A Victorian Artists Haven. Wormley and Sandhills
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Fabulous Original Freddy Artwork by Wiese 152
914.764.7410 Pg 22 Aleph-Bet Books - Catalogue 90 FABULOUS ORIGINAL FREDDY ARTWORK BY WIESE 152. (BROOKS,WALTER). FREDDY THE PIG ORIGINAL ART. Offered here is RARE BROWN TITLE an original pen and ink drawing by Wiese that appears on page 19 of Wiggins for AS GOLDEN MACDONALD President (later re-issued as Freddy the Politician). The image measures 8” wide 156. [BROWN,MARGARET WISE]. BIG x 12.5” high mounted on board and is signed. The caption is on the mount and DOG LITTLE DOG by Golden Macdonald. reads” Good morning , Sir, What can we do for you?” Depicted are John Quincy Garden City: Doub. Doran (1943). 4to Adam and Jinx along with the hatted horse and they are addressing a bearded (9 1/4” square), cloth, Fine in dust wrapper man in a hat. Original Freddy work is rare. $2400.00 with some closed edge tears. 1st ed.. The story of 2 Kerry Blue terriers, written by Brown using her Golden Macdonald pseudonym. Illustrated by Leonard Weisgard and printed in the Kerry Blue color of the real dogs. One of her rarest titles. $450.00 LEONARD WEISGARD ILLUSTRATIONS 157. BROWN,MARGARET WISE. GOLDEN BUNNY. NY: Simon & Schuster (1953). Folio, glazed pictorial. boards, cover rubbed else VG. 1st ed. The title story plus 17 other stories and poems by Brown, illustrated by LEONARD WEISGARD with fabulous rich, full page color illustrations covering every page. A Big Golden Book. $200.00 158. BROWN,PAUL. HI GUY THE CINDERELLA HORSE. NY: Scribner (1944 A). 4to, cloth, Fine in sl. worn dust wrapper. -
Making Amusement the Vehicle of Instruction’: Key Developments in the Nursery Reading Market 1783-1900
1 ‘Making amusement the vehicle of instruction’: Key Developments in the Nursery Reading Market 1783-1900 PhD Thesis submitted by Lesley Jane Delaney UCL Department of English Literature and Language 2012 SIGNED DECLARATION 2 I, Lesley Jane Delaney confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ––––––––––––––––––––––––––––––––––––––– ABSTRACT 3 ABSTRACT During the course of the nineteenth century children’s early reading experience was radically transformed; late eighteenth-century children were expected to cut their teeth on morally improving texts, while Victorian children learned to read more playfully through colourful picturebooks. This thesis explores the reasons for this paradigm change through a study of the key developments in children’s publishing from 1783 to 1900. Successively examining an amateur author, a commercial publisher, an innovative editor, and a brilliant illustrator with a strong interest in progressive theories of education, the thesis is alive to the multiplicity of influences on children’s reading over the century. Chapter One outlines the scope of the study. Chapter Two focuses on Ellenor Fenn’s graded dialogues, Cobwebs to catch flies (1783), initially marketed as part of a reading scheme, which remained in print for more than 120 years. Fenn’s highly original method of teaching reading through real stories, with its emphasis on simple words, large type, and high-quality pictures, laid the foundations for modern nursery books. Chapter Three examines John Harris, who issued a ground- breaking series of colour-illustrated rhyming stories and educational books in the 1810s, marketed as ‘Harris’s Cabinet of Amusement and Instruction’. -
Essays of Robert Louis Stevenson by Robert Louis
Essays of Robert Louis Stevenson By Robert Louis Stevenson 1 PREFACE The text of the following essays is taken from the Thistle Edition of Stevenson's Works, published by Charles Scribner's Sons, in New York. I have refrained from selecting any of Stevenson's formal essays in literary criticism, and have chosen only those that, while ranking among his masterpieces in style, reveal his personality, character, opinions, philosophy, and faith. In the Introduction, I have endeavoured to be as brief as possible, merely giving a sketch of his life, and indicating some of the more notable sides of his literary achievement; pointing out also the literary school to which these Essays belong. A lengthy critical Introduction to a book of this kind would be an impertinence to the general reader, and a nuisance to a teacher. In the Notes, I have aimed at simple explanation and some extended literary comment. It is hoped that the general recognition of Stevenson as an English classic may make this volume useful in school and college courses, while it is not too much like a textbook to repel the average reader. I am indebted to Professor Catterall of Cornell and to Professor Cross of Yale, and to my brother the Rev. Dryden W. Phelps, for some assistance in locating references. W.L.P., YALE UNIVERSITY, 13 February 1906. 2 CONTENTS INTRODUCTION BIBLIOGRAPHY I ON THE ENJOYMENT OF UNPLEASANT PLACES NOTES II AN APOLOGY FOR IDLERS NOTES III AES TRIPLEX NOTES IV TALK AND TALKERS NOTES V A GOSSIP ON ROMANCE NOTES VI THE CHARACTER OF DOGS NOTES VII A COLLEGE MAGAZINE NOTES 3 VIII BOOKS WHICH HAVE INFLUENCED ME NOTES IX PULVIS ET UMBRA NOTES 4 INTRODUCTION I LIFE OF STEVENSON Robert Louis Stevenson[1] was born at Edinburgh on the 13 November 1850. -
Hail to the Caldecott!
