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Mary Neal and the Esperance Morrice
-~ CONTENTS American Morris Newsletter, Repri nt Series. NO. 2 page 1 Maty Neal and the Esperance Morris by Roy Judge This article first appeared in Folk Music Journal 1989 Volume 5, Number 5, pp. 545-591 reprinted here by permission ofthe author and the F MJ editorial board COVER PHOTO: Mary Neal Photograph 1cindly provided by Antony MacIlwaine American Morris Newsletter Reprint Series is an annual supplement to the American Morris Newsletter. It is available as part of the regular subscription to the Newsletter. American Morris Newsletter is published three times a year in Reprint Series No.2 MarchiApril, July/August, and November/Decem ber. Supplements include the Annual Directory of Morris Sides in North America and The AMN 1993 Reprint Series. Subscription rates are $10.00/year or $17.00/two year subscription for an individual, or, at a bylk rate of $8.50/copy for a For this second Reprint Series, AMN presents the work of English minimum of six copies mailed. to the same address. Overseas subscribers add scholar Roy Judge. This article is the seminal scholarship to-date on the $4.00. All checks should be in USA cunency, made payable to, and mailed work of Mary Neal and the Esperance Morris. The victors write the history to: American Morris Newsletter, c/o James C. Brickwedde, 3101 11th booles. Mary Neal and her work bas remained clouded in obscurity as the Ave. South, Minneapolis, Minnesota 55407; (612)721-8750. English Folk Dance Society, the organization established by Cecil Sharp, Editor of the newslener is James C. -
Why Do Morris Dancers Wear White? Chloe Metcalfe Pp
THE HISTORIES OF THE MORRIS IN BRITAIN Papers from a conference held at Cecil Sharp House, London, 25 - 26 March 2017, organized in partnership by Historical Dance Society with English Folk Dance and Song Society and The Morris Ring, The Morris Federation and Open Morris. Edited by Michael Heaney Why do Morris Dancers Wear White? Chloe Metcalfe pp. 315-329 English Folk Dance and Song Society & Historical Dance Society London 2018 ii English Folk Dance and Song Society Cecil Sharp House 2 Regent's Park Road London NW1 7AY Historical Dance Society 3 & 5 King Street Brighouse West Yorkshire HD6 1NX Copyright © 2018 the contributors and the publishers ISBN 978-0-85418-218-3 (EFDSS) ISBN 978-0-9540988-3-4 (HDS) Website for this book: www.vwml.org/hom Cover picture: Smith, W.A., ca. 1908. The Ilmington morris dancers [photograph]. Photograph collection, acc. 465. London: Vaughan Wil- liams Memorial Library. iii Contents Introduction 1 The History of History John Forrest How to Read The History of Morris Dancing 7 Morris at Court Anne Daye Morris and Masque at the Jacobean Court 19 Jennifer Thorp Rank Outsider or Outsider of Rank: Mr Isaac’s Dance ‘The Morris’ 33 The Morris Dark Ages Jameson Wooders ‘Time to Ring some Changes’: Bell Ringing and the Decline of 47 Morris Dancing in the Earlier Eighteenth Century Michael Heaney Morris Dancers in the Political and Civic Process 73 Peter Bearon Coconut Dances in Lancashire, Mallorca, Provence and on the 87 Nineteenth-century Stage iv The Early Revival Katie Palmer Heathman ‘I Ring for the General -
Playing Music for Morris Dancing
Playing Music for Morris Dancing Jeff Bigler Last updated: June 28, 2009 This document was featured in the December 2008 issue of the American Morris Newsletter. Copyright c 2008–2009 Jeff Bigler. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. This document may be downloaded via the internet from the address: http://www.jeffbigler.org/morris-music.pdf Contents Morris Music: A Brief History 1 Stepping into the Role of Morris Musician 2 Instruments 2 Percussion....................................... 3 What the Dancers Need 4 How the Dancers Respond 4 Tempo 5 StayingWiththeDancers .............................. 6 CuesthatAffectTempo ............................... 