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Premiererne 1977, Da Terrorismen Kulminerede I Mordet 1.7.-30.9.78/V

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Premiererne 1977, Da Terrorismen Kulminerede I Mordet 1.7.-30.9.78/V TYSKLAND I EFTERÅRET Instruktører: R. W. FASSBINDER, VOLKER SCHLONDORFF o.a. Filmen er et prisværdigt forsøg på at tage temperaturen på Vesttyskland i efteråret Premiererne 1977, da terrorismen kulminerede i mordet 1.7.-30.9.78/v. Claus Hesselberg på Schleyer, flykapringer, der endte i Mo- gadishu og Baader, Ensslin og Raspes selvmord i fængslet. Ingen ville vente en egal film om denne forvirringens tid. Alli­ gevel er »Tyskland i efteråret« blevet mere blandet end nødvendigt. Dokumentarisme veksler med fiktion, og midt imellem står Fassbinders bizarre bidrag til den for tiden grasserende kunstner-ekshibitionistiske afart af bekendelsesgenren. På den doku­ mentariske side får vi modstillet begravel­ serne af Schleyer, en officiel statsbegra­ velse, og af terroristerne, en prunkløs ce­ remoni i det gedulgte, men bedst er et in­ terview med advokaten Horst Mahler, der Anvendte forkortelser: i 1970 fik en dom på 14 år som medstifter Adapt: = Adaption Komp: = Komponist af RAF, og som siden har underkastet sine Ark: = Filmarkitekt Kost: = Kostumer ideer en vis selvgranskning. På én undta­ Arr: = Musikarrangør Medv: = Medvirkende skuespillere gelse nær er de fiktive indslag flovt ba­ As-P: = Associate Producer P: = Producere stante. Undtagelsen er Schlondorffs afsnit Ass: = Assistent P-leder: = Produktionsleder efter manuskript af Heinrich Boil om selv­ Dekor: = Scenedekorationer Prem: = Dansk premiere censuren i et TV-selskabs dramatiske af­ Dir: = Dirigent P-selskab: = Produktionsselskab deling. (Deutschland im Herbst - BDR Dist: = Udlejer i oprindelsesland P-sup: = Produktions-superviser 1977-78). I.M. Ex-P: = Executive Producer P-tegn: = Produktionstegner (design) Foto: = Cheffotograf Rekvis: = Rekvisitør Instr: = Instruktør Sp-E: = Specielle effekter VIL DU SE Kamera: = Kameraoperatør Udi: = Dansk udlejning MIN SMUKKE NAVLE Instruktør: SØREN KRAGH-JACOBSEN Søren Kragh-Jacobsens debutfilm er en APACHE MASSAKREN hers (DreamerTatum), Brian Dennehy (T. J. Lam­ blufærdig hyldest til de romantiske rørelser Apache Massacre/Face to The Wind. Eng. titel: bert), Mary Jo Catlett (Earlene), Joe Kapp (Hose Naked Revenge. USA 1972. P-selskab: Brut Pro- Manning), Ron Silver (Vlada), Jim McKrell og den sarte sårbarhed, som også i dag ductions. A George Barrie Presentation. P: Harvey (McNair), Peter Bromilow (Tolk), Norm Alden gemmer sig bagved unge menneskers ver­ Matofsky. Ex-P: Elliott Kastner. As-P: Tom Shaw. (Træner Parks), Fred Stuthman (Minister), Janet bale flotheder og flabede attituder. En ro­ P-samordner: Gene Levy. Instr: William A. Gra- Brandt (Dressmaker), William Wolf (Fitter), Jen­ mance spirer frem mellem Claus og Lene, ham. Strunt-instr: Rudoll Ugland. Manus: Davis nifer Shaw (Stewardesse), Kevin Furry (Puddin Markson. Foto: Jordan Cronenweth. Farve:Tech- Jr.), Ava Roberts (Puddings kone), Melonie Mag- mens de med deres skoleklasse er på lejr­ nicolor. Klip: Jim Benson. Sp-E: Williard Flana- ruder (Linda), Mickey Caruso (Curtis), Edward ophold i Sverige, men stadier som genert­ gan. Musik: Richard