Eric Broucek • Discography • April 2013

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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
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Noble Rot Meets Ecstatic Synth- Poppers Hot Chip Words by Dan Keeling Photographs by Benjamin Mcmahon
Words by Dan Keeling Noble Rot Photographs by meets ecstatic synth- SHOOT FROM THE CHIP SHOOT Benjamin McMahon poppers Hot Chip “Gordon Ramsay used to cook here a long time ago,” says Hot Chip’s Joe Goddard, reading the menu at Chez Bruce in Wandsworth. “When I last ate here, a friend from uni was working in the kitchen and I absolutely loved it.” To Joe’s left, fellow band member Al Doyle is enjoying his first drink of the evening – Vouette & Sorbée ‘Saignée de Sorbée’ Champagne – after a day rehearsing in a nearby studio for the band’s imminent support headline slot at Hackney’s All Points East festival. With their new album heralding a high point in their long career (it’s their seventh), the aptly titled A Bath Full of Ecstasy has a blend Dan Keeling: Do you cook at home? Joe Goddard: I cook all the time. I’ve got a Green of synth melodies, bouncing house basslines Egg barbecue and cook a lot of seafood, as well as buying a lot of nice wines from Bottle Apostle to try and soulful vocals that makes it one of our to pair with it. I’m interested in the weirder side of wine. This Vouette & Sorbée reminds me of a records of the year at Rotter Towers. Imagine delicious sparkling red from near Barcelona that I’ve been drinking recently called La Rosita by Pamela Geddes. It’s dry and fruity: it tastes like sparkling Erasure jamming with Daft Punk, Laid Back and Ribena to me, and I’m into that! Frankie Knuckles in a lift, and you might be Al Doyle: It’s delicious and quite unusual – it almost tastes like Pét-Nat rather than Champagne.
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Musiq Soulchild
FEBRUARY 4-10, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE | WWW.WHATZUP.COM BUY ONE LUNCH O R DINNER , GET O NE Buy 2 Entrees fo R 1/2 Off & Get Free (Of Equal or Lesser Value; whatzup Dining Club Appetizer Excludes Appetizers) (up to $10) NOT A COUPON 4001 S. WAyNE STREET 135 W. Columbia St. • Fort Wayne FT. WAyNE~260.745.3369 260-422-7500 • NOT A COUPON Buy One BUY ONE Entree ENTREE Save Big ET NE G O Get One FREE Free (of equal or lesser value; up to $8) NOT NOT A COUPON (up to $8) MAD ANTHONY BREWING COMPANY 1915 S. Calhoun St., Fort Wayne 2002 S. Broadway • Fort Wayne 260-456-7005 at 20 Fine 260-426-2537 • NOT A COUPON NOT A BUY ONE 10% OFF COUPON Not Valid on Alcohol SANDWICH GET Monday-Friday Dine-In Only ONE FREE w/One Drink Minimum Restaurants Mon.-Thurs. Only 4205 Bluffton Rd. The whatzup Dining Club Card entitles you to Buy One - Get One Free (or similar) NOT A COUPON Fort Wayne Burgers • Bands • Bourbon savings at the 20 fine Fort Wayne area restaurants on this page. 4910 N. Clinton, Ft. Wayne, 209.2117 260-747-9964 At just $18.00, your whatzup Dining Club Card will more than pay for itself with just NOT A O’REILLY’S COUPON COUPON NOT NOT A IRISH BAR & one or two uses. To save even more, get additional cards for yourself or for family and RESTAURANT friends for just $15 apiece, a 16% discount. FREE APPETIZER Here’s How the whatzup Dining Club Card Works: w/PURCHASE OF Buy One Entree • Get One 1/2 Off 2 ENTREES (Up to $10) 1.
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To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2016 To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Film and Media Studies Commons, and the Music Commons Scholar Commons Citation Ma, Siyuan, "To Utopianize the Mundane: Sound and Image in Country Musicals" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6112 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. To Utopianize the Mundane: Sound and Image in Country Musicals by (Max) Siyuan Ma A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts with a concentration in Film and New Media Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Amy Rust, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: February 1, 2016 Keywords: country music, utopia, authenticity, community, country musical, Pure Country Copyright © 2016, (Max) Siyuan Ma Dedication To Judy Seale, Phil and Elisabeth Pearson, Eddie Heinzelman, and those who offered me thoughts and reflections on country music in music stores and banjo shops in Florida, New York, and Pennsylvania. Yo-Yo Ma, and those who care about music and culture and encourage humanistic thinking, feeling and expressing. Hao Lee, Bo Ma, and Jean Kuo.
