Towards a Poetics of Bafflement
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Deana Lawson Inkjet Print Mounted on Sintra, 40 X 50 Inches
Gallery Guide Contemporary Art Museum St. Louis January 27– April 16, 2017 Deana Lawson Inkjet print mounted on Sintra, 40 x 50 inches. print mounted on Sintra, Inkjet 2013. Oath, Deana Lawson, Lawson, Deana Chicago. Gallery, Hoffman the artist and Rhona Courtesy Deana Lawson explores and challenges conventional Lawson’s eye and her overall relationship to photography, and stereotypical representations of the black body. with these portraits inviting careful attention to such She engages a range of photographic strategies to visual cues as pose and setting. craft a multifaceted vision reflecting what she has described as a “knowledge of selfhood through a For the last several years, Lawson has chosen to corporeal dimension.” photograph in sites specific to the African diaspora by shooting in locations as varied as Haiti, Jamaica, Lawson’s large-format photographs are highly staged Ethiopia, Democratic Republic of Congo, Brooklyn, and often made in collaboration with her subjects. and the American Deep South. This exhibition includes These individuals are frequently strangers she meets works from her recent time spent in Alabama, as well in such everyday places as grocery stores, the New York as other photographs made on location around the world. City subway, and on the street. The resulting images, Lawson’s meticulously composed images from these in both domestic and public settings, depict the sitters travels blur boundaries of time and place, and fact and alone, in couples, and as families. The environments fiction, imbuing her subjects and settings with a near- and the belongings they contain portray a diverse array mythical power. of people living very different lives, and present multiple ideas of kinship, ritual, identity, and desire. -
28 Art Shows You Need to See This Fall
10/5/2015 28 Art Shows You Need To See This Fall Edition: US Search The Huffington Post Like 5.3m Follow FRONT PAGE POLITICS BUSINESS MEDIA WORLDPOST SCIENCE TECH HEALTHY LIVING HUFFPOST LIVE 28 Art Shows You Need To See This Fall From Boston to San Francisco and everything in between here are the art exhibitions you'll be talking about this fall. Priscilla Frank Arts Writer, The Huffington Post Katherine Brooks Senior Arts & Culture Editor, The Huffington Post. Posted: 09/01/2015 10:38 AM EDT | Edited: 09/28/2015 12:25 PM EDT As we approach Labor Day and the unofficial end to summer, the only thing motivating us to open our laptops and begin another day anew is the thought of a new season of art exhibitions. Well, maybe that and the promise of cooler temperatures. But the slate of fall art shows is considerably high on our list of autumnal things to look forward to. In anticipation of fall, we scoured the calendars one editor on the East coast, one writer on the West and came up with 20 exhibitions (and eight honorable mentions) we're excited to ogle over the next few months. Whether you're in New York or Los Angeles, New Orleans or Detroit, St. Louis or Fort Worth, here's your guide to getting down with art in September and beyond. 1. "Spirit and Matter: Islamic Art" (Dallas, Texas) http://www.huffingtonpost.com/entry/fallartexhibitions2015_55ddff6be4b04ae497056ddf?utm_hp_ref=arts 1/23 10/5/2015 28 Art Shows You Need To See This Fall Manuscript, The Shahnama of Firdawsi Iran: Shiraz, 1539 Work on paper 15.2 x 10 inches (38.5 x 25.5 cm) The Keir Collection of Islamic Art on loan to the Dallas Museum of Art. -
© 2018 Porshé R. Garner
© 2018 Porshé R. Garner PRESENT DAY PROPHETS: DEFINING BLACK GIRLHOOD SPIRITUALITY IN SAVING OUR LIVES HEAR OUR TRUTHS (SOLHOT) BY PORSHÉ RENEE GARNER DISSERTATION Submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in Educational Policy Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Associate Professor Ruth Nicole Brown, Chair Professor James D. Anderson Professor Anne Haas Dyson Associate Professor Soo Ah Kwon Assistant Professor Safiya Noble, University of Southern California Abstract Present Day Prophets: Defining Black Girlhood Spirituality in Saving Our Lives Hear Our Truths (SOLHOT) and Beyond is based on nine years of participant observation in the collective, Saving Our Lives Hear Our Truths (SOLHOT). SOLHOT is a praxis that centers and celebrates Black girlhood through artistic and radical imagination for the purpose of otherworld making. Through the sharing of personal narrative, critically engaging scholarship at the intersection of Black feminism, Womanism, and Black Girlhood Studies, and theorizing from field experiences, this dissertation offers a definition of Black girlhood spirituality that demonstrates the necessity of studying spirituality as a site of inquiry into the knowledge production and experiences of Black girls in community with Black women. I argue that Black girlhood spirituality is a way of knowing how to mobilize ideas to transform circumstance. Ultimately, I learned that it is our connection to Black girlhood that makes possible our relationship and connection to the metaphysical/divine/invisible realm. My methods included implementing a qualitative thematic and arts based research methodology to analyze our actions, conversations, events, and music which illumined Black girls’ prophetic identity and allowed me to hear Black girls differently, consequently, extending the repertoire of Black girlhood sounds. -
