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The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
East Ferry Avenue Historic District East Ferry Avenue Between
East Ferry Avenue Historic District HABS No. MI-311 East Ferry Avenue between Woodward and Beaubien Avenues Detroit Wayne County Michigan WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN BUILDINGS SURVEY MID-ATLANTIC REGION, NATIONAL PARK SERVICE • DEPARTMENT OF THE INTERIOR PHILADELPHIA, PENNSYLVANIA 19106 HABS HISTORIC AMERICAN BUILDINGS SURVEY ,2 6- EAST FERRY AVENUE HISTORIC DISTRICT HABS No. MI-311 Location: East Ferry Avenue between Woodward and Beaubien Avenues Present Owner: Multiple owners Present Use: Residential, institutional Significance: The East Ferry Avenue Historic District represents a fairly intact turn-of-the-century, upper class residential area representing a variety of architectural styles popular from the 1880s through the first decades of the twentieth century. It is also significant for its later association with the black history of Detroit. PART I HISTORICAL INFORMATION A. Physical History: 1. Architects: 5510 Woodward Ave. Colonel Frank J. Hecker House - Louis Kamper, Architect. 60 East Ferry Ave., William A. Pungs House - William E. Higginbotham and William G. Malcomson, Architects. 71 East Ferry Ave., Charles Lang Freer House - Wilson Eyre, Jr., Architect.. 84 East Ferry, John Scott House - John Scott, Architect. 100 East Ferry, George A. Owen House - John Scott & Co., -Architects. 110 East Ferry, William Jackson House - John Scott & Co., Architects (probable) 5450 John R. Street, James Murphy House - F.E. Carleton, Architect. 222 East Ferry Ave., Samuel A Sloman House - George V. Pottle, Architect. 223 East Ferry Ave., Rufus Goodell House - Rogers & McFarlane, Architects. 235 East Ferry Ave., William L. Barclay House - Mortimer L. • Smith, Architect. 246 East Ferry Ave., Residence - A.E. Harley, Architect. -
The Surprising History of Race and Law in Michigan
The Surprising History of Race and Law in Michigan A Legal Vignette Presented by Paul Finkelman at the April 27, 2006 Annual Luncheon The legal history of race relations in nineteenth and early twentieth century Michigan is enormously complicated and full of surprises. Traditional scholarship has portrayed the Midwest as deeply hostile to black rights. The antebellum Midwest is remembered for laws that prohibited blacks from voting, testifying against whites, or serving on juries, while placing various impediments to their settling in the states north of the Ohio River. Most scholarship ignores race relations in the post-Civil War Midwest, except to note that blacks faced discrimination and hostility. While this story may be true for Illinois and Indiana, recent scholarship on the legal history of Ohio suggests a more complex story. The forthcoming A History of Michigan Law shows that the received wisdom that the Midwest was overwhelmingly hostile to blacks does not reflect the history of Michigan. Antebellum Michigan was known as a Beacon of Liberty for fugitive slaves and free blacks seeking a better life. After Reconstruction, Michigan adopted a number of laws to protect the civil rights of blacks in the Wolverine state. By 1900, Michigan had some of the strongest civil rights laws in the nation and a supreme court committed to enforcing them. Liberty and Race in Antebellum Michigan The new state of Michigan inherited a number of restrictive laws when it was carved out of the Northwest Territory. Blacks could not vote anywhere in the Northwest and, not surprisingly, the Michigan Constitution did not enfranchise African Americans. -
Shrine of the Black Madonna
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: Shrine of the Black Madonna of the Pan African Orthodox Christian Church Other names/site number: Pilgrim Congregational Church, Brewster-Pilgrim Congregational Church, Central Congregational Church Name of related multiple property listing: The Civil Rights Movement and the African American Experience in 20th Century Detroit (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: 7625 Linwood Street City or town: Detroit State: Michigan County: Wayne Not For Publication: Vicinity: _____________________________ _______________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation -
1924 African American Professionals in 1924, There Were 80,000 African Americans Living in the City of 1 Detroit, Double the Population Four Years Before
