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Epilogue 231
UvA-DARE (Digital Academic Repository) Noise resonance Technological sound reproduction and the logic of filtering Kromhout, M.J. Publication date 2017 Document Version Other version License Other Link to publication Citation for published version (APA): Kromhout, M. J. (2017). Noise resonance: Technological sound reproduction and the logic of filtering. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:30 Sep 2021 NOISE RESONANCE | EPILOGUE 231 Epilogue: Listening for the event | on the possibility of an ‘other music’ 6.1 Locating the ‘other music’ Throughout this thesis, I wrote about phonographs and gramophones, magnetic tape recording and analogue-to-digital converters, dual-ended noise reduction and dither, sine waves and Dirac impulses; in short, about chains of recording technologies that affect the sound of their output with each irrepresentable technological filtering operation. -
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Find Doc // Merzbow Albums (Music Guide)
3LKZT0LXCYFS < Kindle # Merzbow albums (Music Guide) Merzbow albums (Music Guide) Filesize: 3.43 MB Reviews This pdf may be worth buying. It is actually filled with knowledge and wisdom Your daily life span will be convert as soon as you comprehensive reading this article publication. (Ms. Earline Schultz) DISCLAIMER | DMCA QCIGK2WHGNOO \\ eBook // Merzbow albums (Music Guide) MERZBOW ALBUMS (MUSIC GUIDE) Reference Series Books LLC Jun 2011, 2011. Taschenbuch. Book Condition: Neu. 246x192x19 mm. This item is printed on demand - Print on Demand Neuware - Source: Wikipedia. Commentary (music and lyrics not included). Pages: 29. Chapters: Merzbow discography, 13 Japanese Birds, Batztoutai with Memorial Gadgets, Merzbient, Merzbeat, Camouflage, Klatter, Jigokuhen, Nil Vagina Mail Action, Sun Baked Snow Cave, Aka Meme, Eucalypse, Merzbuta, Cloud Cock OO Grand, Minazo Vol. 1, Hiranya, Frog+, Ecobondage, Music for Bondage Performance, Antimonument, Gra, 1930, Tamago, Merzbuddha, Noisembryo, Venereology, Merzbear, Green Wheels, Rod Drug 93, Pulse Demon, Sphere, Dadarottenvator, Aqua Necromancer, Tauromachine, Anicca, Zophorus, Pinkream, Door Open at 8 am, Collection 5, Crocidura Dsi Nezumi, Amlux, Merzbird, Senmaida, F.I.D., Metamorphism, Music for the Dead Man 2: Return of the Dead Man, Normal Music, Space Metalizer, Music for Bondage Performance 2, Remblandt Assemblage, Sha Mo 3000, Merzzow, Severances, Metal Acoustic Music, Rainbow Electronics, Collection 4, Coma Berenices, Oersted, Dharma, Protean World, Storage, Age of 369, Merzcow, Hodosan, -
Notes from the Underground: a Cultural, Political, and Aesthetic Mapping of Underground Music
Notes From The Underground: A Cultural, Political, and Aesthetic Mapping of Underground Music. Stephen Graham Goldsmiths College, University of London PhD 1 I declare that the work presented in this thesis is my own. Signed: …………………………………………………. Date:…………………………………………………….. 2 Abstract The term ‗underground music‘, in my account, connects various forms of music-making that exist largely outside ‗mainstream‘ cultural discourse, such as Drone Metal, Free Improvisation, Power Electronics, and DIY Noise, amongst others. Its connotations of concealment and obscurity indicate what I argue to be the music‘s central tenets of cultural reclusion, political independence, and aesthetic experiment. In response to a lack of scholarly discussion of this music, my thesis provides a cultural, political, and aesthetic mapping of the underground, whose existence as a coherent entity is being both argued for and ‗mapped‘ here. Outlining the historical context, but focusing on the underground in the digital age, I use a wide range of interdisciplinary research methodologies , including primary interviews, musical