Chapter 8 Mantras & Chanting
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Sri Lakshmi Narayana Stotram
Sincere Thanks To: 1. SrI Seva SwAmi Memorial Foundation and SrI Vedanta Desika Research Centre, Villivakkam, Chennai, India for the source text of the SrI SUkti. 2. SrI Sundar Kidambi for facilitating the access to the Sanskrit Sloka-s and providing the ITrans text for the Sloka-s 3. SrI Srinivasan Narayanan swami for Sanskrit text and proof-reading 4. http://nallurtemple.org and http://groups.yahoo.com/group/arasanipalai/ for pictures 5. Smt Jayashree Muralidharan for eBook assembly Cover image of ArasAnipAlai SrI LakshmInArAyaNa perumAL mUlavar and utsavar Courtesy of ArasAnipAlai SrI Rajagopalan Swami, ArasAnipAlai Thattai SrI Sampath swAmi http://groups.yahoo.com/group/arasanipalai/ and www.anudinam.org www.sadagopan.org C O N T E N T Introduction 1 Slokams and Comments 3 Slokams 1 - 21 and Mangala Slokam 5 - 20 nigamanam 20 Transliteration Scheme used in the eBook 21 - 22 www.sadagopan.org SrI LkshmInArayana perumAL MUlavar and utsavar - arasANipAlai Thanks: http://groups.yahoo.com/group/arasanipalai/ www.sadagopan.org . ïI>. ïI seva Svaimn> Anug&hIten ïIlúmInaray[StaeÇm! SrI lakshmInArAyaNa stotram (Composed by SrI sevA Swamy) Introduction: We will visit the srotria village of ArasANipAlai, where SrI LakshmI nArAyaNa perumaL blesses us with MahA LakshmI seated on His left lap. ArasANipAlai is one of the 18 Vaidika agrahArams situated between the two rivers, PaalARu and SeyyAr. Dusi MaamaNDUr and Nallur are two of such agrahArams besides ArasANipAlai in this region. Many yajn~ams have been conducted at the NallUr and ArasANipAlai agrahArams by the descendants of KiDaambi AcchAn (PraNatArtiharar) who performed MaDappaLLi kaimkaryam for AcArya RaamAnuja (1017-1137 CE). -
Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George Pati
SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating. -
Gāyatrī Mantra and Mother of the Vedas
Dissertation Proposal Gāyatrī Mantra and Mother of the Vedas by Dominik Haas, BA MA University of Vienna June 2019 Supervisor: Mag. Dr. Marion Rastelli DOI 10.25365/phaidra.103 Creative Commons License CC BY-NC-ND 4.0 Contents I Background........................................................................................ 3 Current State of Research ................................................................. 7 II Specific Aims...................................................................................... 12 Sources ............................................................................................ 12 III Research Methods ............................................................................... 17 Hypotheses ...................................................................................... 17 Research Questions........................................................................... 19 IV Work Procedure and Timetable.............................................................. 22 Timetable......................................................................................... 22 V Select Bibliography.............................................................................. 23 Abstract The short mantra popularly called Gāyatrī or Sāvitrī certainly belongs tothemost frequently used and reused texts of mankind. In the course of time it even came to be venerated as a goddess itself. The aim of this study is (1.) to investigate howthe mantra gained prominence as a religious text, (2.) how it was deified -
The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism
International Journal of Religious Tourism and Pilgrimage Volume 8 Issue 8 Article 11 2020 The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism I GEDE SUTARYA Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/ijrtp Part of the Tourism and Travel Commons Recommended Citation SUTARYA, I GEDE (2020) "The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism," International Journal of Religious Tourism and Pilgrimage: Vol. 8: Iss. 8, Article 11. doi:https://doi.org/10.21427/05cm-qk98 Available at: https://arrow.tudublin.ie/ijrtp/vol8/iss8/11 Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism Cover Page Footnote This article is based on research about yoga tourism in Bali, Indonesia. We express our thanks to the Chancellor of Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar, Prof.Dr. IGN. Sudiana, Dean of Dharma Duta Faculty, Dr. Ida Ayu Tary Puspa and head of the Research and Community Service, Dr. Ni Ketut Srie Kusuma Wardani for their support. This academic paper is available in International Journal of Religious Tourism and Pilgrimage: https://arrow.tudublin.ie/ijrtp/vol8/iss8/11 © International Journal of Religious Tourism and Pilgrimage ISSN : 2009-7379 Available at: http://arrow.tudublin.ie/ijrtp/ Volume 8(viii) 2020 The Potentials and Prospects of Yoga Pilgrimage Exploration in Bali Tourism I Gede Sutarya Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar, Bali, Indonesia [email protected] Yoga tourism has been growing rapidly in Bali since the 2000s. -
The Science Behind Sandhya Vandanam
|| 1 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 Sri Vaidya Veeraraghavan – Nacchiyar Thirukkolam - Thiruevvul 2 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 �ी:|| ||�ीमते ल�मीनृिस륍हपर��णे नमः || Sri Nrisimha Priya ------------------------------------------------------------------------------------------ AN AU T H O R I S E D PU B L I C A T I O N OF SR I AH O B I L A M A T H A M H. H. 45th Jiyar of Sri Ahobila Matham H.H. 46th Jiyar of Sri Ahobila Matham Founder Sri Nrisimhapriya (E) H.H. Sri Lakshminrisimha H.H. Srivan Sathakopa Divya Paduka Sevaka Srivan Sathakopa Sri Ranganatha Yatindra Mahadesikan Sri Narayana Yatindra Mahadesikan Ahobile Garudasaila madhye The English edition of Sri Nrisimhapriya not only krpavasat kalpita sannidhanam / brings to its readers the wisdom of Vaishnavite Lakshmya samalingita vama bhagam tenets every month, but also serves as a link LakshmiNrsimham Saranam prapadye // between Sri Matham and its disciples. We confer Narayana yatindrasya krpaya'ngilaraginam / our benediction upon Sri Nrisimhapriya (English) Sukhabodhaya tattvanam patrikeyam prakasyate // for achieving a spectacular increase in readership SriNrsimhapriya hyesha pratigeham sada vaset / and for its readers to acquire spiritual wisdom Pathithranam ca lokanam karotu Nrharirhitam // and enlightenment. It would give us pleasure to see all devotees patronize this spiritual journal by The English Monthly Edition of Sri Nrisimhapriya is becoming subscribers. being published for the benefit of those who are better placed to understand the Vedantic truths through the medium of English. May this magazine have a glorious growth and shine in the homes of the countless devotees of Lord Sri Lakshmi Nrisimha! May the Lord shower His benign blessings on all those who read it! 3 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 4 Sri Nrisimha Priya (Volume 8 – Issue 7) July 2020 ी:|| ||�ीमते ल�मीनृिस륍हपर��णे नमः || CONTENTS Sri Nrisimha Priya Owner: Panchanga Sangraham 6 H.H. -
Baghawat Geeta, Class 138: Chapter 10, Verses 33 –
Baghawat Geeta, Class 138: Chapter 10, Verses 33 – 35 Shloka # 33: अक्षराणामकारोऽस्िम द्वन्द्वः सामािसकस्य च। अहमेवाक्षयः कालो धाताऽहं िवश्वतोमुखः।।10.33।। Aksaranam, of the letters; I am the akarah, letter a. Samasikasya, of the group of compound words, I am the compund (called) Dvandva. Besides, aham eva, I Myself; am the aksayah, infinite, endless; kalah, time, well known as ‘moment’ etc.; or, I am the supreme God who is Kala (Time, the measurer) even of time. I am the dhata, Dispenser, the dispenser of the fruits of actions of the whole world, visvatomukhah, with faces everywhere. Akshara: Continuing his teaching, Swamiji said, we are seeing Sri Krishna continue enumeration of the glories of Ishwara. In Shloka # 33, he said that among Aksharas I am Aa. Sarasvati Devi is in the form of Alphabetic letters. Even among all letters Aa is most sacred. It is sacred because it is a basic letter that emerges from our mouth without doing anything to the mouth. Thus sounds such as E, U come about by some modification to the mouth whereas Aa is an effortless sound of the mouth. Akara is also a flexible sound that can be modified into other alphabets. Hence Aa kara is considered Karana aksharam, causal sound, while all other alphabets are considered Karya Aksharam, the effect. Vedas say that A Kara manifests as all other letters. It says all letters are a modification of Aa. In our tradition every alphabet has a presiding deity. The presiding deity of Aa is Brahmaji, the Creator of the world. -