Adyslipper Music by Women Table of Contents
.....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available. LP = record, CS = cassette, CD = com schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc. -
Deana Lawson, Who Has Been Named for Inclusion in the 2017 Whitney
Deana Lawson, who has been named for inclusion in the 2017 Whitney Biennial, explores and challenges the conventional representations of the black body seen throughout the history of photography. Her large format photographs are highly staged and often made in collaboration with her subjects. They depict individuals, couples, and families in both domestic and public settings, visualizing ideas of kinship, ritual, identity, and desire. Lawson’s tableaux are not only intimate— her subjects depicted nude, embracing, and directly confronting the camera—but they also destabilize the notion of a passively voyeuristic relationship to photography itself. In Otisha, Kingston, Jamaica, for example, the honesty and vulnerability of the subject is laid bare. Indeed, the phrase “laid bare,” becomes an important aspect of Lawson’s portraiture. How does one truly lay oneself bare? The images become representations not only of the individuals—photographed within their home environments to lend multiple perspectives of their intimate selves—but they also document the trust built between artist and subject. Travel is central to Lawson’s practice and for the last several years, she has been tracing the trajectory of the African diaspora by creating her images in locations as varied as Haiti, Jamaica, Ethiopia, Democratic Republic of Congo, Brooklyn, and the southern United States. Often appearing snapshot-like and seemingly documentary in nature, Lawson’s meticulously composed work blurs boundaries of time and place, and fact and fiction, thereby imbuing her subjects and settings with a near-mythical power. Deana Lawson (b. 1979, Rochester, NY; lives and works in Brooklyn) has been selected for the 2017 Whitney Biennial. -
Deana Lawson B
FLOOR 2 GRIEF AND GRIEVANCE Floor 2 Floor 2 LaToya Ruby Frazier County clustered Black residents in public housing into certain b. 1982, Braddock, PA communities. In 1994 the federal Department of Housing and Urban Development’s admission that it was party to a decades- (The following artist’s texts are excerpts from the book long system of discriminatory housing resulted in the Fair The Notion of Family, selected and edited by the exhibition Housing Service Center. The Sanders Consent Decree gave curators.) Allegheny Country an opportunity to desegregate. This wall, left to right: BOC Gases is the industrial gases business of the British Oxygen Company Group, the worldwide industrial gases, 1980s Welcome to Historic Braddock Signage and a Lightbulb, vacuum technologies, and distribution services company for from the series The Notion of Family, 2009 the steel industry. It produces more than fifty thousand tons of gas worldwide. Located at Eleventh Street and Washington Along the ancient path of the Monongahela River, Braddock, Avenue, BOC Gases encroaches on remaining residents’ Pennsylvania, sits in the eastern region of Allegheny County, property. Day and night, BOC Gases emits an industrial hissing approximately nine miles outside of Pittsburgh. sound that reverberates throughout the borough. A historic industrial suburb, Braddock is home to Andrew The haze that forms the sky is from millions of tiny particles. Carnegie’s first steel mill, the Edgar Thomson Works, which has They pass through my lungs and into my bloodstream. Like operated since 1875 and is the last functioning steel mill in carbon monoxide, they are odorless and have the potential the region. -
The Politics of Independent Hip-Hop a Dissertation Submitted in Partial
