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Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Touring Biz Awaits Rap Boom
Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals. -
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who took Australia by storm in the mid-noughties by playing just about every shitty community hall, PCYC club and two-bit bar on the east coast, are now officially a Big Deal. And this album is their biggest to date. That means Parkway Drive need to be careful about what they say and who they say it to. “When you do a record like this you have to have it ready like six months before its release date,” Winston says. “And every day when you wake up you’re like ‘please don’t have leaked’. The day before we released Vice Grip we started seeing announcements online about how the single was coming out tomorrow. And we called around to figure out what happened and it was a data intercept in Europe. There was someone waiting on the sidelines for information to come through, and when it did they snagged it. We were like ‘who the fuck is even doing that?’ “We also had someone with a fake email address pretending to be Jia writing to our manager saying, ‘Hey, the .wav files aren’t working on my iPod. Can you send me through the mp3s for the album?’ And this guy only fucked up in using the wrong nickname in the email address, which tipped off our manager.” These kind of things are now a reality in the world of Parkway Drive. It’s not like our personable and charismatic front man is complaining though. “I’d rather people be excited about what we’re doing than not giving a fuck full stop … Oh shit, did I just give you a massive blueprint on how to hack us?” the singer laughs. -
Compound AABA Form and Style Distinction in Heavy Metal *
Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay . -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Vitcarb New Jersey's Oldest Weekly Newspaper-Established 1822
SU8UI F8EE PUBLIC LIBRAHT 1*75 ST. GEOilCE AVE. RAiOAX. M.J. 07065 RAHWAY ^ Vitcarb New Jersey's Oldest Weekly Newspaper-Established 1822 VOL. 165 NO. 25 RAHWAY, NEW JERSEY, THURSDAY, JUNE 18. 1987 USPS 454-160 25 CENTS Recycling closer to reality by Pat DiMaggio establishing regulations as clable materials together —Approved a resolution trical inspections for the Ci- Rahway came one step to the manner, days and with all necessary equip- authorizing the appoint- ty of Rahway. closer to garbage separation limes of collections and the ment and personnel. ment of Sally Ann DiRini when the Municipal Coun- bundling, handling, location as the Tax Search Officer —Approved a resolution cil approved an ordinance and lime of placement for The ordinance slates that while Roger E. Pribush is authorizing the acceptance establishing a recycling pro- all materials curbside. The although the materials, on vacation from June 22 of a bid from Communica- gram at their regular meet- receptacles for the materials once placed curbside, to July 16. tion Specialists, Scotch ing held last week. The or- have not yet been determin- become the property of the —Approved a resolution Plains, for police radio dinance will come before ed, although the Solid city, residents may still authorizing the repaving of maintenance for an annual the council again for final Waste Management Plan donate or sell materials to Midwood Drive from sum of $7,044.32 adoption and a public hear- for the county has advised any person, partnership or Madison Ave. to a point of ing at their next meeting to against using plastic bags. -
American Punk: the Relations Between Punk Rock, Hardcore, and American Culture
