AOOP1EO Presented By: Mf1..'1 220\4 Seconded By: Los~"Gf.Ltsem COU~C\L All Members

Total Page:16

File Type:pdf, Size:1020Kb

AOOP1EO Presented By: Mf1..'1 220\4 Seconded By: Los~ CITY OF LOS ANGELES RESOLUTION Gregory D. Moon WHEREAS, Gregory D. Moon was born in 1969, a Hoopa Valley Tribal Member raised in Redding, CA and resides in Riverside, CA; and WHEREAS, Gregory D. Moon attended Haskell Indian Nations University, Lawrence, KS and later received Technical Fire Management Certificate Washington Institute Bothell, WA; and WHEREAS, He served as a natural resources student intern for U.S. Forest Service at EI Dorado N.F. and Six Rivers N.F., before starting as a warehouseman at the Hoopa Fire Department in Hoopa, CA; and WHEREAS, Gregory worked his way through the ranks up to Battalion Chief and after fifteen years, took a position with the Bureau of Indian Affairs in Southern California; and WHEREAS, Gregory has served for four years as the Southern California Agency Fire Management Officer; and WHEREAS, He is currently working with Aztecs Rising, City of Los Angeles, City of San Bernardino, Southern California Tribes and other cooperators to establish careers for people who are interested in becoming wild-land firefighters: NOW THEREFORE BE IT RESOLVED, that by the adoption of this resolution, the Los Angeles City Council, along with the Mayor, hereby salute and recognize GREGORY D. MOON for his dedication to the communities of Los Angeles and for making the City of Los Angeles a safer and better place in which to live, work and play. AOOP1EO Presented by: Mf1..'1 220\4 Seconded by: lOS~"Gf.ltSem COU~C\l All Members , " '..J '! • ~ ",., r::.-, RESOLUTION Senior Fraud Awareness Day WHEREAS, as the population ages and more Americans become serious citizens with "nest eggs," they become greater targets for fraud and deception. The ease of access for criminals to contact seniors through the internet and telephone increases as more creative schemes emerge; and WHEREAS, senior fraud is a growing concern as millions have fallen victim to Medicare scams, sweepstakes and lottery scams, investment and work at home scams, bereavement scams, identity theft, charity scams, granny scams and home repair scams. Seniors average one scam-type letter and two telemarketing phone calls per week; and WHEREAS, senior fraud is under reported due to older adults' embarrassment and lack of information on where to report such fraud; and WHEREAS, approximately 5 million cases of financial exploitation of the elderly in the U.S. occur each year and the financial loss by victims is more than $2.9 billion annually; and WHEREAS, caregivers, con artists and unscrupulous salespersons are the primary instigators of senior fraud. The tactics used are intimidation, fear, friendliness, authority and control to get the victim to send money or share private financial information to; and WHEREAS, senior citizens own more than half of all the financial assets in America and are consequently the primary targets for fraudulent practices. It is estimated by the U.S. Subcommittee on Health and Long Term Care that seniors represent 30% of scam victims; and WHEREAS, the "Stop Senior Scams Program" is made up of35 students from the Los Angeles Unified School District's Programs for Older Adults who perform educational skits at numerous venues in order to inform the public about current scams that target the older adult population: NOW, THEREFORE BE IT RESOLVED, that by the adoption of this resolution, the Los Angeles City Council hereby declares May 15,2014, as "Senior Fraud Awareness Day" in the City of Los Angeles. _"it!e,,~ ADOPTED ~*~;}i:ir P="'OO~. ~'1f!~1;:':'1"li MAY 22014 fJAULKORETZU Councilmember, 5th District m;,"'-;'./;; ....',",~ " lOS ~NGREScm COUNCIL fiU"'" CITY OF LOS ANGELES RESOLUTION Katy Sullivan WHEREAS, shortly after Katy Sullivan was born without either of her lower legs a doctor told her mother that, "the world didn't need another athlete, but she would find other things she'd be good at." At the time there was no way of knowing what had happened to her legs or if she was even going to be able to use them at all. But with the support of her family. she grew up believing that she could do anything and everything that wanted to and was never treated like I was any different than them. That doctor was right about sports for quite sometime as it was very difficult for Katy to 'keep up' with the other kids and she started to look for those other things that she might be good at; and WHEREAS, as a young adult she discovered theatre and decided to dedicate her life to acting, including attending Webster University's Theatre Conservatory, where she spent four years training in acting, voice, movement, improv, dialects, and even gymnastics. She was