7 WhentheDancersareRushing . .. .. 7 WhentheDancersareDragging. 8 Transitions 9 Sticking 10 Style 10 Border......................................... 10 Cotswold ....................................... 11 Capers......................................... 11 Accents ........................................ 12 Modifying Tunes 12 Simplifications 13 Practices 14 Performances 15 Etiquette 16 Conclusions 17 Acknowledgements 17 Playing Music for Morris Dancing Jeff Bigler Morris Music: A Brief History Morris dancing is a form of English street performance folk dance. Morris dancing is always (or almost always) performed with live music. This means that musicians are an essential part of any morris team. If you are reading this document, it is probably because you are a musician (or potential musician) for a morris dance team. Good morris musicians are not always easy to find. In the words of Jinky Wells (1868– 1953), the great Bampton dancer and fiddler: . [My grandfather, George Wells] never had no trouble to get the dancers but the trouble was sixty, seventy years ago to get the piper or the fiddler—the musician. -
University of Sheffield Library
FOLK MUSIC & WORLD MUSIC The University of Sheffield Library RECORDINGS OF FOLK MUSIC AND WORLD MUSIC UNI - ZIM 1 The Garland encyclopedia of world music The following Compact Discs have been removed from the Recordings collection. CD 507 Southeast Asia [Vol.4] CD 508 Africa [Vol. 1] CD 509 Australia and the Pacific Islands [Vol.9] CD 522 South America, Mexico, Central America and the Caribbean [Vol.2] CD 746 South Asia : the Indian Subcontinent [Vol.5] CD 752 Europe [Vol.8] CD 1018 Middle East [Vol.6] CD 1019 East Asia: China, Japan and Korea [Vol.7] They are now to be found accompanying the volumes of the Garland encyclopedia of world music, kept at REF 780.91 (G). Garland encyclopedia of world music is also available online; see http://www.shef.ac.uk/library/cdfiles/garland.html 2 United Kingdom God save the queen E 3 The Voice of the People collection of cds - also includes material from Ireland A M Shinnie CD 819 The bonnie lass o ’Fyvie CD 801 Abroad as I was walking CD 801 The bonnie wee lass who never Adieu unto all true lovers CD 810 said no CD 813 The Aghalee heroes CD 808 The bonnie wee lassie fae Gouroch CD 801 Airlin’s fine braes CD 820 The bonnie wee tramping lass CD 810 The American stranger CD 811 The bonny bunch o’ roses CD 808 An spailpin fanach (the migrant Bonny Kate CD 814 labourer) CD 820 Bonny North Tyne: waltz CD 819 Another man’s weddin CD 806 Bonny Tavern green CD 815 Australia CD 804 The Boscastle breakdown: stepdance CD 809 The Aylesbury girl CD 815 The bottom of the punchbowl CD 813 Bacca pipes: morris jig -
WINSTER MORRIS DANCERS Printed |
Winster Morris dance in the Derbyshire villages. But we also visit other Morris teams all over England. This is us, dancing the Winster Reel, at Thaxted in Essex WINSTER MORRIS DANCERS Printed | www.figcreative.co.uk In 2012 we danced at the Pentecost Festival in And we were guests of Monterubbiano, our twin village in Italy Abingdon Morris at their ‘Mayor of Ock Street’ We also have links with celebrations Ungstein, a wine-making village near Frankfurt in Germany - this is Eva and Wolfgang And with Onzain, a Lords of Misrule: Frank (the Witch) and John (the King) French village on the banks of the Loire We’ve also danced in Poland, Lithuania, Romania and Denmark “This is it and that is it CONTACT US And this is Morris Dancing, If you like the idea of beer and The piper fell and broke his neck foreign travel and want to dance And said it was a chancer. with us - get in touch with: You don’t know and I don’t know Chris Gillott What fun we had at Brampton, Here we are in front of our home crowd, processing through Call: 01629 650404 With a roasted pig and a cuddled duck Winster on Wakes Day 2013 Email: [email protected] And a pudding in a lantern” WHAT ON EARTH IS MORRIS DANCING? Winster Morris dance No one can be sure of its origins. The earliest references, dating with four traditional from around 1500, are to Royal entertainments. But we know characters - a King, that by 1700 it had become a firmly established part of English Queen, Jester and a life. -
