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Merrill Moore Papers
Merrill Moore Papers A Finding Aid to the Collection in the Library of Congress Prepared by Manuscript Division Staff Manuscript Division, Library of Congress Washington, D.C. 2011 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Finding aid encoded by Library of Congress Manuscript Division, 2012 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms012044 Collection Summary Title: Merrill Moore Papers Span Dates: 1904-1979 Bulk Dates: (bulk 1928-1957) ID No.: MSS33373 Creator: Moore, Merrill, 1903-1957 Extent: 131,750 items; 504 containers plus 86 oversize; 234 linear feet Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Psychiatrist and poet. Diaries, correspondence, notebooks, biographical material, family papers, genealogical records, literary papers, scrapbooks, printed matter, and other papers relating to Moore's career as a psychiatrist and poet. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Adler, Alexandra, 1901- --Correspondence. Aiken, Conrad, 1889-1973--Correspondence. Armstrong, George E.--Correspondence. Bleuler, Manfred--Correspondence. Bock, Arlie V. (Arlie Vernon), b. 1888--Correspondence. Cobb, Stanley, 1887-1968--Correspondence. Davidson, Donald, 1893-1968--Correspondence. Eberhart, Richard, 1904-2005--Correspondence. Fitts, Dudley, 1903-1968--Correspondence. Kent, Rockwell, 1882-1971--Correspondence. Knickerbocker, William Skinkle, 1892- --Correspondence. Lowell, Charlotte--Correspondence. Moore family. Moore, Adam G. N.--Correspondence. Moore, Merrill, 1903-1957. Murray, Henry A. (Henry Alexander), 1893-1988. Henry Alexander Murray papers. -
Vmagwtr03 P30-59.Final (Page 30
By PAUL KINGSBURY, BA’80 The thorny legacy of Vanderbilt’s Fugitives and Agrarians Pride and Prejudice t’s one of the most famous and cherished photographs in Vanderbilt’s history. Allen Tate, Merrill Moore, Robert Penn Warren, John Crowe Ransom, Donald Davidson. Five balding white men, dressed impeccably in suits and ties, are seated outdoors, Iobviously posed by photographer Joe Rudis to appear as if lost in con- versation. Despite the artifice, the subjects seem relaxed and even playful, what with Moore practically sitting on Tate’s lap, Warren lean- ing in as if to insert a word edgewise, and the entire group looking to Allen Tate as if expecting a clever remark. It was a happy moment for the old friends. It was 1956, and after three decades of being ignored by the University, the Fugitives had returned to campus in glory for a colloquium devoted to their literary work. V anderbilt Magazine 31 Heroes Fugitives and Agrarians he five writers photographed in 1956 “Nothing in Vanderbilt’s history has come devoted to the Fugitives and Agrarians. The undergraduate courses on southern litera- were Vanderbilt graduates. They were anywhere close to the Fugitives and Agrari- 1956 reunion was followed by an Agrarian ture to these writers. On the graduate level, Donald Davidson (1893–1968) known as “Fugitives” after The Fugi- ans in giving it a national reputation,”con- reunion and symposium in 1980. That event, Kreyling says master’s and doctoral students BA’17, MA’22; Vanderbilt Ttive, the widely praised but little purchased firms Paul Conkin, distinguished professor though, seemed to mark a high tide for the in his department read them only occasion- English department, poetry magazine they self-published, along of history, emeritus, and the author of defin- Agrarians and Fugitives on campus. -
Capital and Identity in Motion in Faulkner's the Sound And
i “FATHOMLESS, SYMBOLIC, AND THREATENING”: CAPITAL AND IDENTITY IN MOTION IN FAULKNER’S THE SOUND AND THE FURY AND STYRON’S SET THIS HOUSE ON FIRE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Aaron Solomon Finley May, 2011 TABLE OF CONTENTS Introduction …....…………………………………..………………..……………….. 1 Chapter I …………………………………….....…………………………………….. 19 Chapter II …..……………...………………….…………………………………..….. 43 Conclusion …………………………………...…………………………………….… 79 Works Cited ………………………………………...………………….…………..… 94 ii Introduction “We seem to try in the single furious breathing (or writing) span of the individual to draw a savage indictment of the contemporary scene or to escape from it into a make-believe region of swords and magnolias and mockingbirds which perhaps never existed anywhere.” – William Faulkner (Hobson 3) The following argument follows a certain chronology. It begins somewhere in the postbellum Southern United States where a group of Southern writers and theorists saw an inevitable change on the horizon and made the conscious decision to define themselves in the struggle against it. That inevitability was the spread and eventual globalization of industrial capitalism which had begun to creep into the American South bringing with it the threat of a complete transformation of the politics, the economy, and the identity of the region. Those who sought to slow or stop the invasion were engaged in a futile battle. The “Lost Cause” of the Confederacy had become the Lost Cause of the Old South – an idealized myth of the American South of generations past. It was a concept created through nostalgia, the very proclamation of which was the first 1 2 significant evidence of its passing. -
