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College Voice Vol. XLI No. 4 Connecticut College Digital Commons @ Connecticut College 2017-2018 Student Newspapers 11-7-2017 College Voice Vol. XLI No. 4 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2017_2018 Recommended Citation Connecticut College, "College Voice Vol. XLI No. 4" (2017). 2017-2018. 4. https://digitalcommons.conncoll.edu/ccnews_2017_2018/4 This Article is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2017-2018 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. NEW LONDON, CONNECTICUT TUESDAY, NOVEMBER 7, 2017 VOLUME XLI • ISSUE 4 THE COLLEGE VOICE CONNECTICUT COLLEGE’S INDEPENDENT STUDENT NEWSPAPER SINCE 1977 Art of Resistance Met with Choir Concerns Reality of Complacence Voiced, but not LAUREN BARETTA Heard OPINIONS EDITOR KATEY VESTA SOCIAL MEDIA COORDINATOR The day after I gave a presenta- Between a cappella, choir, and MOBROC bands, the tion about the Native American number of vocal performance groups at Conn seems occupation of Alcatraz in 1969, awfully high for a campus of only 1,865 students. How- I entered Cummings to find an ever, one cannot deny that vocal performances are pop- imposing and impactful exhibit ular at Conn, with concerts like last month’s PRISM that proved the subject of my pre- expo drawing impressive crowds and large audition sentation was more relevant than pools creating a competitive environment. As in many ever almost 50 years later. Baretta Lauren of courtesy Photo aspects of student life, there are widely varying opin- Kent Monkman, a Canadian ions within the choir program about the true measures artist of Cree ancestry, recently of its success. The biggest disparity in opinion seems to be between installed a multi-dimensional art first-years and upperclassmen, with first-year students piece in Cummings that includes favoring the program much more than others. In fact, sculpture, painting, drawing, and of the eleven current members of Camel Heard—an ad- film. At first glance, an observer vanced ensemble open to audition for non-music ma- is struck by a realistic sculpture jors—nine are first years. Chorale, a larger group, has of a life-sized Native American 16 first-year students out of 24 total student members. man in a prison cell. The man Obviously, something has driven older students away has tied and braided the bottom from the program. of his blue-grey jumpsuit, wears “I did [choir] for the past three years,” said Moll his hair long and is holding up a Brown ’18, “I’m not doing it this year...it took a long time [to leave] because it’s the thing I like the most.” crude handmade feather. Bars en- Brown, a student of music education, explains that their courage the viewer to recognize biggest problem lay with the way the choir program is the man’s feelings of entrapment, run, especially on an administrative level. “It’s tough while the feather and referenc- when you pay this much money to go somewhere and es to Native American culture then the program is just inadequate,” they reflected. within the man’s clothes and hair Dara Pohl-Feldman ’18 is heavily involved in the demonstrate the power and resil- performing arts on campus and, like Brown, she was iency of his heritage. On a deeper mings, and even after repeated American tribes across the driven away from choir. As a matter of fact, last year level, the piece is a commentary visits, this exhibit has not lost its country. He explained his evolu- she and nearly every other member of Camel Heard on disproportional incarceration effect. The center sculpture de- tion as an artist highlighting the brought complaints to the administration about what they had experienced. “I organized about nine of us... rates for Indigenous Peoples in mands attention. Yet, on closer in- creation of his alter ego, “Miss spection, paintings on the wall are Chief,” as a turning point. Miss we sat down with Dean [Jefferson] Singer and Dean the U.S.; Bureau of Justice statis- [Marina] Melendez,” reflected Pohl-Feldman, “...noth- tics show that Native Americans also equal parts bold and satirical. Chief, a transwoman, challenges On Nov. 2, Monkman spoke to patriarchy, gender norms, sexual- ing ever came of it.” are incarcerated at a rate 38% Such grievances aren’t only limited to those pursuing higher than the national average. a group of students, faculty, staff a career in music, which seems to demonstrate a deeper I spend a lot of time in Cum- and guests from multiple Native CONTINUED ON PAGE 13 malcontent within the choir program. “I’ve sung in a bunch of choirs, I wouldn’t consider myself a ‘singer’ IN THIS ISSUE TUESDAY, NOVEMBER 7, 2017 CONTINUED ON PAGE 5 NEWS OPINIONS OPINIONS ARTS Jacee Cox