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Fabulous Original Freddy Artwork by Wiese 152
914.764.7410 Pg 22 Aleph-Bet Books - Catalogue 90 FABULOUS ORIGINAL FREDDY ARTWORK BY WIESE 152. (BROOKS,WALTER). FREDDY THE PIG ORIGINAL ART. Offered here is RARE BROWN TITLE an original pen and ink drawing by Wiese that appears on page 19 of Wiggins for AS GOLDEN MACDONALD President (later re-issued as Freddy the Politician). The image measures 8” wide 156. [BROWN,MARGARET WISE]. BIG x 12.5” high mounted on board and is signed. The caption is on the mount and DOG LITTLE DOG by Golden Macdonald. reads” Good morning , Sir, What can we do for you?” Depicted are John Quincy Garden City: Doub. Doran (1943). 4to Adam and Jinx along with the hatted horse and they are addressing a bearded (9 1/4” square), cloth, Fine in dust wrapper man in a hat. Original Freddy work is rare. $2400.00 with some closed edge tears. 1st ed.. The story of 2 Kerry Blue terriers, written by Brown using her Golden Macdonald pseudonym. Illustrated by Leonard Weisgard and printed in the Kerry Blue color of the real dogs. One of her rarest titles. $450.00 LEONARD WEISGARD ILLUSTRATIONS 157. BROWN,MARGARET WISE. GOLDEN BUNNY. NY: Simon & Schuster (1953). Folio, glazed pictorial. boards, cover rubbed else VG. 1st ed. The title story plus 17 other stories and poems by Brown, illustrated by LEONARD WEISGARD with fabulous rich, full page color illustrations covering every page. A Big Golden Book. $200.00 158. BROWN,PAUL. HI GUY THE CINDERELLA HORSE. NY: Scribner (1944 A). 4to, cloth, Fine in sl. worn dust wrapper. -
Making Amusement the Vehicle of Instruction’: Key Developments in the Nursery Reading Market 1783-1900
1 ‘Making amusement the vehicle of instruction’: Key Developments in the Nursery Reading Market 1783-1900 PhD Thesis submitted by Lesley Jane Delaney UCL Department of English Literature and Language 2012 SIGNED DECLARATION 2 I, Lesley Jane Delaney confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ––––––––––––––––––––––––––––––––––––––– ABSTRACT 3 ABSTRACT During the course of the nineteenth century children’s early reading experience was radically transformed; late eighteenth-century children were expected to cut their teeth on morally improving texts, while Victorian children learned to read more playfully through colourful picturebooks. This thesis explores the reasons for this paradigm change through a study of the key developments in children’s publishing from 1783 to 1900. Successively examining an amateur author, a commercial publisher, an innovative editor, and a brilliant illustrator with a strong interest in progressive theories of education, the thesis is alive to the multiplicity of influences on children’s reading over the century. Chapter One outlines the scope of the study. Chapter Two focuses on Ellenor Fenn’s graded dialogues, Cobwebs to catch flies (1783), initially marketed as part of a reading scheme, which remained in print for more than 120 years. Fenn’s highly original method of teaching reading through real stories, with its emphasis on simple words, large type, and high-quality pictures, laid the foundations for modern nursery books. Chapter Three examines John Harris, who issued a ground- breaking series of colour-illustrated rhyming stories and educational books in the 1810s, marketed as ‘Harris’s Cabinet of Amusement and Instruction’. -
Graphic Interlude Are You Game?