UNIVERSITY OF CALIFORNIA RIVERSIDE Just Say No to 360s: The Politics of Independent Hip-Hop A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Christopher Sangalang Vito June 2017 Dissertation Committee: Dr. Ellen Reese, Chairperson Dr. Adalberto Aguirre, Jr. Dr. Lan Duong Dr. Alfredo M. Mirandé Copyright by Christopher Sangalang Vito 2017 The Dissertation of Christopher Sangalang Vito is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS I would like to thank my family and friends for their endless love and support, my dissertation committee for their care and guidance, my colleagues for the smiles and laughs, my students for their passion, everyone who has helped me along my path, and most importantly I would like to thank hip-hop for saving my life. iv DEDICATION For my mom. v ABSTRACT OF THE DISSERTATION Just Say No to 360s: The Politics of Independent Hip-Hop by Christopher Sangalang Vito Doctor of Philosophy, Graduate Program in Sociology University of California, Riverside, June 2017 Dr. Ellen Reese, Chairperson My dissertation addresses to what extent and how independent hip-hop challenges or reproduces U.S. mainstream hip-hop culture and U.S. culture more generally. I contend that independent hip-hop remains a complex contemporary subculture. My research design utilizes a mixed methods approach. First, I analyze the lyrics of independent hip-hop albums through a content analysis of twenty-five independent albums from 2000-2013. I uncover the dominant ideologies of independent hip-hop artists regarding race, class, gender, sexual orientation, and calls for social change. -
Carnal Teachings: Raunch Aesthetics As Queer Feminist Pedagogies In
This article was downloaded by: [University of California, San Diego] On: 20 August 2014, At: 16:23 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Women & Performance: a journal of feminist theory Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rwap20 Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice Jillian Hernandeza a Ethnic Studies Department and Critical Gender Studies Program, University of California, San Diego, San Diego, CA, United States Published online: 20 May 2014. To cite this article: Jillian Hernandez (2014) Carnal teachings: raunch aesthetics as queer feminist pedagogies in Yo! Majesty's hip hop practice, Women & Performance: a journal of feminist theory, 24:1, 88-106, DOI: 10.1080/0740770X.2014.904130 To link to this article: http://dx.doi.org/10.1080/0740770X.2014.904130 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Lawson, Deana CV
DEANA LAWSON Born 1979, Rochester, NY EDUCATION 2004 MFA, Photography, Rhode Island School of Design, Providence, RI 2001 BFA, Photography, Pennsylvania State University, University Park, PA SOLO EXHIBITIONS 2021 Deana Lawson, ICA/Boston, Boston, MA, October 27, 2021 – February 27, 2022; travels to MoMA PS1, Long Island City, NY, April 14 – September 5, 2022; High Museum of Art, Atlanta, GA, October 7, 2022 – February 19, 2023 The Hugo Boss Prize 2020: Deana Lawson, Centropy, Soloman R. Guggenheim Museum, New York, NY, May 7 – October 11, 2021 Sikkema Jenkins & Co., New York, NY, May 8 – June 12, 2021 2020 Centropy, Kunsthalle Basel, Basel, Switzerland, June 9 – October 11, 2020 2019 Deana Lawson, Huis Marseille, Amsterdam, Netherlands, June 8 – September 1, 2019 2018 Deana Lawson: Planes, The Underground Museum, Los Angeles, CA, October 13, 2018 – February 17, 2019 Deana Lawson, Sikkema Jenkins & Co., New York, NY, March 1 – April 7, 2018 Deana Lawson, Carnegie Museum of Art, Pittsburgh, PA, March 15 – July 15, 2018, curated by Dan Leers 2017 Deana Lawson, Contemporary Art Museum St. Louis, St. Louis, MO, January 27 – April 16, 2017, curated by Kelly Schindler Deana Lawson: New Photographs, Rhonna Hoffman Gallery, Chicago, IL, April 21 – May 26, 2017 2015 Deana Lawson, Art Institute Chicago Museum, Chicago, IL, September 5, 2015 – January 10, 2016, curated by Michal Razzo-Russo 2014 Mother Tongue, Rhona Hoffman Gallery, Chicago, IL, February 28 – April 5, 2014 2011 Deana Lawson, Baer Ridgway, San Francisco, CA, April 23 – May 28, 2011 2009 Corporeal, Light Work, Syracuse University, Syracuse, NY, November 2 – December 23, 2009 SELECTED GROUP EXHIBITIONS 2021 34th Bienal de São Paulo: Though It's Dark, Still I Sing. -
THE GORDON PARKS FOUNDATION ANNOUNCES 2018 FELLOWSHIP RECIPIENTS Photographer Deana Lawson & Multidisciplinary Artist Derrick Adams
FOR IMMEDIATE RELEASE Julia Engelbrecht & Tonya Bell [email protected] 212.691.2800 THE GORDON PARKS FOUNDATION ANNOUNCES 2018 FELLOWSHIP RECIPIENTS Photographer Deana Lawson & Multidisciplinary Artist Derrick Adams March 8, 2018 - Pleasantville, New York – The Gordon Parks Foundation announced today that photographer Deana Lawson of Rochester, NY and multidisciplinary artist Derrick Adams of Baltimore, MD have been selected as the 2018 Gordon Parks Foundation Fellows. Now in its second year, The Gordon Parks Foundation Fellowship Program supports artists working across a range of artistic disciplines – from photography and music to film and beyond - by providing short-term grants of $10,000, and an exhibition at the Foundation’s exhibition space in Pleasantville, New York. Fellowships are awarded to artists working within themes of social justice. “Deana Lawson and Derrick Adams are continuing in