Gender, Animals, Animality
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Course Syllabus Animal Studies: an Introduction ANTH S-1625 Harvard Summer School 2016 Dr
2016.6.10 draft Course Syllabus Animal Studies: An Introduction ANTH S-1625 Harvard Summer School 2016 Dr. Paul Waldau Course Description This course traces the history and shape of academic efforts to study nonhuman animals. Animal studies scholars explore such questions as, how do contemporary Western societies characterize the differences between humans and non-human animals? What ethical debates surround the use of animals in scientific research or the use of animals for food? How different are other cultures’ views of nonhuman animals from the views that now prevail in the United States and other early twenty-first century industrialized societies? What assumptions in educational systems have fostered the study of nonhuman animals, and what assumptions of specific educational systems have hampered such study? Class sessions are discussion-based, and students undertake group work, significant writing, and an individual presentation. In addition, note carefully each of the Learning Objectives listed below. We will discuss these objectives regularly through significant writing, group-based discussion and individual presentations that explore the interdisciplinary implications of weaving together the humanities with sciences (both social and natural). There are no prerequisites for this course. Required Readings and Course Materials • Waldau, Paul 2013. Animal Studies: An Introduction. New York: Oxford University Press • Additional Course Materials will be specified, and most of them will be available online or in .pdf format at the -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Emmerson Denney
Toronto: 416.504.9666 EMMERSON DENNEY Vancouver: 604.744.0222 Los Angeles: 310.584.6606 PERSONAL MANAGEMENT Montreal: 1.888.652.0204 [email protected] TORONTO ••• VANCOUVER ••• LOS ANGELES www.emmerson.ca DIANE PITBLADO, B.A., M.F.A. (ACTRA/CAEA) Dialect/Voice Coach Film and Television American Gods Ricky Whittle Fremantle/David Slade Conviction Hayley Atwell ABC/ Liz Friedlander American Gothic Stephanie Leonidas CBS xXx: The Return… Donnie Yen Revolution/D.J. Caruso Suicide Squad Margot Robbie Warner Bros/David Ayres (plus Cara Delevingne; Adewale Akinnuoye-Agbaje) Defiance (season 3) Stephanie Leonidis Universal Secret Life of Marilyn… (miniseries) Kelli Garner, Emily Watson Lifetime/ Laurie Collyer Idol’s Eye (prep) Robert Pattinson Benaroya Pictures ROOM Brie Larson, Sean Bridgers Film4 Hannibal (Season 3) Mads Mikkelsen NBC/various God & Country Jake Croker Shaftesbury Films Aaliyah: Princess of R&B (MOW) Izaak Smith Lifetime/Bradley Walsh Regression lead cast Weinstein/Alejandro Amenábar (including Ethan Hawke; Emma Watson; David Dencik; Lothaire Bluteau) Bomb Girls (MOW) Tahmoh Penikett Muse The Girl King entire cast Galafilm-Triptych /Mika Kaurismäki (including Malin Buska; Sarah Gadon; Michael Nyqvist) Maps to the Stars (prep) Mia Wasikowska Prospero Pictures Hannibal (Season 2) Mads Mikkelsen NBC/various Hemlock Grove (Season 2) Dougray Scott Gaumont/various Defiance (Season 2) Stephanie Leonidis Universal Played (eps 111) Noam Jenkins; Liane Balaban Muse/Grant Harvey Pompeii lead cast FilmDistrict/Paul W.S. Anderson (including Emily Browning, Carrie-Anne Moss, Paz Vega, Sasha Roiz ) Saving Hope (eps 203) Raoul Baneja NBC/various Hannibal (Season 1) Mads Mikkelsen NBC/various Hemlock Grove (Season 1) Dougray Scott, Bill Skarsgard Gaumont/Eli Roth Defiance (Season 1) Stephanie Leonidis Universal Bomb Girls Tahmoh Penikett Muse/various XIII (eps 208) Camilla Scott Prodigy Pictures/Rachel Talalay Rewind (MOW) Keisha Castle-Hughes Universal Cable Resident Evil: Retribution (ADR) Li Bingbing Davis Films/Paul W.S. -
THE ABERDEEN KAYAK and ITS CONGENERS. by DAVID MACRITCHIE, F.S.A
THE ABERDEEN KAYAK AND ITS CONGENERS. 213 V. THE ABERDEEN KAYAK AND ITS CONGENERS. By DAVID MACRITCHIE, F.S.A. SCOT. The following observations supplement, to a considerable extent, a paper which I read before the Society many years ago, on the subject oa so-callef d " Finnish " boat preserve Edinburgh.n i d t thaA 1t t awarno s etim thawa I e similaa t r boat, wit similaha r history, was, and is still, preserved in Aberdeen. Indeed, I only became aware of that fact last autumn, which is my excuse for not taking an earlier opportunit drawinf yo e attentiogth e Societ th s existence f it n o o yt . e specieTh f boao s n questioi t s knowi n a kayak.wore s na Th d kayak is here taken in its common acceptation as denoting the long, narrow, skin-covered canoe of the Eskimos. This kind of canoe has other name s; and, conversely e worth , d kayak (varying into kayik kayook)d an s sometimei s applie vesselo dt differena f so t description. But it is useful to employ the word in its commonest sense. e presenth t A tovee day us kayae greaa r n th i , s tki extene th f o t Arctic regions, from East Greenland westward across Arctic America, and along some 800 miles of the Asiatic coast, both westward and south-westward from Bering Straits. In the sixteenth and seventeenth centuries it is reported at a point very much farther to the west, namely, on the coast of north-east Russia, beside Vaygatz Island. -