Angles New Perspectives on the Anglophone World 11 | 2020 Are You Game? Graphic Interlude Are you Game? Winslow Homer, Ambrose Andrews, Briton Rivière, Sharon Lockhart, Anonymous, Marcus Gheeraerts I, Gawen Hamilton, Sir John Everett Millais, Thomas Rowlandson, Marion Post Wolcott, John Rogers, Mary Sargant Florence, Thomas Anshutz, Sir William Reynolds-Stephens and George Cruikshank Electronic version URL: http://journals.openedition.org/angles/3117 DOI: 10.4000/angles.3117 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Winslow Homer, Ambrose Andrews, Briton Rivière, Sharon Lockhart, Anonymous, Marcus Gheeraerts I , Gawen Hamilton, Sir John Everett Millais, Thomas Rowlandson, Marion Post Wolcott, John Rogers, Mary Sargant Florence, Thomas Anshutz, Sir William Reynolds-Stephens and George Cruikshank, « Graphic Interlude », Angles [Online], 11 | 2020, Online since 01 November 2020, connection on 13 November 2020. URL : http://journals.openedition.org/angles/3117 ; DOI : https://doi.org/10.4000/ angles.3117 This text was automatically generated on 13 November 2020. Angles est mise à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. Graphic Interlude 1 Graphic Interlude Are you Game? Winslow Homer, Ambrose Andrews, Briton Rivière, Sharon Lockhart, Anonymous, Marcus Gheeraerts I, Gawen Hamilton, Sir John Everett Millais, Thomas Rowlandson, Marion Post Wolcott, John Rogers, Mary Sargant Florence, Thomas Anshutz, Sir William Reynolds-Stephens and George Cruikshank Game as Amusement, Fun, Pleasure Angles, 11 | 2020 Graphic Interlude 2 Winslow Homer (1836-1910), Snap the Whip (1872) - Oil on canvas (30.5x 50.8cm) This outdoor scene is one of many painted by Winslow Homer, one of the most famous American artists of the nineteenth century. -
149 44583960-16E7-404F-A82c
Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 Black Beauty 4 5 by Anna Sewell 6 ELEMENTARY S U M M A R Y ublished in 1877, Black Beauty is one of literature’s for those in less fortunate circumstances. This also included P best-loved classics and is the only book that Anna the animals that shared their lives. In Victorian England, Sewell ever wrote. Four films of the book have been horses were used in industry, and were often treated badly. made, the most recent in 1994. Anna and her mother were appalled if they saw a horse being In the book, Black Beauty, a horse, tells the story of his life mistreated and often showed their disapproval to the horse’s in his own words. It is a story of how he was treated with owner. kindness and love when he was young, but how his When she was fourteen, Anna suffered a fall in which she treatment changed at the hands of different owners: some injured her knee. This never healed and left her unable to were kind and cared for him properly, but others were walk without the help of a crutch. Over the following years, careless or unkind, and this led to illness and injury. Black she became increasingly disabled. However, she learnt to Beauty spent his young life with his mother on Farmer Grey’s drive a horse-drawn carriage and took great pleasure in farm. -
BLACK BEAUTY by Anna SEWELL Illustrated by ^>:*00^^- CECIL ALDIN T
BLACK BEAUTY By anna SEWELL Illustrated by ^>:*00^^- CECIL ALDIN t ,>%, ^'^^^^::?-.. ^1 -I .^-- //I) jy^lA ^/// 7^/- JOHNA.SEAVERNS nrwHi /QJd ; f- BLACK BEAUTY As the sun was going down ... we stopped at the " principal hotel in the market place BLACK BEAUTY THE AUTOBIOGRAPHY OF A HORSE By ANNA SEWELL Illustrated by Eighteen Plates in Colour, specially drawn for this edition by CECIL ALDIN BOOTS THE CHEMISTS BRANCHES EVERYWHERE RECOMMENDED BY THE ROYAL SOCIETY FOR THE PREVENTION OF CRUELTY TO ANIMALS Published by Jarrolds, Publishers^ London, Ltd. for Boots Pure Drug Co., Ltd., Nottingham and Printed by William Brendon & Son, Ltd. Plymouth CONTENTS CHAPTER vi CONTENTS CHAPTER PAGE XXIV. Lady Anne, or a Runaway Horse 135 XXV. Reuben Smith 144 XXVI. How IT Ended 150 XXVII. Ruined, and going Downhill 154 XXVIII. A Job Horse and his Drivers 158 XXIX. Cockneys 164 XXX. A Thief 173 XXXI. A Humbug 177 XXXII. A Horse Fair 182 XXXIII. A London Cab Horse 188 XXXIV. An Old War Horse 194 XXXV. Jerry Barker 202 XXXVI. The Sunday Cab 211 XXXVII. The Golden Rule 218 XXXVIII. Dolly and a Real Gentleman 223 XXXIX. Seedy Sam 229 XL. Poor Ginger 235 XLI. The Butcher 238 XLII. The Election 243 XLIII. A Friend in Need 246 XLIV. Old Captain and His Successor 252 XLV. Jerry's New Year 259 XLVI. Jakes and the Lady 268 XLVII. Hard Times 274 XLVIII. Farmer Thoroughgood and His Grandson Willie . 