Charles H. Wright Museum of African American History 1924 African American professionals In 1924, there were 80,000 African Americans living in the city of 1 Detroit, double the population four years before. Groups like the Detroit Urban League worked hard to find jobs, housing and medical assistance for the newcomers. Dodge, Ford and Packard were all offering jobs to African American men in their factories. Most of these jobs were unskilled labor-intensive jobs and no company saw much room for improvement. Women still found most work as domestics. Some businesses had been created to support the African American community, but professionals were scarce. In 1924 there were 35 physicians, 24 lawyers, 24 dentists, 2 15 pharmacists, 8 social service workers, 26 nurses, 2 accountants, 2 architects, 7 bookkeepers, 18 stenographers, 29 public school teachers, 25 postmen, 10 postal clerks and 8 policemen representing the black community in Detroit. 3 1 African-American men at work in the foundry. Courtesy of the National Automotive Heritage Collection, Detroit Public Library 2 African American Nurses Library of Congress, Prints & Photographs Division, FSA/OWI Collection, [LC-USE6-D-009002] 3 African American Doctor Library of Congress, Prints & Photographs Division, FSA/OWI Collection, [LC-USF34-038657-D] The copyright law of the United States (Title 17, United States Code) restricts photocopying or reproduction of copyrighted material for anything other than “fair use.” “Fair use” includes private study, scholarship, research and non-profit educational purposes. If you wish to use an image from this website for a purpose other than “fair use” it is your responsibility to obtain permission from the copyright holder. -
CLARK ATLANTA UNIVERSITY AWH Department
DRAFT – DO NOT DISTRIBUTE CLARK ATLANTA UNIVERSITY AWH Department Course Syllabus AWS 600—Seminar in Africana Women’s Studies: Sonia Sanchez Instructor: Dr. Stephanie Y. Evans Office Hours Wednesdays, 3:00pm-4:00 pm or by appointment Office Location McPheeters-Dennis Hall, Room 200w Office Telephone 404-880-6352 Email [email protected] Resource Page: www.ProfessorEvans.net Course# and Credit Level Course Title Semester Time Section Hours (U/G) CAWS 01 Seminar in Africana Women’s Studies 3 Spring 2015 Thursday G 600 CMW 314 4:30-7:00 pm Brief Description This course is designed to introduce students to the discipline of Africana Women’s Studies by providing an overview of the social, political, intellectual and theoretical approaches utilized in such an academic undertaking. Special focus will be given to AWS via close reading of Professor Sonia Sanchez’s body of work. Sonia Sanchez on Womanism “I wrote poems that were obviously womanist before we even started talking about it.” (p. 73) “I think that one of the things that we, that black women, have to understand is that they’ve been involved in womanist issues all their lives.” (p. 103) “So, what I’m saying is at some point our sensibilities, our sensitivity, our herstory made us approach the whole idea of what it was to be a black woman in a different fashion, in a different sense. And that is why I think Alice talks about being a womanist, as opposed to a feminist.” (p. 104) “I think you—if you say out loud, I am a womanist or I want to go into women’s studies and/or I want to go to a university to learn something and I’m a history major or a political science major, the very fact that you are a black woman coming into those departments will change some of the stuff that goes on in there, by the very fact that you are there.” (p. -
Print Version (Pdf)
Special Collections and University Archives : University Libraries Broadside Press Collection 1965-1984 (Bulk: 1965-1975) 1 box, 110 vols. (3.5 linear ft.) Call no.: MS 571 Collection overview A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement. The Broadside Press Collection includes approximately 200 titles published by Randall's press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children's books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards. See similar SCUA collections: African American Antiracism Arts and literature Literature and language Poetry Printed materials Prose writing Social justice Background Dudley Randall was working as a librarian in Detroit in 1963 when he learned of the brutal bombing of the 16th Street Baptist Church in Birmingham, Alabama. Randall's poetic response was "The Ballad of Birmingham," a work that became widely known after it was set to music by the folk singer Jerry Moore. -
Clinging to Their Guns? the New Politics of Gun Carry in Everyday Life
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Clinging to their Guns? The New Politics of Gun Carry in Everyday Life Permalink https://escholarship.org/uc/item/0nx042hb Author Carlson, Jennifer Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Clinging to their Guns? The New Politics of Gun Carry in Everyday Life By Jennifer D. Carlson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Raka Ray, Chair Professor Ann Swidler Professor Loïc Wacquant Professor Jonathan Simon Professor Brian Delay Fall 2013 Abstract Clinging to their Guns? The New Politics of Gun Carry in Everyday Life by Jennifer D. Carlson Doctor of Philosophy in Sociology University of California, Berkeley Professor Raka Ray, Chair Alongside a series of high-profile massacres over the past decade, Americans continue to turn to guns as the solution to, rather than the cause of, violent crime. Since the 1970s, most US states have significantly loosened restrictions on gun carrying for self-defense, and today, over 8 million Americans hold permits to carry guns concealed. Contrary to popular images of gun culture, this is not a white-only affair: in Michigan, whites and African Americans are licensed to carry guns at roughly the same rate. And while women are licensed at rates far lower than men, their -
