CDS-BC Newsletter

Total Page:16

File Type:pdf, Size:1020Kb

CDS-BC Newsletter Browne, Brad Sayler, Jacqueline Schwab, and Chris Walker. Our music this year will also be Ql);B varied: "Bare Necessities" (Peter Barnes, Earl Gaddis, Mary Lea, and Jacqueline Schwab) will play for three of every four weeks of our :Boston 40-week season, and "Zealand" (Karen Axelrod and Pat MacPherson) will play for the fourth week. l1r\l1s The Ritual English Class Series, which will fol­ low the same schedule of dates as the English Country Dance, omitting only the party dates, ... ... will feature a rich variety of offerings, which are .: ... Gi .: ·... described in more detail elsewhere in this issue of the Newsletter. As always, attendance at a Ritual Dance Class entitles one to dance the remainder of the evening gratis at the English Dance. We hope to see all the old familiar faces in Watertown on September 13th--and let us urge you to bring a friend with you! Our dance has run in the red for several years now, but a mere 12 dancers more a night would change all that. So encourage a friend--or, better, a dozen friends--to join us; and we'll try our best to make their visit such fun that they'll come back again and again. Wednesday English Dance Moves --Mary Stafford, The Wednesday evening English Country Chair, English Dance Committee Dance is moving its location to St. John's United Methodist Church at 80 Mount Auburn Street in Watertown, three blocks from Water­ town Square, where the Tuesday night Ameri­ can dance has been held for the past year. Extensive renovations planned by the Cambridge YWCA necessitate a move at this time, and we are lucky to have obtained the use of St. John's. The Tuesday night dance has been quite successful there: the hall has a good floor, Kick up your heels and kick off the 75th parking is easy, and several lines of the T con­ versary of CDS, Boston Centre with a dance­ ...Saturday, September 23, at the Immaculate v~nie~tly converge at Watertown Square. Our flIers mclude a map and bus route information. Conception Church on Alewife Brook Parkway in North Cambridge. Many musicians and cal­ The season begins on Wednesday, September lers who have been integral in the history of 13, 1989, and ends on Wednesday, June 13, CDS will be featured for both English and 19?0. This will give us 40 weeks of dancing, American dancing. unmterrupted by Wednesday holidays this year. We'll have a potluck supper at 6:30, maybe get Four Wednesday nights will be run as "party" to look at a few pictures and hear a bit about the dances, with most of our teachers calling sim­ Boston Centre (never heard it told so well), anq., pler dances with less teaching than on ordinary for those who'd care to brush up on their Wednesdays. The "party" dances are English or American figures (or help others do Thanksgiving Eve (November 22), Christmas so), there will be a brief workshop at 7:30. The Week (December 27), Valentine's Day (Febru­ dance begins at 8 :00. ary 14), and Season's End (June 13). Bring a friend--or two or three, After all, given Dances begin at 8:00 p.m. and end at 11:00 p.m. the stellar line-up and this once-in-a-lifetime Our "format" remains essentially the same as it price of admission--75~--how can you not have has been: two teachers share the evening, each a great time? calling for an hour. A short social break at 10:00 p.m. is followed by a "request" period when P.S. Do you have any pictures, costumes, or dances are talked through but not taught. CDS memorabilia that we can display at the We are delighted to present a staff of eight Kick-Off Dance? Any ideas on how to decorate teachers: Helene Cornelius, Barbara Finney, the hall? Please call Carole Talley at (617) George Fogg, Rich Jackson, Robin Rogers- 497-7490. • The Nutting Girl (Fieldtown) • Old Mother Oxford (Headington) • Swaggering Boney (Longborough) • The Twenty-ninth of May (Headington) We used the Winter Processional for dancing on and off. The tour started at 2:30 p.m. at the Radcliffe Quadrangle. We found a ready-made crowd, since the 'Cliffe girls were holding a rum­ mage sale at the other end of the grounds. We First Tour of the Pinewoods Morris Men quickly drew the attention of all, however, On Saturday, 8 October 1966, the Pinewoods and got off to a good start. (I might add that Morris Men held their first tour. The "villages" we had three, and sometimes four, musicians, including a fiddle, two pipe-and-tabors, and were various spots on the Harvard and Radcliffe an accordion.) We drove to the Harvard resi­ College campuses in Cambridge, Massachusetts. dence Houses, where we danced for 15 or 20 Everything conspired to make it one of those minutes at each of four sites: Kirkland House, glorious afternoons which never seem to occur Lowell House, Quincy House, and Leverett except in legends. (But then, a Morris Tour is Towers. The distances at Harvard were such rather a fantasy, isn't it?) The weather was dis­ that we could walk between sites, dancing the processional as we approached the next spot. tilled New England autumn: clear, with a cool With our retinue of spectators, we must have breeze to keep the dancers from getting too hot, presented a curious spectacle to the Cam­ and a warm sun to keep the spectators from bridge townfolk, who aren't all that used to getting too chilly. The dance sites were ideal, seeing a lot of grown men dressed up in from the huge open sward at Radcliffe Quad­ white, wearing ribbons and jangling bells and rangle to the shady knolls and enclosed courts of dancing (dancing, mind you!) down the street leading a large number of people. the Harvard houses. Shortly after 4:30, we proceeded off from The team members came from New York City Leverett Towers and back to the cars. Thence and Boston, for the most part. With fifteen to Tom Kruskal's for quantities of Morris dancers, we were able to have two teams danc­ Ale. Topping it all off, in the evening a dance ing some of the time, trading in and out so that party put on by the Boston Centre of the Country Dance Society. no one worked too hard. In all, a thoroughly satisfying inaugural. The tour was conceived and organized by Mr. e Thomas Kruskal, a Harvard undergraduate who That was twenty-three years ago. This is the is also a member of the Pinewoods team. In twenty-fifth anniversary ofthe founding of order to get permission from Harvard to dance Pinewoods Morris Men. There will be a tour on University grounds, Mr. Kruskal formed the ofthe Harvard Square area on Saturday, Sep­ Dudley House Morris Club, which, as an autho­ tember 23,1989 to celebrate. The Tour will start at the Cambridge Common at 10:30 a.m. rized Harvard activity, was allowed to sponsor and continue through the day in the environs. the tour. We hope that, with other activities For additional information, contact Joe planned, the tour will spark interest in Morris Kynoch (508) 877-1168. dancing at Harvard, perhaps eventually leading to the formation of a College team. The arrangements for the tour were made by Mr. Kruskal, Mr. Renald Cajolet, present squire of the Pinewoods Morris Men, and the writer 1;4;/ [Shag Graetz]. The dances and the schedule were directed by Mr. Arthur Cornelius, captain WINTER WEEKEND of the Boston Morris Team. The repertory con­ sisted of the following dances: Keep the weekend of February 9, 10, 11 open. • Constant Billy (Headington) CDS is sponsoring a weekend of dancing at the Lake Shore Farm in Northwood, NH. This will • Lads A-bunchum (Adderbury) be a weekend of English dancing and winter • Leap Frog (Bledington) sports. So come and enjoy the dancing and the snow. The First Friday Dance is an "Experienced English" dance: it is assumed that dancers are A Rose is a Rose is a Rose familiar with basic English dance figures and Now in its second year, Rose Galliard North­ that the teaching emphasis can be on style. The west Morris Team is enjoying the fruits (and programs will feature well-known English flowers) of many hours of embroidery and dances interspersed with less familiar ones, and applique. When the team was formed, it was each night will have a dance or two of greater made up mostly of morris neophytes, who ques­ difficulty, to stretch your dancing skill. tioned the tradition of one set team logo when The dances begin at 8:00 p.m. and end at 11:00 we could each just design our own. This was p.m. Come enjoy the relaxed atmosphere of a morris blasphemy to yours truly, but slowly the small and friendly hall and dance away the idea sank in (OK, I was outvoted) and the indi­ month's troubles with us. vidual rose logo blossomed forth. --Mary Stafford, Some designs were based on quilt patterns, Chair, English Dance Committee while others were inspired by embroidery books. I decided that this really was a neat idea and was determined to be as original as possi­ ble. I chose a basic quilt design with a Celtic knot in the middle, which I hoped I could pass off as a rose. Some were skeptical, until a spon­ taneous ally cried, "It's a braided rose!" "Ex­ actly!" I replied triumphantly, and my design was approved.
