A Once in a Lifetime
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3) Indiana Jones Proof
CHAPTER EIGHT Hollywood vs. History In my frst semester of graduate school, every student in my program was required to choose a research topic. It had to be related in some way to modern Chinese history, our chosen course of study. I didn’t know much about China back then, but I did know this: if I chose a boring topic, my life would be miserable. So I came up with a plan. I would try to think of the most exciting thing in the world, then look for its historical counterpart in China. My little brainstorm lasted less than thirty seconds, for the answer was obvious: Indiana Jones. To a white, twenty-something-year-old male from American sub- urbia, few things were more exciting in life than the thought of the man with the bullwhip. To watch the flms was to expe- rience a rush of boyish adrenaline every time. Somehow, I was determined to carry that adrenaline over into my research. On the assumption that there were no Chinese counterparts to Indiana Jones, I posed the only question that seemed likely to yield an answer: How did the Chinese react to the foreign archaeologists who took antiquities from their lands? Te answer to that question proved far more complex than I ever could have imagined. I was so stunned by what I discov- ered in China that I decided to read everything I could about Western expeditions in the rest of the world, in order to see how they compared to the situation in China. Tis book is the result. -
Rose Gardner Mysteries
JABberwocky Literary Agency, Inc. Est. 1994 RIGHTS CATALOG 2019 JABberwocky Literary Agency, Inc. 49 W. 45th St., 12th Floor, New York, NY 10036-4603 Phone: +1-917-388-3010 Fax: +1-917-388-2998 Joshua Bilmes, President [email protected] Adriana Funke Karen Bourne International Rights Director Foreign Rights Assistant [email protected] [email protected] Follow us on Twitter: @awfulagent @jabberworld For the latest news, reviews, and updated rights information, visit us at: www.awfulagent.com The information in this catalog is accurate as of [DATE]. Clients, titles, and availability should be confirmed. Table of Contents Table of Contents Author/Section Genre Page # Author/Section Genre Page # Tim Akers ....................... Fantasy..........................................................................22 Ellery Queen ................... Mystery.........................................................................64 Robert Asprin ................. Fantasy..........................................................................68 Brandon Sanderson ........ New York Times Bestseller.......................................51-60 Marie Brennan ............... Fantasy..........................................................................8-9 Jon Sprunk ..................... Fantasy..........................................................................36 Peter V. Brett .................. Fantasy.....................................................................16-17 Michael J. Sullivan ......... Fantasy.....................................................................26-27 -
Whirlwind Worldcon
EDITORIAL Sheila Williams WHIRLWIND WORLDCON; or SHAMELESS NAME DROPPING It was not my intention to attend LonCon 3, the 2014 Worldcon, which was held in London this past summer.Although I usually arrange family vacations around World- con, we couldn’t do that in 2014 because we were already planning to visit the UK in April. Our elder daughter was spending her junior semester abroad at University Col- lege London and then returning to the States for a paid summer internship. We could- n’t swing two trips to England and we didn’t want to take a trip without her. When I drew up the magazine’s 2014 budget, I decided my big professional outing would be the World Fantasy Convention in Washington, D.C. WFC is an excellent convention that, like Worldcon, is always jam-packed with authors. Yet, while I wasn’t planning on attending LonCon 3, the Universe was conspiring to get me there. My husband, younger daughter, and I set out for JFK and London on April 11. We checked our luggage and proceeded to security.While on that line, I received a super- secret email informing me that I’d been nominated for a Hugo. The rest of our jour- ney through security proceeded without incident. Eventually, we headed for our gate, only to make the startling discovery that our check-in had been accidentally voided and our