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The Sci-Fi Optimist
COMMENT BOOKS & ARTS literature and science. Journey to the Centre of the Earth (1864) is about scien- REX tific method and its misuses. Scientists Professor Lidenbrock and Axel enter Earth through an Icelandic crater and, after improbable adventures involving mastodons and underground oceans, are ejected through the Italian volcano Strom- boli. Lidenbrock ignores data that disturb his schema. Axel is a romantic who fails to examine observable facts. Yet the book probes scientific wonder: when Axel is lost and terrified in subterranean darkness, the reader experiences awe contemplating the complete absence of light. The French-language genre advanced significantly with the uncompromis- ing scientific approach of J.-H. Rosny Aîné — the pseudonym of the Belgian Joseph Henri Honoré Boex. In the 1910 Death of the Earth, Rosny’s vision of global environmental crisis is prescient. An imbalance created partly by humans turns Earth to desert. Targ, the last man, succumbs with Darwinian altruism. Real- izing that carbon-based life must perish Q&A Neal Stephenson so that the iron-based Ferromagnetics can inhabit the stricken planet, he invites them to take his blood. Rosny excised the anthropomorphic from science fiction. The sci-fi optimist The 1950s and 1960s saw an invasion Best-selling science-fiction writer Neal Stephenson’s works cover everything from cryptography of space-age Anglo-American sci-fi, to Sumerian mythology. Ahead of next year’s novel Seveneves, he talks about his influences, the quickly rejected by French critics. Its stagnation in material technologies, and Hieroglyph, the forthcoming science-fiction anthology main portal was Fiction, launched in 1953 that he kick-started to stimulate the next generation of engineers. -
1970S Feminist Science Fiction As Radical Rhetorical Revisioning. (2014) Directed by Dr
BELK, PATRICK NOLAN, Ph.D. Let's Just Steal the Rockets: 1970s Feminist Science Fiction as Radical Rhetorical Revisioning. (2014) Directed by Dr. Hephzibah Roskelly. 204 pages. Feminist utopian writings from the 1970s included a clearly defined rhetorical purpose: to undermine the assumption of hidden male privilege in language and society. The creative conversation defining this rhetorical purpose gives evidence of a community of peers engaging in invention as a social act even while publishing separately. Writers including Samuel Delany, Joanna Russ, James Tiptree, Jr., and Ursula Le Guin were writing science fiction as well as communicating regularly with one another during the same moments that they were becoming fully conscious of the need to express the experiences of women (and others) in American literary and academic society. These creative artists formed a group of loosely affiliated peers who had evolved to the same basic conclusion concerning the need for a literature and theory that could finally address the science of social justice. Their literary productions have been well-studied as contemporaneous feminist utopias since Russ’s 1981 essay “Recent Feminist Utopias.” However, much can be understood about their rhetorical process of spreading the meme of feminist equality once we go beyond the literary productions and more closely examine their letters, essays, and commentary. This dissertation will show that this group of utopian fiction writers can be studied as exactly that: a loosely connected, collaborative, creative group of peers with specific ideas about how humanity could be better if assumptions of male superiority were undermined and with the rhetorical means to spread those ideas in ways which changed the literary and social conversation. -
Dec. 2006 E-MAIL: [email protected] WEBSITE
PO Box 656, Washington, DC 20044 - (202) 232-3141 - Issue #201 - Dec. 2006 E-MAIL: [email protected] WEBSITE: http://www.lambdasf.org/ New Year’s Eve Reminder: Annual LSF Dec. 2006 - Feb. 2007 Video Party Book Exchange Battlestar Galactica Parties announced by Set for Jan. 14th Meeting from Peter Knapp Peter Knapp Come celebrate New Year’s Eve (and other with Lambda Sci-Fi at Rob and Peter’s stuff, too!) home in DC. This annual event will give us a chance to both recover from the That’s right, gang, the Holiday hectic “holiday” season and to party Season is almost upon us again; and it’s some more in anticipation of the new time for a short reminder about Lambda year. Here are the details on how to join Sci-Fi’s upcoming seventeenth annual in on the fun! book (et al) exchange, which will occur at Where: The home of Rob & the January 14th meeting! All LSF mem- Rob and I will be hosting par- Peter - 1425 “S” Street, NW Washington, bers are invited to participate in this “blind ties to view the next four episodes of DC. For directions, see: exchange” -- and visitors are invited to Battlestar Galactica and Jonathan will http://www.lambdasf.org/lsf/club/ join in the fun, too! be the host for the following four epi- PeterRob.html Briefly, this will be an opportu- sodes. Because the holiday season is Date: Sunday, Dec. 31, 2006 nity for LSFers to exchange copies of their upon us, the Sci Fi Channel will be not be Time: The doors will open at favorite science-fiction, fantasy, or hor- broadcasting the show some weekends. -
Escapism and the Ideological Stance in Naomi Novik's