the footsteps of Gordon Parks,” said Peter W. Kunhardt, Jr., Executive Director of The Gordon Parks Foundation. “The fellowship program comes at such a critical time for their continued development as artists. Deana and Derrick have such bold approaches to exploring connection – whether across generations or between man and monument, and we couldn’t be more pleased to have named them both our fellows.” Photographer Deana Lawson notes that like Gordon, her motivation is to create photographs that give meaningful texture and complexity to images of global black culture. She states, “Photography is essential because it allows me to use the language of formal portraiture, social documentary, and imagined fictions to explore critical issues within communal relationships, identity, and beauty.” Of the fellowship, she notes, "One of my earliest inspirations in photography was the work of Gordon Parks. -
JILLIAN HERNANDEZ Scholar . Curator. Creative Curriculum Vitae Academic Positions Assistant Professor, 2018-Present Center for G
JILLIAN HERNANDEZ scholar . curator. creative Curriculum Vitae Academic Positions Assistant Professor, 2018-present Center for Gender, Sexualities, and Women’s Studies University of Florida [email protected] Assistant Professor, 2013-2018 Ethnic Studies Department and Critical Gender Studies Program University of California, San Diego Education Rutgers, The State University of New Jersey Ph.D. Women’s and Gender Studies, 2013 Dissertation: The Power of Sexual Aesthetics: Women and Girls Crafting Bodies Committee: Louisa Schein (Chair), Arlene Stein, Carlos Decena, Susan Sidlauskas, Anne Anlin Cheng (Outside Member) M.A. Women’s and Gender Studies, 2012 Florida International University B.A. Art History (Anthropology Minor), 2006 Women’s Studies Certificate Research Specialties Gender, Race, and Sexuality Studies/Art History/Performance Studies/Visual and Popular Cultures/Black and Latinx Studies/Ethnic Studies/Critical Girlhood Studies/Media and Cultural Studies/Theories, Politics, and Poetics of the Body Publications • Book Aesthetics of Excess: The Art and Politics of Black and Latina Embodiment, in production with Duke University Press for fall 2020 publication 2 • Peer-reviewed articles “Queer of Color Spacemaking in and Beyond the Academic Industrial Complex,” co-authored with Jin Haritaworn, Paola Bacchetta, Tiffany Willoughby-Herard, Fatima El-Tayeb, S.A. Smythe, and Vanessa Thompson, Journal of Critical Ethnic Studies, Vol. 4, No. 1, 2019 “Beauty Marks: The Latinx Surfaces of Loving, Becoming, and Mourning,” Women and Performance: A Journal of Feminist Theory, Vol. 28, No. 1, 2018 “The Ambivalent Grotesque: Reading Black Women’s Erotic Corporeality in Wangechi Mutu’s Work,” Signs: Journal of Women in Culture and Society, Vol. 42, No. 2, 2017 “Sexual Knowledge and Practiced Feminisms: On Moral Panic, Black Girlhoods, and Hip Hop,” co- authored with Christina Carney and Anya M. -
TINA MARIE CAMPT Department of Modern Culture and Media Brown
TINA MARIE CAMPT Department of Modern Culture and Media Brown University 155 George Street, Box 1957 Providence, RI 02912 [email protected] EDUCATION 1996 Ph.D. in History, Cornell University 1990 M.A. in History, Cornell University 1986 B.A. in History, Vassar College ACADEMIC APPOINTMENTS 2019-present Owen F. Walker ’33 Professor of Humanities and Professor of Modern Culture and Media, Brown University 2014-2019 Claire Tow and Ann Whitney Olin Professor of Africana Studies and Women’s Studies, Barnard College-Columbia University 2010-2011 Professor of Women’s Studies, Duke University 2002-2010 Associate Professor of Women’s Studies, Duke University 2002-03 Associate Professor of Women's Studies, University of California, Santa Cruz 1996-2002 Assistant Professor of Women's Studies, University of California, Santa Cruz 1993-96 Wissenschaftlicher Mitarbeiter, Institute for Social Pedagogy, Technical University of Berlin ADMINISTRATIVE POSITIONS 2014-2018 Director, Barnard Center for Research on Women (BCRW) 2013-2017 Chair, Department of Africana Studies, Barnard College 2011-2013 Director, Africana Studies Program, Barnard College 2009-2010 Director of Graduate Studies, Women’s Studies Program, Duke University 2005-06 Interim Director, Women’s Studies Program, Duke University 2004 (fall) Interim Director, Women’s Studies Program, Duke University 2003-06 Director of Graduate Studies, Women’s Studies Program, Duke University 2000-02 Coordinator, Feminist Studies Research Unit, University of California, Santa Cruz RESEARCH APPOINTMENTS AND ACADEMIC FELLOWSHIPS 2019-present Research Associate, Visual Identities in Art and Design Research Centre, Faculty of Art, Design and Architecture, University of Johannesburg, South Africa 2018-19 Abigail R. Cohen Fellow, Columbia University Institute for Ideas and Imagination, Paris 2007-08 William S.