Children the journal of the Association for Library Service to Children Libraries & Volume 11 Number 1 Spring 2013 ISSN 1542-9806 Hail to the Caldecott! Interviews with Winners Selznick and Wiesner • Rare Historic Banquet Photos • Getting ‘The Call’ PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT PENGUIN celebrates 75 YEARS of the CALDECOTT MEDAL! PENGUIN YOUNG READERS GROUP PenguinClassroom.com PenguinClassroom PenguinClass Table Contents● ofVolume 11, Number 1 Spring 2013 Notes 50 Caldecott 2.0? Caldecott Titles in the Digital Age 3 Guest Editor’s Note Cen Campbell Julie Cummins 52 Beneath the Gold Foil Seal 6 President’s Message Meet the Caldecott-Winning Artists Online Carolyn S. Brodie Danika Brubaker Features Departments 9 The “Caldecott Effect” 41 Call for Referees The Powerful Impact of Those “Shiny Stickers” Vicky Smith 53 Author Guidelines 14 Who Was Randolph Caldecott? 54 ALSC News The Man Behind the Award 63 Index to Advertisers Leonard S. Marcus 64 The Last Word 18 Small Details, Huge Impact Bee Thorpe A Chat with Three-Time Caldecott Winner David Wiesner Sharon Verbeten 21 A “Felt” Thing An Editor’s-Eye View of the Caldecott Patricia Lee Gauch 29 Getting “The Call” Caldecott Winners Remember That Moment Nick Glass 35 Hugo Cabret, From Page to Screen An Interview with Brian Selznick Jennifer M. Brown 39 Caldecott Honored at Eric Carle Museum 40 Caldecott’s Lost Gravesite . -
First Grade Summer Reading List
First Grade Summer Reading List Anthologies: • A Kate Greenaway Family Treasury by Kate Greenaway • Aesop’s Fables illustrated by Thomas Bewick • Alan Garner’s Fairy Tales of Gold by Alan Garner • Best-Loved Fairy Tales by Walter Crane • Caldecott’s Favorite Nursery Rhymes by Randolph Caldecott • Child’s Garden of Verses by Robert Louis Stevenson, illustrated by Jessie Willcox Smith • Child’s Treasury of Poems by Mark Daniel • Children’s Treasury of Virtues by William Bennett, illustrated by Michael Hague, and others in the series • Fables by Arnold Lobel • Fairy Tales by Hans Christiansen illustrated by Peedersen and Frolich • Favorite Poems of Childhood by Philip Smith • Great Children’s Stories: The Classic Volland Edition, illus. by F. Richardson • Happy Prince and Other Fairy Tales by Oscar Wilde • How Many Spots Does a Leopard Have? and Other Tales, retold by Julius Lester • In a Circle Long Ago: A Treasury of Native Lore from North America, retold by Nancy Van Laan • James Herriot’s Treasury for Children by James Herriot • Johnny Appleseed, poem by Reeve Lindbergh, illustrated by Kathy Jakobsen • Let’s Play: Traditional Games of Childhood, Camilla Gryski • Moral Tales by Maria Edgeworth • Mother Goose’s Melodies (Facsimile of the Munroe and Francis “Copyright 1833” Version) • My Favorite Story Book by W. G. Vande Hulst RA • Nonsense Poems and others by Edward Lear RA • Now We Are Six by A. A. Milne RA • Nursery and Mother Goose Rhymes by Marguerite de Angeli • Once On A Time by A. A. Milne RA • Over the River and Through the Wood, by Lydia Maria Child, illustrated by Brinton Turkle • Paddington Treasury, by Michael Bond • Parent’s Assistant by Maria Edgeworth RA • Pleasant Field Mouse Storybook by Jan Wahl • Poems to Read to the Very Young by Josette Frank • Prince Rabbit by A. -
Fall Newsletter 2017 Benjamin Panciera Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Friends of the Connecticut College Library Friends of the Connecticut College Library Newsletter Fall 2017 Fall Newsletter 2017 Benjamin Panciera Connecticut College, [email protected] Becky Parmer Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/fol Recommended Citation Panciera, Benjamin and Parmer, Becky, "Fall Newsletter 2017" (2017). Friends of the Connecticut College Library Newsletter. 35. http://digitalcommons.conncoll.edu/fol/35 This Newspaper is brought to you for free and open access by the Friends of the Connecticut College Library at Digital Commons @ Connecticut College. It has been accepted for inclusion in Friends of the Connecticut College Library Newsletter by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. F2017RIENDS of the CONNEI CT CUT COLLEGE LIBRARY FallCHARLES E. SHAIN LIBRARY Newsletter ❦ GREER MUSIC LIBRARY ❦ LINDA LEAR CENTER FOR SPECIAL COLLECTIONS & ARCHIVES BEATRIX POTTER CELEBRATED AT CONNECTICUT COllEGE Connecticut College hosted a sympo- Happy Pair (1890) and the collection Over the following day and a half sium of the Beatrix Potter Society June of rhymes Comical Customers (1896), symposium attendees heard keynote 9-11, which brought scholars, collec- both published several years before The presentations from two Connecticut tors, and enthusiasts from across North Tale of Peter Rabbit. There were also College alumni and Friends of the Li- America and the United Kingdom to brary, Linda Lear and Mark Samuels New London to celebrate the beloved Lasner, and from British collector author and illustrator. -
