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Deana Lawson Inkjet Print Mounted on Sintra, 40 X 50 Inches
Gallery Guide Contemporary Art Museum St. Louis January 27– April 16, 2017 Deana Lawson Inkjet print mounted on Sintra, 40 x 50 inches. print mounted on Sintra, Inkjet 2013. Oath, Deana Lawson, Lawson, Deana Chicago. Gallery, Hoffman the artist and Rhona Courtesy Deana Lawson explores and challenges conventional Lawson’s eye and her overall relationship to photography, and stereotypical representations of the black body. with these portraits inviting careful attention to such She engages a range of photographic strategies to visual cues as pose and setting. craft a multifaceted vision reflecting what she has described as a “knowledge of selfhood through a For the last several years, Lawson has chosen to corporeal dimension.” photograph in sites specific to the African diaspora by shooting in locations as varied as Haiti, Jamaica, Lawson’s large-format photographs are highly staged Ethiopia, Democratic Republic of Congo, Brooklyn, and often made in collaboration with her subjects. and the American Deep South. This exhibition includes These individuals are frequently strangers she meets works from her recent time spent in Alabama, as well in such everyday places as grocery stores, the New York as other photographs made on location around the world. City subway, and on the street. The resulting images, Lawson’s meticulously composed images from these in both domestic and public settings, depict the sitters travels blur boundaries of time and place, and fact and alone, in couples, and as families. The environments fiction, imbuing her subjects and settings with a near- and the belongings they contain portray a diverse array mythical power. of people living very different lives, and present multiple ideas of kinship, ritual, identity, and desire. -
Ashani Haynes Sesame - Summer ‘16
EVEwww.everybodysmag.comR U.S.YBODY $3.00 CANADACaribbean $4.00 ’S KeeP WEST INDIAN ALEXANDER HAMILTON ON US $10 ASHANI HAYNES SeSame - Summer ‘16 DENNIS TITUS OF THE MIGHTY QUINN In OlIver’S “GUILT TRIP” Hillary’s Caribbean Friends April 2016 Trump Vol 39 No. 1 Caribbean People Friend … UNTIL Get Tickets For BASIL DAWKINS GNominated u for 9 Actor i Boy lt Awards, Jamaica’sTr version ipof the Tony “The play Starring extols the virtues of reggae icon OLIVER SamUELS Bob Marley,” Ruth Ho Shing Jamaica Gleaner. “It is a useful Dennis Titus guide to adults, (of Denzel Washington’s THE MIGHTY QUINN) parents, and children … It is a must-see MAY 21-29 play,” Rev. Devon Dick, Pastor, Boulevard QUEENS, NJ, BROOKLYN & BRONX Baptist Church, St Andrew. TICKETS FOR ALL SHOWS WWW.EVERYBODYSMAG.COM - (718) 941-1879 “Guilt Trip is If paying with Money Order, make payable and mail to a good choice Herman Hall Communications, 1630 Nostrand Ave., Brooklyn, NY 11226 for the family, QUEENS, YORK COLLEGE BROOKLYN COLLEGE presenting $55 in advance $50 - $55 - $60 a fusion of www.everybodysmag.com Jamaican (All seats Reserved) www.brooklyncenter.org culture. And, of EAST ORANGE, NJ, CAMPUS HS BRONX, LEHMAN CENTER course, there $40 in advance are many laugh www.everybodysmag.com $50 - $55 - $60 lines,” (All seats Reserved) Jamaica Observer. www.lehmancenter.org Vol. 39 No. 1 APRIL 2016 EVERYBODY’S ontents EVERYBODY’SCaribbean C PUBLISHER Herman Hall FIRST EDITOR Pat Boothe (deceased) CONTRIBUTING EDITORS Winthrop Holder michael la rose (uK) Nathalie Taghaboni Jeff Hercules Tarie Khoraam rafika Soaries FEATURES ART DIRECTOR: lennox robinson 9 Keep West Indian Alexander Hamilton on US$10 PHOTOGRAPHERS By Herman Hall Clyde Jones nolan Patterson lloyd Patterson 16 Global Caribbean Festivals: Summer 2016 Kwame Brathwaite By Louise Mann Henry Duncan roger Hayden Celestin 22 The Immigrant Guide to U.S. -
'Grey's Anatomy' Star Talks About Black Representation in Media As Well As His Provocative Acceptance Speech at the 2016 BET Awards