involved in numerous productions in starring and supporting roles, she even performed in a production where one character was an amputee; she didn't play that role. Her acting career has taken her all over the country doing Stage in Chicago, Film in New York and TV in LA; and WHEREAS, she continues to act and has appeared in numerous independent films, including the festival bound Recalculating, has been featured on many television shows, including NBC's pilot, I'm with Stupid, their hit show, My Name is Earl, ABC's Last Man Standing starring Tim Allen and the new comedy on FX called Legit. She recently starred in The Long Red Road directed by Philip Seymour Hoffman at the Goodman Theatre in Chicago. She also appeared in the upcoming Warner Bros sci-f project called Rise; and WHEREAS, the move to sunny California not only brought her success in her acting career, it has opened the door to an athletic chapter in her life that she never saw coming, through the support of Hanger Clinic, she began running on custom made carbon fiber sprinting legs. It took a while and a lot of training but she learned how to run in these high tech legs and it has been a whirlwind ever since; and WHEREAS, upon completing her first event, the 100m, in 2007, Katy has been blazing a trail for women amputees around the world. She is the first bilateral above knee amputee to compete internationally in track in the world, male or female, which means she has to compete against women who have one leg. In a very short amount of time, Katy qualified for the US Paralympic Track Team and has represented the USA at multiple International events. She is the three time US Champion in the 100m, the fastest woman in the Western Hemisphere and ranked 5th in the world among women who have a whole 'leg up' on her. She was among the first bilateral above the knee amputees to compete in the Paralympics in ambulatory track when she ran in the 100m in London 2012. She set a new American record of 17.335 and finished 6th in the World: NOW THEREFORE BE IT RESOLVED that by the adoption of this resolution, the Los Angeles City Council hereby salute and congratulate KATY SULLIVAN for her exceptional work and dedicated commitment to the students of the Ready, Set, Gold! (RSG) program. We wish her many years of continued success on all future endeavors. ADOPTED Presented by: MAY 22014 Seconded by: lOS ANGElES CITYCOUNCil All Members CITY OF LOS ANGELES RESOLUTION Sally Field WHEREAS, Sally Field, born in Pasadena, California and raised in a show business family, Ms. Field began her career in 1964 in the television series Gidget. She went on to star in the The Flying Nun in 1967. She starred in three television series by the age of twenty-five. She received Emmy Awards for her title role in the landmark miniseries Sybil and for her performance on ER. She also received Emmy nominations for her role in Showtime's A Cooler Climate and the NBC miniseries A Woman oj Independent Means which she co-produced and for which she received a Golden Globe nomination. Ms. Field co-starred in the ABC series drama Brothers & Sisters from 2006 to 2011 and for her role as "Nora Walker," Ms. Field received a Screen Actors Guild Award and an Emmy Award as well as two Golden Globe nominations; and WHEREAS, Sally Field, a two-time Academy Award winner, most recently starred in Steven Spielberg's critically acclaimed Lincoln as Mary Todd for which she won the New York Film Critics award for best supporting actress and was also nominated for a Golden Globe, Screen Actors Guild, Critics Choice, BAFTA and Academy Award. Field previously won Academy Awards for her performances in Robert Benton's Places in the Heart, for which she also received a Golden Globe, and Martin Ritt's Norma Rae, for which she received a Golden Globe, along with the New York Film Critics prize, the National Board of Review Award, the Los Angeles Film Critics Award, the National Society of Film Critics honor and Best Actress at the Cannes Film Festival; and WHEREAS, Ms. Field has also received Golden Globe nominations for her work in Smokey and the Bandit, Absence of Malice, Kiss Me Goodbye, Steel Magnolias and Forrest Gump, Her many film credits include An Eye for An Eye, Mrs. Doubtfire, Soapdish, Not Without My Daughter, The End, Hooper, Stay Hungry (her first major film role), as welland as Punchltne and Murphy's Romance, both of which were produced by her production company, Fogwood Films; WHEREAS, Ms. Field made her directorial debut in 1996 with the ABC telefilm The Christmas Tree which she co- wrote and which starred Julie Harris. She directed an episode of the HBO miniseries From the Earth to the Moon" and in 2000 made her feature film directorial debut with Beautiful starring Minnie Driver; and WHEREAS, In 2002, Ms.