analysis, and a critical engagement with various pertinent theoretical sources. In my account, the underground emerges as a marginal, ‗antermediated‘ cultural ‗scene‘ based both on the web and in large urban centres, the latter of whose concentration of resources facilitates the growth of various localised underground scenes. I explore the radical anti-capitalist politics of many underground figures, whilst also examining their financial ties to big business and the state(s). This contradiction is critically explored, with three conclusions being drawn. First, the underground is shown in Part II to be so marginal as to escape, in effect, post- Fordist capitalist subsumption. -
Noise and Meaning
JMM – The Journal of Music and Meaning, vol.2, 2004, section 4 – printout. Original article URL: http://www.musicandmeaning.net/issues/showArticle.php?artID=2.4 This article contains music examples and links to other Internet resources. Both are only available from the original online article. [Refer to this article by section numbers, not by page number] Torben Sangild Noise - Three Musical Gestures - Expressionist, Introvert and Minimal Noise 4.1. Gesture and Noise The question of the meaning of noise in music has no simple answer. One of the difficulties in developing an aesthetics of noise (Sangild, 2003) has been the fact that noise endows different musical contexts with different expressive qualities, even within one musical genre. Noise in music is usually an element in an overall musical gesture and takes its meaning in relation to this gesture. This does not mean, of course, that noise can express anything. Noise adds specific meanings to the gesture in which it partakes – disorder, chaos, blurriness and fuzziness - ultimately a decentering of subjectivity. It is important to acknowledge the differences between specific gestures as well as the shared features. This essay contributes analyses of three distinct employments of noise - an expressionist, an introvert and a minimal - showing how they differ essentially in expressive qualities. First, let me explain briefly what is meant by the words “gesture” and “noise.” Gesture A gesture is a movement that has a certain character and meaning. This meaning can be more or less culturally coded. The gesture as musical expression is the way the music “behaves” or moves, and is connected with the body perceiving it. -
Triukšmo Menas
Triukðmo menas: XX a. muzikos transformacija Asta PAKARKLYTË Triukðmo menas: XX a. muzikos transformacija The Art of Noise: The Transformation of Music in the 20th Century Anotacija Ðio teksto objektas – tarpdisciplininis ir komplikuotas triukðmo fenomenas bei akademiniø ir neinstituciniø menininkø triukðmo muzika. Straipsnyje sàmoningai atmetami svarstymai, ar triukðmas yra muzika, pirmàjá traktuojant kaip potencialià muzikos duotybæ, muzikà visø pirma apibrëþiant socialiniame kontekste, kuriame ji yra tai, kà þmogus identifikuoja kaip muzikà. Pateikus ávairias triukðmo verbalizacijas ir konceptualizacijas, straipsnio tikslu tampa konkreèiø triukðmo muzikos komponavimo tendencijø paieðka, formos problema ir kûrybos strategijos. Pasirinkus du skirtingus analizës bûdus: formalø klasikiná ir netradiciná postmodernistiná, atskleidþiamas paradoksalus triukðmo meno ir jo autoriø màstymo dualizmas, pagrástas tokiomis prieðingybëmis kaip tradicija ir inovacija, denatûruotas garsas ir pirmapradë gamtinë triukðmo materija. Reikðminiai þodþiai: triukðmas, garsas, muzika, paribiø menas, triukðmo konceptualizacija, emancipacija ir transgresija, muzikos transformacija, forma, tradicija ir inovacija, pirmapradis triukðmas. Abstract The object of this article is the interdisciplinary and complicated phenomenon of noise as well as the music of noise created by academic and non-institutional artists. The article declines to indulge in speculation whether noise is music and treats noise as the potential given of music, while music is delineated primarily -
Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr. -
Full Stock List 17.07.17
DRONE RECORDS - FULL STOCK LIST 17.07.17 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13PM Anus Dei (CD, 2012, 213Records 213cd07, €10) Matkormano (LP, 2017, Specific Recordings , €15) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat -
Hisvoice 2009 02 19.Indd 1 1.3.2009 21:27:53 Editor Dvojstrany: Matěj Kratochvíl
editorial obsah Glosář Matěj Kratochvíl 2 Kino na hranici Petr Vrba 4 Xela Karel Veselý 5 Merzbow Karel Veselý 6 aktuálně Donaufestival Karel Veselý 7 Vážení a milí čtenáři, Ostravský genius loci Jiří Macháček 8 Je třeba si to sebekriticky přiznat, náš časopis vzniká v Praze, a aniž by nás k tomu vedly nějaké Opavský Bludný kámen Petr Ferenc 10 zlé úmysly, perspektiva hlavního města ovlivňuje i naše vidění hudební scény. V tom ovšem nejsme sami; přesvědčení, že „kdo nehraje v Praze, jako Free jazz trio Olomouc Vladimír Kouřil 12 téma by nebyl“, je poměrně rozšířené. Samozřejmě je tu Brno jako protiváha, co se však děje jinde, uniká Zabloudil Petr Ferenc 16 často mnohým kulturním radarům. Severní Mo- rava a Slezsko, podle mnohých kritérií ne právě nejsnadnější regiony k životu, jsou přitom místem, v němž leccos pozoruhodného bují, z centra mnoh- Ostravské centrum nové hudby Matěj Kratochvíl 20 dy neviděno. Proto jsme se rozhodli posvítit si trochu na kus naší vlasti zhruba vymezený na jihu Peter Eötvös Miroslav Pudlák 22 Olomoucí a Přerovem, na severu Ostravou a Opa- vou a jeho hudební scénu. Hranice této oblasti Ernstalbrecht Stiebler Jaroslav Šťastný 26 nejvýrazněji překročila pověst Ostravského centra nové hudby, ve spolupráci s nímž vám také nabízí- současná kompozice me hned dvě CD s nahrávkami pořízenými na tam- ním festivalu. Opavský Bludný kámen si také vy- Christine Sehnaoui Petr Vrba 28 dobyl reputaci významného epicentra současného hudebního a výtvarného umění, nesetkal se ovšem s pochopením tamní radnice, a proto se stěhuje Chris Cutler Darrell Jonsson 30 z města. V Olomouci respektive Přerově působí již dlouhá léta dva kolektivy rozvíjející nadmíru origi- Žabí hlen Petr Ferenc 34 nálně dva různé přístupy k volné improvizaci: Free Jazz Trio Olomouc a Zabloudil. -
Read Book < Merzbow Albums (Music Guide) # YHDHTMUDP2AO
VS7P4TLMN0TC # Book \ Merzbow albums (Music Guide) Merzbow albums (Music Guide) Filesize: 5 MB Reviews Excellent electronic book and helpful one. It usually does not cost a lot of. I am quickly will get a pleasure of reading through a written publication. (Bernardo Feeney Jr.) DISCLAIMER | DMCA RE4NJR71VY23 ^ Book ~ Merzbow albums (Music Guide) MERZBOW ALBUMS (MUSIC GUIDE) To save Merzbow albums (Music Guide) PDF, please click the link under and save the ebook or get access to additional information which are related to MERZBOW ALBUMS (MUSIC GUIDE) ebook. Reference Series Books LLC Jun 2011, 2011. Taschenbuch. Book Condition: Neu. 246x192x19 mm. This item is printed on demand - Print on Demand Neuware - Source: Wikipedia. Commentary (music and lyrics not included). Pages: 29. Chapters: Merzbow discography, 13 Japanese Birds, Batztoutai with Memorial Gadgets, Merzbient, Merzbeat, Camouflage, Klatter, Jigokuhen, Nil Vagina Mail Action, Sun Baked Snow Cave, Aka Meme, Eucalypse, Merzbuta, Cloud Cock OO Grand, Minazo Vol. 1, Hiranya, Frog+, Ecobondage, Music for Bondage Performance, Antimonument, Gra, 1930, Tamago, Merzbuddha, Noisembryo, Venereology, Merzbear, Green Wheels, Rod Drug 93, Pulse Demon, Sphere, Dadarottenvator, Aqua Necromancer, Tauromachine, Anicca, Zophorus, Pinkream, Door Open at 8 am, Collection 5, Crocidura Dsi Nezumi, Amlux, Merzbird, Senmaida, F.I.D., Metamorphism, Music for the Dead Man 2: Return of the Dead Man, Normal Music, Space Metalizer, Music for Bondage Performance 2, Remblandt Assemblage, Sha Mo 3000, Merzzow, -