Philip Martin Gallery At the opening of photographer Kwame Brathwaite's new show "Celebrity and the Everyday," the 'Grey's Anatomy' star talks about black representation in media as well as his provocative acceptance speech at the 2016 BET Awards Fans of Grey’s Anatomy grew concerned last month when the dashing Dr. Jackson Avery, played by Jesse Williams, vanished from the popular TV show for a few weeks, fueling speculation until his recent return. "I was off shooting a movie called Random Acts of Violence, and I'm back. Crisis of conscience, lost his child, lost his ex-wife, lost a patient, so ventured out into the woods and find himself, which I think men need to do more often. Let's call it a mental health angle," Williams said of 2712 S. La Cienega Blvd., Los Angeles, CA 90034 philipmartingallery.com 310 559 0100 Philip Martin Gallery his disappearance when The Hollywood Reporter caught up with him at Philip Martin Gallery in Culver City where he introduced a new show, "Celebrity and the Everyday" (through Dec. 22), a collection of photos by 80-year-old photographer Kwame S. Brathwaite, co-curated by Williams and the artist's son, Kwame Jr. For more than 50 years Brathwaite has trained his lens on African-American subjects: Muhammad Ali in the Congo, seated alone in profile on a bench on a gray day by the water; a furrow-browed Bob Marley, guitar in hand, lost in thought during a sound check; or model Ethel Parks, a member of Grandassa Agency, featuring only African-American women and founded by Brathwaite and his brother, Elombe Brath, to challenge white beauty standards. -
28 Art Shows You Need to See This Fall
10/5/2015 28 Art Shows You Need To See This Fall Edition: US Search The Huffington Post Like 5.3m Follow FRONT PAGE POLITICS BUSINESS MEDIA WORLDPOST SCIENCE TECH HEALTHY LIVING HUFFPOST LIVE 28 Art Shows You Need To See This Fall From Boston to San Francisco and everything in between here are the art exhibitions you'll be talking about this fall. Priscilla Frank Arts Writer, The Huffington Post Katherine Brooks Senior Arts & Culture Editor, The Huffington Post. Posted: 09/01/2015 10:38 AM EDT | Edited: 09/28/2015 12:25 PM EDT As we approach Labor Day and the unofficial end to summer, the only thing motivating us to open our laptops and begin another day anew is the thought of a new season of art exhibitions. Well, maybe that and the promise of cooler temperatures. But the slate of fall art shows is considerably high on our list of autumnal things to look forward to. In anticipation of fall, we scoured the calendars one editor on the East coast, one writer on the West and came up with 20 exhibitions (and eight honorable mentions) we're excited to ogle over the next few months. Whether you're in New York or Los Angeles, New Orleans or Detroit, St. Louis or Fort Worth, here's your guide to getting down with art in September and beyond. 1. "Spirit and Matter: Islamic Art" (Dallas, Texas) http://www.huffingtonpost.com/entry/fallartexhibitions2015_55ddff6be4b04ae497056ddf?utm_hp_ref=arts 1/23 10/5/2015 28 Art Shows You Need To See This Fall Manuscript, The Shahnama of Firdawsi Iran: Shiraz, 1539 Work on paper 15.2 x 10 inches (38.5 x 25.5 cm) The Keir Collection of Islamic Art on loan to the Dallas Museum of Art. -
Towards a Poetics of Bafflement
Towards a Poetics of Bafflement: The Politics of Elsewhere in Contemporary Black Diaspora Visual Practice (1990–Present) by Sarah Stefana Smith A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Social Justice Education University of Toronto © Copyright by Sarah Stefana Smith (2016) Towards a Poetics of Bafflement: the Politics of Elsewhere in Contemporary Black Diaspora Visual Practice (1990–Present) Sarah Stefana Smith Doctoral of Philosophy Department of Social Justice Education University of Toronto 2016 Abstract Towards a Poetics of Bafflement asserts that blackness baffles—confuses and frustrates—the order of knowledge that deems black subjectivities as pathological. This dissertation argues for the importance of the psychic and affective spaces that emerge in the work of contemporary black women and queer artists. A poetics of bafflement is foregrounded by racial slavery and diaspora formations that inform contemporary racial antagonisms. The visual work of Deana Lawson, Zanele Muholi, and Mickalene Thomas, if read through a poetics of bafflement, engages blackness differently and conceptualizes new possibilities for world making. Black artists have long since occupied spaces of creative and critical thinking about aesthetics, race, and the politics of vision, which inform contemporary social, historical, and cultural climates. Multiculturalism and subsequent post-race concepts are inadequate in thinking about alternative possibilities of world making as they suggest racism and anti-black sentiment are somehow no longer prevalent. Multiculturalism’s claim of diversity negates the continued logics of anti-black sentiment, whereas post-racial suggests a time and place in history where race no longer informs political, economic, and socio-cultural experiences. -
