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June July 2015.Pub
CONGREGATION BETH ISRAEL “A Family of Families” June & July 2015 CALENDAR OF RELIGIOUS SERVICES >>> B’nai Mitzvah of Friday, June 5 Friday, July 3 Shabbat Service @ 6:00 pm Shabbat Service @ 6:00 pm Alex & Samantha Saturday, June 6 Saturday, July 4 Ryan Shabbat Service @ 9:00 am Shabbat Service @ 9:00am Saturday, June 13, 2015 Friday, June 12 Friday, July 10 Shabbat Service @ 6:00 pm Shabbat Service @ 6:00pm Alex and Samantha Ryan Saturday, June 13 Saturday, July 11 Shabbat Service @ 10:00 am Shabbat Service @ 9:00 am will be called to the Torah B’nai Mitzvah of Samantha & Alex Ryan Friday, July 17 as a Bar/Bat Mitzvah on Shabbat Service @ 6:00 pm Friday, June 19 Saturday, June 13, 2015 Shabbat Service @ 6:00pm Saturday, July 18 at 10:00 am. Shabbat Service @ 9:00 am Saturday, June 20 Shabbat Service @ 9:00 am Friday, July 24 Shabbat Service @ 6:00 pm Friday, June 26 Shabbat Service @ 6:00 pm Saturday, July 25 Shabbat Service @ 9:00am Saturday, June 27 Shabbat Service @ 9:00am Friday, July 31 Shabbat Service @ 6:00 pm Saturday, August 1 Shabbat Service @ 9:00am Torah Study Saturdays @ 11:00am Please come and join us PRESIDENT’S MESSAGE As I write my final article for the bulletin, I can’t help but reflect on my last two years as your president. It has been both better and more difficult than I could imagine. Attending more congregational events has been very fulfilling and meaningful and has truly made me more spiritual, and for that I am very CONGREGATION BETH ISRAEL appreciative. -
Jewish Movie Night for Kids and Their Families Parents: Please Note Ratings and Use Your Discretion
Jewish Movie Night For Kids and their families Parents: Please note ratings and use your discretion Fiddler on the Roof (1971- G) Adapted from the Tevye the Milkman Stories by Yiddish Author Sholom Aleichem. This musical classic features Tevye- a Jewish peasant in pre-revolutionary Russia who deals with marrying off three of his daughters while a growing anti-Semitic sentiment threatens his village. The Jazz Singer (1927- Not Rated) This movie made film history as the first “Talkie”- using recorded sound within the film. Famous performer Al Jolson is the son of a Cantor who must choose between the religious traditions of his father or pursue his dream of becoming a Jazz Singer. Deals with themes of Assimilation and identity. (Rabbi Lisa’s personal favorite!) The Producers (1967 PG) A Mel Brooks Classic. Producers Max Bialystock and Leo Bloom make money by producing a sure-fire flop- “Springtime for Hitler!” Chariots of Fire (1981- PG) Two British track athletes, one a determined Jew and the other a devout Christian, compete in the 1924 Olympics. Deals with issues of race and religion. School Ties (1992- PG 13) Brendan Fraiser plays a Jewish boy at an elite prep school in the 1950's. He must hide his religion until a jealous bigot forces it out in the open. Deals with Anti-Semitism Yentl (1983-PG) Musical based on a short story by Isaac Bashevis Singer, Barbara Streisand disguises herself as a boy so she is able to study Talmud in the Yeshiva. Deals with gender identity and the Jewish American immigrant experience. -
Apocalypse Now Redux — Remonter Les Ténèbres Un Maestro Et Son Ultime Chef-D’Oeuvre Apocalypse Now Redux, États-Unis 2001, 197 Minutes Charles-Stéphane Roy
Document généré le 27 sept. 2021 15:13 Séquences La revue de cinéma Apocalypse Now Redux — Remonter les ténèbres Un maestro et son ultime chef-d’oeuvre Apocalypse Now Redux, États-Unis 2001, 197 minutes Charles-Stéphane Roy Le cinéma québécois des années 90 Numéro 215, septembre–octobre 2001 URI : https://id.erudit.org/iderudit/59182ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Roy, C.-S. (2001). Compte rendu de [Apocalypse Now Redux — Remonter les ténèbres : un maestro et son ultime chef-d’oeuvre / Apocalypse Now Redux, États-Unis 2001, 197 minutes]. Séquences, (215), 49–49. Tous droits réservés © La revue Séquences Inc., 2000 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ APOCALYPSE NOW REDUX Remonter les ténèbres : un maestro et son ultime chef-d'œuvre annes, printemps 1979. Au cœur de l'ancien Palais du CFestival, Francis Ford Coppola se dirige nerveusement vers un microphone et s'adresse à un auditoire impatient. Dans un élan théâtral, il envoie une première missive : « My film is not about Vietnam. -
Paris Can Wait