investigates Jozette Moses calls for more Shae Albertson questions James Murray reviews changing enrollment diversity in theLOOK on the EPA’s aversion to science David Dorfman Dance’s trends at Conn on page 7. page 8. on page 10. Aroundtown on page 14. THE COLLEGE VOICE 2 • EDitOR’S Desk NOVEMBER 7, 2017 Weinsteins Beyond Hollywood THE COLLEGE VOICE In recent weeks, the name “Harvey Weinstein” has become a common epithet for The views and opinions expressed in The College Voice are strictly those of stu- dent authors, and not of Connecticut College. All content and editorial decisions sexual predators in positions of power. As many current news and media stories— remain in the hands of the students; neither the College’s administration nor its including one in this issue, by our News editor Hannah—tell us, the entertainment faculty exercise control over the content. industry is treating its many “Harvey Weinsteins” like a recently-discovered in- festation. With a reaction characterized by moralistic revulsion, panic, and shock, Maia Hibbett ’18 it’s as if a thriving colony of vermin has just been found in a cool, dark corner of Editor in Chief Hollywood. Many of us recognize, however, that shock is pretty unwarranted. The truth is that a lot of sexual predators barely need to hide and will be left alone. What’s really Dana Gallagher ’19 shocking now is that some of these men are, actually, losing their jobs, and that’s Managing Editor not due to the media industry’s deep righteousness. It’s the force of public denun- ciation—a force that one year ago was too weak to take Donald Trump down for the same behavior—that’s urging media giants to take action against the abusive men they have long employed. Following basic laws of momentum, more and more EDITORIAL STAFF victims have emerged to expose their attackers, harassers, and abusers on social Price Day ’19 media and in news outlets. In Hollywood, condemnation is finally on trend. While sexual assault and harassment might be huge in Hollywood—and under- Hannah Johnston ’18 standably so, in an industry so heavily influenced by superficiality—the “Harvey News Editors Weinstein” character is not exclusive to the entertainment industry. Sexual violence occurs everywhere, and abuses of power can take place in any workplace or envi- Lauren Baretta ’18 ronment, including academia. I want to remind all readers, not just students, that if Jennifer Skoglund ’18 they have a concern that has not been listened to, if there’s a “Harvey Weinstein” on Opinions Editors this campus who has not been identified, the Voice is here to investigate and expose. We prioritize and protect our sources, and though we cannot base an entire story Sophia Angele-Kuehn ’20 off of anonymous tips nor run anonymous articles, we will respect victims’ wishes James Murray ’18 of anonymity, especially when personal safety and job security are of concern. Arts Editors Sexual assault and harassment is a rampant problem, and I don’t want to create the impression that I believe media exposure will solve it. Let me make my stance on that particular idealistic notion clear: it won’t. What it will do, however, is put MANAGING STAFF the pressure of the public eye on the institutions and individuals charged with the responsibility of treating these issues, making the problem harder to ignore. While Saadya Chevan ’19 my hope is that there simply isn’t a single Weinstein-esque figure at Conn, my cyn- Business Manager ical proclivities and the statistical realities tell me that’s probably not the case. So if there’s someone in need of a platform on campus, send us an email. We’re here to Guinevere Feldman ’19 make your voice heard. Head Copy Editor -Maia Hallie Carmen ’18 Web Manager Learn more about student journalism. Reanna Kuzdzal ’21 Layout Contributor The College Voice meets on Mondays at 8 p.m. in the Emily Rubin ’20 Alice Johnson Room. Come by if you’d like to contribute, Katey Vesta ’21 Social Media Coordinators or just want to know more about how we operate! New CONTACT US writers, photographers, illustrators, and more are always [email protected] welcome. Contact [email protected] for more 270 Mohegan Avenue New London, CT 06320 information. thecollegevoice.org The College Voice on Facebook @thecollegevoice on Twitter THE COLLEGE VOICE NOVEMBER 7, 2017 FEAtuRes • 3 Community Bulletin Sports Corner BY HANNAH JOHNSTON Election Day It’s the first Tuesday in November, and polling stations across the U.S. Women’s Cross Country Men’s Cross Country are open for civic engagement. The College Voice reminds readers to vote NESCAC Championship NESCAC Championship in their municipal, state, and special elections.
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