Southern Identity in the Stories of Taylor and O'connor
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1986 From the Country to the City: Southern Identity in the Stories of Taylor and O'Connor Catherine Anne Clark College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Clark, Catherine Anne, "From the Country to the City: Southern Identity in the Stories of Taylor and O'Connor" (1986). Dissertations, Theses, and Masters Projects. Paper 1539625353. https://dx.doi.org/doi:10.21220/s2-wxw1-dg89 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. FROM THE COUNTRY TO THE CITY: SOUTHERN IDENTITY IN THE STORIES OF TAYLOR AND O'CONNOR A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Catherine Anne Clark 1986 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts C J t t d 0 A K j V U /A m a a I . Catherine. Anne Clark Approved, August 1986 Susan Donaldson Walter Wenska Conlee ii DEDICATION To my mother and father who have taught me the most important of my lessons "And if I have the gift of prophecy, and know all mysteries and all knowledge; and if I have all faith, so as to remove mountains, but do not have love, I am nothing." — I Corinthians 13:2 iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS .................................. -
Stuart Wright Booklet
Joyner Library Presents Stuart Wright: A Life In Collecting September 7, 2011 A Message from the Dean East Carolina University® Like Tom Douglass, I first met Stuart Wright when I stepped off the train with my wife Sue in Ludlow, England—the English country squire waiting for us soon proved to be a Southern Gentleman in exile. In fact, I think this was confirmed the night STUART WRIGHT: Sue prepared “southern fried chicken” and mashed potatoes. Stuart asked for the recipe after his first helping, feasted on the leftovers for several days, and said it The Badger of Old Street stirred memories in him from long ago. On our short visit to 28 Old Street, Stuart showed and told us as much as we could absorb about the extraordinary collection of southern American literature that he hoped would eventually come to East Carolina University and Joyner Library. I was delighted with what I saw and heard and carefully calculated how much space we would need to house the collection if we could agree on price and terms. Being only acquainted with the work of some of the authors like Robert Penn Warren, Randall Jarrell, and Eudora Welty, I could not truly appreciate the importance of the book collection or the exceptional quality of the many boxes of letters, journals, and manuscripts that comprised the collection. Fortunately, Tom Douglass could and he and Stuart spent many hours poring over the materials and discussing their significance while I could only listen in amazement. My amazement and delight have only increased markedly since the collection has come to Joyner Library. -
Robert Lowell's Poetry Focused On
Lowell.final 4/8/04 12:04 PM Page 39 The Brahmin Rebel Robert Lowell’s poetry focused on “only four places”—and one was Harvard. by adam kirsch ast year, the publication of his Collected Poems returned Robert Lowell ’39 to the center stage of American poetry. From 1946, when L he won the Pulitzer Prize for his first book, Lord Weary’s Castle, until his death, Lowell (1917-77) was widely considered the leading part of Lowell’s achievement: he was the great poet of Harvard. poet of his generation. His writing had an ambition and Of course, a roster of the poets associated with Harvard, as grandeur rare in any period, and especially so in the second half teachers or students, would include a large share of twentieth- of the twentieth century, when poetry became an increasingly century American poetry, from Wallace Stevens, A.B. 1900, marginal art. As the critic Edmund Wilson wrote, Lowell and Robert Frost ’01, and T.S. Eliot ’10 down to Elizabeth Bishop, W. H. Auden were the only poets of their time who had “big who taught often at the University, Maxine Kumin ’46, John Ash- enough talents to achieve poetic careers on the old nineteenth- bery ’49, Frank O’Hara ’50, and Adrienne Rich ’51. But no other century scale.” poet wrote about Harvard so much or so well as Lowell. For no Even more remarkable, Lowell’s art was constantly evolving. other poet of comparable stature was Harvard, or possibly any The complex, ambiguous verse of Lord Weary’s Castle gave way to college, so important. -