seats given away to standby passengers! This plane was the last flight out to London of the night, so while our luggage was happily on its way to Heathrow, we weren’t going anywhere fast. -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 6-1-2006 SFRA ewN sletter 276 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 276 " (2006). Digital Collection - Science Fiction & Fantasy Publications. Paper 91. http://scholarcommons.usf.edu/scifistud_pub/91 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #~T. April/llay/June J006 • Editor: Christine Mains Hanaging Editor: Janice M. Boastad Nonfiction Reriews: Ed McKniaht Science Fiction Research Fiction Reriews: Association Philip Snyder SFRA Re~;e", The SFRAReview (ISSN 1068-395X) is published four times a year by the Science Fiction ResearchAs I .. "-HIS ISSUE: sodation (SFRA) and distributed to SFRA members. Individual issues are not for sale; however, starting with issue SFRA Business #256, all issues will be published to SFRA's website no less than 10 weeks Editor's Message 2 after paper publication. For information President's Message 2 about the SFRA and its benefits, see the Executive Meeting Minutes 3 description at the back of this issue. For a membership application, contact SFRA Business Meeting Minutes 4 Treasurer Donald M. Hassler or get one Treasurer's Report 7 from the SFRA website: <www.sfra.org>. -
Clockwork Heroines: Female Characters in Steampunk Literature Cassie N
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TopSCHOLAR Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 5-1-2013 Clockwork Heroines: Female Characters in Steampunk Literature Cassie N. Bergman Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the Literature in English, British Isles Commons, and the Literature in English, North America Commons Recommended Citation Bergman, Cassie N., "Clockwork Heroines: Female Characters in Steampunk Literature" (2013). Masters Theses & Specialist Projects. Paper 1266. http://digitalcommons.wku.edu/theses/1266 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. CLOCKWORK HEROINES: FEMALE CHARACTERS IN STEAMPUNK LITERATURE A Thesis Presented to The Faculty of the Department of English Western Kentucky University Bowling Green Kentucky In Partial Fulfillment Of the Requirement for the Degree Master of Arts By Cassie N. Bergman August 2013 To my parents, John and Linda Bergman, for their endless support and love. and To my brother Johnny—my best friend. ACKNOWLEDGEMENTS I would like to thank Johnny for agreeing to continue our academic careers at the same university. I hope the white squirrels, International Fridays, random road trips, movie nights, and “get out of my brain” scenarios made the last two years meaningful. Thank you to my parents for always believing in me. A huge thank you to my family members that continue to support and love me unconditionally: Krystle, Dee, Jaime, Ashley, Lauren, Jeremy, Rhonda, Christian, Anthony, Logan, and baby Parker. -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 10-1-1996 SFRA ewN sletter 225 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 225 " (1996). Digital Collection - Science Fiction & Fantasy Publications. Paper 164. http://scholarcommons.usf.edu/scifistud_pub/164 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. (i j ,'s' Review= Issue #225, September/October 1996 IN THIS ISSUE: SFRA INTERNAL AFFAIRS: Proposed SFRA Logo.......................................................... 5 President's Message (Sanders) ......................................... 5 Officer Elections/Candidate Statements ......................... 6 Membership Directory Updates ..................................... 10 SFRA Members & Friends ............................................... 10 Letters (Le Guin, Brigg) ................................................... 11 Editorial (Sisson) ............................................................. 13 NEWS AND INFORMATION ......................................... -
Lightspeed Magazine, Issue 78 (November 2016)