281 XLIX. My Last Home 287 " LIST OF ILLUSTRATIONS BY CECIL ALDIN "As THE SUN WAS GOING DOWN ... WE STOPPED AT THE PRINCIPAL HOTEL IN THE MARKET PLACE " Frontispiece PAGR " The first place that I can well remember, was a large pleasant MEADOW with A POND OF CLEAR WATER IN IT . -
AUDIOBOOKS Alice in Wonderland Around the World in 80 Days at the Back of the North Wind Birthday of the Enfanter Blue Cup Cruis
AUDIOBOOKS Alice In Wonderland Around the World in 80 days At the Back of the North Wind Birthday of the Enfanter Blue Cup Cruise of the Dazzler Devoted Friend Dragon Farm Dragons - Dreadful Dragon of Hay Hill Dragons - Kind Little Edmund Dragons - Reluctant Dragon Dragons - Snap-Dragons Dragons - The Book of Beasts Dragons - The Deliverers of Their Country Dragons - The Dragon Tamers Dragons - The Fiery Dragon Dragons - The Ice Dragon Dragons - The Isle of the Nine Whirlpools Dragons - The Last of The Dragons Dragons - Two Dragons Dragons - Uncle James Eric Prince of Lorlonia Ernest Fluffy Rabbit Faerie Queene Fifty Stories from UNCLE REMUS Fisherman and his Soul Fisherman and The Goldfish Five Children and It Gentle Alice Brown Ghost of Dorothy Dingley Goblin Market Godmother's Garden Gullivers Travels 1 - A Voyage to Lilliput Gullivers Travels 2 - A Voyage to Brobdingnag Gullivers Travels 3 A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan Gullivers Travels 4 A Voyage to the Country of the Houynhnms Hammond's Hard Lines Happy Prince Her Majesty's Servants Horror of the Heights How I Killed a Bear Huckleberry Finn Hunting of The Snark King of The Golden River Knock Three Times Lair of The White Worm Little Boy Lost Little Round House Loaded Dog Lukundoo Lull Magic Lamplighter Malchish Kibalchish Malcolm Sage Detective Man and Snake Martin Rattler Moon Metal Moonraker Mowgli Mr Papingay's Flying Shop Mr Papingay's Ship New Sun Nightingale and Rose Nutcracker OZ 01 - Wizard of Oz OZ 02 - The Land of Oz OZ 03 - Ozma of Oz -
A Horse: Macdonald's Theodicy in at the Back of the North Wind
32 Stott This is (Not) a Horse: MacDonald’s Theodicy in At the Back of the North Wind G. St. John Stott I George MacDonald insisted in his essay “The Fantastic Imagination” that the meaning of a work should be evident to its readers. He did not mean by this that there was only one meaning to a text, or that the author’s intent in writing was privileged, but that if a reader could not make any sense of what was written and the author had to step in, something had gone wrong. Under such circumstances commentary was a mistake. As he noted, using a simple analogy, “[I]f I cannot draw a horse, I will not write THIS IS A HORSE under what I foolishly meant for one” (LP xii). We might remember this when we read in At the Back of the North Wind (1871) a conversation between what might (or might not be) two cab horses: Diamond and Ruby. It is a puzzling scene which MacDonald refuses to make clear. Cab horse conversations can be easy to understand. In Anna Sewell’s Black Beauty (1877), a work that was perhaps written as a response to At the Back of the North Wind,1 the eponymous Beauty discusses with Captain (a former army horse) the latter’s experiences in the Crimea: I said, ‘I have heard people talk about war as if it was a very fine thing.’ ‘Ah!’ said he, ‘I should think they never saw it. No doubt it is very fine when there is no enemy, when it is just exercise and parade and sham fight. -
Hail to the Caldecott!