Edmund Evans Collection
EDMUND EVANS COLLECTION Edmund Evans collection ................................................................................................... 4 Biographical sketch ......................................................................................................... 4 Scope and content ........................................................................................................... 4 Custodial history ............................................................................................................. 5 Related material in the Osborne Collection .................................................................... 5 Series and Items .................................................................................................................. 6 Series 1: The Alphabet of Flowers for Good Children .................................................. 6 The Alphabet of Flowers/for Good Children .............................................................. 6 A for anemones… ....................................................................................................... 6 B for the blue-bell… ................................................................................................... 6 C for convolvulus… .................................................................................................... 6 D is the daisy… ........................................................................................................... 6 E is the eglantine briar… ........................................................................................... -
The American Antiquarian Society Blog the Tempest Over “The Baby’S Opera”
the American Antiquarian Society blog The Tempest Over “The Baby’s Opera” January 4th, 2013 by Laura Wasowicz McLoughlin Brothers chromolithographed version of "I Saw Three Ships." Nineteenth-century American publisher McLoughlin Brothers pioneered the use of chromolithography in the production of color picture books starting in the 1860s. Until that point, most children’s books were illustrated with wood engravings that were locked into the printing press form along with set type. Coloring these images generally entailed using hand- colored stencils or employing a system of printing with wood blocks inked with colors–a system that was labor intensive and frustrating, due to the wood block’s tendency to wear down over time. By the early 1860s, ephemera printers discovered how to easily transfer wood-engraved images to more durable lithographic stones that could be mounted onto steam presses for mass production. McLoughlin Brothers was among the earliest American children’s book publishers to experiment with the new chromolithographic technology. By the 1870s, McLoughlin Brothers also developed a notorious reputation as a publisher of unauthorized reissues of British picture books, including those issued by English picture book publisher Frederick Warne & Co., whose books were imported from London by Scribner, Welford, and Armstrong–a branch of Charles Scribner and Company. It is probably no accident that a vitriolic letter penned by English illustrator Walter Crane attacking the McLoughlin Bros.’ gaudy and unauthorized reproduction of his Baby’s Opera appeared in the September 1877 issue of Scribner’s Monthly. 1 Original version published in London by George Routledge & Sons; illustrated by Walter Crane, with color printed wood engravings by Sir Edmund Evans. -
Keys Fine Art Auctioneers Palmers Lane Aylsham Two Day Books & Ephemera Sale Norwich NR11 6JA United Kingdom Started Aug 25, 2016 10:30Am BST
Keys Fine Art Auctioneers Palmers Lane Aylsham Two Day Books & Ephemera Sale Norwich NR11 6JA United Kingdom Started Aug 25, 2016 10:30am BST Lot Description J R R TOLKIEN: THE HOBBIT OR THERE AND BACK AGAIN, illustrated David Wenzel, Forestville, Eclipse Books, 1990, limited 1 edition de-luxe (600), signed by the illustrator and numbered, original pictorial cloth gilt, dust wrapper, original silk lined solander box gilt J R R TOLKIEN AND DONALD SWANN: THE ROAD GOES EVER ON - A SONG CYCLE, London 1968, 1st edition, original paper 2 covered boards, dust wrapper J R R TOLKIEN: THE ADVENTURES OF TOM BOMBADIL, illustrated Pauline Baynes, London, 1962, 1st edition, original pictorial 3 paper-covered boards, dust wrapper J R R TOLKIEN: THE LORD OF THE RINGS, illustrated Alan Lee, North Ryde, Harpercollins, Australia, 1991, centenary limited edition 4 (200) numbered and signed by the illustrator, 50 coloured plates plus seven maps (of which one double page) as called for, original quarter blue morocco silvered, all edg ...[more] J R R TOLKIEN, 3 titles: THE LORD OF THE RINGS, London 1969, 1st India paper de-luxe edition, 1st impression, 3 maps (of which 2 5 folding) as called for, original decorative black cloth gilt and silvered (lacks slip case); THE HOBBIT OR THERE AND BACK AGAIN, 1986 de-luxe edition, 4th impression, orig ...[more] J R R TOLKIEN: THE HOBBIT OR THERE AND BACK AGAIN, 1976, 1st de-luxe edition, coloured frontis plus 12 coloured plates plus 6 two double page maps as called for, original decorative black cloth gilt and silvered, -
