1 ABSTRACT This Project Is About an Analysis Between Two Vampire
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Boston College Magazine
ALSO: RETIREMENT CRUNCH / WILLING SPIRIT LLEGE magazine t \\v i alt Grace Notes EXPERIENCING JOHN MAHONEY & 3 PROLOGUE Prospectors What would become Somerville, Jersey is to the New York City region, watched the bright swirl of dancers. It Massachusetts, was first settled so, did we discover, was our new home- is no coincidence that when Charles- by "Charles Sprague and his bretheren town to the Boston area: the morning town allowed itself to be annexed by [sic] Richard and William," late of Sa- DJ's surefire giggle starter; an easy mark Boston, Somerville stayed a stubbornly lem. They arrived in 1628, when for a lazy columnist on a slow news day. independent municipality. "Somerville" was a thickly wooded sec- We came not knowing any of this, A year after we landed, we bought a tion of Charlestown ripe for land pros- but we learned fast from the raised double-decker in whose backyard a pre- pectors like the Sprague boys. Just sh< >rt eyebrows and concerned looks we saw vious owner had planted another of three centuries later, cover subject on the faces of new acquaintances the double-decker. We stayed there 1 John Mahoney's family also came a- moment they learned where we had years. They were good years for us, and prospecting, part of the flood of refu- for Somerville. A new reform regime gees from Boston'steemingstreetswho Ifother towns were belles of had taken over City I lall. It was led by sought healthful air and lebensraum Mayor Gene Brune—a balding, middle- the bally Somerville was within streetcar commute of Boston's aged business manager, quiet as Calvin someone's stogie-chewing jobs. -
A Retrospective Diagnosis of RM Renfield in Bram Stoker's Dracula
Journal of Dracula Studies Volume 12 Article 3 2010 All in the Family: A Retrospective Diagnosis of R.M. Renfield in Bram Stoker’s Dracula Elizabeth Winter Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Winter, Elizabeth (2010) "All in the Family: A Retrospective Diagnosis of R.M. Renfield in Bram Stoker’s Dracula," Journal of Dracula Studies: Vol. 12 , Article 3. Available at: https://research.library.kutztown.edu/dracula-studies/vol12/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. All in the Family: A Retrospective Diagnosis of R.M. Renfield in Bram Stoker’s Dracula Cover Page Footnote Elizabeth Winter is a psychiatrist in private practice in Baltimore, MD. Dr. Winter is on the adjunct faculty at Johns Hopkins where she lectures on anxiety disorders and supervises psychiatry residents. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol12/ iss1/3 All in the Family: A Retrospective Diagnosis of R.M. Renfield in Bram Stoker’s Dracula Elizabeth Winter [Elizabeth Winter is a psychiatrist in private practice in Baltimore, MD. Dr. Winter is on the adjunct faculty at Johns Hopkins where she lectures on anxiety disorders and supervises psychiatry residents.] In late nineteenth century psychiatry, there was little consistency in definition or classification criteria of mental illness. -
SLAV-T230 Vampire F2019 Syllabus-Holdeman-Final
The Vampire in European and American Culture Dr. Jeff Holdeman SLAV-T230 11498 (SLAV) (please call me Jeff) SLAV-T230 11893 (HHC section) GISB East 4041 Fall 2019 812-855-5891 (office) TR 4:00–5:15 pm Office hours: Classroom: GA 0009 * Tues. and Thur. 2:45–3:45 pm in GISB 4041 carries CASE A&H, GCC; GenEd A&H, WC * and by appointment (just ask!!!) * e-mail me beforehand to reserve a time * It is always best to schedule an appointment. [email protected] [my preferred method] 812-335-9868 (home) This syllabus is available in alternative formats upon request. Overview The vampire is one of the most popular and enduring images in the world, giving rise to hundreds of monster movies around the globe every year, not to mention novels, short stories, plays, TV shows, and commercial merchandise. Yet the Western vampire image that we know from the film, television, and literature of today is very different from its eastern European progenitor. Nina Auerbach has said that "every age creates the vampire that it needs." In this course we will explore the eastern European origins of the vampire, similar entities in other cultures that predate them, and how the vampire in its look, nature, vulnerabilities, and threat has changed over the centuries. This approach will provide us with the means to learn about the geography, village and urban cultures, traditional social structure, and religions of eastern Europe; the nature and manifestations of Evil and the concept of Limited Good; physical, temporal, and societal boundaries and ritual passage that accompany them; and major historical and intellectual periods (the settlement of Europe, the Age of Reason, Romanticism, Neo-classicism, the Enlightenment, the Victorian era, up to today). -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Cultural Stereotypes: from Dracula's Myth to Contemporary Diasporic Productions