Selected Credits
Anne Dixon Costume Designer - Wardrobe Selected Credits: Costume Designer Anne, Season 1 Producer: Miranda de Pencier, Sue 2016-2017 Northwood Anne Inc. Murdoch, Moira Walley-Beckett Television Series Director: Various Production Manager: Teresa Ho Director of Photography: Bobby Shore Production Designer: Jean-Francois Campeau Costume Designer Our House Producer: Lee Kim, Marty Katz, Karen 2016 Our House Films Canada Inc. Wookey Feature Director: Anthony Scott Burns Production Manager: Sam Jephcott Director of Photography: Anthony Scott Burns Production Designer: Naz Goshtasbpour Costume Designer Shoot The Messenger, Producer: Jennifer Holness, Sudz 2015 Season 1 Sutherland, Victoria Woods Television Series Shoot the Messenger Director: Various Productions 1 Inc. Production Manager: Nancy Jackson Director of Photography: Arthur Cooper Production Designer: Rupert Lazarus Costume Designer Lavender Producer: Dave Valleau Lavender Films Inc. Director: Ed Gass-Donnelly Feature Production Manager: Aaron Barnett Director of Photography: Brendan Stacey Production Designer: Oleg Savitsky Costume Designer Born to Be Blue Producer: Jennifer Jonas, Leonard BTB Blue Productions Ltd. Farlinger, Robert Budreau Feature (NOHFC) Director: Robert Budreau Production Manager: Avi Federgreen Production Designer: Aidan Leroux Costume Designer Total Frat Movie Producer: Robert Wertheimer, Neil Digerati Films Inc. Bregman Feature Director: Warren Sonoda Production Manager: Kym Crepin Production Designer: Brian Verhoog Costume Designer Working the Engles, Season -
Folklore of The
1 Cailleach – old woman Altough the Cailleach lives in various mountain homes every year she comes to the Coire Bhreacain (Cauldren of the Plaid) to wash her massive yellow plaid in the swirling waters in order to summon the cold winds as Scotia’s Winter goddess. During archeological excavations in 1880 a figure of an ancient goddess was discovered in the peat bogs of Scotland, a figure who 2,500 years ago stood near the shore of Loch Leven as a symbol of an ancient religion or deity that has now been lost to time. Today she is known as the Ballachulish Woman & is a figure who stands at almost five feet tall & carved from a single piece of alder wood, her eyes are two quartz pebbles which even today, have a remarkable ability to draw the attention to the face of this mysterious relic. Although the identity of the Ballachulish Woman still remains a mystery many have speculated as to who this figure represented, there are some who believe that she is a depiction of a deity known as the Cailleach Bheithir, an ancient goddess of winds & 2 storms, also known as the Winter Hag, who had associations with a nearby mountain called Beinn a’Bheithir. (Hill of the thunderbolt) Another theory is that she could represent a goddess of the straits, this is due to the figures location near the straits where Loch Levan meets the sea, & was a deity that prehistoric travellers would make offerings too in an attempt to secure their safety while travelling dangerous waters. -
On Transfer of Sámi Traditional Knowledge: Scientification, Traditionalization, Secrecy, and Equality*
On Transfer of Sámi Traditional Knowledge: Scientification, Traditionalization, Secrecy, and Equality* Elina Helander-Renvall and Inkeri Markkula Introduction The aim of this chapter is to elaborate how Sámi traditional knowledge is ar- ticulated and transferred, especially as part of research activities. As a starting point, we will discuss traditional knowledge and its various understandings. Further on, we will trace and address some of the concerns that Sámi have in relation to how their reality is researched and described. Special attention will be paid to the secrecy surrounding some Sámi traditions and some knowl- edge in the context of conducting research on such issues; the scientifijication of Sámi knowledge; the traditionalization (actualization) of various traditions; and the need for equality between scientifijic and traditional knowledge. Traditional knowledge ( TK) has many defijinitions. Traditional knowledge may