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Prace Filologiczne. Literaturoznawstwo 10 (13) 2020 PRACE FILOLOGICZNE PRACE literaturoznawstwo PRACE FILOLOGICZNE literaturoznawstwo 10 (13) · 2020 10 (13) 2020 (13) 10 Agony www.wuw.pl SKRÓT TYTUŁU CZASOPISMA: PFLIT Rada Naukowa Krystyna Bartol (Instytut Filologii Klasycznej, Uniwersytet im. A. Mickiewicza w Poznaniu, Polska) Maria Delaperrie`re (Instytut Narodowy Języków i Kultur Orientalnych (INALCO), Paryż, Francja) Wojciech Klemm-Wesołowski (Uniwersytet Hamburski, Niemcy) Heinrich Olschowsky (Uniwersytet Humboldtów w Berlinie, Niemcy) Paweł Rodak (Instytut Kultury Polskiej, Uniwersytet Warszawski, Polska) Redakcja Igor Barkowski − Zastępca Sekretarza Redakcji Bartłomiej Czarski − Redaktor tematyczny: filologia klasyczna Joanna Goszczyńska − Redaktor tematyczna: slawistyka Ewa Hoffmann-Piotrowska − Redaktor Naczelna Ewa Ihnatowicz − Redaktor tematyczna: historia literatury XIX wieku Urszula Kowalczuk − Zastępczyni Redaktor Naczelnej Damian W. Makuch − Sekretarz Redakcji Alina Molisak − Redaktor tematyczna: historia literatury XX i XXI wieku Witold Sadowski − Redaktor tematyczny: teoria literatury Paweł Stępień − Redaktor tematyczny: historia literatury średniowiecza Marta Wojtkowska-Maksymik − Redaktor tematyczna: historia literatury nowożytnej Redaktorzy naukowi części I numeru, Pojedynek wieszczów: Andrzej Fabianowski, Ewa Hoffmann-Piotrowska Adres redakcji Instytut Literatury Polskiej Wydział Polonistyki Uniwersytetu Warszawskiego Krakowskie Przedmieście 26/28, 00-927 Warszawa tel./fax +48 22 552 10 20; e-mail: [email protected] strona internetowa: https://www.journals.polon.uw.edu.pl/index.php/pfl Projekt okładki i stron tytułowych Jan Pietkiewicz Redaktor prowadzący Dorota Dziedzic Redaktor Mateusz Tokarski Opracowanie indeksu osób Mateusz Tokarski ISSN 2084-6045 e-ISSN 2658-2503 Copyright by Wydawnictwa Uniwersytetu Warszawskiego, Warszawa 2020 Copyright by Wydział Polonistyki Uniwersytetu Warszawskiego, Warszawa 2020 Edycja papierowa jest wersją pierwotną czasopisma. Instytucja finansująca Uniwersytet Warszawski Wydawca Wydawnictwa Uniwersytetu Warszawskiego 00-497 Warszawa, ul. Nowy Świat 4; [email protected] Dział Handlowy: tel. +48 22 553 13 33; e-mail: [email protected] Księgarnia internetowa: www.wuw.pl Skład i łamanie Małgorzata Kula SPIS TREŚCI Agony. Od Redakcji ................................................................... 13 POJEDYNEK WIESZCZÓW LESZEK ZWIERZYŃSKI, Wizja mistyczna − wizja poetycka. Sploty późnej poezji Mickiewicza i Słowackiego ................................................... 17 EWA HOFFMANN-PIOTROWSKA, Adam Mickiewicz − domniemany czytelnik dramatu Ksiądz Marek Słowackiego ................................................ 35 MICHAŁ KUZIAK, Anhelli Słowackiego − efekt lektury mickiewiczo-logicznej 51 ANNA RZEPNIEWSKA, „Matka Boska w śmiech parschła”. Agon ukryty? ... 67 BERNADETTA KUCZERA-CHACHULSKA, Mickiewicz−Słowacki. Estetyczna wartość opozycji ......................................................................... 83 MAGDALENA BĄK, Nienawidzę i kocham. Miejsce Mickiewicza i rola autorytetu w korespondencji Słowackiego ........................................ 95 EWA SZCZEGLACKA-PAWŁOWSKA,Agoniarcydzieło.[Pan Baron]Adama Mickiewicza wobec „pokusy poetyckiej a`laSłowacki” ......................... 107 OLAF KRYSOWSKI, Dlaczego Słowacki „pisał Mickiewiczem”? O genezyjskim przesłaniu fragmentu epickiego [Konrad Wallenrod] ........................... 123 KAROL SAMSEL, „Bo wajdelotom powiem − że na ciele jesteś kosmaty”. Dekonstrukcja mitów Mickiewiczowskich w [Wallenrodzie] Słowackiego ... 137 MAŁGORZATA SOKALSKA, U stóp pomników. Kantaty okolicznościowe ku czci Adama Mickiewicza i Juliusza Słowackiego ............................ 151 6 Spis treści URSZULA MAKOWSKA, Ananas vs jabłko, czyli sława popularna wieszczów 171 JERZY FIEĆKO, Mickiewicz ukryty za Słowackim? Nota o trój-antagonizmie wieszczów w Psalmie żalu Krasińskiego ........................................... 191 GRAŻYNA HALKIEWICZ-SOJAK, Strona Słowackiego? Norwid wobec tradycji wieszczów ................................................................................. 213 AGONY, SPORY, ANTAGONIZMY... JAN WAWRZYNIEC CZARNECKI, Muzycznoliteracki agon tożsamości: Konrad Wallenrod ................................................................................. 227 ANNA SOBIECKA, Spory literackie Michała Bałuckiego ........................ 243 ELŻBIETA FLIS-CZERNIAK, Potęgowanie agonu, czyli o literackim starciu Józefa Albina Herbaczewskiego z Tadeuszem Micińskim ..................... 261 MARTA TOMCZOK, Nieagonistyczny charakter polskich studiów o literaturze Zagłady ................................................................................... 277 DOMINIKA RUSZKIEWICZ, The Flyting of Dumbar and Kennedie as an Inverted Litany: The Scottish Perspective on a Poetic Agon .......... 