Recommended publications
  • University of Sheffield Library
    FOLK MUSIC & WORLD MUSIC The University of Sheffield Library RECORDINGS OF FOLK MUSIC AND WORLD MUSIC UNI - ZIM 1 The Garland encyclopedia of world music The following Compact Discs have been removed from the Recordings collection. CD 507 Southeast Asia [Vol.4] CD 508 Africa [Vol. 1] CD 509 Australia and the Pacific Islands [Vol.9] CD 522 South America, Mexico, Central America and the Caribbean [Vol.2] CD 746 South Asia : the Indian Subcontinent [Vol.5] CD 752 Europe [Vol.8] CD 1018 Middle East [Vol.6] CD 1019 East Asia: China, Japan and Korea [Vol.7] They are now to be found accompanying the volumes of the Garland encyclopedia of world music, kept at REF 780.91 (G). Garland encyclopedia of world music is also available online; see http://www.shef.ac.uk/library/cdfiles/garland.html 2 United Kingdom God save the queen E 3 The Voice of the People collection of cds - also includes material from Ireland A M Shinnie CD 819 The bonnie lass o ’Fyvie CD 801 Abroad as I was walking CD 801 The bonnie wee lass who never Adieu unto all true lovers CD 810 said no CD 813 The Aghalee heroes CD 808 The bonnie wee lassie fae Gouroch CD 801 Airlin’s fine braes CD 820 The bonnie wee tramping lass CD 810 The American stranger CD 811 The bonny bunch o’ roses CD 808 An spailpin fanach (the migrant Bonny Kate CD 814 labourer) CD 820 Bonny North Tyne: waltz CD 819 Another man’s weddin CD 806 Bonny Tavern green CD 815 Australia CD 804 The Boscastle breakdown: stepdance CD 809 The Aylesbury girl CD 815 The bottom of the punchbowl CD 813 Bacca pipes: morris jig
    [Show full text]
  • COUNTRY DANCE and SONG: a SUBJECT and AUTHOR INDEX from VOLUME 1, 1968, THROUGH VOLUME 26, 1996 Compiled by Allison Thompson
    TWENTY-EIGHT YEARS OF COUNTRY DANCE AND SONG: A SUBJECT AND AUTHOR INDEX FROM VOLUME 1, 1968, THROUGH VOLUME 26, 1996 Compiled by Allison Thompson NOTE: This index originally appeared in Volume 23 of Country Dance and Song and was updated in 2016. Abbots Bromley Horn Dance “The Abbots Bromley Horn Dance,” vol. 17, 1986, pp. 2-15 photo of, vol. 3, 1970, p. 42 tradition at Pinewoods, vol. 19, 1989, p. 23 Abingdon morris dances collected by Mabel Tuke, vol. 11/12, 1981, p. 49 photos, vol. 2, 1969, pp. 10-11 see also Dances, Instructions for; Warren, Florence Aldrich, Elizabeth review of From the Ballroom to Hell, vol. 22, 1992, pp. 36-38 Allen, Rosa, “Family Songs (A Review of),” vol. 8, 1977, pp. 12-13 Amherst Dance Camp in 1916-17, vol. 6, 1974, p. 12; vol. 23, pp. 13-14 Sharp teaching at, vol. 19, 1989, p. 1 summer schools in 1927-32, vol. 19, 1989, p. 3 Gadd teaching at, vol. 19, 1989, p. 3 Appalachian dancing, vol. 23, 1993, pp. 19-26 see also Dances, etc. Apted Collection, vol. 3, 1970, p. 6 Arbeau, Thoinot Orchesography (trans. M.S. Evans), reviewed by John Dunn, vol. 1, 1968, pp. 36-37 Atwood Family collected by E. Sturgis, vol. 21, 1991, p. 27 vol. 11/12, 1981, pp. 5-7; vol. 11/12, 1981, pp. 20-39 Atwood, Fred collected by M. MacArthur, vol. 11/12, 1981, pp. 7-19 songs of, vol. 21, 1991, pp. 26-39 Avril, Elsie, fiddler for Sharp, vol. 7, 1975, pp.