TABLE OF CONTENTS Issue 78, November 2016 FROM THE EDITOR Editorial, November 2016 SCIENCE FICTION Dinosaur Killers Chris Kluwe Under the Eaves Lavie Tidhar Natural Skin Alyssa Wong For Solo Cello, op. 12 Mary Robinette Kowal FANTASY Two Dead Men Alex Jeffers Shooting Gallery J.B. Park A Dirge for Prester John Catherynne M. Valente I've Come to Marry the Princess Helena Bell NOVELLA Karuna, Inc. Paul Di Filippo EXCERPTS The Genius Asylum Arlene F. Marks NONFICTION Media Review: Westworld The Geek’s Guide to the Galaxy Book Reviews, November 2016 Kate M. Galey, Jenn Reese, Rachel Swirsky, and Christie Yant Interview: Stephen Baxter The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Chris Kluwe Lavie Tidhar J.B. Park Alyssa Wong Catherynne M. Valente Mary Robinette Kowal Helena Bell Paul di Filippo MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2016 Lightspeed Magazine Cover by Reiko Murakami www.lightspeedmagazine.com Editorial, November 2016 John Joseph Adams | 1064 words Welcome to issue seventy-eight of Lightspeed! We have original science fiction by Chris Kluwe (“Dinosaur Killers”) and Alyssa Wong (“Natural Skin”), along with SF reprints by Lavie Tidhar (“Under the Eaves”) and Mary Robinette Kowal (“For Solo Cello, op. 12”). Plus, we have original fantasy by J.B. Park (“Shooting Gallery”) and Helena Bell (“I’ve Come to Marry the Princess”), and fantasy reprints by Alex Jeffers (“Two Dead Men”) and Catherynne M. Valente (“A Dirge for Prester John”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns. -
Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction
University of Pennsylvania ScholarlyCommons Anthropology Senior Theses Department of Anthropology Spring 2014 Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction Julie R. Sanchez University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/anthro_seniortheses Part of the Anthropology Commons Recommended Citation Sanchez, Julie R., "Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction" (2014). Anthropology Senior Theses. Paper 154. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_seniortheses/154 For more information, please contact [email protected]. Liminality, Marginality, Futurity: Case Studies in Contemporary Science Fiction Abstract This thesis analyzes the relationship between science fiction worlds and the worlds in which they are imagined. While this study is interdisciplinary, the central concept employed is Victor Turner’s theory of liminality. Science fiction worlds are liminal spaces; though they are cognitively or existentially linked to objective reality, the points of divergence reveal the boundaries of dominant cultural paradigms. The liminal worlds of science fiction are particularly hospitable to marginalized groups, such as racial, ethnic, and sexual minorities. Engaging with other worlds is method for theorizing alternate structures of reality. Drawing from Darko Suvin’s work on science fiction and utopia, I argue that imagining other worlds through science fiction world-building is a powerful tool for world-making. The thesis contains three case studies of 21st century American science fiction authors, all of whom eflectr trends in postmodern writing. John Scalzi’s critically acclaimed novels parody common science fiction tropes, simultaneously revealing and revising our understanding of the genre. His theory of Narrative in Redshirts is a powerful allegory for Bourdieu’s theory of doxa. -
AUTHOR the Development of Videodisc Based Environments To
! DOCUMENT RESUME ED 275 503 SE 047 477 AUTHOR Sherwood, Robert D. TITLE The Development of Videodisc Based Environments to Facilitate Science Instruction. PUB DATE Apr 86 NOTE 35p.; Document contains small print. PUB TYPE Reports - Research/Technical (143) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Educational Technology; Higher Education; Instructional Materials; *Instructional Systems; *Interactive Video; Man Machine Systems; *Mediation Theory; Multimedia Instruction; Peer Teaching; *Problem Solving; Science Education; *Science Instruction; Secondary Education; *Secondary School Science; Videodisks IDENTIFIERS *Interactive Systems ABSTRACT Formal educational environments often provide less support for learning than do the everyday environments availableto young children. This paper considers the concept of idealized leataing environments, defined as "Havens." Variouscomponents of Havens are discussed that may facilitate comprehension, especiallyin science instruction. These components include: (1) the opportunityto learn in semantically rich contexts; (2) the availabilityof "mediators" who can guide learning; and (3) the importanceof understanding how new knowledge can functionas conceptual tools that facilitate problem solving. Three experimentswere presented that suggest some of the advantages of learning in "Haven-like" environments. Two experiments were done with collegestudents and one with junior high school students. The experiments involvevery simple uses of instructional technology, yet they showed -
