Peaches & Herb

Peaches & Herb The Best Of Peaches & Herb mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The Best Of Peaches & Herb Country: Philippines Released: 1982 MP3 version RAR size: 1363 mb FLAC version RAR size: 1335 mb WMA version RAR size: 1282 mb Rating: 4.9 Votes: 687 Other Formats: VOC AHX AIFF MOD AU DXD WMA Tracklist Hide Credits Love It Up Tonight A1 4:58 Written-By – Dino Fekaris, Freddie Perren Reunited A2 5:46 Written-By – Dino Fekaris, Freddie Perren Howzabout Some Love A3 4:24 Written-By – Dino Fekaris, Freddie Perren Bluer Than Blue A4 4:17 Written-By – Freddie Perren, Keni St. Lewis Shake Your Groove Thing A5 5:45 Written-By – Dino Fekaris, Freddie Perren Roller Skatin' Mate B1 6:48 Written-By – Dino Fekaris, Freddie Perren I Pledge My Love B2 4:11 Written-By – Dino Fekaris, Freddie Perren Funtime B3 6:32 Written-By – Freddie Perren, Keni St. Lewis Picking Up The Pieces B4 3:45 Written-By – Keni St. Lewis Freeway B5 5:37 Written-By – Keni St. Lewis, Melvin Ragin Companies, etc. Phonographic Copyright (p) – Polygram Records Private Limited Singapore Copyright (c) – Polygram Records Private Limited Singapore Manufactured By – Dyna Products, Inc. Pressed By – Dyna Products, Inc. Notes A1- (p) 1978 Polydor Incorporated A2- (p) 1978 Polydor Incorporated A3- (p) 1979 Polydor Incorporated A4- (p) 1981 PolyGram Records, Inc. A5- (p) 1978 Polydor Incorporated B1- (p) 1979 Polydor Incorporated B2- (p) 1979 Polydor Incorporated B3- (p) 1980 Polydor Incorporated B4- (p) 1981 PolyGram Records, Inc. B5- (p) 1981 PolyGram Records, Inc. Related Music albums to The Best Of Peaches & Herb by Peaches & Herb Jerry Butler - Simply Beautiful Gloria Gaynor - I Will Survive/Substitute Peaches & Herb - Sayin' Something! Peaches & Herb - Shake Your Groove Thing Alton McClain & Destiny / Peaches & Herb - It Must Be Love / Shake Your Groove Thing - I Pledge My Love Peaches & Herb - We've Got Love The Sylvers - Best Of The Sylvers Peaches & Herb - Funtime Peaches & Herb - Twice The Fire Peaches & Herb - Worth The Wait.

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MIZELL, Alfonce and Freddie Perren
Howard University Digital Howard @ Howard University Manuscript Division Finding Aids Finding Aids 10-1-2015 MIZELL, Alfonce and Freddie Perren MSRC Staff Follow this and additional works at: https://dh.howard.edu/finaid_manu Recommended Citation Staff, MSRC, "MIZELL, Alfonce and Freddie Perren" (2015). Manuscript Division Finding Aids. 136. https://dh.howard.edu/finaid_manu/136 This Article is brought to you for free and open access by the Finding Aids at Digital Howard @ Howard University. It has been accepted for inclusion in Manuscript Division Finding Aids by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ALFONCE MIZELL AND FREDDIE PERREN COLLECTION Collection 72-1 Prepared & Revised by: Greta S. Wilson June 1980 ----------------------------------------------------------------- -------------- Scope Note The musical scores of Alfonce Mizell and Freddie Perren were presented to Moorland Spingarn Research Center on December 3, 1971. The seventeen scores, which were written and arranged primarily for the popular singing group, the "Jackson Five" are contained in one box measuring l/2 linear foot. Also contained in this box is a flyer and one photograph ----------------------------------------------------------------- MIZELL.Alfonce.FreddiePerren.TXT[11/13/2014 12:27:26 PM] -------------- - 2 - Series Description Series A Musical Scores Box 72-1 Popular music arranged and composed by Mizell and Perren for the singing group, "The Jackson Five"(* indicates material composed by them) Series B Broadside Box 72-1 One xerox copy of a flyer from the Howard University Jazz Institute announcing a class taught by Alfonce Mizell on the history of Jazz Series C Photograph Box 72-1 One photograph of members of "The Corporation", Deke Richards, Freddie Perren and Fonce Mizell, accepting awards at Broadcast Music Inc.