Recommended publications
  • Audience Engagement with Mother-Daughter Relationships In
    Syracuse University SURFACE S.I. Newhouse School of Public Mass Communications - Dissertations Communications 2011 Audience Engagement with Mother-Daughter Relationships in Prime-Time Television of the 21st Century: A Qualitative Analysis of Interpretation, Sensemaking, and Perceived Effects Meghan L. O'Briend Syracuse University Follow this and additional works at: https://surface.syr.edu/com_etd Part of the Mass Communication Commons, and the Women's Studies Commons Recommended Citation O'Briend, Meghan L., "Audience Engagement with Mother-Daughter Relationships in Prime-Time Television of the 21st Century: A Qualitative Analysis of Interpretation, Sensemaking, and Perceived Effects" (2011). Mass Communications - Dissertations. 82. https://surface.syr.edu/com_etd/82 This Dissertation is brought to you for free and open access by the S.I. Newhouse School of Public Communications at SURFACE. It has been accepted for inclusion in Mass Communications - Dissertations by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This qualitative analysis examines audience engagement with fictional portrayals of mother-daughter relationships in prime-time television of the 21st century. I used in- depth interviews with women of different backgrounds to explore how real mothers and daughters interpret portrayals of mother-daughter relationships on television; how they make sense of their own mother-daughter relationships through their engagement with these portrayals; and how and to what extent their engagement with these portrayals influences their own lives and mother-daughter relationships. The results of this study uncovered a process of audience engagement with mother-daughter relationships on television that involved the viewing experience, interpretation, sensemaking, and perceived effects on the participants' real lives and relationships.
    [Show full text]
  • Descargar Comunicación Y Pedagogía
    C O M U N I C A C I Ó N Y PE D A G O G Í A 3 DIRECTOR José D. Aliaga Serrano EDITORIAL CONSEJO finales de octubre, la ciudad condal ha acogido la ITWorldEdu 2008 (ITWE), como se DE REDACCIÓN comenta en profundidad en la sección Información. Este evento ha servido como J. Ignacio Aguaded Gómez punto de encuentro entre la industria y los servicios educativos para potenciar el uso Universidad de Huelva A de las Tecnologías de la Información y la Comunicación (TIC) en el ámbito de la enseñanza. Carmen Alba Universidad Complutense ITWE, promovida por los entes públicos catalanes, es una iniciativa que desde Comunicación de Madrid y Pedagogía aplaudimos y que desearíamos que otras Comunidades Autónomas llevaran a Fco. Javier Ballesta Pagán cabo con el objetivo de mejorar la educación en todos los niveles. Una buena propuesta a Universidad de Murcia seguir la pista. Isabel Cantón Mayo Universidad de León Donaciano Bartolomé Crespo En este número de C&P, publicamos una recopilación de instrumentos y programas de Universidad Complutense ordenador para trabajar la intencionalidad con alumnos con discapacidades realizada por de Madrid Joaquín Fonoll Salvador y Setefilla López Álvarez. Carlos Dorado Universidad Autónoma de Barcelona Eliseo Díez-Itza nos da las claves para comprender cómo influye la televisión en el desa- María Isabel Doval Ruiz E.U. Formación rrollo infantil y cómo actuar para evitar sus efectos negativos. del Profesorado (Ourense) Ferran Ferrer Por su parte, Joaquín Pérez Martín da a conocer los resultados de varias investigaciones Universidad Autónoma de Barcelona relativas a la penetración de los videojuegos educativos e infantiles en España desde el 2005 Pere Marquès Graells al 2007.