    [Show full text]
  • Country Dance and Song
    COUNTRY DANCE / AND SONG ~25 June 1995 ·n·\E FLOWER DANCE. OP'I'UB VI£ N N 0 IS£ CHILDREN ·. ATWill, PUBLISH£R , 201 BNOA.DWA.Y , NEW-YORK . Country Dance and Song Editor: David E. E. Sloane, Ph.D. Managing Editor: Henry Farkas Associate Editor: Nancy Hanssen Assistant Editor: Ellen Cohn Editorial Board Anthony G. Barrand, Ph.D. Fred Breunig Marshall Barron Paul Brown Dillon Bustin Michael Cooney Robert Dalsemer Elizabeth Dreisbach Emily Friedman Jerome Epstein, Ph.D. Kate Van Winkle Keller Christine Helwig Louis Killen David Lindsay Margaret MacArthur Jim Morrison John Ramsay John Pearse Richard Powers Sue A. Salmons Ted Sannella Kari Smith Jeff Warner Jay Ungar COUNTRY DANCE AND SONG is published annually; subscription is by membership in the Country Dance and Song Society of America, 17 New South Street, Northampton, Massachusetts, 01060. Articles relating to traditional dance, song, and music in England and America are welcome. Send three copies, typed, double-spaced, to David Sloane, Editor CD&S, 4 Edgehill Terrace, Hamden, CT 06517. Thanks to the University of New Haven for editorial support of this issue. ISSN: 0070-1262 © COUNTRY DANCE AND SONG, June 1995, Country Dance and Song Society, Inc., Northampton, Massachusetts. Cover: The Flower Dance of the Viennoise Children is reprinted courtesy of the Harvard Theatre Collection. See "The Garland Dance in America Since 1846, " p. 2ff. Country Dance and Song Volume 25 June 1995 CONTENTS A History of Garland Dancing in America by Rhett Krause . .. ... ........ ...... .. .... ... Swedish Sword Dances of the Sixteenth-seventeenth Centuries: Olaus Magnus and Others by Stephen D. Corrsin .
    [Show full text]
  • Many Fine Tunes: a Brief History of Dancing at the Folk School The
    Many Fine Tunes: A Brief History of Dancing at the Folk School The stories of our lives where dance and song are called for, go back to far away lands where kings and villagers alike danced for joy. Dance as a way to express joy that cannot be contained is part of many legends across the globe. I know that you understand what I am talking about. The many threads of our Southern Appalachian story can be seen beginning with the Singing Games or Play Party Games, which are a long time part of a vibrant mountain culture. Almost any occasion where the earliest settlers and pioneers gathered, there was time to sing, clap, laugh, and stomp in time with the music they created. Not too different from what we do now, whenever we are together! Cecil Sharp Meets Olive Campbell Part of our story is about Cecil Sharp, the English collector of Songs and Dances. He had discovered that Country and Morris Dancing were still a very active part of village life in rural places all over England. Around 1914, he arrived in New York City to be the Music and Dance advisor for a production of Midsummer Night's Dream, which was to be directed by the famous director, Granville Baker. When Olive Campbell met him in Lincoln, Massachusetts, she showed him the considerable collection of ballads she had already recorded in written form. Naturally he was fascinated, and he later made trips to Appalachia to collect more songs and English Dances. Cecil Sharp visited Olive and John Campbell in Asheville and incorporated the newly collected songs into his first book, which listed Olive as co-author.