be defijined as knowledge that has a long historical and cultural continu- ity, having been passed down through generations, as Berkes has noted.1 In the book on traditional knowledge by Porsanger and Guttorm2 the concept árbediehtu (inherited knowledge, a Northern Sámi word) is used to refer to Sámi knowledge. They state that árbediehtu is ‘the collective wisdom and skills of the Sámi people used to enhance their livelihood for centuries. It has been * We would like to thank Regional Council of Lapland, European Regional Development Fund, and University of Lapland for the fijinancial support for the project Traditional Eco- logical Knowledge in the Sami Homeland Region of Finland which was conducted at the Arctic Centre, Rovaniemi during 1.1.2014-30.4.2015. The general aim of this project was to promote the status of Sami traditional ecological knowledge through support to the Sami craftswomen. -
Curriculum Vitae: Stephen Reysen Contact: Stephen Reysen Email: [email protected] Webpage
Curriculum Vitae: Stephen Reysen Contact: Stephen Reysen Email: [email protected] Webpage: https://sites.google.com/site/stephenreysen/ Texas A&M University-Commerce Department of Psychology and Special Education Commerce, TX 75429 Phone: (903) 886-5940 Fax: (903) 886-5510 Employment: 2015-Present Associate Professor, Texas A&M University-Commerce (TAMUC) 2009-2015 Assistant Professor, Texas A&M University-Commerce (TAMUC) Education: 2005-2009 University of Kansas (KU) Ph.D. Social Psychology, minor in Statistics 2003-2005 California State University, Fresno (CSUF) M.A. General Psychology, Emphasis: Social 1999-2003 University of California Santa Cruz (UCSC) B.A. Intensive Psychology Editor: 2010-Present Journal of Articles in Support of the Null Hypothesis Co-Chair Social Sciences Area Committee: 2017-Present Fandom and Neomedia Studies Association, Social Sciences Studies Area Books: Edwards, P., Chadborn, D. P., Plante, C., Reysen, S., & Redden, M. H. (2019). Meet the bronies: The psychology of adult My Little Pony fandom. Jefferson, NC: McFarland & Company. Reysen, S., & Katzarska-Miller, I. (2018). The psychology of global citizenship: A review of theory and research. Lanham, MD: Lexington Books. [Nominated for International Society of Political Psychology Alexander George Book Award] [Nominated for Society for General Psychology William James Book Award] Plante, C. N., Reysen, S., Roberts, S. E., & Gerbasi, K. C. (2016). FurScience! A summary of five years of research from the International Anthropomorphic Research Project. Waterloo, Ontario: FurScience. Articles: Katzarska-Miller, I., & Reysen, S. (2019). Educating for global citizenship: Lessons from psychology. Childhood Education, 95(6), 24-33. Reysen, S., Plante, C. N., Roberts, S. E., & Gerbasi, K. -
Posthum/An/Ous: Identity, Imagination, and the Internet
POSTHUM/AN/OUS: IDENTITY, IMAGINATION, AND THE INTERNET A Thesis By ERIC STEPHEN ALTMAN Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2010 Department of English POSTHUM/AN/OUS: IDENTITY, IMAGINATION, AND THE INTERNET A Thesis By ERIC STEPHEN ALTMAN May 2010 APPROVED BY: ___________________________________________ Dr. James Ivory Chairperson, Thesis Committee ___________________________________________ Dr. Jill Ehnenn Member, Thesis Committee ___________________________________________ Dr. Thomas McLaughlin Member, Thesis Committee ___________________________________________ Dr. James Ivory Chairperson, Department of English ___________________________________________ Dr. Edelma Huntley Dean, Research and Graduate Studies Copyright by Eric Altman 2010 All Rights Reserved ABSTRACT POSTHUM/AN/OUS: IDENTITY, IMAGINATION, AND THE INTERNET (May 2010) Eric Stephen Altman, B.A., Appalachian State University M.A., Appalachian State University Thesis Chairperson: Dr. James Ivory The Furry, Otherkin, and Otakukin are Internet fan subcultures whose members personally identify with non-human beings, such as animals, creatures of fantasy, or cartoon characters. I analyze several different forms of expression that the fandoms utilize to define themselves against the human world. These are generally narrative in execution, and the conglomeration of these texts provides the communities with a concrete ontology. Through the implementation of fiction and narrative, the fandoms are able to create and sustain complex fictional personas in complex fictional worlds, and thereby create a “real” subculture in physical reality, based entirely off of fiction. Through the use of the mutability of Internet performance and presentation of self-hood, the groups are able to present themselves as possessing the traits of previous, non-human lives; on the Internet, the members are post-human. -