    [Show full text]
  • Your Name Here
    “WITH PAIN THERE IS HOPE”: REPRESENTATIONS OF WORKING MOTHERS ON ABC’S BROTHERS & SISTERS by MEGAN VOGEL (Under the Direction of Peggy J. Kreshel) ABSTRACT The national conversation about working mothers and their place in society has been long, intense, and fraught with contradiction. These women are caught between the cultural ideal of nurturing domesticity on one hand, and economic reality and personal ambition on the other. Grounded in British cultural studies and feminist theory, this thesis explores this tension by examining the representations of working mothers on ABC’s Brothers & Sisters, a popular television drama. The findings suggest that these representations are messy and at times, contradictory, and that they both challenge and uphold traditional gender roles. The study’s findings are placed within contemporary social and cultural discourses to suggest the ways that the fictional characters are used to humanize the confusing position many women find themselves in today. Limitations and opportunities for future research are also discussed. INDEX WORDS: Brothers & Sisters, Cultural Studies, Feminist Theory, Patriarchy, Popular Culture, Representation, Television, Textual Analysis “WITH PAIN THERE IS HOPE”: REPRESENTATIONS OF WORKING MOTHERS ON ABC’S BROTHERS & SISTERS by MEGAN VOGEL B.A., University of Virginia, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2009 © 2009 Megan Vogel All Rights Reserved “WITH PAIN THERE IS HOPE”: REPRESENTATIONS OF WORKING MOTHERS ON ABC’S BROTHERS & SISTERS by MEGAN VOGEL Major Professor: Peggy J. Kreshel Committee: Janice Hume Carolina Acosta-Alzuru Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2009 iv DEDICATION For all the women who walk the cultural tightrope between personal and professional success.
    [Show full text]
  • Challenging Stereotypes? the Older Woman in the TV Series Brothers & Sisters
    Journal of Aging Studies 31 (2014) 20–25 Contents lists available at ScienceDirect Journal of Aging Studies journal homepage: www.elsevier.com/locate/jaging Challenging stereotypes? The older woman in the TV series Brothers & Sisters Maricel Oró-Piqueras ⁎ Department of English and Linguistics, Universitat de Lleida, Catalunya, Spain article info abstract Article history: The TV series, Brothers & Sisters, broadcast from 2006 to 2011 by ABC (USA) and a year later by Received 27 March 2014 Channel 4 (UK) with quite high audience rates, starts when the patriarchal figure, William Walker, Received in revised form 8 August 2014 dies of a heart attack and two female figures around their sixties come center stage: his wife, Nora Accepted 8 August 2014 Walker, and his long-term lover, Holly Harper. Once the patriarchal figure disappears, the female Available online xxxx characters regain visibility by entering the labor market and starting relationships with other men. In that sense, both protagonists experience aging as a time in which they are increasingly freed Keywords: from social and family constraints. However, their roles as nurturers keep on bringing them back Female aging to the domestic space in which they are safe from being involved in uncomfortable and unsuitable TV series situations. Drawing on previous studies on the representation of the older woman in fictional Older women media, this article intends to discern to what extent stereotypes related to the older woman are Domestic space challenged through the two main protagonists of a contemporary TV series. © 2014 Elsevier Inc. All rights reserved. Introduction (2012: 76). When considering female aging, the media has been ungenerous by neither constructing nor spreading a positive Media is indeed a powerful way to construct, modify, and image of the aging process in women.