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Biography Armed with Some of the Greatest Songs Ever Written, The
Biography Armed with some of the greatest songs ever written, The Miracles are still after 40 years, attracting enthusiastic audiences around the world. Motown’s first of many famous groups such as The Temptations, The Four Tops, The Supremes, The Commodores, and The Jackson Five, and of course The Miracles the very first group to sign to Motown records, continue to keep the Motown sound alive by performing songs, such as: “Shop Around”, “I Second That Emotion”, “Tears Of A Clown”, “Love Machine”, “You’ve Really Got A Hold On Me”, “The Tracks Of My Tears”, “Ooh Baby Baby” and many more. Their performances at the Nassau Coliseum, the Inaugural Gala in Washington, D.C. and the 4th of July celebration at Duke University with over 60,000 fans in attendance, was simply unbelievable. In 1956, Bobby Rogers, Smokey Robinson, Claudette Robinson, Ronnie White and Pete Moore, childhood friends became The Miracles, and embarked on a career that would surpass their wildest dreams. Berry Gordy Motown’s founder recorded and released “Shop Around” a number one smash on all the charts, establishing The Miracles and giving Motown their first gold seller, this was the beginning of the record company and the group success for many years to come. The Miracles and Motown Records became known throughout the entire world. Over the course of the years, The Miracles continued to record chart-topping hits, including “Ooo Baby Baby”, “Going To A Go-Go”, “More Love”, “Mickey’s Monkey” and “Tears Of A Clown”. The Miracles established themselves as one of the best groups of all times.
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Soul: a Historical Reconstruction of Continuity and Change in Black Popular Music Author(S): Robert W
Professor J. Southern (Managing Editor-Publisher) Soul: A Historical Reconstruction of Continuity and Change in Black Popular Music Author(s): Robert W. Stephens Source: The Black Perspective in Music, Vol. 12, No. 1 (Spring, 1984), pp. 21-43 Published by: Professor J. Southern (Managing Editor-Publisher) Stable URL: http://www.jstor.org/stable/1214967 Accessed: 02-01-2018 00:35 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Professor J. Southern (Managing Editor-Publisher) is collaborating with JSTOR to digitize, preserve and extend access to The Black Perspective in Music This content downloaded from 199.79.168.81 on Tue, 02 Jan 2018 00:35:51 UTC All use subject to http://about.jstor.org/terms Soul: A Historical Reconstruction of Continuity and Change in Black Popular Music BY ROBERT W. STEPHENS rT r aHE SOUL TRADITION is a prime cultural force in American popular music; of that, there can be little doubt, although this musical phenomenon is sometimes vaguely defined. Born of the Civil Rights and Black Power movements of the 1960s, soul has provided a musical and cultural foundation for virtually every facet of contemporary popular music. More important than its commercial successes, however, are the messages and philosophies it has communicated and the musical influences which underlie its development.