NEWSLETTER 532 Massachusetts Avenue, Boston, Massachusetts 02118-1402 — Vol
The South End Historical Society NEWSLETTER 532 Massachusetts Avenue, Boston, Massachusetts 02118-1402 — Vol. 39 No.1, Winter 2011 knew (adults to me, Dr. Merrill Moore children when she Psychiatrist and Poet lived there), and told stories about by alison barnet drinking home- In anticipation of celebrating the made wine with 45th Anniversary of the South the owners of an End Historical Society in 2011, Italian market on we are pleased to publish this Washington Street. profile of a prominent resident of Merrill Moore had the past by longtime South Ender wanted to start a and author Alison Barnet. food co-op on East Springfield Street, n 1935, when Dr. Merrill my former land- Moore arrived at Boston lady had once told City Hospital for his post- me. Despite the Igraduate training in neurology Depression, those and psychiatry, he was already were evidently good the author of 25,000 sonnets. times in a family- His record, according to the oriented, ethnically Journal of the American Medical mixed South End Association, was one hundred in neighborhood. four hours.1 “My husband “[H]e does not compose was a lot more them, he improvises them,” gregarious than I commented writer/editor Louis am,” wrote Mrs. Untermeyer. “He dictates them Merrill Moore, 1938 Moore. Indeed, a to his wife, jots them down to be three sons and a daugh- Boston Post reporter in shorthand between cases, ter) — bought a house close to noted in 1935, “Nobody else [and] forms them driving home the hospital. “I do have many of my acquaintance knows as during pauses in traffic while happy memories of our life at 39 many people as Merrill Moore. -
In the Wake of the Sun: Navigating the Southern Works of Cormac Mccarthy © 2009 by Christopher J
In the Wake of the Sun Navigating the Southern Works of Cormac McCarthy Christopher J. Walsh In the Wake of the Sun In the Wake of the Sun Navigating the Southern Works of Cormac McCarthy Christopher J. Walsh Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy © 2009 by Christopher J. Walsh Digital version at www.newfoundpress.utk.edu/pubs/walsh Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit <http://creativecommons.org/licenses/by-nc/3.0/us/>. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-7-0 ISBN-10: 0-9797292-7-0 Walsh, Christopher J., 1968- In the wake of the sun : navigating the southern works of Cormac McCarthy / by Christopher J. Walsh. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2009. xxiii, 376 p. : digital, PDF file. Includes bibliographical references (p. [357]-376). 1. McCarthy, Cormac, 1933- -- Criticism and interpretation. I. Title. PS3563.C337 Z943 2009 Book and cover design by Jayne Rogers Cover image by Andi Pantz I dedicate this book to my mother, Maureen Lillian Walsh, and to the memory of my father, Peter Anthony Walsh (1934-2000), as their hard work and innumerable sacrifices made all of this possible. -
The Peter Taylor Papers Addition
THE ANDREW NELSON LYTLE ADDITION (MSS. 599) Inventory ARRANGED AND DESCRIBED BY CATHERINE ASHLEY VIA 2005 SPECIAL COLLECTIONS JEAN AND ALEXANDER HEARD LIBRARY VANDERBILT UNIVERSITY 419 21ST Avenue South Nashville, TN 37240 615-322-2807 CONTENTS OF INVENTORY Contents Page # Summary 3 Biographical/Historical Note 4-11 Scope and Content Note 12 List of Series and Subseries 13-15 Series and Subseries Descriptions 16-18 Container List 19-39 2 SUMMARY Size 13 linear ft. Geographic United States Locations Inclusive 1853-1995 Dates Bulk 1961-1992 Dates Languages English Summary The Papers of Andrew Nelson Lytle (1902-1995), author, educator, editor, critic and Vanderbilt University alumnus (B.A. 1925), were acquired in 1998 from Lytle’s son-in-law & literary executor, George Chamberlain. Lytle was a member of the Agrarian literary movement and was close colleagues with Robert Penn Warren, John Crowe Ransom, and Allen Tate. Access No restrictions. Restrictions Copyright Andrew Lytle’s literary executor is his son-in-law, George Chamberlain of Sewanee. His address is: George I. Chamberlain 233 Quintard Road Sewanee, TN 37375 Telephone: 931-598-0532 Stack Manuscripts Locations 3 BIOGRAPHICAL/HISTORICAL NOTE 1902 Born on December 26, in Murfreesboro, Tennessee, to Robert Logan and Lillie Belle Lytle. 1907 Father buys the Log Cabin at Monteagle, Tennessee. 1916-1920 Enrolls in Sewanee Military Academy as a day student in fall of 1916; attends as boarding student after fall of 1917 when mother buys house in Sewanee; wins the Golden Medal for Scholarship; upon graduation is offered, but refuses an appointment to West Point; travels in France with mother and sister, Polly; writes a letter from France to Sewanee’s headmaster, Major Henry Gass, which is printed in The Little Tiger, the student publication; prepares for admission to Oxford while at the home of Mademoiselle Durieux on the Left Bank in Paris with an English tutor; studies fencing. -