    [Show full text]
  • ONTAGIA 50 Bailaycontagia.Com 75 100 5 10 25 50 75 100 5 10 25
    090935_PA_SYTYCD_ACCESS PUBLICATION: ACCESS COLUMBIA 04/06/09 07:11:25 PM LIVE: 195 MM X 255 MM • TRIM: 215 MM X 275 MM • BLEED: 225 MM X 285 MM BLEED TRIM LIVE 5 10 DIRECTV 25 ELBAILECONTAGIA 50 bailaycontagia.com 75 100 5 10 25 50 75 100 5 10 25 50 ISABELA 75 Mayo 2009 2009 Mayo SANTO 100 5 DOMINGO Fonseca Isabela Santo Domingo Calista Flockhart Calista Isabela Domingo Santo Fonseca 10 MÁS Libre 25 QUE NUNCA 50 75 100 MÁS CHAMPIONS VANessA WILLIAMS LEAGUE CALISTA FLOCKHART 10 FINALES DERBY: REAL MADRID © 2009 & TM Discovery Communications. Todos los derechos reservados. derechos los Todos Communications. Discovery TM & 2009 © HISTÓRICAS BARCELONA ROLAND GARROS ARDE PARÍS PEOPLE + ARTS ES UNA SEÑAL DE LA BBC Y DISCOVERY NETWORKS 7 05.09 COLOMBIA FONSECA LUNES 9PM ISSN 0718-7114 SU SUEÑO CONTINENTAL CYAN MAGENTA YELLOW BLACK entrevistas 24 << CALISTA FLOCKHART Delgada pero no por eso frágil, la ex Ally McBeal sabe exactamente lo que quiere: que la conservadora Kitty Walker que interpreta en Brothers & Sisters no termine separándola de su hijo ni de Harrison Ford. 32 << ISABELLA SANTO DOMINGO DEPORTES Vendió 650 mil ejemplares de su best seller Los Caballeros las Prefieren Brutas y, ahora, 36 asesora a la cadena Sony para la adaptación de CHAMPIONS LEAGUE un libro donde vuelca todo su humor e ironía. La historia del torneo de clubes más importante del mundo contada en diez postales inolvidables. 60 VANESSA WILLIAMS Despampanante a los 46 años, la malvada 42 de Uggly Betty confiesa que es en su madre LA AMBICIÓN DE LOS PIBES donde ha encontrado los rasgos severos de Las razones por las cuales Colombia se su personaje.
    [Show full text]
  • Family Disfunction Prime Time Real Estate Online Exclusives
    arts and entertainment weekly entertainment and arts THE FINAL HIT THE END OF A MOB ERA primeprice tags time of TV’s real rich andestate famous households more family disfunction ABC’s escapades with crazy kin online exclusives Tyrone Wells in Fullerton and red carpet in Westminister, only online 2 BUZZ 04.05.07 daily.titan THE FINAL HIT pg.5 The saga of the Soprano’s is in it’s final act. In homage to the head honcho himself, The Buzz takes a look back at Tony’s best moments. PRIME TIME REAL EState pg.4 ENTERTAINMENT EDITOR Jickie Torres Ever wonder about Bree’s Wisteria lane mortgage pay- ment? What about the Cohen’s household commodity? A EXECUTIVE EDITOR new Web site estimates these TV dream homes and more. Adam Levy DIRECTOR OF ADVERTISING NOT YOUR TYPICAL FAMILY pg.4 Emily Alford ABC found a hit drama in Brothers and Sisters. The Buzz ASSISTANT DIRECTOR OF ADVERTISING catches up with its stars and its creators. Beth Stirnaman PRODUCTION Jickie Torres WHAT’S THE BUZZ p.7 ACCOUNT EXECUTIVES Read about who wow’d us and who bored us in the lastest Sarah Oak, Ailin Buguis releases in music, movies and more The Daily Titan 714.278.3373 The Buzz Editorial 714.278.5426 [email protected] Editorial Fax 714.278.4473 The Buzz Advertising 714.278.3373 [email protected] ONLINE EXCLUSIVES Advertising Fax 714.278.2702 The Buzz , a student publication, is a supplemental insert for the Cal State Fullerton Daily Titan. It is printed every Thursday.