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“I Will Survive” Original Work, Derivatives, and Covers
Copyright Lore Since its 1978 release, “I Will Survive” has been recorded “I Will Survive” and released many times. Gaynor recorded a derivative work of the song translated into Spanish, “Yo Vivire,” in 1979, and Polydor Incorporated registered that version for Original Work, copyright protection. The next year, Discos Musart S.A. registered Juan Torres’ album Amor en la Discotheque, Derivatives, which also included a recording of the Spanish translation. Two more derivative works were registered in 1994 when PolyGram Records, Inc. released remixes of Gaynor’s English and Covers and Spanish versions of the song. ALISON HALL Covers of “I Will Survive,” in different styles of music, began to hit the charts soon after the original. Billie Jo Spears’ country version was one of the first. It appeared Gloria Gaynor’s iconic 1978 hit “I Will Survive” is recognized in the Library’s National Recording Registry. on her album The Billie Jo Spears Singles Album. Chantay Savage recorded a soulful rendition of it on her album I Will Today, multiple generations enjoy the song, and Gaynor continues to perform the hit around the world, Survive (Doin It My Way) in 1996. In 2002, Cake recorded a including at the Library’s Bibliodiscotheque. Dino Fekaris and Freddie Perren wrote the words and music rock-based version on their album Fashion Nugget, and in 2007, The Puppini Sisters recorded a 1940s-style version to the song as a work made for hire for Perren-Vibes Music Co., who submitted the original copyright on their album Betcha Bottom Dollar. For each of these application.
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((< T H E J a C K S O N 5
P E R F O R M E R S ((< THE JACKSON 5 ))) WHAT YOU WILL - the Jackson 5, the J5, the Jacksons - they were, in the end, Michael and four of his broth ers. And call him what you will, but Michael Jackson was and is one of the greatest stars ever to grace this business we call show ^ H e s t i l l s e n d s c h i l l s up and down my spine The Brothers when I play the Jackson 5’s version of “W ho’s Lovin’ You,” with its bluesy Jackson: Jermaine, Jackie, Marlon, curlicues, executed by a singer aged all o f eleven years. He still amazes me Michael (standing), with his moves - from his preteen spins learned faithfully from James Tito (from left) Brown to his post-j5 inventions that placed him in league with Fred Astaire and Neil Armstrong. ^ B u t i t w a s w i t h t h e j a c k s o n 5 that Michael came to light, and the entire group deserves credit for shaking up the music scene of the early Seventies. T h e y b e g a n b y shaking up Motown Records. The label had begun the B Y BEN FONG TORRES : Sixties with an exhilarating and producers Freddie Perren, string of hit records. Motown, Deke Richards, Fonce Mizell set up in a couple of Detrofl and Gordy), the Jacksons houses, was the Sound ofYoung attacked the studio, the stage America, with a stable of artists and the charts.
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Adult Contemporary
ADULT CONTEMPORARY Click to open ‘bookmarks’ on left side for easier search Song Title Artist Song Title Artist TURN THE BEAT AROUND GLORIA ESTEFAN POMP & CIRCUMSTANCE BOSTON POPS FADE INTO YOU MAZZY STAR NOBODY DOES IT BETTER CARLY SIMON DREAM ON AEROSMITH POWER OF LOVE CELINE DION ALL OUT OF LOVE AIR SUPPLY BEHIND CLOSED DOORS CHARLIE RICH HEAD OVER FEET ALANIS MORISSETTE THE MOST BEAUTIFUL GIRL CHARLIE RICH IRONIC ALANIZ MORISSETTE WICKED GAME CHRIS ISAAK EVERY HEARTBEAT AMY GRANT I WILL TAKE YOU FOREVER CHRISTOPHER CROSS LOVE STORY ANDY WILLIAMS SAILING CHRISTOPHER CROSS MAY EACH DAY ANDY WILLIAMS LONGER DAN FOGELBERG MOON RIVER ANDY WILLIAMS SOMETIMES WHEN WE TOUCH DAN HILL MORE ANDY WILLIAMS GOOD TIMES DAN SEALS THEME FROM THE GODFATHER ANDY WILLIAMS WHERE ARE YOU GOING DAVE MATTHEWS WISHIN & HOPIN ANI DEFRANCO WAIT A LITTLE WHILE DAVEKOZ I ONLY HAVE EYES FOR YOU ART GARFUNKEL LADY IS A TRAMP DAVID HUNTSINGER EVERGREEN BARBARA STREISAND THAT'S WHAT FRIENDS ARE FOR DIONNE WARWICK MEMORY BARBARA STREISAND NEVER ON A SUNDAY DON COSTA BARBRA STREISAND / HEARTACHE TONIGHT EAGLES I FINALLY FOUND SOMEONE BRYAN ADAMS SHINING STAR EARTH WIND & FIRE BARBRA STREISAND / NEIL LA VIE EN ROSE EDITH PIAF YOU DON'T BRING ME FLOWERS DIAMOND I'LL BE EDWIN MCCAIN COPACABANA 1993 BARRY MANILOW BLESSED ELTON JOHN I WRITE THE SONGS BARRY MANILOW CIRCLE OF LIFE ELTON JOHN MANDY BARRY MANILOW ROCKET MAN ELTON JOHN BOOGIE WOOGIE BUGLE BOY BETTE MIDLER TINY DANCER ELTON JOHN FROM A DISTANCE BETTE MIDLER ENGELBERT THE ROSE BETTE MIDLER AFTER THE LOVIN' HUMPERDINCK