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions Ileana F. Popa Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/1345 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. Ileana Florentina Popa BA, University of Bucharest, February 1991 MA, Virginia Commonwealth University, May 2006 Director: Marcel Cornis-Pope, Chair, Department of English Virginia Commonwealth University Richmond, Virginia May 2006 Table of Contents Page Abstract.. ...............................................................................................vi Chapter I. About Stereotypes and Stereotyping. Definitions, Categories, Examples ..............................................................................1 a. Ethnic stereotypes.. ........................................................................3 b. Racial stereotypes. -
Catriona Helen Miller
Vlood Spirits A cjungian Approach to the Vampire JKyth Catriona Helen Miller Submitted for the degree of Doctor of Philosophy University of Stirling Stirling Scotland December 1998 r., 4. , Dedication To my parents, Irene and Jack Miller, without whom.... For all the support, guidance and encouragement above and beyond the call of parental duty. Your many favours can never be repaid. Acknowledgements I would like to thank Dr. John Izod for the skillful and unfailingly tactful supervision of this thesis, and for the companionshipon the j ourney. To Lari, for the chair; the commas and comments;the perpetual phone calls; and for going to Santa Cruz with me all those years ago. To everybody in the Late Late Service for sustenanceof various kinds. And everyone else who asked about my thesis and then listened to the answer without flinching. I also acknowledge the kind financial support of the Glasgow Society for Sons and Daughters of Ministers of the Church of Scotland, and, of course, my parents. Contents Page Acknowlegements i Abstract .v INTRODUCTION PART ONE APPROACH & CONTEXT 10 " The Study of Myth & the Cartesian/Newtonian Framework 11 " The Advent of Psychology 13 " Freud & the Vampire Myth 17 " Beyond Descartes & Newton: the New Paradigm 21 " Jung & the New Model 24 " Archetypes & the Collective Unconscious 31 " The Study of Myth After Freud & Jung 35 The Vampire Myth 40 " I " Jung & the Vampire Myth 41 " Symbols: A Jungian Definition 44 PART TWO ENCOUNTERS WITH SHADOW VAMPIRES 49 " Folklore & Fiction 49 " The Vampire in Folklore 51 " Vampirý Epidemics? 54 " The Shadow Archetype 57 " The Dead 58 " The Living Dead 61 " The Shadow Vampire in the Twentieth Century 65 " Nosferatu: A Symphony of Horror (Dir: F. -
Janus Head 2.4.18
Janus Head Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology, and the Arts. Copyright © 2018 by Trivium Publications, Pittsburgh, PA All rights reserved. Printed in the United States of America Requests for permission to reproduce material from this work should be sent to Permissions, Trivium Publications, P.O. Box 8010 Pittsburgh, PA 15216 ISSN: 1524-2269 0 0 1 2 3 4 5 6 7 8 9 0 0 Contents Articles The Castle of Debris: Tatsuya Tatsuta’s Formative Abstract Representation of Lacanian Desire George Saitoh 5 Vampires, Viruses, and Verbalisation: Bram Stoker’s Dracula as a genealogical window into fin-de-siècle science Hub Zwart 14 Psychological Perceptiveness in Pushkin’s Poetry and Prose Steven C. Hertler 54 Rousseau’s Languages: Music, Diplomacy, and Botany Fernando Calderón Quindós and M. Teresa Calderón Quindós 80 A Review of the Theoretical Bases of the Beats’ Repudiation of Capitalism Ehsan Emami Neyshaburi “Moral Enigma” in Shakespeare’s Othello? An Exercise in 94 Philosophical Hermeneutics Norman Swazo 128 Into The Void: Nietzsche’s Confrontation With Cosmic Nihilism Clay Lewis 156 Fiction <Nature> Carol Roh Spaulding 190 Poetry At the Locker 208 Total Eclipse 209 Invitation to a Relation 212 Michaela Mullin Notes on Contributors 213 Janus Head 5 The Castle of Debris: Tatsuya Tatsuta’s Formative Abstract Representation of Lacanian Desire George Saitoh “There are only two tragedies in life: not getting what one desires, and getting it.” – Oscar Wilde The Castle of Debris is situated first from the entrance to the large exhibition hall in Tokyo’s National Art Centre. -