Children the journal of the Association for Library Service to Children Libraries & Volume 11 Number 1 Spring 2013 ISSN 1542-9806 Hail to the Caldecott! Interviews with Winners Selznick and Wiesner • Rare Historic Banquet Photos • Getting ‘The Call’ PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT PENGUIN celebrates 75 YEARS of the CALDECOTT MEDAL! PENGUIN YOUNG READERS GROUP PenguinClassroom.com PenguinClassroom PenguinClass Table Contents● ofVolume 11, Number 1 Spring 2013 Notes 50 Caldecott 2.0? Caldecott Titles in the Digital Age 3 Guest Editor’s Note Cen Campbell Julie Cummins 52 Beneath the Gold Foil Seal 6 President’s Message Meet the Caldecott-Winning Artists Online Carolyn S. Brodie Danika Brubaker Features Departments 9 The “Caldecott Effect” 41 Call for Referees The Powerful Impact of Those “Shiny Stickers” Vicky Smith 53 Author Guidelines 14 Who Was Randolph Caldecott? 54 ALSC News The Man Behind the Award 63 Index to Advertisers Leonard S. Marcus 64 The Last Word 18 Small Details, Huge Impact Bee Thorpe A Chat with Three-Time Caldecott Winner David Wiesner Sharon Verbeten 21 A “Felt” Thing An Editor’s-Eye View of the Caldecott Patricia Lee Gauch 29 Getting “The Call” Caldecott Winners Remember That Moment Nick Glass 35 Hugo Cabret, From Page to Screen An Interview with Brian Selznick Jennifer M. Brown 39 Caldecott Honored at Eric Carle Museum 40 Caldecott’s Lost Gravesite . -
The Spiritual Impact of the Religious Tract Society
THE SPIRITUAL IMPACT OF THE RELIGIOUS TRACT SOCIETY. A Preliminary Survey of the History of the Religious Tract Society, Founded in London, 1799, and of its Spiritual Impact. Introduction. Good quality literature has always been an important feature in the strength and propagation of heart-felt Christianity since the invention of printing in Europe, and there have been certain special times when literature has played an outstanding role in the life of the Church. For example, the impact of Martin Luther in Germany was greatly increased by the spread of his various writings, and especially by his translation of the New Testament in the vernacular. Professor Lindsay says that the “Reformation movement may almost be said to have created the German book trade.” 1 The number of books which were published in Germany before 1518 was very few, and they were not of any great importance. From 1518 to 1521 there was a sudden increase which was created by Luther almost alone, mainly in the form of sermons, tracts and controversial writings. After that he had many disciples, who also wrote and published, and the total figures increased steeply. Luther’s translation of the New Testament appeared in September, 1522. The translation had been completed in only eleven weeks. Other translations had previously been made by other people, all based upon Saint Jerome’s Latin Vulgate. But in 1516, Erasmus had published a Greek New Testament, and Luther used this, translating it into the official German of the Saxon chancery, rather than into his own colloquial Saxon dialect. In this way “he helped create a standard German for all Germany.” Five thousand copies were sold in two months, and two hundred thousand copies in twelve years. -
Charlotte Mary Yonge and Her Circle
Proc Hampsh Field Club Archaeol Soc, 49,1993, 195-205 COLLEGE STREET, HURSLEY AND OTTERBOURNE: CHARLOTTE MARY YONGE AND HER CIRCLE By JULIA COURTNEY ABSTRACT though now converted into flats) in August 1823 and throughout her long life she rarely left the Charlotte Mary Tonge (1823—1901) was a highly successful village for any length of time. She consciously novelist and a prolific writer of religious, educational and rejected what she saw as the 'whirl' of London, historical works. Although proud of her family's Devonshire and went abroad only once. Apart from a solitary origins she was deeply attached to her home village of trip to France her furthest ventures were a Olterbourne, where she lived throughout her seventy-seven years.journe y to Ireland for a family wedding in 1857, A devoted High Anglican Churchmoman, Charlotte