Philosophy 1
Philosophy 1 PHILOSOPHY VISITING FACULTY Doing philosophy means reasoning about questions that are of basic importance to the human experience—questions like, What is a good life? What is reality? Aileen Baek How are knowledge and understanding possible? What should we believe? BA, Yonsei University; MA, Yonsei University; PHD, Yonsei University What norms should govern our societies, our relationships, and our activities? Visiting Associate Professor of Philosophy; Visiting Scholar in Philosophy Philosophers critically analyze ideas and practices that often are assumed without reflection. Wesleyan’s philosophy faculty draws on multiple traditions of Alessandra Buccella inquiry, offering a wide variety of perspectives and methods for addressing these BA, Universitagrave; degli Studi di Milano; MA, Universitagrave; degli Studi di questions. Milano; MA, Universidad de Barcelona; PHD, University of Pittsburgh Visiting Assistant Professor of Philosophy William Paris BA, Susquehanna University; MA, New York University; PHD, Pennsylvania State FACULTY University Stephen Angle Frank B. Weeks Visiting Assistant Professor of Philosophy BA, Yale University; PHD, University of Michigan Mansfield Freeman Professor of East Asian Studies; Professor of Philosophy; Director, Center for Global Studies; Professor, East Asian Studies EMERITI Lori Gruen Brian C. Fay BA, University of Colorado Boulder; PHD, University of Colorado Boulder BA, Loyola Marymount University; DPHIL, Oxford University; MA, Oxford William Griffin Professor of Philosophy; Professor -
The Count of the Saxon Shore by Alfred John Church
The Project Gutenberg EBook of The Count of the Saxon Shore by Alfred John Church This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Count of the Saxon Shore Author: Alfred John Church Release Date: October 31, 2013 [Ebook 44083] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE COUNT OF THE SAXON SHORE*** ii The Count of the Saxon Shore THE BURNING OF THE VILLA. The COUNT of the SAXON SHORE or The Villa in VECTIS ATALE OF THE DEPARTURE OF THE ROMANS FROM BRITAIN BY THE REV. ALFRED J. CHURCH, M.A. Author of “Stories from Homer” WITH THE COLLABORATION OF RUTH PUTNAM iv The Count of the Saxon Shore Fifth Thousand London SEELEY, SERVICE & CO. LIMITED 38 GREAT RUSSELL STREET Entered at Stationers’ Hall By SEELEY & CO. COPYRIGHT BY G. P. PUTNAM’S SONS, 1887 (For the United States of America). PREFACE. “Count of the Saxon Shore” was a title bestowed by Maximian (colleague of Diocletian in the Empire from 286 to 305 A.D.) on the officer whose task it was to protect the coasts of Britain and Gaul from the attacks of the Saxon pirates. It appears to have existed down to the abandonment of Britain by the Romans. So little is known from history about the last years of the Roman occupation that the writer of fiction has almost a free hand. -
Anthrozoology and Sharks, Looking at How Human-Shark Interactions Have Shaped Human Life Over Time
Anthrozoology and Public Perception: Humans and Great White Sharks (Carchardon carcharias) on Cape Cod, Massachusetts, USA Jessica O’Toole A thesis submitted in partial fulfillment of the requirements for the degree of Master of Marine Affairs University of Washington 2020 Committee: Marc L. Miller, Chair Vincent F. Gallucci Program Authorized to Offer Degree School of Marine and Environmental Affairs © Copywrite 2020 Jessica O’Toole 2 University of Washington Abstract Anthrozoology and Public Perception: Humans and Great White Sharks (Carchardon carcharias) on Cape Cod, Massachusetts, USA Jessica O’Toole Chair of the Supervisory Committee: Dr. Marc L. Miller School of Marine and Environmental Affairs Anthrozoology is a relatively new field of study in the world of academia. This discipline, which includes researchers ranging from social studies to natural sciences, examines human-animal interactions. Understanding what affect these interactions have on a person’s perception of a species could be used to create better conservation strategies and policies. This thesis uses a mixed qualitative methodology to examine the public perception of great white sharks on Cape Cod, Massachusetts. While the area has a history of shark interactions, a shark related death in 2018 forced many people to re-evaluate how they view sharks. Not only did people express both positive and negative perceptions of the animals but they also discussed how the attack caused them to change their behavior in and around the ocean. Residents also acknowledged that the sharks were not the only problem living in the ocean. They often blame seals for the shark attacks, while also claiming they are a threat to the fishing industry.