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User's Guide to WDAM Radio's History of Buddy Holly & the Crickets
User's Guide To WDAM Radio's History Of Buddy Holly & The Crickets Preface To The 2020 Edition This across-four-decades-and-two-centuries-long work-in-progress now has been converted to MP3. This new version is expanded from the most recent edition (2009) and contains even more hit and significant non-hit covers of Buddy Holly “solo” and Buddy Holly & The recordings ... as well as newly discovered Buddy Holly "salute" songs, interviews, and recorded historical artifacts that WDAM Radio has identified and acquired. The Collection Congratulations! You now own every hit record ever recorded by Buddy Holly (and/or records on which Buddy appeared as a back-up singer/musician) in both the United States and the United Kingdom. It also includes all charted hits by the Crickets [including all of their many United Kingdom hits, too!] after Buddy's death, as well as their remaining discography. All are in chronological order! .... or at least, sort of. You'll also enjoy original versions of songs that were later re-made into hits by Holly...plus every other artists' hit covers [including those that were only hits in the United Kingdom] of Holly originals ever recorded...plus almost all of those glorious "Buddy Holly death-salute" songs (along with similar tributes to J.P. Richardson and Ritchie Valens). It's the only collection of its kind this side ... or any side of Lubbock, Texas; Clovis, New Mexico; New York City; or Clear Lake, Iowa. (If you know the history of Buddy Holly, you will know why those locations were chosen.) Every release on single 45's (or 78's) is followed by the highest position reached in Billboard magazine and the year.
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Motown 25 Special Is the Only Show That Comes to Mind
Moonwalk Michael Jackson Published by Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc., 666 Fifth Avenue, New York, New York 10103 Doubleday and the portrayal of an anchor with a dolphin are trademarks of Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc. "Billie Jean" written and composed by Michael Jackson. © 1982 Mijac Music (BMI). Administered by VCarner-Tamerlane Publishing Corp. "Human Nature" written and composed by Steve Porcaro and John Bettis. © 1982 Porcaro Music (ASCAP) and John Bettis Music (ASCAP). John Bettis Music administered by WB Music Corp. "Bad" written and composed oy Michael Jackson. © 1987 Mijac Music (BMI). Administered by Warner-Tamerlane Publishing Corp. "I'll Be There" written and composed by Bob West, Harold Davis, Willie Hutch, and Berry Gordy, Jr. © 1970 Jobete Music Co., Inc. "Living Together" written and composed by Dexter Wansel. © 1976 Mighty Three Music (BMI). "ABC" written and composed by The Corporation (Freddie Perren, Fonce Mizell, Deke Richards, and Berry Gordy, Jr.). © 1970 Jobete Music Co., Inc. "Sugar Daddy" written and composed by The Corporation (Freddie Perren, Fonce Mizell, Deke Richards, and Berry Gordy, Jr.). © 1971 Jobete Music Co., Inc. "Can I Go On?" written and composed by Quincy Jones, Nickolas Ashford, and Valerie Simpson. © 1978 Warner-Tamerlane Publishing Corp. Library of Congress Cataloging-in-Publication Data Jackson, Michael, 1958-- Moonwalk. 1. Jackson, Michael, 1958-- 2. Rock musicians-- United States--Biography. I. Title. ML420.J175A3 1988 784.5'400924 [ ] 88-384 ISBN 0-385-24712-5 ISBN 0-385-24763-X (Canadian edition) Copyright © 1988 by Michael Jackson ALL RIGHTS RESERVED PRINTED IN THE UNITED STATES OF AMERICA 4689753 This book is dedicated to FRED ASTAIRE What can one say about Michael Jackson? He is one of the world's most acclaimed entertainers, an innovative and exciting songwriter whose dancing seems to defy gravity and has been heralded by the likes of Fred Astaire and Gene Kelly.