WATTS Stationary
HELEN ALLINGHAM 21 NOVEMBER 2017 – 18 FEBRUARY 2018 WATTS GALLERY – ARTISTS’ VILLAGE This winter, Watts Gallery – Artists’ Village presents the UK’s first major public art gallery exhibition devoted to the artist Helen Allingham RWS (1848-1926). Allingham is one of the most familiar and well-loved of Victorian artists – in 1890 she became the first woman to be admitted to full membership of the Royal Watercolour Society and her work was highly acclaimed by leading contemporary critics, including John Ruskin. Despite this success there have been few exhibitions dedicated to her work. This exhibition will seek to reassert the reputation of Helen Allingham as a leading woman artist and as a key figure in Victorian art. Bringing together rarely seen works from private collections together with important paintings from public collections, the exhibition will demonstrate Allingham’s extraordinary talent as a watercolourist and will examine how she became one of the most successful creative women of the nineteenth century. Having moved to London aged just seventeen, Allingham trained at the Royal Female School of Art and the prestigious Royal Academy Schools. By 1870, she was pursuing a professional career as a graphic artist and children’s book illustrator, becoming the only female founding member of The Graphic, a new illustrated weekly magazine. Illuminating Allingham’s early career the exhibition will display an array of graphic works, including the illustrations to Thomas Hardy’s Far From the Madding Crowd when first published as a serial in the Cornhill Magazine. Following her marriage to the renowned Irish poet William Allingham in 1874, Allingham began to focus on working in watercolour producing vivid depictions of rural England. -
Cantor Lectures the History and Practice
SY L L A BUS . LE E C T UR I . Histor 145 0— 1800 T h e o f — T s s— I d y . invention printing ype of the early printer ntro uction of ‘ iIlustratio ns d d a nd — Th e l 6th C erio d t s — N ew , woo cut bor ers initials entury a p of grea expan ion styles of type— Popular boo ks— The 17th C entury n o t favourable to the artistic develo pment o f the art— The pamphlet an d the n ewspaper supreme— Rigorous press laws— The 18 th C entury Rev ival C — G and — B B d D d — B and W d aslon type reat printers their styles askerville , o oni , i ot , Ibarra ewick oo a engr ving . LE T E C UR II . - Tire 19 th C en tur 1801 du — S e ss— T e 1801—40 y. In no machine pro ction tanhop pre ype fac s — - — Revival of o ld style printing and C aslon type Machine made paper Development of the printing a — — m chine Invention of photography Attempts at colour printing . I I I LE C TURE . I — The 19th and 2 0th C enturies con tinued W d u S t - . oo c ts of the ixties Inven ion of the half tone — — Revival of hand-press work for artistic production E ffect o f revival o n commercial work Type s ‘ ’ an - — d type founders Recent inventions in illustration . E E V L C TUR I . -
Catalog Four
USE BOOKS AS BEESUSE FLOWERS NO. 4 HONEYANDWAXBOOKS.COM 1 2 HONEYANDWAXBOOKS.COM 3 So, what kind of books are you looking for? Here at Honey & Wax, we get a lot of unsolicited book offers, some exciting, most less so, a few frankly deranged. I wish I could sum up the typical Honey & Wax book in one word: we buy and sell cookbooks, or atlases, or photography, full stop. Even modern first editions would simplify matters. But in truth, the qualities of a Honey & Wax book are harder to define. As Justice Stewart remarked of pornography, “I know it when I see it.” And I know how I feel when I spot a Honey & Wax book: startled, arrested, curious. Awake. Mostly we deal in literature, but sometimes history and philosophy and art and music. Mostly books, but sometimes games and broadsides and manuscripts and maps. Mostly in English, but sometimes in other languages, ancient and modern. Almost always in excellent condition — and that requirement narrows the field — but our books have so much more going for them than their looks. Each one has something special to recommend it: imaginative writing, historical influence, an intriguing provenance or presentation, striking design. I know it when I see it, and when I see it, I want to share it. In this, our fourth catalog, we feature fifty-nine new acquisitions, from canonical landmarks to unexpected survivals. We hope that every reader — the most jaded collector, the world-weariest librarian — will be genuinely surprised and delighted by at least one book in these pages.