    [Show full text]
  • New York, Disney Editions, 2006)
    The following is a supplement to Dave Smith’s book, Disney A to Z: The Official Encyclopedia (New York, Disney Editions, 2006). Dave Smith has prepared new entries, which are followed by a list of additions to entries in the book, along with changes and corrections which have come to light since publication.. Additions: ABC Studios The in-house production company which develops and produces programming to network, cable, web, VOD, mobile, and broadband platforms. Before February 2007 known as Touchstone Television. Adams, Amy Actress, she appeared in Enchanted (Giselle). Air Buddies (film) Direct-to-DVD release on December 12, 2006. The dogs, Buddy and Molly, are dognapped, and their puppies, B-Dawg, Budderball, Mudbud, Buddha, and Rosebud, collectively known as the Buddies, are off to save them. Along the way, the bumbling villains Denning and Grim constantly try to capture the puppies. And now, for the first time, the animals talk. Directed by Robert Vince. Voices include Skyler Gisondo (B-Dawg), Josh Flitter (Budderball), Spencer Fox (Mudbud), Dominic Scott Kay (Buddha), Abigail Breslin (Rosebud), Tom Everett Scott (Buddy), Molly Shannon (Molly), Paul Rae (Denning), Trevor Wright (Grim). It was the final film role for Patrick Cranshaw (Sheriff Bob) and for Don Knotts (Deputy Sniffer). From Key Pix Productions and Buena Vista Home Entertainment. See also Snow Buddies. Alice in Wonderland (film) Directed by Tim Burton. Planned for release on March 19, 2010. Arledge, Roone (1931-2002) Longtime president of ABC Sports and ABC News. He was named a Disney Legend in 2007. Army Wives (television) Series for Lifetime produced by Mark Gordon Co.
    [Show full text]
  • Screening the Closet: the Discourse of Visibility, Sexuality, and Queer
    Screening the Closet: The Discourse of Visibility, Sexuality, and Queer Representation in American Film and Television, 1969-Present By Melanie E. S. Kohnen M.A., Heinrich-Heine-Universitaet, Duesseldorf, Germany, 2001 A.M., Brown University, 2002 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of American Civilization at Brown University Providence, Rhode Island May 2010 © Melanie E.S. Kohnen 2010 This dissertation by Melanie E. S. Kohnen is accepted in its present form by the Department of American Civilization as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date __________ ___________________________________ Lynne Joyrich, Advisor Recommended to the Graduate Council Date __________ ___________________________________ Wendy Hui Kyong Chun, Reader Date __________ ___________________________________ Robert Lee, Reader Approved by the Graduate Council Date __________ ___________________________________ Sheila Bonde, Dean iii Curriculum Vitae Melanie E. S. Kohnen was born on July 23, 1975 in Duisburg, Germany. She completed her Magister Artium degree in English Languages and Literatures with a minor in Media Studies at Heinrich-Heine-Universität in Düsseldorf, Germany. During her studies there, she received a one-year DAAD (German Academic Exchange Service) scholarship to attend Wesleyan University in Middletown, CT. At Wesleyan, Melanie focused on American government, history, material culture and cultural studies. Upon her return, she began research for her thesis, eventually titled Crossing Borders, Re-Locating Our Selves: Chinese American Women’s Identities After 1965. While working on her thesis, Melanie received two additional scholarships. The first scholarship was a DAAD research grant that allowed Melanie to attend ifu, the International Women's University, a pilot project sponsored by the European Union.
    [Show full text]
  • If Slavery Is Not Wrong, Nothing Is Wrong.” —Abraham Lincoln, in a Letter Dated April 4, 1864
    “If slavery is not wrong, nothing is wrong.” —Abraham Lincoln, in a letter dated April 4, 1864 n the final four months of Abraham Lincoln’s life and presidency, the full measure of the man—his passion and his humanity—came to bear on his defining battle: to I plot a forward path for a shattered nation, against overwhelming odds and extreme public and personal pressure. Steven Spielberg’s “Lincoln” provides an intimate immersion into the American leader’s most perilous and revealing moments, at a time when the dark shadow of slavery lifts and a country torn by war must be made whole. A rich human drama plays out as Lincoln doubles down to end the devastating Civil War not merely by ending the war but by fighting to pass the 13th Amendment, permanently abolishing slavery. It will be an act of true national daring. He will have to call upon all the skill, courage and moral fortitude for which he’ll become legend. He will grapple with the impact of his actions on the world and on those he loves. But what lies in the balance is what always mattered most to Lincoln: to compel the American people, and those in his government of opposite persuasions, to alter course and aim higher, toward a greater good for all mankind. Brought to life via a layered screenplay by Pulitzer Prize winner Tony Kushner, Spielberg’s starkly human storytelling and the performance of Daniel Day-Lewis leading an accomplished cast, the film invites audiences directly into the heart and soul of Lincoln’s final achievements.