B R U M A L Revista de Investigación sobre lo Fantástico DOI: https://doi.org/10.5565/rev/brumal.606 Research Journal on the Fantastic Vol. VII, n.º 2 (otoño/autumn 2019), pp. 111-131, ISSN: 2014-7910 «I DIDN’T OFFER TO SHAKE HANDS; NO ONE WOULD SHAKE HANDS WITH A JEW»: ESCAPISM AND THE IDEOLOGICAL STANCE IN NAOMI NOVIK’S SPINNING SILVER SARA GONZÁLEZ BERNÁRDEZ Universidade de Santiago de Compostela [email protected] Recibido: 12-06-2019 Aceptado: 11-09-2019 AbsTRACT Naomi Novik, an American writer of Lithuanian-Polish ascendency, is one of the most acclaimed voices in contemporary young-adult fantasy fiction. Her fantasies are heav- ily influenced by her cultural heritage, as well as by the fairy tale tradition, which be- comes most obvious in her two standalone novels, Uprooted and the subject of this es- say, Spinning Silver. As the quote chosen for this essay’s title demonstrates, Novik’s second standalone work constitutes one of the most obvious outward statements of an ideological stance as expressed within fantasy literature, as well as an example of what Jack Zipes (2006) called transfiguration: the rewriting and reworking of traditional tales in order to convey a different, more subversive message. This paper considers how Novik’s retelling takes advantage of traditional fairy-tale elements to create an implicit critique of gender-based oppression, while at the same time, and much more overtly, denouncing racial and religious prejudice. The ideological stance thus conveyed is shown to be intended to have consequences for the reader and the world outside of the fiction. -
The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree on April 26, 2009, the James Tiptree, Jr
Spring/Summer 2009 Volume 5 The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree On April 26, 2009, The James Tiptree, Jr. H New Essay Collection from Literary Award Council announced that the Ursula K. Le Guin 2008 Tiptree Award will be going to Patrick Special Features Ness’s young adult novel The Knife of Never Letting Go and Nisi Shawl’s Filter House, an H Hanging out along the Aqueduct…, by Nisi Shawl Aqueduct Press book. page 9 The Tiptree Award, an annual literary prize H L. Timmel Duchamp for science fiction or fantasy “that expands or Interviews Liz Henry about explores our understanding of gender,” will The WisCon Chronicles, Vol. 3 be presented on Memorial Day weekend at page 6 WisCon in Madison, Wisconsin. Each winner H Gwyneth Jones writes about will receive $1000 in prize money, an original The Buonarotti Quartet artwork created specifically for the winning page 2 novel or story, and a confection, usually choco- H Three Observations and a late. The 2008 jurors were Gavin J. Grant Dialogue by Sylvia Kelso page 2 (chair), K. Tempest Bradford, Leslie Howle, Roz Kaveney, and Catherynne M. Valente. In Other News The award is named for Alice B. Sheldon, who wrote under the pseudonym H Aqueduct Celebrates James Tiptree, Jr. By her impulsive choice of a masculine pen name, Sheldon 5th Anniversary cont. on page 5 page 8 H New Spring Releases New from Aqueduct: Ursula K. Le Guin, page 12 Cheek by Jowl Talks and Essays about How and Why Fantasy Matters The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
Metahorror #1992
MetaHorror #1992 MetaHorror #Dell, 1992 #9780440208990 #Dennis Etchison #377 pages #1992 Never-before-published, complete original works by 20 of today's unrivaled masters, including Peter Straub, David Morrell, Whitley Strieber, Ramsey Campbell, Thomas Tessier, Joyce Carol Oates, Chelsea Quinn Yarbro, and William F. Nolan. The Abyss line is . remarkable. I hope to be looking into the Abyss for a long time to come.-- Stephen King. DOWNLOAD i s. gd/l j l GhE www.bit.ly/2DXqbU6 Collects tales of madmen, monsters, and the macabre by authors including Peter Straub, Joyce Carol Oates, Robert Devereaux, Susan Fry, and Ramsey Campbell. #The Museum of Horrors #Apr 30, 2003 #Dennis Etchison ISBN:1892058030 #The death artist #Dennis Etchison #. #Aug 1, 2000 Santa Claus and his stepdaughter Wendy strive to remake the world in compassion and generosity, preventing one child's fated suicide by winning over his worst tormentors, then. #Aug 1, 2008 #Santa Claus Conquers the Homophobes #Robert Devereaux #ISBN:1601455380 STANFORD:36105015188431 #Dun & Bradstreet, Ltd. Directories and Advertising Division #1984 #. #Australasia and Far East #Who Owns Whom, https://ozynepowic.files.wordpress.com/2018/01/maba.pdf Juvenile Fiction #The Woman in Black #2002 #Susan Hill, John Lawrence #ISBN:1567921892 #A Ghost Story #1986 Set on the obligatory English moor, on an isolated cause-way, the story stars an up-and-coming young solicitor who sets out to settle the estate of Mrs. Drablow. Routine. #https://is.gd/lDsWvO #Javier A. Martinez See also: Bram Stoker Award;I Have No Mouth and I Must Scream;The Whim- per of Whipped Dogs; World Fantasy Award. -
Reciprocity in Experimental Writing, Hypertext Fiction, and Video Games
