal article -- “Beowulf: The Monsters and the Critics.” The Hobbit and The Lord of the Rings delighted me that summer. In the fall, at the urging of another colleague, I enrolled in the Old Norse seminar. That conjunction of events proved to be the beginning of a lifelong study of Northern literature and its contributions to the cauldron of story which produced The Lord of the Rings, The Hobbit, The Silmarillion, and The Unfinished Tales. The first version of this study became my doctoral dissertation -- “Studies in the Sources of J.R.R. Tolkien’s The Lord of the Rings.“1 Throughout the years that followed while I was either teaching college English or working as a librarian, I have continued my research. The original study was based on about twenty-five sagas; that number has been tripled. Christopher Tolkien’s careful publication of The Silmarillion, The Unfinished Tales, and six volumes of The Historv of Middle-earth has greatlyreatly expanded the canon available for scholarly study. Humphrey Carpenter’s authorized biography has also been helpful. However, the Letters of J.R.R. Tolkien have produced both the . greatest joy and the greatest terror. -
Tolkien's Inspirations and Influences in His Book, Intentionally It Seems
Last updated 9 March 2008 Tolkien’s inspirations and influences on his works An alphabetical entry list compiled by Ardamir of the Lord of the Rings Fanatics Forum (http://www.lotrplaza.com/forum/) While reading J.R.R. Tolkien: A Biography by Humphrey Carpenter about 2½ years ago, I noticed that he mentions many of Tolkien's inspirations and influences in his book, intentionally it seems. I took the opportunity to start listing these inspirations along with their sources, and have since then used many other sources for my list. I am listing elements in Tolkien's works in alphabetical order, along with their respective inspirations, and the sources I have used. Many of the inspirations are (very) speculative, and those I have marked with a '?', but some are obvious. The list is not meant (at least not yet) to be a detailed investigation of Tolkien's inspirations but rather to include just the relevant information and gather all the inspirations in one place for each entry. I know that it has many defects, and it is somewhat lacking in sources and references, but I am constantly improving it while adding more and more inspirations. I would greatly appreciate it if other people would take a look at it and tell me what they think about it, and also suggest additions and improvements. I am not making the list just for the benefit of myself, but for everyone. I update the list almost every day. Bolded (emphasized) parts of quotes by me. Entries that are names are in italics. Entries for text passages can be found in a separate section at the end. -
The Old Tavern, Flooded Avenue, Laketown, Esgaroth E4 7HJ 17Th June 2013 Dear Frodo, I Am Sorry That It Has Been a Long Time
The Old Tavern, Flooded Avenue, Laketown, Esgaroth E4 7HJ 17th June 2013 Dear Frodo, I am sorry that it has been a long time since I have written but there has been a lot going on and as a result, I have much to tell you. Firstly, let me make clear: I am in good health and although I have lost quite a bit of weight with the walking, I feel strong and in good spirits. Generally, our journey has been a hard one so far but at present we are staying a rather nice tavern in Esgaroth. We have managed to fight our way through Mirkwood, which I hated, but it looks like our quest will be drawing to a close soon. This is the first break where we have been able to rest without worrying about being eaten or skewered by all manner of horrific creatures while we sleep and so I will bring you up to date with my adventures so far. You will remember that we left Bag End at the beginning of the spring. At that time, I didn't know what to make of the dwarves as they were strangers to me and I found their ways a little... how can I say... rude. However, I have found them to be strong and brave companions as we have grown to know each other more and more. Take for example the goblins. We were all captured by the ugliest and meanest creature you have ever laid eyes upon: the Goblin King. He and his kind took us prisoner when we were asleep in a cave and dragged us into a massive, underground cavern. -
Warg Chase in the Wilderness
NEW RULES WARG CHASE IN THE WILDERNESS Can the Company of Thorin Oakenshield™ escape the Hunter Orcs? Can Yazneg evade Elrond™ and his Rivendell Knights? Having rewatched The Hobbit: An Unexpected Journey™, the Middle- earth™ team gives a fresh take on these events with two exciting new scenarios. he benefit of hindsight is a beautiful ‘The Chase’, recreating the Company of Thorin thing and this month the Middle-earth Oakenshield as they desperately race to reach T team brings us two narrative scenarios the safety of the Hidden Valley (ably assisted depicting events as found in The by Radagast™ and his rabbits). The second Hobbit: An Unexpected Journey™. We’ll hand over scenario is a reverse of the first as Yazneg and to Jay Clare to explain everything. his Orcs, who until now have been the hunters, JAY CLARE Jay: One of the universal constants here in the suddenly find themselves the hunted – for When Jay isn’t day Middle-earth team, is that we spend plenty of Elrond of Rivendell and his riders will brook no dreaming of the green time watching, and also chatting about, The Lord intrusion on his domain. hills of the Shire or the of the Rings™ and The Hobbit™ trilogy. Having You can play each of these scenarios on their shores of Esgaroth, only recently re-watched all three of The own if you wish, or you can include them all as he’s usually playing games set in exactly Hobbit™ films, and with the benefit of 20/20 part of the campaign that spans the main rules those same places.