LIFETIME FILMS AMERICAN ZOETROPE CORNER PIECE CAPITAL In association with PROTAGONIST PICTURES and TOHOKUSHINSHA FILM CORPORATION present PARIS CAN WAIT Written, Produced & Directed by ELEANOR COPPOLA Starring Diane Lane Arnaud Viard And Alec Baldwin Opens NY/LA 05/12/17 Rated PG 92 min East Coast Publicity West Coast Publicity Distributor 42 West Block-Korenbrot Sony Pictures Classics Scott Feinstein Eric Osuna Carmelo Pirrone 220 West 42nd St., 12th Fl. 6100 Wilshire Blvd., Ste 170 Maya Anand New York, NY 10036 Los Angeles, CA 90048 25 Madison Ave. 212-277-7555 tel 323-634-7001 tel New York, NY 10010 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CAST Anne Lockwood Diane LANE Jacques Clement Arnaud VIARD Michael Lockwood Alec BALDWIN Martine Elise TIELROOY Carole Elodie NAVARRE Mechanic Serge ONTENIENTE Philippe Pierre CUQ Musée Des Tissus Guard Cédric MONNET Concierge Aurore CLEMENT Suzanne Davia NELSON Alexandra Eleanor LAMBERT FILMMAKERS Written, Produced and Directed by ELEANOR COPPOLA Produced by FRED ROOS Executive Producers MICHAEL ZAKIN LISA HAMILTON DALY TANYA LOPEZ ROB SHARENOW MOLLY THOMPSON Director of Photography Crystel Fournier, Afc Production Designer ANNE SEIBEL, ADC Costume Designer MILENA CANONERO Editor GLEN SCANTLEBURY Sound Designer RICHARD BEGGS Music by LAURA KARPMAN Synopses LOG LINE A devoted American wife (Diane Lane) with a workaholic inattentive husband (Alec Baldwin) takes an unexpected journey from Cannes to Paris with a charming Frenchman (Arnaud Viard) that reawakens her sense of self and joie de vivre. LONG SYNOPSIS Eleanor Coppola’s feature film directorial and screenwriting debut at the age of 81 stars Academy Award® nominee Diane Lane as a Hollywood producer’s wife who unexpectedly takes a trip through France, which reawakens her sense of self and her joie de vivre. -
Poroshas Ekev
ב''ה SERMON RESOURCE FOR SHLUCHIM DISTRIBUTION DATE: THURSDAY , AUGUST 24 2017 – 2 ELUL 5777 PARSHAS SHOFTIM SERMON TITLE: Staying True to Life’s Mission Shoftim Staying True to Life’s Mission Good Shabbos! In 2016, the famous Jewish actor Gene Wilder passed away. He was a well-known comic who starred in many films. One of Gene Wilder’s biggest hits was a late-70s production called The Frisco Kid. It’s the silly story of the village shlepper in a Polish shtetl in 1850 getting sent to S. Francisco, California to serve as the rabbi of the city’s Jewish community only because he spoke English. In the movie, the president of Frisco’s Jewish community mails a written request to the Chief Rabbi of Poland, asking for a rabbi—and pledging that the candidate sent will be given his daughter as a wife. So Avraham Belinsky, travels by ship to Philadelphia, where he tries to find transportation to S. Francisco. Nobody in Poland told him that he’d have to cross an entire continent! On the contrary—back in his home country, he was told that S. Francisco was “right next to New York.” So Mr. Belinsky, as a religious Jew played masterfully and authentically by Mr. Wilder, is also travelling with a small sefer Torah, a Torah scroll, which is intended for the S. Francisco congregation’s synagogue. He’s a sweet, innocent and trusting guy—not to mention a bit of a shlemiel. So early on in the film, he gets scammed by highway robbers whose false tale of desperation fools him into parting with his money. -
Jewish Resources You Can Enjoy at Home: for Adults
Jewish Resources You Can Enjoy at Home: For Adults Concerts/Performances: Trio Sefardi will be presenting a virtual concert on Monday evening, March 23, at 7:30 p.m. featuring Sephardic music from the Balkans and Turkey, and songs by the amazing singer/composer Flory Jagoda. For information on how to see and hear the concert, visit http://bit.ly/3sephardi. National Yiddish Theater Folksbiene -- from the folks who brought us “Fiddler on the Roof” in Yiddish -- check out their live social media performances this week: https://nytf.org/ Books: Here All Along: Finding Meaning, Spirituality and a Deeper Connection to Life -- In Judaism , by Sarah Hurwitz (Spiegel and Grau, 2019). A young, savvy political speechwriter rediscovers the wisdom to be found in the age-old teachings and practices of Judaism. The Beth Am Staff read this insightful book earlier this year. An Innocent Bystander: The Killing of Leon Klinghoffer, by Julie Salamon (Little, Brown and Co. 2019). A well-researched account of the Klinghoffer murder and its aftermath. In the Beginning: A Short History of the Hebrew Language, by Joel Hoffman (NYU Press, 2006). Hoffman, who served as translator of the 10-volume series My People’s Prayer Book, offers an energetic and entertaining account of the 3000 year evolution of Hebrew. A Pigeon and a Boy, by Meir Shalev (Schocken, 2009). A beautiful and poignant novel by one Israel’s greatest writers. The Weight of Ink, by Rachel Kadish (Houghton Mifflin Harcourt, 2017) -- Set in 17th century England and the 21st century and featuring a fascinating female protagonist, this novel rewards the patient reader. -