293 ANNA GAWARECKA, Tak samo, tylko lepiej? Jana Krˇesadly potyczki literackie .................................................................................. 307 EWA WRÓBLEWSKA-TROCHIMIUK, Między agonem a antagonizmem. Chorwackie koncepcje idei polityki ................................................. 321 ELVIRA GRO¨ZINGER, War and Peace: The Theme of Conflict in Modern Hebrew Literature of the Last Seventy Years ................................... 337 POŻYTKI FILOLOGICZNE MARTA WOJTKOWSKA-MAKSYMIK, O locie z wieży. Historia Poggia Braccioliniego o kardynale Bordeaux i szalbierzu oraz opowieść O księdzu, co złe wino miał z Facecyi polskich ................................................. 355 Spis treści 7 JAN POTKAŃSKI, Prekursorzy Rymkiewicza ...................................... 369 EWA KOSOWSKA,Wybrane aspekty recepcji twórczości Henryka Sienkiewicza na Śląsku. Rekonesans ................................................................ 385 JOANNA ZAJKOWSKA, „Negocjowanie znaczeń” − Gomulicki tłumaczy Niekrasowa ............................................................................... 399 INDEKS OSÓB ........................................................................ 415 vacat CONTENTS Agons. Introduction ................................................................... 13 THE DUEL BETWEEN THE BARDS LESZEK ZWIERZYŃSKI, Mystical Vision − Poetical Vision. Entanglements of the Late Poetry of Mickiewicz and Słowacki ................................. 17 EWA HOFFMANN-PIOTROWSKA, Adam Mickiewicz − The Presumed Reader of Słowacki’s Drama Ksiądz Marek [Father Marek] ............................ 35 MICHAŁ KUZIAK, Słowacki’s Anhelli [Anhelli] − The Effect of Mickiewicz- Inspired Readings ...................................................................... 51 ANNA RZEPNIEWSKA, “Our Lady burst out laughing”. A Hidden Agon? ... 67 BERNADETTA KUCZERA-CHACHULSKA, Mickiewicz−Słowacki. The Aesthetic Value of Opposition ................................................................... 83 MAGDALENA BĄK, I Hate and I Love. The Place of Mickiewicz and the Role of Authority in Słowacki’s Letters .................................................. 95 EWA SZCZEGLACKA-PAWŁOWSKA, Agon and a Masterpiece. Adam Mickiewicz’s Poem [“Pan Baron”] [“Mr Baron”] as an Example of a “Poetic Temptation a`laSłowacki” ........................................................... 107 OLAF KRYSOWSKI, Why Was Słowacki “Writing after Mickiewicz”? About a Genesian Message of the Epic Fragment [Konrad Wallenrod] [Konrad Wallenrod] .................................................................... 123 KAROL SAMSEL, “Or I will tell the wajdelots − of your shag-haired body”. Deconstruction of Mickiewiczian Myths in Słowacki’s [Wallenrod] [Wallenrod] .............................................................................. 137 10 Contents MAŁGORZATA SOKALSKA, At the Feet of Monuments. Commemorative Cantatas Celebrating Adam Mickiewicz and Juliusz Słowacki ............... 151 URSZULA MAKOWSKA, Pineapple vs Apple, or the Popular Fame of the Bards .............................................................................. 171 JERZY FIEĆKO, Mickiewicz Hidden behind Słowacki? A Note about Tri-Antagonism between the Bards in Krasiński’s Psalm żalu [Psalm of Sorrow] ................................................................................ 191 GRAŻYNA HALKIEWICZ-SOJAK, On the Side of Słowacki? Norwid’s Attitude to the Tradition of the Bards ........................................................ 213 AGONS, DISPUTES, ANTAGONISMS... JAN WAWRZYNIEC CZARNECKI, Adam Mickiewicz’s Konrad Wallenrod [Konrad Wallenrod]: A Musicoliterary Agon of Identities .................... 227 ANNA SOBIECKA, Michał Bałucki’s Literary Disputes ......................... 243 ELŻBIETA FLIS-CZERNIAK, Intensifying the Agon: A Comment on the Confrontation between Józef Albin Herbaczewski and Tadeusz Miciński ................................................................................... 261 MARTA TOMCZOK, Non-Agonistic Character of Polish Studies of Holocaust Literature ................................................................................. 277 DOMINIKA RUSZKIEWICZ, The Flyting of Dumbar and Kennedie as an Inverted Litany: The Scottish Perspective on a Poetic Agon .......... 293 ANNA GAWARECKA, The Same Way but Better? Literary Disputes of Jan Krˇesadlo .................................................................................. 307 EWA WRÓBLEWSKA-TROCHIMIUK, Between Agon and Antagonism. Croatian Concepts of the Idea of Politics ......................................... 321 ELVIRA GRO¨ZINGER, War and Peace: The Theme of Conflict in Modern Hebrew Literature of the Last Seventy Years ..................................
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