    [Show full text]
  • Today LONDON NEWS, GLOBAL VIEWS
    kcwKENSINGTON CHELSEA & WESTMINSTER today LONDON NEWS, GLOBAL VIEWS ISSUE 0058 FEBRUARY 2017 FREE (EXCEPT WHERE SOLD) ? FREE OF THE OF THE LAND 2 February 2017 Kensington, Chelsea & Westminster Today www.KCWToday.co.uk Contents & Offices Kensington, Chelsea KENSINGTON CHELSEA & WESTMINSTER & Westminster Today kcwtoday Contents LONDON NEWS, GLOBAL VIEWS ISSUE 0057 DECEMBER 2016/ JANUARY 2017 FREE (EXCEPT WHERE SOLD) 80-100 Gwynne Road, London, SW11 3UW Tel: 020 7738 2348 E-mail: [email protected] 3 News Website: www.kcwtoday.co.uk Statue & Blue Plaque Advertisement enquiries: 10 [email protected] Subscriptions: 11 Feature [email protected] Publishers: Kensington & Chelsea Today Limited 12 Opinion & Comment For news of our podcasts Business & Environment visit www.kcwtoday.co.uk 14 15 Business & Finance 17 Legal Editor-in-Chief: Kate Hawthorne Acting Editor: Dr Emma Trehane 18 Education Art Director & Director: Tim Epps Head of Business Development: Dr Emma Trehane Business Development: Caroline Daggett, 23 Astronomy Antoinette Kovatchka, Architecture: Emma Flynn 24 Literature Art & Culture Editors: Don Grant, Marian Maitland Astronomy: Scott Beadle FRAS Poetry Ballet/Dance: Andrew Ward 25 Bridge: Andrew Robson Business: Douglas Shanks 26 Dining Out Chess: Barry Martin Contributing Editors: Marius Brill, Peter Burden, 29 Fashion & Beauty Derek Wyatt Music: James Douglas Events Crossword: Wolfe: 32 Dining Out: David Hughes, Cynthia Pickard Editorial: Polly Allen, Ione Bingley, 45 Arts & Culture Max Feldman, Maysea Jankara Marina
    [Show full text]
  • Bibliography
    Link to thesis website Merv Davey thesis: Bibliography Bibliography Primary Sources Archives and manuscripts Anderson, Carl. "Vocabularium Cornicum". 2004. Carl Anderson - Open Publication License : http://www.opencontent.org/openpub/ accessed 1st July 2010. Baring Gould Manuscript Collection (Microfiche), Wren Trust, Okehampton. Bolitho, John, Bolitho Audio Archives, Federation of Old Cornwall Societies Folk Song Archive, Courtney Library, Royal Institution of Cornwall, Truro. Boscastle Archive, Village Hall, Boscastle, Cornwall. Carpenter, James Madison, Carpenter Collection, Library of Congress, Washington DC, AFC 1972/001. Chapman, Ted, Lowender Peran Video Archive 1987- 2011, Lowender Peran Celtic Festival, Perranporth. "Folktrax".( Peter Kennedy Archive index) 2005. http://www.folktrax- archive.org/menus/history_about.htm. accessed 8th August 2009. Gwavas, William, “Gwavas manuscript 1698”, (British Museum MSS 28554) . “Henry Jenner”, Ms box Courtney Library, Royal Institute of Cornwall, Truro. Mac Waters Cornish Photograph and Postcard Archive. Knight, Phil, Archive Recording: “Trev Lawrences and Phil Knight” Federation of Old Cornwall Societies Archive, Courtney Library, Royal Institution of Cornwall, Truro. Morton-Nance, Robert, “Nance Manuscript Boxes 1 – 13”, Courtney Library, Royal Institution of Cornwall, Truro. North Hill Old Cornwall Society Recorders notes 1930 to 1935, Redruth, Cornwall Centre Local Studies Library. Padstow Archive, Padstow Museum, The Institute, Market Place. Padstow, Cornwall. PL28 8AL. St Ives Museum and Archive, Wheal Dream, St Ives, TR26 1PR. Sharp Manuscripts, Vaughan Williams Memorial Library, Englsih Folk Song and Dance Society, Cecil Sharp House, Regents Park, London. Snell, Tony, Tony Snell 1978, Federation of Old Cornwall Societies Sound Archive, Courtney Library, Royal Institution of Cornwall, Truro. Veale, Edward, The Notebook Of Edward Veale, Newquay Old Cornwall Society Museum, Councils Offices, Marcus Hill Newquay.