Exclusive Licence Ailowing the National Library of Canada To
National Library Bibliothèque nationale I*I of Canada du Canada Acquisitions and Acquisitions et Bibliographic Senices services bibliographiques 395 Wellington Street 395. nie Wellington Ottawa ON KIA ON4 OttawaON K1AOW Canada Canada Your fi& Vme retPIenœ Our Iüe Notre refem The author has granted a non- L'auteur a accordé une licence non exclusive Licence ailowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfichelfilm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. An Ethnopphy of Seeing: A Proposed Methodology for the Ethnographie Study of Popular Cinema by Mikel J. Koven A thesis subrnitted to the School of Graduate Studies in partial filfilment of the requirements for the degree of Doctor of Philosophy Department of Folklore Mernorial University of Newfoundland March I 5, 1999 St* John's Newfoundland AxwrRAcr: Cinema is a symbolic manifestation of cultural identity based on the experience of that identity. Generaliy, social scientists have relied on the ethnographie documentary tradition in film to explore issues related to cultural experience. -
CFP: Thou Shalt Make Cinematic Images! Jewish Faith and Doubt on Screen (6/1/16; 10/26-30/16)
H-Film CFP: Thou Shalt Make Cinematic Images! Jewish Faith and Doubt on Screen (6/1/16; 10/26-30/16) Discussion published by Cynthia Miller on Friday, March 18, 2016 CALL FOR PAPERS CFP: Thou Shalt Make Cinematic Images! Jewish Faith and Doubt on Screen An area of multiple panels for the 2016 Film & History Conference: Gods and Heretics: Figures of Power and Subversion in Film and Television October 26-October 30, 2016 The Milwaukee Hilton Milwaukee, WI (USA) DEADLINE for abstracts: June 1, 2016 AREA: Thou Shalt Make Cinematic Images! Jewish Faith and Doubt on Screen Despite Judaism’s commandment against making graven images of God, films representing Jewish faith in God—or doubt in the face of collective and personal catastrophes and competing worldviews—have abounded from the advent of the movie industry. Since God cannot be visualized, movies must rely on depictions of an omnipotent historical and moral force, or a source of belief compelling Jews to endure martyrdom, persecution, and segregation, and to observe Jewish law and rituals. Motion pictures about how God informs modern Jewish lives have become more varied with the emergence of Jewish denominationalism and secular ideologies, like socialism or Zionism, often pitting factions within the Jewish community against each other. This area welcomes papers and panels that explore how Jewish belief and disbelief in God are constructed by filmmakers in documentaries and feature movies. The following themes are suggestions and should not be construed as the only topics that would fit in this area: The portrayal of Judaism in documentaries: Heritage: Civilization and the Jews (1984), A Life Apart (1997), and The Story of the Jews (2013). -
The National Film Preserve Ltd. Presents the This Festival Is Dedicated To
THE NATIONAL FILM PRESERVE LTD. PRESENTS THE THIS FESTIVAL IS DEDICATED TO Stanley Kauffmann 1916–2013 Peter O’Toole 1932–2013 THE NATIONAL FILM PRESERVE LTD. PRESENTS THE Julie Huntsinger | Directors Tom Luddy Kim Morgan | Guest Directors Guy Maddin Gary Meyer | Senior Curator Mara Fortes | Curator Kirsten Laursen | Chief of Staff Brandt Garber | Production Manager Karen Schwartzman | SVP, Partnerships Erika Moss Gordon | VP, Filmanthropy & Education Melissa DeMicco | Development Manager Joanna Lyons | Events Manager Bärbel Hacke | Hosts Manager Shannon Mitchell | VP, Publicity Justin Bradshaw | Media Manager Jannette Angelle Bivona | Executive Assistant Marc McDonald | Theater Operations Manager Lucy Lerner | SHOWCorps Manager Erica Gioga | Housing/Travel Manager Beth Calderello | Operations Manager Chapin Cutler | Technical Director Ross