Noise Threshold: Merzbow and the End of Natural Sound
Noise threshold: Merzbow and the end of natural sound PAUL HEGARTY Department of French, University College Cork, Ireland E-mail: [email protected] 1. ATTRITIONS then gradually domesticated into order. Here, noise is a vector of the human – the location of humanity setting When we ask what noise is, we would do well to remem- itself up apart from nature. For Georges Bataille, the ber that no single definition can function timelessly – sacred, as that which we fear, is the founding of human- this may well be the case with many terms, but one of ity: ‘everything leads us to believe that early human the arguments of this essay is that noise is that which beings were brought together by disgust and by common always fails to come into definition. Generally speaking, terror, by an insurmountable horror focused precisely on noise is taken to be a problem: unwanted sound, unor- what originally was the central attraction of their union’ ganised sound, excessively loud sound. Metaphorically, (Bataille 1988a: 106). As time goes by, the replaying of when we hear of noise being generated, we understand that originary moment (in sacrifice) is also ‘too much’, it to be something extraneous. Historically, though, and its scope must be reduced. Music comes into being noise has just as often signalled music, or pleasing as part of that reduction. Only then, if we go on with sound, as its opposite. In the twentieth century, the Bataille, can we recognise noise as sacred, as that which notion of a clear line between elements suitable for com- is being withheld and delivered in sacrifice: positional use (i.e. -
Elements of Electroacoustic Music Improvisation and Performance a Pedagogical Toolkit
Elements of Electroacoustic Music Improvisation and Performance A Pedagogical Toolkit LUIS ALEJANDRO OLARTE 78 STUDIA MUSICA THE SIBELIUS ACADEMY OF THE UNIVERSITY OF THE ARTS HELSINKI Luis Alejandro Olarte Elements of Electroacoustic Music Improvisation and Performance A Pedagogical Toolkit Sibelius Academy, University of the Arts Helsinki Studia Musica 78 2019 Supervisors: Professor Andrew Bentley – Music Technology Department, Sibelius Academy, University of the Arts Helsinki Jean-François Charles – Assistant Professor in Composition and Digital Arts Uni- versity of Iowa, School of Music Iowa City Pre-examiners: Professor Per Anders Nilsson – Academy of Music and Drama at University of Gothenburg Jean-François Charles – Assistant Professor in Composition and Digital Arts Uni- versity of Iowa, School of Music Iowa City Chair / Custos: Professor Andrew Bentley Examiner: Professor Per Anders Nilsson Sibelius Academy, University of the Arts Helsinki MuTri Doctoral School Studia Musica 78 © Luis Alejandro Olarte and Sibelius Academy Cover design Jan Rosstrom Cover image, illustration by Outi Korhonen Printed by: Unigrafia Oy, Helsinki 2019 ISBN 978-952-329-129-4 ISSN 0788-3757 ISBN 978-952-329-130-0 ISSN 2489-8155 To Andrew Bentley for his teaching and friendship. Acknowledgements This research project would not have been possible without the support of the CM&T (Center for Music and Technology) of the Sibelius Academy. I would specially like to thank the head of the department Marianne Decoster-Taivalkoski, my main supervisor Dr. Andrew Bentley and the members of my committee Kalev Tiits and Jean-François Charles. I am grateful for all the continuous feedback and discussions about my work with my friends and colleagues with whom I shared many artistic and professional projects: Jasmiina Sipilä, James Andean, Petra Hannus, Elena Kakaliagou, Ale- jandro Montes de Oca, Daniel Malpica, Marek Pluciennik.