UNDERSTANDING INTERACTIVE FICTIONS AS A CONTINUUM: RECIPROCITY IN EXPERIMENTAL WRITING, HYPERTEXT FICTION, AND VIDEO GAMES. A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 ELIZABETH BURGESS SCHOOL OF ARTS, LANGUAGES AND CULTURES 2 LIST OF CONTENTS Abstract 3 Declaration 4 Copyright Statement 5 Acknowledgements 6 Introduction 7 Chapter One: Materially Experimental Writing 30 1.1 Introduction.........................................................................................30 1.2 Context: metafiction, realism, telling the truth, and public opinion....36 1.3 Randomness, political implications, and potentiality..........................53 1.4 Instructions..........................................................................................69 1.41 Hopscotch...................................................................................69 1.42 The Unfortunates........................................................................83 1.43 Composition No. 1......................................................................87 1.5 Conclusion...........................................................................................94 Chapter Two: Hypertext Fiction 96 2.1 Introduction.........................................................................................96 2.2 Hypertexts: books that don’t end?......................................................102 2.3 Footnotes and telling the truth............................................................119 -
Rose Gardner Mysteries
JABberwocky Literary Agency, Inc. Est. 1994 RIGHTS CATALOG 2019 JABberwocky Literary Agency, Inc. 49 W. 45th St., 12th Floor, New York, NY 10036-4603 Phone: +1-917-388-3010 Fax: +1-917-388-2998 Joshua Bilmes, President [email protected] Adriana Funke Karen Bourne International Rights Director Foreign Rights Assistant [email protected] [email protected] Follow us on Twitter: @awfulagent @jabberworld For the latest news, reviews, and updated rights information, visit us at: www.awfulagent.com The information in this catalog is accurate as of [DATE]. Clients, titles, and availability should be confirmed. Table of Contents Table of Contents Author/Section Genre Page # Author/Section Genre Page # Tim Akers ....................... Fantasy..........................................................................22 Ellery Queen ................... Mystery.........................................................................64 Robert Asprin ................. Fantasy..........................................................................68 Brandon Sanderson ........ New York Times Bestseller.......................................51-60 Marie Brennan ............... Fantasy..........................................................................8-9 Jon Sprunk ..................... Fantasy..........................................................................36 Peter V. Brett .................. Fantasy.....................................................................16-17 Michael J. Sullivan ......... Fantasy.....................................................................26-27 -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
Lucius Shepard, He Was a Friend of Mine
EDITORIAL Sheila Williams LUCIUS SHEPARD, HE WAS A FRIEND OF MINE “Not Long after the Christlight of the world’s first morning faded, when birds still flew to heaven and back, and even the wickedest things shone like saints, so pure was their portion of evil, there was a village by the name of Hangtown that clung to the back of the dragon Griaule.” These are the evocative opening words to Lucius Shepard’s “The Scalehunter’s Beautiful Daughter,” a novella that won the 1988 Lo- cus Poll and came in second in our own Readers’ Award poll. In all the years that I’ve worked at Asimov’s, this is, perhaps, the loveliest beginning to a story I’ve ever en- countered. My own friendship with Lucius began about thirty years ago when we published “A Traveler’s Tale” in our July 1984 issue. I first met him in our office in the spring of 1984. He was moving to New York from Florida, and for a while I got to see him in person fairly often. After a couple of sublets in Manhattan, he moved to Staten Island and visits became rare. But, like many of his friendships, our relationship continued to grow and deepen over the telephone. In those days before Amazon, he was a bit iso- lated in that outer borough, so calls would come in asking for favors—can you mail me a ream of computer paper? How about a copy of the I Ching? I need its advice for a story I’m working on. -
Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K
Table of Contents MAIN STORIES American Science Fiction, 1960-1990, Ursula K. ConFrancisco Report........................................... 5 Le Guin & Brian Attebery, eds.; Chimera, Mary 1993 Hugo Awards W inners................................5 Rosenblum; Core, Paul Preuss; A Tupolev Too Nebula Awards Weekend 1994 ............................6 Far, Brian Aldiss; SHORT TAKES: Argyll: A The Preiss/Bester Connection.............................6 Memoir, Theodore Sturgeon; The Rediscovery THE NEWSPAPER OF THE SCIENCE FICTION FIELD Delany Back in P rint............................................ 6 of Man: The Complete Short Science Fiction of HWA Changes......................................................6 Cordwainer Smith, Cordwainer Smith. (ISSN-0047-4959) 1992 Chesley Awards W inners............................6 Reviews by Russell Letson:................................21 EDITOR & PUBLISHER Bidding War for Paramount.................................7 The Mind Pool, Charles Sheffield; More Than Charles N. Brown Battle of the Fantasy Encyclopedias................... 7 Fire, Philip Jose Farmer; The Sea’s Furthest ASSOCIATE EDITOR Fantasy Shop Helps AIDS F u n d ......................... 9 End, Damien Broderick. SPECIAL FEATURES Reviews by Faren M iller................................... 23 Faren C. Miller Complete Hugo Voting.......................................36 Green Mars, Kim Stanley Robinson; Brother ASSISTANT EDITORS 1993 Hugo Awards Ceremony........................... 38 Termite, Patricia Anthony; Lasher, Anne Rice; A Marianne