Tonge and numerous visits to Chester, Devon and the deliberately cut herself off from the social and intellectual influences of the London literary scene. Yet during her most Isle of Wight. productive years she was part of a lively local cultural circle Yet by the time she was thirty Charlotte Yonge which included the nationally revered religious leader John Keble was a nationally known figure, author of a best as well as Dr George Moberly, reforming Headmaster of selling novel eagerly read by an enthusiastic Winchester College, and the Hampshire grandee Sir William public which included the highest in the land: Heatlicote. After this circle broke up in the mid-1860s Charlotte Queen Victoria was later to discuss Yonge novels Tonge continued to write and to take an increasing part in the in her letters to the Princess Royal. -
Catalogue of the Library and Autographs of William F. Johnson
* Copy / I - V CATALD DUE 30 X Ilibr&ry • &nd - OF WILLIAM F. JOHNSON, ESQ., w OK BOSTON, MASS. fVERY VALUABLE and Interesting Collection of English and American Literature comprising, under the title Americana, a num¬ ber of scarce works by the Mathers, Eliot and other authors of their day ; in General Literature, many Standard and Popular Works of Biography, History and Romance, and worthy of especial notice and attention, a Collection of FIRST EDITIONS of REMARKABLE INTEREST AND VALUE BY REASON OF BOTH RARITY AND BEAUTY OF CONDITION, including the most desired specimens of the works of Coleridge, Hunt, Lamb, Keats, Shelley, Thackeray, Browning, Bry¬ ant, Emerson, Hawthorne, Longfellow and others. Also to be mentioned a charming lot of CRUIKSH ANKIANA, and books illustrated by Leech and Rowlandson. In addition to all the book treasures there are Specimen Autographs of the best known and honored English and American Authors, Statesmen and others, many of them particularly desirable for condition or interesting con¬ tents. TO BE SOLD AT AUCTION Monday, Tuesday, "Wednesday and Thursday, JANUARY 2T—30, 1890, BANQS & 60.,,. , * i A ■» 1 > > > • «. it1 > » i ) >) > ) ) > 5 > 1 J > * ) » > 739 & 741 Broadway, New York. 7 ~ % > n > > ) t> ) >7 > SALE TO BEGIN AT 3 O’CLOCK!’ ' > 7 > ' 7 ' > > 7 ) 7 *7 >v > ) , 7 {y Buyers wl~io cannot attend tloe sale me\y have pcir- chases made to tlieir order toy ttie Auctioneers. •* \ in 3 7 . '" i 'O'b ■ 9 c 1 ( f' * ( 0 « C. < C I < < < I / I , < C l < C » c 1 « l ( 1C. C f «. < « c c c i r < < < < 6 < C < < C \ ( < « ( V ( c C ( < < < < C C C t C. -
Victorian Writers, Remembered & Forgotten
University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 10-2008 Victorian Writers, Remembered & Forgotten Patrick G. Scott University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the English Language and Literature Commons Publication Info 2008. (c) Patrick Scott, 2008 This Paper is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. , Department of Rare Books & Special Collections VICTORIAN- WRITERS RentelDbered & F9rgotten . .. Mezzanine Exhibition Gallery~ Thomas Cooper Library . University of South Carolina October-November. 2008· FOREWORD This exhibition welcomed to the University the Thirty-Ninth Annual Meeting of the Victorians Institute, a two-day conference bringing to Columbia nearly a hundred Victorian scholars from the south-east and across the United States. So many of the great writers of the Victorian age are still well-known names that myriads of others get overlooked or neglected. The University of South Carolina's Department of Rare Books & Special Collections has first editions and even manuscript material from many of the best-remembered Victorian writers, but it also preserves the writings of others who are now almost forgotten. In some cases, such lesser-known items may be even rarer than long-sought-after first editions by the most famous names. The current exhibition juxtaposes work by major Victorians, such as Charles Dickens, Alfred Tennyson, Charlotte Bronte, and George Eliot, with the work of some of these other · writers who deserve to be better-known.