Being an Occasional Publication of the Morris Ring Volume V, Number 1
The Morris Dancer Being an occasional publication of the Morris Ring Volume V, Number 1. July, 2012. View of the Iron Bridge, Shropshire. by G. Robertson and J. Fittler. Table of Contents ____________________________________ An introduction to the new editors……3 Further Reflections on Rural Morris Dance Sets in the Metropolis by Keith Chandler………………………………………….....4 The Immortal Memory by Ivor Allsop…...6 Revival of Morris Dancing in Kingston at the 1911 Coronation of King George V by Colin Messer………………………………………15 The Morris ring as Fraternity BY Mac mccoig…………………………………………….....24 Book Review: A Matter of Degree by Brian Tasker……………………………………….…........29 Helen Karpeles, Cecil Sharp, Douglas Kennedy, Maud Karpeles 2 Welcome to the latest edition of the Morris Dancer. Your co-editors for this glorious venture: Mac McCoig I currently dance with Uttoxeter Heart of Oak Morris Men. I learned to dance with Winchester MM under the eagle eye of Lionel Bacon during the 1970s. A degree in Fine Art (Painting), a career in Social Housing and a parallel career as an officer in the Territorial Army may not, at first glance, equip one to be the editor of a journal devoted to research papers on Morris Dancing. However, I have a keen interest in Morris-related research and 40 years dancing experience and this, plus a request from Peter Halfpenny, has prompted me to become involved with the production of the Morris Dancer. Contact me: Mac McCoig 8 Redhills Eccleshall Stafford ST21 6JW UK [email protected] Andrew Bullen I currently dance with Pullman Morris and Sword, in the Pullman neighbourhood in Chicago in the U.S. -
COUNTRY DANCE and SONG 21 March 1991
COUNTRY DANCE AND SONG 21 March 1991 , <2./ I Country Dance and Song Editor: David E. E. Sloane, Ph.D. Managing Editor: Henry Farkas Associate Editor: Nancy Hanssen Assistant Editor: Ellen Cohn Editorial Board Anthony G. Barrand, Ph.D. Fred Breunig Marshall Barron Paul Brown Dillon Bustin Michael Cooney Robert Dalsemer Elizabeth Dreisbach Emily Friedman Jerome Epstein, Ph.D. Kate Van Winkle Keller Christine Helwig Louis Killen David Lindsay Margaret MacArthur Jim Morrison John Ramsay John Pearse Richard Powers Sue A Salmons Ted Sannella Jay Ungar Jeff Warner COUNTRY DANCE AND SONG is published annually; subscription is by membership in the Country Dance and Song Society of America, 17 New South Street, Northampton, Massachusetts, 01060. Articles relating to traditonal dance, song, and music in England and America are welcome. Send three copies, typed, double-spaced, to David Sloane, Editor CD&S, 4 Edgehill Terrace, Hamden, CT 06517. Thanks to the University of New Haven for editorial support of this issue. co COUNTRY DANCE AND SONG, March 1991, Copyright Country Dance and Song Society of America. Cover: Figure 1 for "Morris Dancing and America": frontispiece for 1878 sheet music, reprinted courtesy of the Library of Congress. Country Dance and Song Volume 21 March 1991 CONTENTS Morris Dancing and America Prior to 1913 by Rhett Krause . 1 Dancing on the Eve of Battle: Some Views about Dance during the American Civil War by Allison Thompson . 19 Homemade Entertainment through the Generations by Margaret C. MacArthur ........................... 26 Seymour's Humorous Sketches by Alfred Crowquill .......................... ..... 40 Treasured Gifts, Joyous Times: Genny Shimer Remembered by Christine Helwig . -
Morris Dance)