Markowitz. Sange: »Little Jones (Spiller). Længde: 107 min. Censur: Rød. hed, tvivl og jalousi må gennemleves, inden Sparrow« af Michael Franks. »The Ballad of Billy« Udi: United Artists. Prem: 1.9.78 Palads. Indspil­ af George Barrie, Gerald A. Browne. Solist: Mi­ ningen påbegyndt d. 10. januar 1977 i Miami. Anm. forelskelsen kan besegies med forevisnin­ chael Franks. Tone: Evelyn Rutledge, Bert Hall- Kos. 139. gen af Lenes smukke navle. Historiens dra­ berg, Hal Watkins. Medv: Cliff Potts (Billy), Xochitl matiske fremdrift kan ligge på et lille sted, (Indianerpigen), Harry Dean Stanton (Luke Todd), AMERIKANSKE VEN, DEN men i stedet baserer den sig på impressio­ Don Wilbanks (Sergenten), Woodrow Cham-Bliss Der amerikanische Freund. Vesttyskland/ (Guldgraver), James Gammon (Amos), William Frankrig 1977. P-selskab: Road Movies/Wim nistiske glimt af relationerne mellem de Carstens (Henry), Roy Jensen (Smed), Richard Wenders Filmproduktion/Westdeutschen Rund- halvvoksne og af alle de kække manerer, Arnstrong (Den tykke), Floyd Baze, Wayne funk/Films du Losange. P: Wim Wenders. Ex-P: som de beskytter følelsernes tyndhudede McLaren, John Bellah, Bud Walls, Tom Mcfadder. Michale Wiedemann, Pierre Cottrell. P-leder: Ha­ Længde: 95 min., 2600 m. Censur: Fb.u. 16. Udi: rald Kugler, Heinz Badewitz, Philippe Schwarz, forvirring med. Instruktørens indforståede Columbia/Fox. Prem: 4.8.78 Nørreport. Western. Pat Kirk. Instr: Wim Wenders. Instr-ass: Fritz solidaritet med de unge og hans sikre greb Muller-Scherz, Emmanuel Clot, Serge Brodskis. om den troværdige realisme gør filmen vel­ ALLE KNEB GÆLDER Stunt-instr: Klaus Schichan. Manus: Wim Wen­ lykket inden for de rammer, som den selv Semi-Tough. USA 1977. Dist: United Artists. ders. Efter: romanen »Ripley’sGame« (1974) (d.t.: P-selskab: United Artists. P: David Merrick. »Tom Ripleys Spil«) af Patricia Highsmith. Foto: har sat sig. De levner ikke plads til det store P-samordner: Lynne Pankonin Birdt. P-leder: Robby Muller. Farve: Eastmancolor. Klip: Peter artistiske vingesus, men heller ikke til be­ Alan Levine. l-leder: Michael Phillips, Linda Przygodda. Ark: Heidi Ludi, Toni Ludi. Kost: lærende budskaber, der kunne have for­ McGowan. Instr: Michael Ritchie. Instr-ass: Ken Isolde Nist. Sp-E: Theo Nischwitz. Musik: Jurgen Swor, David Sosna. Stunt-instr: Hal Needham. Knieper. Tone: Max Galinsky, Milan Bor, Martin styrret filmens kønne og aldrig snagende Manus: Walter Bernstein. Efter: roman af Dan Muller, Peter Kaiser. Medv: BrunoGanz (Jonathan demonstration af, at ungdom ikke bare be­ Jenkins (1972). Foto: Charles Rosher Jr. Farve: Zimmermann), Dennis Hopper (Tom Ripley), Gé- tyder ballade, men også bløde og blide ud­ DeLuxe. Klip: Richard A. Harris. P-tegn: Walter rard Blain (Raoul Minot), Lisa Kreuzer (Marianne tryk for følelsernes uafhængighed af mo­ Scott Herndon. Dekor: Cheryal Kearney, Dick Zimmermann), Nicholas Ray (Prokasch »Der- Raseigne. Kost: Theoni V. Aldredge. Makeup: watt«), Samuel Fuller (Amerikaneren), Peter Li- destrømninger. (Danmark 1978). E.l. William Tuttie, Tom Ellingwood, Hånd Edds. Mu­ lienthal (Marcangelo), Daniel Schmid (Ingraham), sik: Jerry Fielding. Div. Gene Autry-sange. Tone: Sandy Whitelwa (Læge), Jean Eustache (En venlig Milton C. Burrow, Barry Thomas, Richard Port­ mand), Lou