    [Show full text]
  • SPRAWL in the FAMILY Brothers and Sisters
    Ida Holden (Marion Ross): Nora and Saul’s not-so-loving mother. Holly Harper (Patricia Wettig): William’s woman SAUL HOLDEN NORA WALKER WILLIAM on the side; (Ron Rifkin): (Sally Field): WALKER recently went He’s devoted to The somewhat (Tom Skerritt): into business his sister and her overprotective Ran the family with Tommy. family but has matriarch knows business until been involved how to push the his death in the with Holly. family’s buttons. show’s pilot. Rebecca Harper (Emily VanCamp): William and Holly’s love child. Joe Whedon SARAH KEVIN WALKER KITTY WALKER JUSTIN WALKER TOMMY Julia Walker (Jon Pyper- WHEDON (Matthew (Calista (Dave Annable): WALKER (Sarah Jane Ferguson): (Rachel Griffiths): Rhys): A gay Flockhart): The The baby of (Balthazar Morris): Sarah’s hubby, Ex-corporate lawyer whose TV pundit turned the family, Getty): The Tommy’s wife at least for vice president latest fling political adviser he’s struggling business-savvy is expecting now — the who now runs is a is now dating with post-war son who’s always twins via sperm couple’s union the family closeted her senator boss trauma and a trying to prove donation from is tenuous. business. soap star. (Rob Lowe). drug addiction. himself. Justin or Kevin. SPRAWL IN THE FAMILY Brothers and sisters . plus parents, children, in-laws, secret lovers and even an illegitimate child: A closer look at the Walker clan. Paige (Kerris Cooper (Maxwell Lilla Dorsey): Perry Cotton): ALL CAPS: Lowercase: The Whedons’ The Whedons’ Central Peripheral family Solid line: Connects Dotted line: Denotes daughter. son. KEY member member (or marriage partners and illegitimate affair of the family unrelated) their legitimate children (or love child).
    [Show full text]
  • 2007 Annual Report
    2007 ANNUAL REPORT Formerly The Museum of Television & Radio Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 International Council Advisory Board and Members ....................................................................................13 Public Programming She Made It Initiative ...................................................................................................................................18 Spring Subscription Series .........................................................................................................................20 Fall Subscription Series ............................................................................................................................. 22 TV Preview Parties ...................................................................................................................................
    [Show full text]
  • Brothers and Sisters Macera Poli, Daniel / Ottazzi, Alessandra
    La Mirada de Telemo No. 6 (2011): Abril Brothers and Sisters Macera Poli, Daniel / Ottazzi, Alessandra Cada vez que prendemos la televisión para ver nuestra telenovela favorita y así ver a la protagonista llorar por su amor perdido o lamentarse por la amante de su pareja, estamos gozando de un producto del melodrama. Se trata del género característico de las expresiones potenciadas, de las lágrimas y los gritos en su apogeo. A través de los años (largas décadas) los productos melodramáticos han evolucionado y se han adaptado a los nuevos medios, como la Internet y antes, la televisión. El melodrama ha dado un salto grande desde los cuentos (expresión oral) hasta las tecnologías actuales, y por eso ha sabido sobrevivir y recoger fieles espectadores que buscan una película, una novela, una telenovela o una teleserie con la cual identificarse y sentirse acompañados. Recibido: 17 de febrero de 2011 Aceptado: 15 de marzo de 2011 Las series en la televisión ocupan los horarios más importantes. Esto se debe a que no sólo tratan con distintos temas y géneros, sino que son más accesibles que otros productos de mayor duración o pensados para públicos muy específicos. Es por esto que también son los productos más lucrativos de las distintas compañías televisivas, que incluso llegan a prolongar las teleseries por más de diez temporadas, es decir, aproximadamente diez años. Así, una serie puede llegar a formar parte de la cotidianeidad y a la larga, modificar los estilos de vida de muchas personas, pues uno termina adaptando su horario del día para poder ver al personaje con el cual se siente identificado, el que quizá nos inspira a hacer o dejar de hacer ciertas cosas, por ejemplo.
    [Show full text]