The Intimacy of Sound and Listening Among Krishna Devotees in Mayapur
Journal of Ethnology and Folkloristics 10 (1): 3–24 DOI: 10.1515/jef-2016-0001 SEARCHING FOR THE HIDDEN GOD: THE INTIMACY OF SOUND AND LISTENING AMONG KRISHNA DEVOTEES IN MAYAPUR MARJE ERMEL Lecturer and PhD candidate Cultural Theory / Social and Cultural Anthropology Tallinn University, School of Humanities Uus-Sadama 5, Tallinn 10120 e-mail: [email protected] ABSTRACT This article looks at how the Krishna devotees in Mayapur, West Bengal, learn how to chant and listen to the sound of the holy name properly. They suggest that if one is ‘pure’ enough and knows how to listen one experiences the syneasthetic level of sound called pashyanti. At this level, one can reach beyond the duality of the ‘hidden and manifested’ worlds, the external and internal levels of sound; and one can ultimately see God face to face. This is also considered a level at which one can realise that the sound of God’s name and God himself are the same. I will focus on how the devotees learn to create this sense of intimacy with God through the sound of his holy name, and argue that listening is not merely a process connected to our auditory sense but rather a creative and engaging activity, a skill that one can develop. KEYWORDS: Hare Krishna devotees • religion • sound • skill • intimacy INTRODUCTION I am a beggar on the outskirts of the marketplace of the holy name. Can anyone spare me a crumb of faith, a drop of purification, steadiness, or taste, or even a little love for Krishna? (Kancana-Valli Devi Dasi) In her book Crying for Krishna, Genevieve Brewster (2013: 32), with the initiated name Kancana-Valli Devi Dasi, captures the nature of the long journey of learning how to hear and chant the holy names of the Lord. -
DHYANA VAHINI Stream of Meditation
DHYANA VAHINI Stream of Meditation SATHYA SAI BABA Contents Dhyana Vahini 5 Publisher’s Note 6 PREFACE 7 Chapter I. The Power of Meditation 10 Binding actions and liberating actions 10 Taming the mind and the intelligence 11 One-pointedness and concentration 11 The value of chanting the divine name and meditation 12 The method of meditation 12 Chapter II. Chanting God’s Name and Meditation 14 Gauge meditation by its inner impact 14 The three paths of meditation 15 The need for bodily and mental training 15 Everyone has the right to spiritual success 16 Chapter III. The Goal of Meditation 18 Control the temper of the mind 18 Concentration and one-pointedness are the keys 18 Yearn for the right thing! 18 Reaching the goal through meditation 19 Gain inward vision 20 Chapter IV. Promote the Welfare of All Beings 21 Eschew the tenfold “sins” 21 Be unaffected by illusion 21 First, good qualities; later, the absence of qualities 21 The placid, calm, unruffled character wins out 22 Meditation is the basis of spiritual experience 23 Chapter V. Cultivate the Blissful Atmic Experience 24 The primary qualifications 24 Lead a dharmic life 24 The eight gates 25 Wish versus will 25 Take it step by step 25 No past or future 26 Clean and feed the mind 26 Chapter VI. Meditation Reveals the Eternal and the Non-Eternal 27 The Lord’s grace is needed to cross the sea 27 Why worry over short-lived attachments? 27 We are actors in the Lord’s play 29 Chapter VII. -
Bhagavata Purana