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Windy City Harmony: the Calvaes, Blenders and Accents
South Side Harmony in the Windy City: The Calvaes, Blenders & Accents Stories by Charlie Horner With contributions from Pamela Horner and Val Shively Group Harmony on Chicago’s South Side The exact boundaries of Chicago’s South Side have changed over the years and vary slightly according to who you ask. In general, when someone talks about the South Side they’re referring to the area of the city south of the Loop. During the first half of the Twentieth Century, hun- dreds of thousands of African-Americans migrated from the Deep South to Chicago, making the South Side their home. The South Side has been home to Blues, Gospel and plenty of great Jazz. It’s been home to dozens of vocal groups, too, from the Soul Stirrers to the Chi-Lites. Of all the areas that have produced vocal groups, the Chicago’s South Side rates among the highest. A list of 1950’s groups from this fertile area would include the El Dorados, Five Chances, Five Ech- oes, Flamingos, Five Thrills, Orchids, Dukays, Sheppards, Pastels, Fortunes, Maples, Danderliers, Moroccos, Magnifi- cents, Rip Chords, Calvaes, Four Gents, Quintones, Debo- nairs, Nobles, Belvederes and countless others. “Solly McElroy and the Moroccos, the Danderliers… They were all right here on the South Side,” recalled Chicago vocalist Zeke Brown. “I knew the El Dorados. And the Five Chances. I grew up with these guys. We all used to meet and we’d be at shows. And Tommy Hunt of the Echoes. Tommy Hunt is the one who showed us how to do routines.
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I Will Survive”--Gloria Gaynor (1978) Added to the National Registry: 2015 Essay by Louis Niebur (Guest Post)*
“I Will Survive”--Gloria Gaynor (1978) Added to the National Registry: 2015 Essay by Louis Niebur (guest post)* Gloria Gaynor Original single Original single sleeve On the surface, Gloria Gaynor's disco anthem, "I Will Survive" tells the straightforward story of a woman unwilling to put up with a cheating partner. But immediately upon its release in 1978, it was endowed by listeners with much more power than this simple premise, through its universal themes of strength, pride, independence, and overcoming self-doubt. It had, and continues to have, particular resonance with the groups most closely connected with disco since its creation in the early 1970s: African-Americans, gays, and women. Gaynor's story isn't one of overnight success. Rather, her title as the first "Queen of Discos" was earned after years of struggle as a touring live musician, sacrificing security and stability for the less tangible but more fulfilling rewards of a musical career. Gaynor was born on September 9, 1949 as Gloria Fowles in Newark, New Jersey. After high school, she spent nearly a decade singing in a string of semi-regular nightclub gigs, and touring the chitterling circuit, performing standards alongside the latest Top 40 hits with house bands up and down the east coast. She recorded her first single, “She’ll Be Sorry” for Johnny Nash’s Jocida Records in 1965. Nash also recommended she change her name to the alliterative “Gloria Gaynor,” in the hopes that people would call her by the catchy “G.G.” (a nickname that stuck). Throughout the second half of the 1960s and the first half of the 1970s, she and her band, City Life, achieved some renown with their upbeat disco sound, playing venues around the East and Midwest.