INDIANA JONES and the SAUCER MEN from MARS by JEB STUART STORY by GEORGE LUCAS and JEB STUART Based on Characters Created by George Lucas and Philip Kaufman
INDIANA JONES and THE SAUCER MEN FROM MARS by JEB STUART STORY BY GEORGE LUCAS AND JEB STUART Based on Characters Created By George Lucas And Philip Kaufman LUCASFILM LTD. REVISED DRAFT P.O. BOX 2009 February 20, 1995 SAN RAFAEL, CA 94912 THIS MATERIAL IS THE PROPERTY OF LUCASFILM LTD. AND IS INTENDED AND RESTRICTED SOLELY FOR USE BY LUCASFILM LTD. PERSONNEL DISTRIBUTION OR DISCLOSURE OF THIS MATERIAL TO UNAUTHORIZED PERSONS IS PROHIBITED. THE SALE, COPYING, OR REPRODUCTION OF THIS MATERIAL IN ANY FORM IS STRICTLY PROHIBITED. From the Paramount mountain WE DISSOLVE to an identical mountain towering over a subtropical jungle. Far below, a SMALL STEAMER moves down a dark river. A LEGEND APPEARS ON SCREEN: BORNEO 1949. KABUL(V.O.) Dr. Jones, we're out of coal! ANGLE THE BOAT A wild-eyed native man, KABUL, shovels the last dust of coal into the engine and looks back terrified at INDIANA JONES He comes up from below deck and takes the wheel. INDY Burn anything you can get your hands on, Kabul. I'll try to get her out into the current. He turns the wheel hard and checks the steam gauge. INDY Damnit, I meant to get that gauge fixed. He bangs it with his hand. ALONG THE RIVERBANK crocodiles, twenty-feet long and six months between meals, eye the boat. KABUL pulls down a pole holding the awning. He breaks it across his knee but instead of SNAP we hear a BOOM. Indy and Kabul exchange a look and suddenly a plume of water rises twenty feet high off the port side of the steamer. -
Indiana Jones and the Heroic Journey Towards God Chris Yogerst University of Wisconsin - Washington County, [email protected]
Journal of Religion & Film Volume 18 Article 7 Issue 2 October 2014 10-1-2014 Faith Under the Fedora: Indiana Jones and the Heroic Journey Towards God Chris Yogerst University of Wisconsin - Washington County, [email protected] Recommended Citation Yogerst, Chris (2014) "Faith Under the Fedora: Indiana Jones and the Heroic Journey Towards God," Journal of Religion & Film: Vol. 18 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol18/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Faith Under the Fedora: Indiana Jones and the Heroic Journey Towards God Abstract This essay explores how the original Indiana Jones trilogy (Raiders of the Lost Ark, Temple of Doom, and The Last Crusade) work as a single journey towards faith. In the first film, Indy fully rejects religion and by the third film he accepts God. How does this happen? Indy takes a journey by exploring archeology, mythology, and theology that is best exemplified by Joseph Campbell's The Hero With a Thousand Faces. Like many people who come to find faith, it does not occur overnight. Indy takes a similar path, using his career and adventurer status to help him find Ultimate Truth. Keywords Indiana Jones, Steven Spielberg, Hollywood, Faith, Radiers of the Lost Ark, Indiana Jones and the Last Crusade, Indiana Jones and the Temple of Doom Author Notes Chris Yogerst teaches film and communication courses for the University of Wisconsin Colleges and Concordia University Wisconsin. -
Reading the Fantastic Imagination
Reading the Fantastic Imagination Reading the Fantastic Imagination: The Avatars of a Literary Genre Edited by Dana Percec Reading the Fantastic Imagination: The Avatars of a Literary Genre Edited by Dana Percec This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Dana Percec and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5387-9, ISBN (13): 978-1-4438-5387-3 TABLE OF CONTENTS Foreword ................................................................................................. viii Introduction .............................................................................................. xv It’s a Kind of Magic Dana Percec Part I: Fantasy: Terms and Boundaries Chapter One ................................................................................................ 2 Fantasy: Beyond Failing Definitions Pia Brînzeu Chapter Two ............................................................................................. 39 Gothic Literature: A Brief Outline Francisco Javier Sánchez-Verdejo Pérez Chapter Three ..........................................................................................