Page 90 FILM REVIEWS Bat out of Hell: the Dark Knight and Hellboy II
Page 90 FILM REVIEWS Bat out of hell: The Dark Knight and Hellboy II: The Golden Army The Dark Knight ( Dir. Christopher Nolan) U SA, 2008 Warner Bros Hellboy II: The Golden Army (Dir. Guillermo del Toro) U SA/Germany, 2008 Universal Pictures Even a cursory glance over the films reviewed in the last issue of the IJGHS alone reveals the extent of the checklist of contemporary anxieties that recent horror films have voiced, ranging from terrorist attacks on US and European metropolises; the war on terror; religious extremism (at home and abroad); Hurricane Katrina, the Asian Tsunami and related natural disasters; SARS and contagion; and the erasure of human contact and individual identity in an age of usergenerated websites and shakycam news footage. The times they are abecoming quite anxious indeed, all of which is contributing to the generation of an increasingly dark strain of studio output, in which any franchise worth its salt seems compelled to adhere to one cardinal rule: each successive release must be marketable as “the darkest instalment yet” (see, for example, Harry Potter , SpiderMan , and Star Wars in recent years, as well as Daniel Craig’s reboot of James Bond). What’s more, there is no room for a straightforward hero these days (significantly, the second instalment of Bryan Singer’s Superman franchise seems stuck in development hell), and this summer in particular gave the antihero his day in the sun, from Will Smith’s Hancock (Dir. Peter Berg), (a harddrinking superhero who has lost his sheen and is badly in need of a PR tuneup) to Edward Norton’s Incredible Hulk (Dir. -
Bram Stoker, Homosocial Desire and the Stokerian Biographical Project
Brno Studies in English Volume 37, No. 2, 2011 ISSN 0524-6881 DOI: 10.5817/BSE2011-2-4 Brigitte Boudreau Libidinal Life: Bram Stoker, Homosocial Desire and the Stokerian Biographical Project Abstract This paper offers an examination of the Stokerian biographical project and shows how many biographies of Bram Stoker are invested in uncovering the elu- sive relationship between this little-known author and the actor Henry Irving. An exploration of Stokerian biographies reveals how Stoker has been constructed as a man who experienced same-sex desire, as revealed through his own “autobio- graphical” texts, such as Personal Reminiscences of Henry Irving and Dracula. Eve Kosofsky Sedgwick’s concept of “homosocial desire” provides a useful theoretical framework within which to explore a sample selection of Stokerian biographies, including those of Daniel Farson, Phyllis A. Roth, Barbara Belford and Paul Murray. This paper maintains that the theories surrounding Stoker’s li- bidinal life are generally well-grounded, yet to this day several questions remain unanswered. For many biographers, the life of the author of Dracula continues to be shrouded in mystery. Key words Bram Stoker; biography; Personal Reminiscences of Henry Irving; Dracula; Eve Kosofsky Sedgwick; homosocial desire We were struck with the fact, that in all the mass of material of which the record is composed, there is hardly one authentic document; nothing but a mass of type- writing [...] (Dracula) In late-nineteenth-century England, sexual attitudes which deviated from the norm were both demonized and feared. This is reflected in the works of Victorian author Bram Stoker, for whom adherence to tradition and fixed gender roles were of utmost importance. -
The Proto-Filmic Monstrosity of Late Victorian Literary Figures