Castel (Rodolphe), Andreas Dedecke man. Medv: Burt Reynolds (Billy Clyde Puckett), (Daniel), David Blue (Allan Winter), Stefan Lennert Kris Kristofferson (Marvin Shake Tiller), Jill Clay- (Auktionarius), Rudolf Schundler(Gantner), Gerty burgh (Barbara Jane Bookman), Robert Preston Molzen (Gammel dame), HeinzJoachim Klein (Dr. (Ed Bookman), Bert Convy (Friedrich Bismark), Gabriel), Rosemarie Heinikel (Mona), Heinrich Roger E. Mosley (Puddin), Lotte Lenya (Clara Marmann (Mand i tog), Satya de la Manitou (An- Pelf), Richard Masur (Phillip Hooper), Carl Weat- gie), Axel Schiessler (Lippo), Adolf Hansen 272 (Schaffner). Længde: 123 min. Censur: Fb.u. 16. Jim Webb, Richard Portman. Medv: Dustin Hoff- color. Klip: Kenneth Ahl, Roger Sellberg. Ark: An­ Udi: HTM. Prem: 1.9.78 Palads. Anm. Kos. 139. man (Max Dembo), Theresa Russell (Jenny Mer- ders Barreus. Rekvis: Mona Theresia Forsén. cer), Gary Busey (Willy Darin), Harry Dean Stanton Kost: Mona Theresia Forsén. Makeup: Helena BLODTØRSTIGE, DE (Jerry Schue), M. EmmetWalsh (Earl Frank), Rita Olofsson. Musik: Christer Boustedt, Bent An- The Pack. USA 1977. P-selskab: Weintraub-Heller Taggart (Carol Schue), Kathy Bates (Selma Darin), dersson, Kjell Jansson, Conny Sjokvist. Tone: Productions. For Warner Bros. P: Fred Weintraub, Sandy Baron (Manny), Jacob Busey (Henry Darin), Jan-Erik Lundberg, Tommy Persson, Sven Fah- Paul Heller. As-P: Eva Monley. Ex-P: Tully Fried- Tina Menard (Hotel-bestyrer), Stephanie Erics- lén, Peter Holthausen, Lennart Forsen, Lars Klett- man. P-leder: Tommy Lofaro. Meder: Ron Boz- son-Baron (Bartenderske), Dave Kelly (Barten­ ner. Medv: Anders Lonnbro (Kennet), Bodil Mår­ man. Instr: Robert Clouse. Instr-ass: Tommy der), Don Sommese (Tjener), Kit Jee Kwong tenson (Karin), Roland Jansson (Eleganten), Wei- Lofaro, Win Phelps. Stunt-instr: Lou M. Schu­ (Grønthandler), Peter Kwong (Ekspedient), Betty ron Holmberg (Curt Storm), Carl-Axel Heiknert macher, Karl L. Miller, Roger W. Schumacher Jane Howarth (Arbejdsformidler), Ronald L. Mel- (Karinsfar), Bernt Strom (Talsmand), Lena Lind­ (hunde). Manus: Robert Clouse. Efter: romanen linger (Fængselsvagt), Edward Bunker (Mickey), gren (Vera Lind), Anders Granstrom, Bo Hogberg »The Pack« af Dave Fisher. Foto: Ralph Woolsey. Corey Rand (Carlos), John Gilgreen (Bankvagt), (Roten), Roland Hedlund (Sundsvalls Jesus), 2nd-unit-foto: Jim Glennon. Farve: Technicolor. Mary Craven, Peter Jurasik (Bankfunktionærer), Lasse Stromstedt (Præst), Fred Gunnarsson Klip: Peter E. Berger. Kost: Lynn Bernay. Makeup: Enid Hendershot (Pige i bank), James Ray (Juve­ (Nisse Stenstrom), Gustav King, Sten Ljunggren, Mary Westmore. Sp-E: Milton Rice. Musik: Lee ler). Længde: 114 min., 3085 m. Censur: Fb.u. 16. Erik Edborg, PerGavelius, AdelieHatz, Gurli Sved­ Holdridge. Tone: Lorane Mitchell, Fred Brown, Udi: Warner/Constantin. Prem: 21.7.78 Imperial. lund, Greta Wahlquist, Henry Lindblom. Længde: Karen Sharp, Darin Knight, Les Fresholtz, Dick Filmen blev påbegyndt m. Dustin Hoffman som 117 min., 3215 min. Censur: Fb.u. 16. Udi: Jesper. Alexander, David E. Campbell. Medv: Joe Don instruktør. Indspilningen startet d. 9. februar i Prem: 28.8.78 Saga. Anm. Kos. 140. Baker (Jerry), Hope Alexander-Willis (Millie),
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