Bibliography Page 1 513 WEST 20TH STREET NEW YORK, NEW YORK 10011 TEL: 212.645.1701 FAX: 212.645.8316
Meleko Mokgosi: Selected Bibliography Page 1 513 WEST 20TH STREET NEW YORK, NEW YORK 10011 TEL: 212.645.1701 FAX: 212.645.8316 JACK SHAINMAN GALLERY MELEKO MOKGOSI BOOKS AND EXHIBITION CATALOGUES 2021 Padgett, Jen and Adamson, Glenn. Crafting America: Artists and Objects, 1940 to Today, University of Arkansas Press. 2021. 2020 Byrd, A. The People Shall Govern!; Medu Art Ensemble and the Anti-Apartheid Poster, 1979-1985, Yale University Press. 2020. Mokgosi, Meleko, and Rachel Hurn. Democratic Intuition. Pacific and Jack Shainman Gallery, 2020. UCLA, Fowler Museum at, and Erica P. Jones. Meleko Mokgosi: Bread, Butter, and Power. 2020. 2017 Lubar, Steven D., and Steven Lubar. Inside the Lost Museum: Curating, Past and Present. Harvard University Press, 2017. 2016 Morrill, Rebecca, Kathryn Rattee, and Julia Hasting. Vitamin P3: New Perspectives in Painting. London, New York: Phaidon Press Limited, 2016: pp. 198-201, illustrated. 2015 Gigotti, Lorenzo Micheli. Nero su Bianco (exhibition catalogue). Rome: The American Academy, 2015: pp. 58-59, illustrated. Ose, Elvira Dyangani. A Story Within A Story (exhibition catalogue). Göteborg, Sweden, 2015: p. 136-137, illustrated. Momodu-Gordon, Hansi. 9 Weeks. Stevenson, Cape Town, 2015: p. 152-169. 2014 Gaines, Malik, and Jonathan P. Binstock. Meleko Mokgosi: Pax Kaffraria. 2014. Cole, Teju, Njideka Akunyili Crosby, Meleko Mokgosi, Wangechi Mutu, and Paul Mpagi Sepuya. Kings Meleko Mokgosi: Selected Bibliography County (exhibition catalogue), 2014. Page 2 2013 Nolan Judin (Berlin), and Storm Janse van Rensburg. The Beautyful Ones (exhibition catalogue) Berlin: Nolan Judin, 2013. 2012 Ellegood, Anne, Lauri Firstenberg, Malik Gaines, César García, and Ali Subotnick. Made in L.A. -
VOL. LXXXVII, NO. 22 | 15 NOVEMBER 2019 REVIEWS from the Editor’S Desk
Featuring 320 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVII, NO. 22 | 15 NOVEMBER 2019 REVIEWS from the editor’s desk: The Best Books of 2019 Chairman HERBERT SIMON President & Publisher BY TOM BEER MARC WINKELMAN # Chief Executive Officer MEG LABORDE KUEHN [email protected] John Paraskevas Editor-in-Chief When you’ve reviewed more than 7,000 titles published in 2019—as TOM BEER Kirkus Reviews did this year—selecting the Best Books of the Year is no [email protected] Vice President of Marketing small undertaking. Our section editors work overtime combing through SARAH KALINA the year’s reviews, giving titles second and third looks, making sure they [email protected] Managing/Nonfiction Editor haven’t overlooked a hidden gem. They inevitably ask for deadline exten- ERIC LIEBETRAU sions—granted, if possible—before setting the final roster in stone. (“OK, [email protected] Fiction Editor I’m done shuffling books around and have committed to my Best of 2019. LAURIE MUCHNICK Now stepping away from the piles!” as children’s editor Vicky Smith wrote [email protected] Children’s Editor when she sent me her list.) VICKY SMITH In this issue we present our Best of Fiction list (100 titles) and Best of [email protected] Tom Beer Young Adult Editor Children’s list (75 picture books and 75 middle-grade titles). In the issues LAURA SIMEON that follow next month, we’ll showcase our Best Nonfiction and Best Young Adult titles as well [email protected] Editor at Large as the Best Indie books of the year. -
Deana Lawson, Who Has Been Named for Inclusion in the 2017 Whitney