Practice and Theory in Systems of Education, Volume 8 Number 1 2013 ETHNOGRAPHIC AND MEDICAL CONSIDERATIONS ON THE ‘CALUS’ (MORRIS DANCE) © Angela JIREGHIE (University V. Goldis Arad, Arad, Romania) [email protected] © Viorica BANCIU (University of Oradea, Oradea, Romania) © Rodica Teodora BIRI Ş (University V. Goldis Arad, Arad, Romania) Received: 13.06.2012; Accepted: 24.04.2013; Published online: 29.05.2013 A very ancient custom formerly spread on the whole Romanian folkloric area, the ‘Calus’ is practiced today in the Danube plane of Oltenia and Muntenia and sporadically in the west and south-west of Transylvania. The ‘Calus’ is a part of the Whitsuntide customs. It is practiced by an esoteric group of 7-9 men, group is constituted in the ‘Saturday of the Whitsuntide’, at half time between Easter and Whitsuntide and which takes a vow. Beginning from this date until Whitsuntide they practice the dances belonging to this custom and become accustomed with their dancing. From Whitsuntide till the Thursday 8 days after it, the group goes from one house to another in its own village or in the neighboring ones and dances the ‘Calus’ dances. The dances which are practiced in our time have some spurs of initiation acts of phallic dances for fecundity and fertility. But their meaning is now blotted in the conscience of the ‘Calusari’ and in that of collectivity where the ‘Calus’ is danced. Not very long ago, were cured by this dance those who were ‘taken from Calus’, from the ’iele’ ( malevolent spirits ) , as they violated the interdiction of not working on some days between the ‘Saturday of the Whitsuntide’ and the Whitsuntide. -
Morris Matters Vol 18 Issue 2
/ 0 U MorrisMatters. Volume 18, Number2 Ju~ 1999 Jig teams - the way forward? a profile of some teams in the UK 3 Sharp, Sounds and Shows a look ahead by Sue Swift 10 Reviews and news 12 1999/2000 folk directory Absolutely Classic Dancing in the Millennium Hands on Music Memories of Kimber 16 by Simon Pipe Letters 20 Morris Matters is published twice a year by Beth Neill 27 Nortoft Road, Chalfont St Peter, Bucks SL9 OLA; phone 01494 871465 Subscriptions are £5 for two issues (EU countries ; £7 outside these areas) published in January and July . Please make cheques or postal orders payable to MorrisMatters Thanks to Steve Poole, Simon Pipe and Jill Griffiths for their help in its compilation MorrisMatters. Volume t 8. Number2 JulY1999 EDffORlA!. No apologies for the theme running through this issue - all to do with some chap spotting morris dancers a hundred years ago and bothering to make notes . There are several aspects linked either directly to the Cecil Sharp - William Kimber meeting or about respon ses to the way morris is headin g . Looking to the future - how are we going to capture the morris that is going on now and in the next few decades ? Who is out there collecting it? Roy Dommett and Keith Chandler in particular have been very active in collecting morris history , notating and filming dances - their efforts have been wonderful but who is coming on to replace them ? What sort of repertoire should teams be looking for? Are the jig teams right in looking especiall y at the perfomance side of the dance to attract - and hold - the attention of the potential audience when there are so many competing calls on their eyes and ears ( and money!) - even if it's only the special offer at the supermarket that you are dancing outside. -
IFLA Publications
THE HISTORIES OF THE MORRIS IN BRITAIN Papers from a conference held at Cecil Sharp House, London, 25 - 26 March 2017, organized in partnership by Historical Dance Society with English Folk Dance and Song Society and The Morris Ring, The Morris Federation and Open Morris. Edited by Michael Heaney What to Dance? What to Wear? The Repertoire and Costume of Morris Women in the 1970s Sally Wearing pp. 267-277 English Folk Dance and Song Society & Historical Dance Society London 2018 ii English Folk Dance and Song Society Cecil Sharp House 2 Regent's Park Road London NW1 7AY Historical Dance Society 3 & 5 King Street Brighouse West Yorkshire HD6 1NX Copyright © 2018 the contributors and the publishers ISBN 978-0-85418-218-3 (EFDSS) ISBN 978-0-9540988-3-4 (HDS) Website