A Poetic History of the People, Places, and Events of Detroit Morgan Mccomb University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2014 Gravity in a Jar: A Poetic History of the People, Places, and Events of Detroit Morgan McComb University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the American Literature Commons Recommended Citation McComb, Morgan, "Gravity in a Jar: A Poetic History of the People, Places, and Events of Detroit" (2014). Honors Theses. 720. https://egrove.olemiss.edu/hon_thesis/720 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. GRAVITY IN A JAR: A POETIC HISTORY OF THE PEOPLE, PLACES, AND EVENTS OF DETROIT by Morgan McComb A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2014 Approved by ___________________________________ Advisor: Professor Beth Ann Fennelly ___________________________________ Reader: Professor Chiyuma Elliot ___________________________________ Reader: Dr. John Samonds © 2014 Morgan Leigh McComb ALL RIGHTS RESERVED ii ABSTRACT MORGAN LEIGH MCCOMB: Gravity in a Jar: A Poetic History of the People, Places, and Events of Detroit (Under the direction of Beth Ann Fennelly) In this thesis, I explore the history of the city of Detroit in order to better understand the factors that have led to Detroit’s current state. The research materials I have used are standard history books as well as newspaper articles, journals, and published interviews with former and current Detroit residents. -
Copyrighted Material – 978–0–230–27381–8 Copyrighted Material – 978–0–230–27381–8
Copyrighted material – 978–0–230–27381–8 © 2013 James Campbell All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identifi ed as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2013 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–0–230–27380–1 hardback ISBN 978–0–230–27381–8 paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. -
Movement Capture Or Movement Strategy? a Critical Race History Exchange on the Beginnings of Brown V
Movement Capture or Movement Strategy? A Critical Race History Exchange on the Beginnings of Brown v. Board Megan Ming Francis & John Fabian Witt In 2019, Megan Ming Francis published a path-breaking article challenging the conventional wisdom in the field on a core piece of civil rights history: the role of a philanthropic foundation called the American Fund for Public Service, also known as the Garland Fund, in working alongside the NAACP to produce the organization’s famous litigation campaign leading to Brown v. Board of Education. Starting in the late 1920s and early 1930s, education came to occupy a central place in the NAACP’s agenda, and education desegregation became the focus of its efforts to break the back of Jim Crow. In Francis’s provocative account, the predominantly white Garland Fund captured the agenda of the civil rights organization through its financial influence, shifting the organization’s central focus from racial violence toward education equality. An organization that had been focused on protecting Black lives from white violence reoriented its attention to a new campaign, which siphoned off resources from other projects, such as workers’ economic rights and Black labor concerns. In this exchange, Francis and legal historian John Fabian Witt debate exactly who captured whom in the relationship between the NAACP and the Garland Fund. Their exchange engages method and substance in the history of civil rights. Among other things, Witt contends that the NAACP’s leadership also subtly coopted the Garland Fund’s resources and turned them toward the civil rights organization’s preexisting objectives rather than vice versa. -
Gwendolyn Brooks
EDITOR'S NOTE Gwendolyn Brooks What shall I give my children? who are poor, Who are adjudged the leastwise of the land, Who are my sweetest lepers, who demand No velvet and no velvety velour... —Annie Allen In Annie Allen as in her other poetry over the last sixty years, Gwendolyn Brooks offers powerful insights into the human experience. In this issue of Humanities we look at the life and work of Brooks, who has been chosen as the 1994 Jefferson Lecturer in the Humanities. She is the twenty-third recipient of the honor, which is the highest Gwendolyn Brooks, 1994 Jefferson Lecturer in award the federal government bestows for distinguished achievement the Humanities. — © 1994 by Jill Krementz in the humanities. Brooks calls Chicago her home. The South Side, where she grew up and still lives, has become her poetic world as well. Vivid characters have come to inhabit it: Satin-Legs Smith in "wonder-suits in yellow Humanities and in wine,/ sarcastic green and zebra-striped cobalt." Gas Cady, "the A bimonthly review published by the man who robbed J. Harrison's grave of mums/ and left the peony bush National Endowment for the Humanities. only because it was too big (said Mama)..." Mary, the gang girl, Chairman: Sheldon Hackney "a rose in a whiskey glass." The sixtyish sisters of the Mecca, Director of Communications Policy: "the twins with the floured faces, who dress in long stiff blackness,/who Gary L. Krull exit stiffly together and enter together/ stiffly,/ muffle their Mahler, finish their tea..." Brooks gives "a view of life," writes Blyden Jackson in Black Poetry in Editor: Mary Lou Beatty Assistant Editors: Constance Burr America, "in which one may see a microscopic portion of the universe Susan Q.