    [Show full text]
  • Lawrence Traditional Music and Dance Celebration Lawrence Traditional Music and Dance CelebrationProject NarrativePg2
    Lawrence Traditional Music and Dance Celebration Lawrence Traditional Music and Dance Celebration"Project Narrative"pg2 The traditional dance and music groups of Lawrence will be holding a special music and dance event in Lawrence during the week of November 17 - 23, 2015. This week long event will involve residencies in local schools and Kansas University as well as a 4 day weekend of workshops and dances, with many opportunities to learn, dance, make music, sing, and strengthen relationships within our community and with other like-minded regional communities. This event will be produced in collaboration with, and with financial support from the national organization, Country Dance and Song Society (CDSS), with whom several of our collaborating groups are affiliate members. Our mission for this event is: To build, energize, and diversify our traditional dance, music, and song community, while enhancing collaboration between local and regional groups and building for the future. SCHEDULE OF EVENTS The event programming will begin with two days of activities in Lawrence Public Schools on Tuesday and Wednesday, Nov 17 and 18 at the elementary and/or middle school level. (Our local callers and musicians will have spent eight days with these selected classes during the weeks prior.) On Thursday, Nov 19, the five visiting artists will focus on classroom visits and events at Kansas University, with evening discussions about board development with local and regional organizers. The week will be capped off with an expansion of an annual event, Pilgrimʼs Progression Dance Weekend, which has been held on the third weekend in November for 20 years.
    [Show full text]
  • The Ancient Language and the Dialect of Cornwall : with an Enlarged
    Q)ijouA. aO?. GLOSSARY CORNISH DIALECT, &c. THE AKCIEKT LANGUAGE, AND THE DIALECT OF CORNWALL, WITH AN EXLAKGED GLOSSARY OF CORNISH PROVINCIAL WORDS. ALSO AN APPENDIX, CONTAINING A LIST OF WRITERS ON CORNISH DIALECT, AND ADDITIONAL INFORMATION ABOUT DOLLY PENTREATH, THE LAST KNOWN PERSON WHO SPOKE THE ANCIENT CORNISH AS HER MOTHER TONGUE. BY FRED. W. P. JAGO, M.B. Lond. TEURO : NETHERTON & WORTH, LEMON STREET, 1882. DEDICATION. Loving his native County, its words, and its ways, the writer, with great respect, dedicates this little book to CONTENTS. 1. Frontispiece—Portrait of Dolly Pentreatli, and sketch of her Cottage at Mousehole. 2. The Decline of the Ancient Cornish Language - - 1 3. The Eemains of the Ancient Cornish Language • 17 4. The Preface to WiUiams's Cornish Dictionary - - 29 5. Specimens of the Ancient Cornish Language - - 34 6. The Provincial Dialect of Cornwall .... 45 7. Specimens of the Cornish Provincial Dialect - - 65 8. Words in the Cornish Dialect compared with those found in the writings of Chaucer 73 9. Common English words in the Cornish Dialect, with Tables of them 94 10. On the Glossary of Cornish Provincial "W ords - - 101 11. The Glossary of Cornish Provincial Words - - 102 12. Addenda to Glossary 317 13. Curious Spelling of the Names of Drugs, li'c. - - 325 14. Explanation of the Eeferences in the Glossary - - 827 15. Appendix—DoWy Pentreath . - - - 330 16. Names of Writers on Cornish Dialect, &c. - - 842 PREFACE. Long-descended from Cornishmen, the writer, like others of his countrymen, has a clannish fondness for Cornish words and phrases. From May 1879 to October 1880, the compiler of this book wrote lists of Cornish Provincial Words, which, through the courtesy of the Editor of the " Cornishman," (published at Penzance), were then allowed to appear in that paper.