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Various Soul Passion Mp3, Flac, Wma
Various Soul Passion mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Soul Passion Country: UK Released: 1982 Style: Soul, Funk MP3 version RAR size: 1280 mb FLAC version RAR size: 1729 mb WMA version RAR size: 1175 mb Rating: 4.1 Votes: 324 Other Formats: XM TTA FLAC AUD AHX AC3 AIFF Tracklist Hide Credits It's A Man's Man's World A1 –James Brown Written By – James Brown I Will Survive A2 –Gloria Gaynor Written By – Dino Fekaris, Freddie Perren Fire Written By – Billy Beck, Clarence Satchell, James "Diamond" A3 –Ohio Players Williams, Leroy "Sugarfoot" Bonner, Marshall Jones, Marvin "Merv" Pierce, Ralph "Pee Wee" Middlebrooks Imaginary Lover A4 –Atlanta Rhythm Section Written By – Buddy Buie, Dean Daughtry, Robert Nix Kiss You All Over A5 –Millie Jackson Written By – Mike Chapman, Nicky Chinn I'm Your Puppet A6 –James & Bobby Purify Written By – Dan Penn, Spooner Oldham Party Time A7 –The Fatback Band Written By – Doug Gibson, Gerry Thomas, Leonard Smith Get Up, I Feel Like Being A Sex Machine B1 –James Brown Written By – Bobby Byrd, James Brown, Ron Lenhoff –Limmie & The Family You Can Do Magic B2 Cookin'* Written By – Sandy Linzer Shake Your Groove Thing B3 –Peaches And Herb* Written By – Dino Fekaris, Freddie Perren I Love The Nightlife (Disco Round) B4 –Alicia Bridges Written By – Alicia Bridges, Susan Hutcheson Loving Arms B5 –Millie Jackson Written By – Tom Jans Keep On Steppin' B6 –The Fatback Band Written By – Bill Curtis, Earl Shelton, George Williams, Johnny Flippin, Johnny King , Richard Cromwell Never Can Say Goodbye B7 –Gloria Gaynor Written By – Clifton Davis Companies, etc.
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Tavares Goodnight My Love Mp3, Flac, Wma
Tavares Goodnight My Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Goodnight My Love Country: US Released: 1977 Style: Rhythm & Blues MP3 version RAR size: 1186 mb FLAC version RAR size: 1987 mb WMA version RAR size: 1471 mb Rating: 4.8 Votes: 329 Other Formats: MP3 AA MP4 AIFF DXD APE MP1 Tracklist Hide Credits Goodnight My Love A 3:40 Arranged By – Freddie Perren, Gene PageWritten-By – G. Motola*, J. Marascalco* Watchin' The Woman's Movement B 4:02 Arranged By – Freddie Perren, Wade MarcusWritten-By – F. Perren*, K. St. Lewis* Companies, etc. Record Company – Capitol Industries-EMI, Inc. Manufactured By – Capitol Records, Inc. Pressed By – Capitol Records Pressing Plant, Winchester Phonographic Copyright (p) – Capitol Records, Inc. Mastered At – Capitol Mastering Published By – Belinda Music Published By – Quintet Music Published By – Trio Music Company Published By – Bull Pen Music Co. Published By – Perren-Vibes Music Co. Produced For – Grand Slam Productions Credits Mastered By – DAVE* Producer [Produced By] – Freddie Perren Notes A - Published By Belinda Music / Quintet Music / Trio Music Company, Inc. BMI B - Published By Bull Pen Music Co. / Perren-Vibes Music Co. - BMI / ASCAP From the LP "Love Storm" ST-11628 Produced for Grand Slam Productions ℗ 1977 Capitol Records, Inc. Mfd. By Capitol Records, Inc., A Subsidiary of Capitol Industries-EMI, Inc., U.S.A. Barcode and Other Identifiers Matrix / Runout (Label side A): S-93700A Matrix / Runout (Label side B): S-93697 Matrix / Runout (Runout, side A, etched,
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