Deana Lawson, who has been named for inclusion in the 2017 Whitney Biennial, explores and challenges the conventional representations of the black body seen throughout the history of photography. Her large format photographs are highly staged and often made in collaboration with her subjects. They depict individuals, couples, and families in both domestic and public settings, visualizing ideas of kinship, ritual, identity, and desire. Lawson’s tableaux are not only intimate— her subjects depicted nude, embracing, and directly confronting the camera—but they also destabilize the notion of a passively voyeuristic relationship to photography itself. In Otisha, Kingston, Jamaica, for example, the honesty and vulnerability of the subject is laid bare. Indeed, the phrase “laid bare,” becomes an important aspect of Lawson’s portraiture. How does one truly lay oneself bare? The images become representations not only of the individuals—photographed within their home environments to lend multiple perspectives of their intimate selves—but they also document the trust built between artist and subject. Travel is central to Lawson’s practice and for the last several years, she has been tracing the trajectory of the African diaspora by creating her images in locations as varied as Haiti, Jamaica, Ethiopia, Democratic Republic of Congo, Brooklyn, and the southern United States. Often appearing snapshot-like and seemingly documentary in nature, Lawson’s meticulously composed work blurs boundaries of time and place, and fact and fiction, thereby imbuing her subjects and settings with a near-mythical power. Deana Lawson (b. 1979, Rochester, NY; lives and works in Brooklyn) has been selected for the 2017 Whitney Biennial. -
Deana Lawson B
FLOOR 2 GRIEF AND GRIEVANCE Floor 2 Floor 2 LaToya Ruby Frazier County clustered Black residents in public housing into certain b. 1982, Braddock, PA communities. In 1994 the federal Department of Housing and Urban Development’s admission that it was party to a decades- (The following artist’s texts are excerpts from the book long system of discriminatory housing resulted in the Fair The Notion of Family, selected and edited by the exhibition Housing Service Center. The Sanders Consent Decree gave curators.) Allegheny Country an opportunity to desegregate. This wall, left to right: BOC Gases is the industrial gases business of the British Oxygen Company Group, the worldwide industrial gases, 1980s Welcome to Historic Braddock Signage and a Lightbulb, vacuum technologies, and distribution services company for from the series The Notion of Family, 2009 the steel industry. It produces more than fifty thousand tons of gas worldwide. Located at Eleventh Street and Washington Along the ancient path of the Monongahela River, Braddock, Avenue, BOC Gases encroaches on remaining residents’ Pennsylvania, sits in the eastern region of Allegheny County, property. Day and night, BOC Gases emits an industrial hissing approximately nine miles outside of Pittsburgh. sound that reverberates throughout the borough. A historic industrial suburb, Braddock is home to Andrew The haze that forms the sky is from millions of tiny particles. Carnegie’s first steel mill, the Edgar Thomson Works, which has They pass through my lungs and into my bloodstream. Like operated since 1875 and is the last functioning steel mill in carbon monoxide, they are odorless and have the potential the region. -
Black Is Beautiful: the Photography of Kwame Brathwaite and Suzanne Bocanegra: Valley
MEDIA CONTACTS: Katie Bruton, [email protected] Dan Duray, [email protected] FOR IMMEDIATE RELEASE: Blanton Museum of Art to Present Summer Exhibitions Black Is Beautiful: The Photography of Kwame Brathwaite and Suzanne Bocanegra: Valley AUSTIN, TX — April 20, 2021— The Blanton Museum of Art at The University of Texas at Austin is pleased to present two summer exhibitions, Black Is Beautiful: The Photography of Kwame Brathwaite and Suzanne Bocanegra: Valley, both opening June 27, 2021 and remaining on view through September 19, 2021. Black Is Beautiful features the previously under-recognized photographic work of activist and photographer Kwame Brathwaite. The second exhibition is dedicated to University of Texas alumna and 2020 Guggenheim Fellow Suzanne Bocanegra’s large-scale video work Valley. “The Blanton is excited to kick off the summer with simultaneous exhibitions that showcase compelling works by two contemporary artists,” said Blanton director Simone Wicha. “Fusing art and activism, Brathwaite’s photography shines a light on the Black Is Beautiful movement, while Bocanegra’s immersive video experience reimagines a famous wardrobe test with Judy Garland, employing influential women to honor her legacy. Although Brathwaite’s and Bocanegra’s works are quite different in format and content, both point to important questions about empowerment in contemporary visual culture. We hope these exhibitions and related public programs resonate with our community, expanding perspectives and inspiring thoughtful dialogue.” About Black Is Beautiful: The Photography of Kwame Brathwaite In the late 1950s and throughout the 1960s, Kwame Brathwaite (b. Brooklyn, 1938) used his work to popularize the political slogan “Black Is Beautiful.” This exhibition, the first ever dedicated to Brathwaite’s remarkable career, explores Brathwaite as a key figure of the second Harlem Renaissance. -