Krantz | Technical Wizard Barbara Grassia | Projection and Inspection Annette Insdorf | Moderator Mark Danner | Resident Curators Pierre Rissient Peter Sellars Paolo Cherchi Usai Publications Editor Jason Silverman (JS) Chief Writer Larry Gross (LG) Prized Program Contributors Sheerly Avni (SA), Paolo Cherchi Usai (PCU), Jesse Dubus (JD), Geoff Dyer (GD), Gian Luca Farinelli (GLF), Mara Fortes (MF), Scott Foundas (SF), Guy Maddin (GM), Leonard Maltin (LM), Jonathan Marlow (JM), Todd McCarthy (TM), Gary Meyer (GaM), Kim Morgan (KM), Errol Morris (EM), David Thomson (DT), Peter von Bagh (PvB) Tribute Curator Short Films Curators Student Prints Curator Chris Robinson Jonathan Marlow Gregory Nava and Bill Pence 1 Guest Directors Sponsored by Audible.com The National Film Preserve, Ltd. Each year, Telluride’s Guest Director serves as a key collaborator in the A Colorado 501(c)(3) nonprofit, tax-exempt educational corporation Festival’s programming decisions, bringing new ideas and overlooked films. -
2007 Program in Judaic Studies
FALL 2007 Program in Judaic Studies PERELMAN INSITITUE PRINCETON UNIVERSITY In this Issue 2 Courses DIRECTOR’S MESSAGE for the Author in Philonic and Rabbinic 3 Students Exegesis.” The eight undergraduate theses I am honored to be serving as acting are described in the newsletter. 3 Class of 2007 director of Judaic Studies this year while 3 Alumni 2007 Peter Schäfer is on leave In 2006-2007 there also were 42 graduate 4 Senior Theses 2007 in Berlin. Marcie Citron, students whose interests lie in some 7 Graduate Fellowships our program manager, and aspect of Judaic Studies, drawing from Reyne Schleifer, our program Anthropology, Architecture, Comparative 8 Graduate Students associate, have made this Literature, English, German, History, 10 Summer Funding transition very smooth and History of Science, Near Eastern Studies, 17 Committee easy for everyone concerned. Politics, Religion, and Sociology. We were Leora Batnitzky 17 Advisory Council 2006-2007 was a great year able to provide four top-up fellowships for 18 Faculty Research and News for our program and I am happy to be able incoming graduate students in Sociology, to report on our many achievements. Religion, and Near Eastern Studies whose 22 Events work relates in large part to Judaic Studies. STUDENTS We also awarded summer grants for research Our course offerings were rich and our and study to 14 graduate students and 6 enrollments remained high in 2006-2007. undergraduate students. The projects ranged specific institutional programs of activities In the fall of 2006, JDS sponsored, co- from language study to archaeological that will enhance both research and teaching. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
May 2013 Volume 27 - Number 5 Iyyar-Sivan 5773
May 2013 Volume 27 - Number 5 Iyyar-Sivan 5773 Shavuot Services: Tuesday, May 14 - 7:30 pm - Erev Wednesday, May 15 - 9:00 am - 11:00 am Thursday, May 16 - 9:00 am - 11:00 am - Yizkor Erev Shavuot - Tuesday, May 14 - Maariv 7:30pm Join our Tikkun Leil Shavuot study session following Maariv and running till we're done. We will read the first chapter of every book in the Tanach (bible). Tall order? Not really. Hopefully it will whet your appetite to read the rest of some of the books you may have skipped in the past. Building Community Since 1954 Staff From Our Rabbi: From Our President: Rabbi ............................ Joshua Neely By Rabbi Joshua Neely By Arlene van de Rijn Education Director ..............Debra Kira Youth Director .............. Michael Weiss Here’s a good idea (I think so, Office Admin ... John-Patrick Alexander Is that kosher? This has become an anyway). Rather than operating from Bookkeeper ....................... Lee Getsee English expression when someone is a stance of neediness (how are we questioning the rightness or appropriateness of a going to pay the electric bill if we don’t have this Executive Committee situation. On the one hand, I am proud that our or that fund-raiser?) perhaps we should make a system of eating has become a byword for stronger effort to live with the assets that already President ................ Arlene van de Rijn “beyond taint of suspicion.” On the other hand, 1st Vice Pres................... Eric Hoffman exist among us. We could look more carefully at kashrut was never meant to create suspicion in the the education, skills, hobbies, experiences and VP Membership ...............