American Punk: The Relations between Punk Rock, Hardcore, and American Culture Gerfried Ambrosch ABSTRACT Punk culture has its roots on both sides of the Atlantic. Despite continuous cross-fertiliza- tion, the British and the American punk traditions exhibit distinct features. There are notable aesthetic and lyrical differences, for instance. The causes for these dissimilarities stem from the different cultural, social, and economic preconditions that gave rise to punk in these places in the mid-1970s. In the U. K., punk was mainly a movement of frustrated working-class youths who occupied London’s high-rise blocks and whose families’ livelihoods were threatened by a declin- ing economy and rising unemployment. Conversely, in America, punk emerged as a middle-class phenomenon and a reaction to feelings of social and cultural alienation in the context of suburban life. Even city slickers such as the Ramones, New York’s counterpart to London’s Sex Pistols and the United States’ first ‘official’ well-known punk rock group, made reference to the mythology of suburbia (not just as a place but as a state of mind, and an ideal, as well), advancing a subver- sive critique of American culture as a whole. Engaging critically with mainstream U.S. culture, American punk’s constitutive other, punk developed an alternative sense of Americanness. Since the mid-1970s, punk has produced a plethora of bands and sub-scenes all around the world. This phenomenon began almost simultaneously on both sides of the Atlantic—in London and in New York, to be precise—and has since spread to the most remote corners of the world. -
Order Form Full
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No Fun at All Discography Download
No Fun At All Discography Download No Fun At All Discography Download 1 / 3 2 / 3 No Fun At All - Grit (2018). 01. Spirit 02. No Fun Intended 03. Runner's High 04. The Humdrum Way 05. Forth ... download - descargar · a en 13:03:00. Compartir .... Check out No Fun At All on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.. No Fun Alone | Mali Music to stream in hi-fi, or to download in True CD ... T and a few others invented a unique groove imbibed with blues and above all gospel.. No Fun at All - No Straight Angles (1995). - Download from Mediafire ... No Fun at All (often abbreviated to just NFAA) is a Swedish punk rock .... No Fun At All. 17781 likes · 354 talking about this. This is the Official Facebook page for the Swedish band No Fun At All.. NO FUN AT ALL - DISCOGRAFIA / DISCOGRAPHY. País:Skinnskatteberg, Suecia Inicio:1991-2001 - 2004-2012 - 2013 Activo Genero:Punk .... Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card .... Explore releases from No Fun At All at Discogs. Shop for Vinyl, CDs and more from No Fun At All at the Discogs Marketplace.. Master Celebrations - the best of NO FUN AT ALL( 2002 , Burning Heart Records ) TRACK LISTING: Master .... Download the Android app ... The entire discography of Pledis Entertainment boygroup Seventeen since their predebut Soundcloud… read more ». 9.4K. 1 ... vol.1 - 'JUST FOR FUN' (Seungcheol, Wonwoo, Hansol, Jihun) ... vol.6- 'NO FLEX ZONE' (Chan, Mingyu, Wonwoo) .. -
Nr Format Tidning/Tidskrift Nr/Datum Titel Författare/Arrangör HC0007
Nr Format Tidning/Tidskrift Nr/Datum Titel Författare/arrangör HC0007 Urklipp Slitz Refused Dennis Stefan Gustafsson HC0008a Urklipp Groove troligen nr1 1995 Positivt liv med REFUSED HC0008b Tidning Groove nr1 1995 Groove HC0009 Urklipp Expressen Tre tunga tillsammans Tobias Nielsén HC0010 Urklipp Svenska Dagbladet 1994-10-31 Makalös hardcore, Karlstads Mindjive som Rollins i pullover Stefan Malmqvist HC0011 Urklipp Band med bestämda åsikter Anneli Karlsson HC0012 Urklipp VF (Värmlands Folkblad?) Dynamiskt, veganiskt, naket och struligt Magnus Fors HC0013 Urklipp 33. (NY) Dennis Lyxzén, Refused HC0014 Urklipp Aftonbladet 25-juni Fler som är trötta "Korven" HC0015 Urklipp Svenska Dagbladet Makalös hardcore, Karlstads Mindjive som Rollins i pullover Stefan Malmqvist HC0016 Urklipp "Snabbt, hårt och slut" Jan Jämte HC0017 Urklipp Dagens Nyheter 1995-05-30 Alla på scen på hardcorefest PO Tidholm HC0018a Urklipp Norra Västerbotten Jon är Skellefteås senaste rockexport Lars Andersson HC0018b Urklipp Norra Västerbotten Jon - Skellefteås senaste rockexport Bytte skolan mot musik Lars Andersson HC0019 Urklipp Expressen 1994-04-16 Straight Edge HC0020 Urklipp Expressen 1994-04-16 Straight Edge HC0021 Urklipp Västerbottens-Kuriren (VK) 1994-02-28 Omskakande upplevelse No for an answer kom till sist - med taxiflyg Yvonne Rittvall HC0022a Urklipp Helsingborgs dagblad 1994-11-28 Refused bjöd på renlevnads-ös Kristofer Elofsson HC0022b Urklipp Helsingborgs dagblad 1994-11-28 Refused bjöd på renlevnads-ös Kristofer Elofsson HC0024 Urklipp Västerbottens-Kuriren