General Board Meeting Wednesday, November 2, 2016 – 6:00 PM Adam Clayton Powell, Jr
CITY OF NEW YORK MANHATTAN COMMUNITY BOARD 10 215 West 125th Street, 4th Floor—New York, NY 10027 T: 212-749-3105 F: 212-662-4215 BRIAN A. BENJAMIN Chairperson ANDREW LASSALLE District Manager General Board Meeting Wednesday, November 2, 2016 – 6:00 PM Adam Clayton Powell, Jr. Harlem State Office Building 163 West 125th Street, 2nd Floor Art Gallery Honorable Chair Brian Benjamin, Presiding MINUTES Chair Brian Benjamin opened the meeting. Per CB10 bylaws Chair Benjamin granted the power to open the meeting and conduct business items to the vice chairs. Chair Benjamin turned the meeting over to John Lynch who conducted the business part of the meeting. 2nd Vice Chair John Lynch proceeded to the next item on the agenda. I. Elected Officials • Al Taylor representing AM D. Farrell • Calvin Solomon representing the NY District Attorney’s office: two press releases on illegal activity. • Wilmer Cabral representing AM K. Wright: In office until Dec 31st. Reminder for the audience to vote for the presidential election. Last holiday party is scheduled for Dec. 13th. • Adrienne Felton representing the Public Advocate’s office: successful lawsuit against the DOE. Public hospitals are encouraged to update their mammogram technology. • Athena Moore representing MBP G. Brewer: Appointment and recruitment process. • Giovanni Puelos representing MBP G. Brewer: • Nina Saxon representing NYC Comptroller S. Stringer: released a new retirement saving for New York City called a nest egg plan, another report that was issued is the investigation of child care centers in New York City shelters which put homeless children at risk. New York City agency report card on minority and women-owned businesses was issued. -
THE GORDON PARKS FOUNDATION ANNOUNCES 2018 FELLOWSHIP RECIPIENTS Photographer Deana Lawson & Multidisciplinary Artist Derrick Adams
FOR IMMEDIATE RELEASE Julia Engelbrecht & Tonya Bell [email protected] 212.691.2800 THE GORDON PARKS FOUNDATION ANNOUNCES 2018 FELLOWSHIP RECIPIENTS Photographer Deana Lawson & Multidisciplinary Artist Derrick Adams March 8, 2018 - Pleasantville, New York – The Gordon Parks Foundation announced today that photographer Deana Lawson of Rochester, NY and multidisciplinary artist Derrick Adams of Baltimore, MD have been selected as the 2018 Gordon Parks Foundation Fellows. Now in its second year, The Gordon Parks Foundation Fellowship Program supports artists working across a range of artistic disciplines – from photography and music to film and beyond - by providing short-term grants of $10,000, and an exhibition at the Foundation’s exhibition space in Pleasantville, New York. Fellowships are awarded to artists working within themes of social justice. “Deana Lawson and Derrick Adams are continuing in the footsteps of Gordon Parks,” said Peter W. Kunhardt, Jr., Executive Director of The Gordon Parks Foundation. “The fellowship program comes at such a critical time for their continued development as artists. Deana and Derrick have such bold approaches to exploring connection – whether across generations or between man and monument, and we couldn’t be more pleased to have named them both our fellows.” Photographer Deana Lawson notes that like Gordon, her motivation is to create photographs that give meaningful texture and complexity to images of global black culture. She states, “Photography is essential because it allows me to use the language of formal portraiture, social documentary, and imagined fictions to explore critical issues within communal relationships, identity, and beauty.” Of the fellowship, she notes, "One of my earliest inspirations in photography was the work of Gordon Parks.