Bhagavata Purana The Bh āgavata Pur āṇa (Devanagari : भागवतपुराण ; also Śrīmad Bh āgavata Mah ā Pur āṇa, Śrīmad Bh āgavatam or Bh āgavata ) is one of Hinduism 's eighteen great Puranas (Mahapuranas , great histories).[1][2] Composed in Sanskrit and available in almost all Indian languages,[3] it promotes bhakti (devotion) to Krishna [4][5][6] integrating themes from the Advaita (monism) philosophy of Adi Shankara .[5][7][8] The Bhagavata Purana , like other puranas, discusses a wide range of topics including cosmology, genealogy, geography, mythology, legend, music, dance, yoga and culture.[5][9] As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as Krishna, (called " Hari " and " Vasudeva " in the text) – first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and good – a cyclic theme that appears in many legends.[10] The Bhagavata Purana is a revered text in Vaishnavism , a Hindu tradition that reveres Vishnu.[11] The text presents a form of religion ( dharma ) that competes with that of the Vedas , wherein bhakti ultimately leads to self-knowledge, liberation ( moksha ) and bliss.[12] However the Bhagavata Purana asserts that the inner nature and outer form of Krishna is identical to the Vedas and that this is what rescues the world from the forces of evil.[13] An oft-quoted verse is used by some Krishna sects to assert that the text itself is Krishna in literary -
WORD! Mantras & Their Meanings
WORD! - Mantras & their Meanings - with True THE MANTRAS THAT TUNE US IN ONG The original sound (akin to Om and Aum). The infinite creative energy of the cosmos and consciousness of the Creator as experienced in the creation. Complete totality. ONG NAMO GURU DEV NAMO (Adi Mantra) An ancient yogic mantra that connects you to the Golden Chain, allowing “self” to dissolve so you can serve that flow of divine wisdom/energy. Ong = creative energy of the cosmos & consciousness of the Creator Namo = to bow or to call on, with respect & receptivity Guru = wisdom/teacher; that which brings us from darkness/ignorance (Gu) into light/knowledge (Ru) Dev = divine, belonging to the realms of God Ong Namo = I bow before the great cosmos/Creator Guru Dev Namo = I bow to the divine wisdom within me ONG SOHUNG Recognition that we are each a part of the Creative Consciousness. Chanting this mantra stimulates and opens the Heart Chakra. Ong = infinite creative consciousness Sohung = “I am thou” AAD GURAY NAMEH JUGAAD GURAY NAMEH SAT GURAY NAMEH SIRI GURU DEV-AY NAMEH A mantra of protection; recited to invoke the protective energy of the universe. I bow to the primal wisdom (or Guru) I bow to the truth that has existed throughout the ages I bow to the True wisdom. I bow to the great Divine wisdom HAR A bij (seed) mantra that represents the Infinite in its creative form. Associated with the earth element. Tangible. Personal. God / Creative Infinity / Creation in action Har, Haray, Hari = three aspects of Har unto the infinite: seed, flow, completion WAHE GURU (Gurmantra) A mantra of the infinity of ecstasy and dwelling in God. -
Vishnu Suktam
Narayana Suktam Class-VI Note 5 VISHNU SUKTAM In this lesson, you will read about the Vishnu suktam. In this sukta qualities of God Vishnu are described. God Vishnu is Adi and has no end. God Vishnu’s devotee is always blessed by him. OBJECTIVES After studying this lesson, you will be able to: • recite Vishnu Suktam, and • understand the meaning of the Sukta. 70 Veda - C level Narayana Suktam Class-VI 5.1 SHRI VISHNU SUKTAM Note I will declare the mighty deeds of Lord Vishnu; of Him who measured out the earthly regions. Who established the highest abode , thrice setting down His footstep, widely striding. RV.1:154:1 You are the forehead of Lord Vishnu; you are the back of Lord Vishnu; ye two are the corners of Vishnu’s mouth.You are the thread of Vishnu, you are the fixed point of Lord Vishnu. You are of Lord Vishnu; to Lord Vishnu you. Veda - C level 71 Narayana Suktam Class-VI Note May I attain to His well-beloved realm where the devotees rejoice. For there springs, close akin to the Wide-Strider; the source of immortality in Vishnu’s highest footstep. 72 Veda - C level Narayana Suktam Class-VI For this His mighty deed is Lord Vishnu praised, who like some wild lion, dread,prowling, roams the mountains. He within whose three wide-extending paces all living creatures Note have their existence. Humans cannot comprehend your greatness, Who expands beyond all bound and measure with your body. Both your two regions of the earth , O Lord Vishnu we know; you O Lord knows the highest.