    [Show full text]
  • I Just As That Welcome Mat Had Worn Thin, I Had Finally Enough Pennies Saved Would Help Him Out, a Fact He Apparenlly Forgot, for When We Got to the to Buy My Mac
    ~ J i 7­ ,­ ] 1:;­ J I~ a j:~ 1 M­ "oc:: ~ ] J ~ Table of Contents • Openning Comments, About the Cover .................................... p. 1 • A Short Note From Sally And Louise ...................................... p. 2 • Announcements ................................................................... p. 2 • Letters to the Editor .............................................................. p. 3 • Looking Back on Thirteen Years of AMN by James Brickwedde ................................................. p. 6 • Morris Dance and America Prior to 1913. Part II by Rheu Krause .... ........ ........... .... ... ......... ....... ......... p. 12 • Pinewoods Morris Men Go To England ... by Shag GraeLZ .... .................. ..... .............................. p. 28 • Team News ......................................................................... p. 33 Volume 17, No 2 • A Final Note ....................................................................... p. 33 July/August 1993 (jJ)~i C~~mlUl COVER DESIGN by Kelly Loftus, Houston, TX Abollllt 1bis Isslllc ¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥ This issue contains a mixture of items; a sort of clear the decks or files or emotional lockers so to speak. This is my last issue as editor of Amuic4n Morris Newsletter is published three times a year in MarcbJ American Morris Newsletter. Contained berein are some follow up April, July/August, and NovemberlDecember. Supplements include the Annual comments regarding the choreography of dances that appeared in the spring Directory of Morris Sides in North America and the AMN Reprint Series. issue. Shag GraeLZ writes about recent adventures of the Pinewoods Morris Subscription rates are SI0.00/year or $17.001 two year subscription for an Men and a reprint of an article by Rhett Krause whicb first appeared in individual. or, at a bulk rate of S8.50/year for a minimum of six copies mailed to the same address. Overseas subscribers add $4.00. All cbecks sbould be in Country Dance and Song (June 1992).
    [Show full text]
  • With an Enlarged Glossary of Cornish Provincial Words
    Q)ijouA. aO?. GLOSSARY CORNISH DIALECT, &c. THE AKCIEKT LANGUAGE, AND THE DIALECT OF CORNWALL, WITH AN EXLAKGED GLOSSARY OF CORNISH PROVINCIAL WORDS. ALSO AN APPENDIX, CONTAINING A LIST OF WRITERS ON CORNISH DIALECT, AND ADDITIONAL INFORMATION ABOUT DOLLY PENTREATH, THE LAST KNOWN PERSON WHO SPOKE THE ANCIENT CORNISH AS HER MOTHER TONGUE. BY FRED. W. P. JAGO, M.B. Lond. TEURO : NETHERTON & WORTH, LEMON STREET, 1882. DEDICATION. Loving his native County, its words, and its ways, the writer, with great respect, dedicates this little book to CONTENTS. 1. Frontispiece—Portrait of Dolly Pentreatli, and sketch of her Cottage at Mousehole. 2. The Decline of the Ancient Cornish Language - - 1 3. The Eemains of the Ancient Cornish Language • 17 4. The Preface to WiUiams's Cornish Dictionary - - 29 5. Specimens of the Ancient Cornish Language - - 34 6. The Provincial Dialect of Cornwall .... 45 7. Specimens of the Cornish Provincial Dialect - - 65 8. Words in the Cornish Dialect compared with those found in the writings of Chaucer 73 9. Common English words in the Cornish Dialect, with Tables of them 94 10. On the Glossary of Cornish Provincial "W ords - - 101 11. The Glossary of Cornish Provincial Words - - 102 12. Addenda to Glossary 317 13. Curious Spelling of the Names of Drugs, li'c. - - 325 14. Explanation of the Eeferences in the Glossary - - 827 15. Appendix—DoWy Pentreath . - - - 330 16. Names of Writers on Cornish Dialect, &c. - - 842 PREFACE. Long-descended from Cornishmen, the writer, like others of his countrymen, has a clannish fondness for Cornish words and phrases. From May 1879 to October 1880, the compiler of this book wrote lists of Cornish Provincial Words, which, through the courtesy of the Editor of the " Cornishman," (published at Penzance), were then allowed to appear in that paper.
