Research Archive Citation for published version: Sam George, 'Spirited Away: Dream Work, the Outsider, and the Representation of Transylvania in the Pied Piper and Dracula Myth in Britain and Germany', in Marius-Mircea Crisan, Ed., Dracula: An International Perspective, 1st Edition, (Cham: Palgrave Macmillan, 2017). DOI: https://doi.org/10.1007/978-3-319-63366-4 Document Version: This extract is taken from the author's original manuscript and has not been edited. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: © 2017 The Editor and the author. Reproduced with permission of Palgrave Macmillan. Content in the UH Research Archive is made available for personal research, educational, and non-commercial purposes only. Unless otherwise stated, all content is protected by copyright, and in the absence of an open license, permissions for further re-use should be sought from the publisher, the author, or other copyright holder. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at
[email protected] Spirited Away: Dream Work, the Outsider, and the Representation of Transylvania in the Pied Piper and Dracula Myth in Britain and Germany Count Dracula and the Pied Piper are two of the most powerful archetypes in Victorian literature but they have rarely been considered in relation to one another.1 The story of the Pied Piper was published as ‘Die Kinder zu Hameln’ by the Brother’s Grimm in their Deutsche Sagen or German Legends (1816-18) and later appeared in verse in English as ‘The Pied Piper of Hamelin’ in Robert Browning’s Dramatic Lyrics of 1842.