The Novels of Andrew Lytle: a Study in the Artistry of Fiction
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1972 The oN vels of Andrew Lytle: a Study in the Artistry of Fiction. Charles Chester Clark Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Clark, Charles Chester, "The oN vels of Andrew Lytle: a Study in the Artistry of Fiction." (1972). LSU Historical Dissertations and Theses. 2199. https://digitalcommons.lsu.edu/gradschool_disstheses/2199 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
The Peter Taylor Papers Addition
THE ANDREW NELSON LYTLE PAPERS (MSS. 267) Inventory ARRANGED AND DESCRIBED BY CATHERINE ASHLEY VIA 2005 SPECIAL COLLECTIONS JEAN AND ALEXANDER HEARD LIBRARY VANDERBILT UNIVERSITY 419 21ST Avenue South Nashville, TN 37240 615-322-2807 CONTENTS OF INVENTORY Contents Page # Summary 3 Biographical/Historical Note 4-11 Scope and Content Note 12 List of Series and Subseries 13-14 Series and Subseries Descriptions 15-16 Container List 17-47 2 SUMMARY Size 6 linear ft. Geographic United States Locations Inclusive 1873-1988 Dates Bulk 1920-1960 Dates Languages English Summary The Papers of Andrew Nelson Lytle (1902-1995), author, educator, editor, critic and Vanderbilt University alumnus (B.A. 1925), were acquired from Mr. Lytle in three segments. Lytle was a member of the Agrarian literary movement and was close colleagues with Robert Penn Warren, John Crowe Ransom, and Allen Tate. Access No restrictions. Restrictions Copyright Andrew Lytle’s literary executor is his son-in-law, George Chamberlain of Sewanee. His address is: George I. Chamberlain 233 Quintard Road Sewanee, TN 37375 Telephone: 931-598-0532 Stack Manuscripts Locations 3 BIOGRAPHICAL/HISTORICAL NOTE 1902 Born on December 26, in Murfreesboro, Tennessee, to Robert Logan and Lillie Belle Lytle. 1907 Father buys the Log Cabin at Monteagle, Tennessee. 1916-1920 Enrolls in Sewanee Military Academy as a day student in fall of 1916; attends as boarding student after fall of 1917 when mother buys house in Sewanee; wins the Golden Medal for Scholarship; upon graduation is offered, but refuses an appointment to West Point; travels in France with mother and sister, Polly; writes a letter from France to Sewanee’s headmaster, Major Henry Gass, which is printed in The Little Tiger, the student publication; prepares for admission to Oxford while at the home of Mademoiselle Durieux on the Left Bank in Paris with an English tutor; studies fencing. -
The Robert Penn Warren Collection at Emory University: a Personal Account Richard Schuchard
Robert Penn Warren Studies Volume 5 Centennial Edition Article 13 2005 The Robert Penn Warren Collection at Emory University: A Personal Account Richard Schuchard Follow this and additional works at: http://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Schuchard, Richard (2005) "The Robert Penn Warren Collection at Emory University: A Personal Account," Robert Penn Warren Studies: Vol. 5 , Article 13. Available at: http://digitalcommons.wku.edu/rpwstudies/vol5/iss1/13 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. The Robert Penn Warren Collection at Emory University: A Personal Account RONALD SCHUCHARD The first seminar paper that I wrote in graduate school was on Robert Penn Warren’s Blackberry Winter. I don’t know what the professor thought of my essay, for the only written remark was “This has always been one of my favorite stories.” Perhaps the fact that I did not ruin the story for him was meant to be sufficient response. My own love of Blackberry Winter led me to teach Warren’s stories, poems, and novels in introductory courses as a teaching assistant, but when I began to write my dissertation on T.S. Eliot I had not yet discovered Warren’s great admiration for his work. When I became an assistant professor at Emory University, my colleague, the late Floyd C. Watkins, had just finished a book on Eliot, The Flesh and the Word, and had turned his critical interests toward Warren.