    [Show full text]
  • Download CD Booklet
    DISGUISINGS DAPPER’S DELIGHT 1. Castleton Garland Dance or Long Morris No-body's Jigg 1 and 2 2. Robin Hood: Thomas Weelkes (1576–1623) Staines Morris 1, 2 and 3 Disguisings 3. Now is the Month of Maying: Thomas Morley (1557–1602) Month of May (Fieldtown Morris) 4. Thantik The Anticke Les Buffons Fieldtown Morris) Pantalone Pickelharing 6. The Antic Dance The Antic Dance The Buffoon Dance/John Come Kiss Me Now Lumps of Pudding : A New Aire Papse Bore Minuet 9. Bathalia de Sexto Tom: Pedro de Araujo (1662–1705) 10. The Female Souldier, or The Virgin Volunteer: Tune by Henry Purcell (1659–1695) 11. The Queenes Almayne: Teutscher Dantz Almande Nonette 12. No Man's Jig (Sleight Sword Dance), arr. Cecil Sharp (1859–1924) 13. A Great Big Shame (1895): Words by Edgar Bateman, Music by George LeBrun Pagina 24 Pagina 1 DAPPER’S DELIGHT Susanna Borsch recorder & voice Adrian Brown anglo concertina & voice www.dappersdelight.com www.facebook.com/dappersdelightamsterdam Karnatic Lab Records, Postbox 2595, NL-1000 CN Amsterdam 23 Pagina 2 Pagina 23 n 1904, the German writer Oscar Adolf I Hermann Schmitz described England as: “Das Land Ohne Musik” (The land without music), presumably because by the end of the 19th century England had rich. Our special thanks go to: not had a single composer of note since Anke, Roy, Lotta, Jula, Raphaela, Giel and Sophia for babysitting the musical life of any country cannot be DISGUISINGS? Ned and Gijs for their unremitting faith and friendship judged solely by the composition of art Jonathan for editing the texts Robin and Micha for their endless patience and understanding oped from the martial tournaments of the Michel for the photos it is popular music – the music of theatre, Middle Ages; as these became less a lethal combat, and more a dramatic representa- Michelle tion, the latter element rose in importance The “other” Robin Will, Mark, Malcolm, Marco and Pedro for their friendship, ideas and enthusiasm in its own right.
    [Show full text]
  • Volume IV Number 2 May 2010
    Volume IV Number 2 May 2010 The occasional journal of the Morris Ring In this issue:- The Lancashire Morris Before The War The Millbrook (Stalybridge) Morris Dance The Medlock Morris Dance New Mills Morris Dancing Mawdesley Morris Dancers Remembered Rushbearing and Morris Dancing in Glossop Morris Dancing in Lymm Morris Dancing in Lymm Contents Editorial 3 The Lancashire Morris Before The War John Tallis 5 The MillBrook (Stalybridge) Morris Dance Denis Cleary 6 The Medlock Morris Dance Peter McLoughlin 13 New Mills Morris Dancing R.Bryant 17 Mawdesley Morris Dancers Remembered Roy Smith 21 Rushbearing and Morris Dancing in Glossop Lisa Austen Strange 34 Morris Dancing in Lymm: Revival of the Old Geoff Bibby 40 Dance and Development of the New The Editor, The Morris Dancer, 13 Lark Close, Littleover, DERBY, DE23 2TE 01332 770578 [email protected] Articles are copyright of the various authors and their opinions are theirs alone. They do not reflect the views of the Editor or the policy of the Morris Ring. 2 Editorial This edition suffers from a surfit of material for which I am very greatful to the contributors for their permissions to publish the various articles. There is by comparison very little North West Morris in Sharp‟s collections; what there is is as a result of the work of his collaborator Maud Karpeles. The majority of the other dances in the tradition come from the efforts of members of Manchester Morris Men who were responsible for collecting in the cotton towns of Lancashire and Cheshire. The Manchester Morris Men are celebrating eighty years this year, sharing their beginnings with the English Folk Dance Society‟s Manchester morris classes.
    [Show full text]