Bamberger Studien zu Literatur, 14 Kultur und Medien “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 14 Bamberger Studien zu Literatur, Kultur und Medien Bamberger Studien zu Literatur, Kultur und Medien hg. von Andrea Bartl, Hans-Peter Ecker, Jörn Glasenapp, Iris Hermann, Christoph Houswitschka, Friedhelm Marx Band 14 2015 “Like some damned Juggernaut” The proto-filmic monstrosity of late Victorian literary figures Johannes Weber 2015 Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Informationen sind im Internet über http://dnb.d-nb.de/ abrufbar. Diese Arbeit hat der Fakultät Geistes- und Kulturwissenschaften der Otto-Friedrich- Universität Bamberg als Dissertation vorgelegen. 1. Gutachter: Prof. Dr. Christoph Houswitschka 2. Gutachter: Prof. Dr. Jörn Glasenapp Tag der mündlichen Prüfung: 28. Januar 2015 Dieses Werk ist als freie Onlineversion über den Hochschulschriften-Server (OPUS; http://www.opus-bayern.de/uni-bamberg/) der Universitätsbibliothek Bamberg erreichbar. Kopien und Ausdrucke dürfen nur zum privaten und sons- tigen eigenen Gebrauch angefertigt werden. Herstellung und Druck: Docupoint, Magdeburg Umschlaggestaltung: University of Bamberg Press, Anna Hitthaler Umschlagbild: Screenshot aus Vampyr (1932) © University of Bamberg Press Bamberg 2015 http://www.uni-bamberg.de/ubp/ ISSN: 2192-7901 ISBN: 978-3-86309-348-8 (Druckausgabe) eISBN: 978-3-86309-349-5 (Online-Ausgabe) URN: urn:nbn:de:bvb:473-opus4-267683 Danksagung Mein besonderer Dank gilt meinem Bruder Christian für seinen fachkundigen Rat und die tatkräftige Unterstützung in allen Phasen dieser Arbeit. Ich danke meinem Doktorvater Prof. Dr. Christoph Houswitschka für viele wichtige Denkanstöße und Freiräume. -
Front Matter
Cambridge University Press 978-1-107-15317-2 — The Cambridge Companion to ‘Dracula' Edited by Roger Luckhurst Frontmatter More Information Bram Stoker’s Dracula is the most famous vampire in literature and film. This new collection of sixteen essays brings together a range of internationally renowned scholars to provide a series of pathways through this celebrated Gothic novel and its innumerable adaptations and translations. The volume illuminates the novel’s various pre-histories, critical contexts and subsequent cultural transformations. Chapters explore literary history, Gothic revival scholarship, folklore, anthropology, psychology, sexology, philosophy, occultism, cultural history, critical race theory, theatre and film history and the place of the vampire in Europe and beyond. These studies provide an accessible guide of cutting-edge scholarship to one of the most celebrated modern Gothic horror stories. This companion will serve as a key resource for scholars, teachers and students interested in the enduring force of Dracula and the seemingly inexhaustible range of the contexts it requires and readings it might generate. is Professor in Modern and Contemporary Literature at Birkbeck College, University of London. His previous publications include The Mummy’s Curse: The True Story of a Dark Fantasy (2012) and critical studies of the films The Shining (2013) and Alien (2014). He has also co-edited books including The Fin de Siècle: A Reader in Cultural History c. 1880–1900 (2000) and Transactions and Encounters: Science and Culture in the Nineteenth Century (2002). He has edited numerous Gothic classics, including Robert Louis Stevenson’s Strange Case of Jekyll and Hyde (2006), Bram Stoker’s Dracula (2011) and H. -
Traditions in World Cinema Sampler
ANTONIO LÁZARO-REBOLL ANTONIO LÁZARO-REBOLL Traditions in World Cinema Traditions in World Cinema Series Editor: Steven Jay Schneider Series Editor: Steven Jay Schneider Associate Editors: Linda Badley and R. Barton Palmer Associate Editors: Linda Badley and R. Barton Palmer This new series introduces diverse and fascinating movements in world cinema. Each volume This new series introduces diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national or regional (in some cases cross-cultural) concentrates on a set of films from a different national or regional (in some cases cross-cultural) cinema which constitute a particular tradition. Volumes cover topics such as: Japanese horror cinema which constitute a particular tradition. Volumes cover topics such as: Japanese horror cinema, Italian neorealist cinema, American blaxploitation cinema, African filmmaking, global cinema, Italian neorealist cinema, American blaxploitation cinema, African filmmaking, global ‘post-punk’ cinema, Czech and Slovak cinema and the Italian sword-and-sandal film. ‘post-punk’ cinema, Czech and Slovak cinema and the Italian sword-and-sandal film. SPANISH HORROR FILM SPANISH HORROR FILM ANTONIO LÁZARO-REBOLL ANTONIO LÁZARO-REBOLL Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tin- Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tin- SPANISH HORROR FILM cidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud SPANISH HORROR FILM SPANISH HORROR FILM cidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud SPANISH HORROR FILM exerci tation ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo consequat.