for this book: www.vwml.org/hom Cover picture: Smith, W.A., ca. 1908. The Ilmington morris dancers [photograph]. Photograph collection, acc. 465. London: Vaughan Wil- liams Memorial Library. iii Contents Introduction 1 The History of History John Forrest How to Read The History of Morris Dancing 7 Morris at Court Anne Daye Morris and Masque at the Jacobean Court 19 Jennifer Thorp Rank Outsider or Outsider of Rank: Mr Isaac’s Dance ‘The Morris’ 33 The Morris Dark Ages Jameson Wooders ‘Time to Ring some Changes’: Bell Ringing and the Decline of 47 Morris Dancing in the Earlier Eighteenth Century Michael Heaney Morris Dancers in the Political and Civic Process 73 Peter Bearon Coconut Dances in Lancashire, Mallorca, Provence and on the 87 Nineteenth-century Stage iv The Early Revival -
The Morris Dancer (Online) ISSN 2056-8045 the Morris Dancer
The Morris Dancer (Online) ISSN 2056-8045 The Morris Dancer Being an occasional publication of the Morris Ring Volume 5, Number 6 April 2019 130 THE MORRIS DANCER Edited, on behalf of the Morris Ring, by Mac McCoig MA 07939 084374 [email protected] Volume 5, No. 6 April 2019 Contents: Editorial Mac McCoig Page 132 Mumming in Europe, Frazer(ism) in Italy, and “Survivals” in Historical Anthropology: a response to Julian Whybra. Alessandro Testa, Ph.D. Page 134 Manchester Morris Men: The Early Years. Keith Ashman Page 143 The Cambridge Morris Men and traditional dancers. John Jenner Page 151 The Travelling Morrice and traditional dancers. John Jenner Page 154 Some thoughts on the origin of the Papa Stour sword dance. Brian Tasker Page 176 An Ahistory of Morris. Julian Whybra Page 179 Book Review: Discordant Comicals – The Hooden Horses of East Kent. George Frampton Page 188 Cover Picture: Beorma Morris. Photo: Birmingham Evening Mail At the 2014 Jigs Instructional, the three Editors agreed to remind readers what sort of material would be accepted for each Ring publication. In the case of The Morris Dancer, it is any article, paper or study which expands our knowledge of the Morris in all its forms. It is better that the text is referenced, so that other researchers may follow up if they wish to do so, but non-referenced writing will be considered. Text and pictures can be forwarded to: Mac McCoig, [email protected] 131 Editorial In January 2017 at the Jockey Morris Plough Tour, a group of outraged British Afro-Caribbean spectators interrupted a performance by Alvechurch Morris, a black-face Border side. -
COUNTRY DANCE and SONG: a SUBJECT and AUTHOR INDEX from VOLUME 1, 1968, THROUGH VOLUME 26, 1996 Compiled by Allison Thompson
TWENTY-EIGHT YEARS OF COUNTRY DANCE AND SONG: A SUBJECT AND AUTHOR INDEX FROM VOLUME 1, 1968, THROUGH VOLUME 26, 1996 Compiled by Allison Thompson NOTE: This index originally appeared in Volume 23 of Country Dance and Song and was updated in 2016. Abbots Bromley Horn Dance “The Abbots Bromley Horn Dance,” vol. 17, 1986, pp. 2-15 photo of, vol. 3, 1970, p. 42 tradition at Pinewoods, vol. 19, 1989, p. 23 Abingdon morris dances collected by Mabel Tuke, vol. 11/12, 1981, p. 49 photos, vol. 2, 1969, pp. 10-11 see also Dances, Instructions for; Warren, Florence Aldrich, Elizabeth review of From the Ballroom to Hell, vol. 22, 1992, pp. 36-38 Allen, Rosa, “Family Songs (A Review of),” vol. 8, 1977, pp. 12-13 Amherst Dance Camp in 1916-17, vol. 6, 1974, p. 12; vol. 23, pp. 13-14 Sharp teaching at, vol. 19, 1989, p. 1 summer schools in 1927-32, vol. 19, 1989, p. 3 Gadd teaching at, vol. 19, 1989, p. 3 Appalachian dancing, vol. 23, 1993, pp. 19-26 see also Dances, etc. Apted Collection, vol. 3, 1970, p. 6 Arbeau, Thoinot Orchesography (trans. M.S. Evans), reviewed by John Dunn, vol. 1, 1968, pp. 36-37 Atwood Family collected by E. Sturgis, vol. 21, 1991, p. 27 vol. 11/12, 1981, pp. 5-7; vol. 11/12, 1981, pp. 20-39 Atwood, Fred collected by M. MacArthur, vol. 11/12, 1981, pp. 7-19 songs of, vol. 21, 1991, pp. 26-39 Avril, Elsie, fiddler for Sharp, vol. 7, 1975, pp.