Jazzweek with Airplay Data Powered by Jazzweek.Com • July 26, 2010 Volume 6, Number 34 • $7.95
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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Ronnie Scott's Jazz C
GIVE SOMEONE THE GIFT OF JAZZ THIS CHRISTMAS b u l C 6 z 1 0 z 2 a r J e MEMBERSHIP TO b s ’ m t t e c o e c D / S r e e i GO TO: WWW.RONNIESCOTTS.CO.UK b n m e OR CALL: 020 74390747 n v o Europe’s Premier Jazz Club in the heart of Soho, London ‘Hugh Masekela Returns...‘ o N R Cover artist: Hugh Masekela Page 36 Page 01 Artists at a Glance Tues 1st - Thurs 3rd: Steve Cropper Band N Fri 4th: Randy Brecker & Balaio play Randy In Brasil o v Sat 5th: Terence Blanchard E-Collective e Sun 6th Lunch Jazz: Atila - ‘King For A Day’ m b Sun 6th: Ronnie Scott’s Jazz Orchestra e Mon 7th - Sat 12th: Kurt Elling Quintet “The Beautiful Day” r Thurs 10th: Late Late Show Special: Brandee Younger: A Tribute To Alice Coltrane & Dorothy Ashby Sun 13th Lunch Jazz: Salena Jones & The Geoff Eales Quartet Sun 13th: Dean Brown - Rolajafufu The Home Secretary Amber Rudd came up with Mon 14th - Tues 15th : Bettye LaVette Wed 16th - Thurs 17th : Marcus Strickland Twi-Life a wheeze the other day that all companies should Fri 18th - Sat 19th : Charlie Hunter: An Evening With publish how many overseas workers they employ. Sun 20th Lunch Jazz: Charlie Parker On Dial: Presented By Alex Webb I, in my naivety, assumed this was to show how Sun 20th: Oz Noy Mon 21st: Ronnie Scott’s Blues Explosion much we relied upon them in the UK and that a UT Tues 22nd - Wed 23rd: Hugh Masekela SOLD O dumb-ass ban or regulated immigration system An additional side effect of Brexit is that we now Thurs 24th - Sat 26th: Alice Russell would be highly harmful to the economy as a have a low strength pound against the dollar, Sun 27th Lunch Jazz: Pete Horsfall Quartet whole. -
Jazzweek with Airplay Data Powered by Jazzweek.Com • December 13, 2010 Volume 7, Number 3 • $7.95
JazzWeek with airplay data powered by jazzweek.com • December 13, 2010 Volume 7, Number 3 • $7.95 Jazz Album No. 1: The Clayton Brothers The Smooth Album No. 1: Dave Koz Hello New Song And Dance (ArtistShare) Tomorrow (Concord) World Music No. 1: AfroCubism AfroCubism Smooth Single No. 1: Dave Koz “Put The Top (Nonesuch) Down” (Concord) Jazz Album Chart .................... 3 Jazz Add Dates ...................... 7 Smooth Jazz Album Chart ............. 4 Jazz Radio Currents .................. 8 Smooth Singles Chart ................. 5 Jazz Radio Panel ................... 11 World Music Album Chart.............. 6 Smooth Jazz Current Tracks........... 13 Smooth Jazz Station Panel............ 14 Jazz Birthdays December 13 December 17 December 25 Sonny Greer (1895) Ray Noble (1903) Kid Ory (1890) Ben Tucker (1930) Sy Oliver (1910) Cab Calloway (1907) Reggie Johnson Born (1940) Sonny Red (1932) Chris Woods (1925) Mark Elf (1949) Walter Booker (1933) Bob James (1939) December 14 December 18 Ronnie Cuber (1941) Budd Johnson (1910) Fletcher Henderson (1897) December 26 Ted Buckner (1913) Eddie “Cleanhead” Vinson (1917) Monty Budwig (1929) Clark Terry (1920) Harold Land (1928) John Scofield (1951) Cecil Payne (1922) Leo Smith (1941) Cassandra Wilson (1955) Phineas Newborn (1931) December 19 December 27 Jerome Cooper (1946) Bob Brookmeyer (1929) Bunk Johnson (1889) Dan Barrett (1955) Bobby Timmons (1935) Booty Wood (1919) December 15 December 20 Walter Norris (1931) Stan Kenton (1911) Larry Willis (1940) December 28 Billy Butler (1925) December -
Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Biography-George-ROBERT.Pdf
George ROBERT Born on September 15, 1960 in Chambésy (Geneva), Switzerland, George Robert is internationally reCognized as one of the leading alto saxophonists in jazz today. He started piano at a very early age and at age 10 he began Clarinet lessons at the Geneva Conservatory with LuC Hoffmann. In 1980 he moved to Boston and studied alto saxophone with Joe Viola at the Berklee College of MusiC. In 1984 he earned a Bachelor of Arts in Jazz Composition & Arranging and moved to New York where he enrolled at the Manhattan SChool of MusiC. He studied with Bob Mintzer and earned a Master’s Degree in Jazz PerformanCe in 1987. He played lead alto in the Manhattan SChool of MusiC Big Band for 2 years, whiCh earned in 1985 the 1st Prize in the College Big Band Category in the Down Beat Magazine Jazz Awards In July 1984 he performed on the main stage of the Montreux Jazz Festival and earned an Outstanding PerformanCe Award from Down Beat Magazine. In 1985 & 1986 he toured Europe extensively. In 1987 he met Tom Harrell and together they founded the George Robert-Tom Harrell Quintet (with Dado Moroni, Reggie Johnson & Bill Goodwin). The group Completed 125 ConCerts worldwide between 1987 & 1992, and reCorded 5 albums. He remained in New York City and free-lanCed for 7 years, playing with Billy Hart, Buster Williams, the Lionel Hampton Big Band, the Toshiko Akiyoshi-Lew Tabackin Jazz OrChestra, Joe Lovano, and many others. He met Clark Terry and started touring with him extensively, Completing a 16- week, 65-ConCert world tour in 1991. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
Karya Brian Culbertson
PERANAN HORN SECTION PADA LAGU “GET IT ON” KARYA BRIAN CULBERTSON JURNAL S1 Seni Musik Oleh: Fandry Marbun NIM. 1111771013 Program Studi Seni Musik Jurusan Musik, Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta 2016 UPT Perpustakaan ISI Yogyakarta PERANAN HORN SECTION PADA LAGU “GET IT ON” KARYA BRIAN CULBERTSON Oleh: 1 2 Fandry Marbun, Wahyudi, 1Alumni Jurusan Musik FSP ISI Yogyakarta 2Staf Pengajar Jurusan Musik FSP ISI Yogyakarta 3Staf Pengajar Jurusan Musik FSP ISI Yogyakarta Jurusan Musik, Fakultas Seni Pertunjukan Institut Seni Indonesia Yogyakarta [email protected] ABSTRAK Penelitian ini bertujuan untuk mengetahui peranan dan bentuk komposisi dari horn section pada salah satu karya Brian Culbertson yang berjudul “Get It On”. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskrptif analisis. Hasil penelitian ini menunjukkan bahwa: (1) Peranan horn section pada lagu “Get It On” dengan genre funk cenderung bermain sebagai pengisi/filler, sesekali mengambil tema utama dan juga memainkan bagian improvisasi seperti lagu-lagu jazz pada umumnya, (2) karaketeristik permainan pengisi/filler horn section pada lagu “Get It On” ini cenderung menggunakan not-not sepredelapan, seperenambelas serta banyak bermain di bagian sinkopasi dan tutti, (3) bentuk komposisi lagu “Get It On” terdiri dari tiga bagian , dengan susunan kalimat A- B-C-A’ yang terdiri dari 181 birama : 17 birama bagian introduksi, 8 birama kalimat A, 8 birama kalimat B, 4 birama kalimat C, 8 birama kalimat A’, 7 birama transisi penghantar, 2 birama transisi modulasi, 92 birama bagian improvisasi dan 3 birama kodetta. Kata Kunci: Get It On, Horn Section, Brian Culbertson, Funk. ABSTRACT This Research aims to determine the role and form composition of horn section on one of Brian Culbertson creation entitled “Get It On”. -
Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Student Study Outline
Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Student Study Outline I. The “Me” Decade a. Tom Wolfe’s label b. Music industry reached new heights of consolidation II. Singer-Songwriters: Carole King, Joni Mitchell, James Taylor a. Carole King (b. 1942): career illustrates the central prominence of singer- songwriters in this period i. Tapestry (1971): album whose success made King a major recording star b. Joni Mitchell (b. 1943): began career as songwriter, started recording on her own in 1968 i. Blue (1971): best-known album; cycle of songs about complexity of love c. James Taylor (b. 1948): perhaps the most successful long-running career of the 1970s era singer-songwriters i. Sweet Baby James (1970): hugely successful album with many hit singles, including number three hit “Fire and Rain.” III. Country Music and the Pop Mainstream a. Country-pop crossover accomplished by a new generation of musicians: i. Glen Campbell (b. 1936) ii. Charlie Rich (b. 1932) iii. Olivia Newton-John (b. 1948) iv. Dolly Parton (b. 1946) v. John Denver (1943‒1997) IV. Box 11.1: Hardcore Country: Merle Haggard and the Bakersfield Sound a. Merle Haggard (b. 1937) V. Country Rock: The Eagles a. The Eagles: influential band who epitomized the culture of Southern California i. Ambitious saga “Hotel California” cashed in on this association VI. Rock Comes of Age a. Pop rock and soft rock i. Elton John (b.1947): continued trend of long-running “British occupation” of the American pop charts 1. “Crocodile Rock” and nostalgia b. -
Completeandleft
MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 Am
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/12/2010 to 08/18/2010 Last Period (TP) = 08/05/2010 to 08/11/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Kenny Burrell Be Yourself HighNote 2010 15 15 0 1 39 Tomas Janzon Experiences Changes 2010 15 2 13 3 2 Curtis Fuller I Will Tell Her Capri 2010 13 11 2 3 23 Chris Massey Vibrainium Self-Released 2010 13 3 10 5 3 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 10 10 0 5 9 Buselli Wallarab Jazz Mezzanine Owl Studios 2010 10 5 5 Orchestra 7 16 Mark Weinstein Timbasa Jazzheads 2010 8 4 4 7 71 Amina Figarova Sketches Munich 2010 8 1 7 7 71 Steve Davis Images Posi-Tone 2010 8 1 7 10 5 Nnenna Freelon Homefree Concord 2010 7 8 -1 10 9 Fred Hersch Whirl Palmetto 2010 7 5 2 12 5 Tim Warfield A Sentimental Journey Criss Cross 2010 6 8 -2 12 8 Rita Edmond A Glance At Destiny T.O.T.I. 2010 6 6 0 12 16 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 6 4 2 12 23 The Craig Russo Latin Jazz Mambo Influenciado Cagoots 2010 6 3 3 Project 12 39 Radam Schwartz Songs For The Soul Arabesque 2010 6 2 4 12 71 Tamir Hendelman Destinations Resonance 2010 6 1 5 12 267 Buckwheat Zydeco Lay Your Burden Down Alligator 2009 6 0 6 12 267 Charlie Musselwhite The Well Alligator 2010 6 0 6 20 4 Jason Moran Ten Blue Note 2010 5 9 -4 20 7 Stephen Anderson Nation Degeneration Summit 2010 5 7 -2 20 16 Keith Jarrett