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When James Ford and Jas Shaw Met at Manchester University in the Late 1990S, They Never Imagined They'd End up Creating a Human Synthesiser
When James Ford and Jas Shaw met at Manchester University in the late 1990s, they never imagined they'd end up creating a human synthesiser. But in their very earliest musical experiments together, something was set in motion which would lead to one of the most unusual careers in British music: one which has seen their creative mission transform again and again, inventing entirely new formats for music-making along the way. So perhaps the weaving of rich layers of human vocal tonalities sung by The Deep Throat Choir into the techno framework of their fifth studio album Murmurations isn't quite such an unexpected turn of events. In fact, they've been connecting the human voice with electronic sound since they first founded the band Simian with Simon Lord and Alex McNaughten. Simian was, in Jas's words, about “trying to show you could make band music with songs and harmonies but be into Autechre too". Named after "Simeon", the home-made early synth rig of early electronic experimentalists The Silver Apples, the band combined Crosby, Stills & Nash harmonies with hypnotic Krautrock rhythms, cosmic analogue synthesiser swooshes and an unmistakeable clubber's sense of groove - and somehow in the middle of all that managed to find something extraordinarily accessible. They were signed to a major label subsidiary in 2000, and made two albums that stand up in their own right now. But, Jas continues, it was "just at the moment the world was into the Strokes and White Stripes and straight-ahead rock music," and their rich, baroque tapestries of song and sound didn't reach the audience their ambition and beauty deserved.
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The Quality of Recorded Music Since Napster: Evidence Based on The
Digitization and the Music Industry Joel Waldfogel Conference on the Economics of Information and Communication Technologies Paris, October 5-6, 2012 Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster AND And the Bands Played On: Digital Disintermediation and the Quality of New Recorded Music Intro – assuring flow of creative works • Appropriability – may beget creative works – depends on both law and technology • IP rights are monopolies granted to provide incentives for creation – Harms and benefits • Recent technological changes may have altered the balance – First, file sharing makes it harder to appropriate revenue… …and revenue has plunged RIAA Total Value of US Shipments, 1994-2009 16000 14000 12000 10000 total 8000 digital $ millions physical 6000 4000 2000 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Ensuing Research • Mostly a kerfuffle about whether file sharing cannibalizes sales • Oberholzer-Gee and Strumpf (2006),Rob and Waldfogel (2006), Blackburn (2004), Zentner (2006), and more • Most believe that file sharing reduces sales • …and this has led to calls for strengthening IP protection My Epiphany • Revenue reduction, interesting for producers, is not the most interesting question • Instead: will flow of new products continue? • We should worry about both consumers and producers Industry view: the sky is falling • IFPI: “Music is an investment-intensive business… Very few sectors have a comparable proportion of sales
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Leon Bridges Black Moth Super Rainbow Melvins
POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges.
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LORD ROBERT WINSTON Cation
The University of Surrey Students’ Union Newspaper issue 1046 www.ussu.co.uk THURSDAY 28 NOVEMBER 2002 free WORLD Government leaders can’t seem to make up their minds as national demo looms AIDS DAY A focus by Toni Borneo and Positive Action on We stand divided the awareness BY RICHARD WATTS day, which is to take place this THE GOVERNMENT IS fac- Sunday | page 3 ing an internal crisis concerning the future of funding higer edu- LORD ROBERT WINSTON cation. Tony Blair, the Prime Daisy Clay Minister, and his Chancellor, meets Robert Gordon Brown, are understood Winston, the to favour opposing options - top-up fees and a graduate man behind tax respectively - reflecting many of the the split prominent throughout BBC’s popu- the Labour party. Meanwhile, lar science Charles Clarke, the new Educa- programs | tion Secretary, is still “weighing page 10 up the options,” but warned that “the issue of fees is in danger of attaining ‘iconic’ status.” His IN THIS WEEK’S PAPER results will be published in the government’s white paper due week with many VCs of the elite What are the funding options? in January; some anlaysts are Russell group in order to galva- Are you an extremist? The government and the papers have spouted so much about fees predicting the issue will be the nise support for the policy amid How do you decide what is an extrem- and grants and graduate taxes that barefacts thought it would main point of the next election. growing opposition. Chiefs from enlighten you with an all-in-one-place guide to paying for higher ists view and what is simply freedom of Last week, more than seventy Oxbridge, Warwick, Bristol and speech? Opinion | page 5 education writes Philip Howard.
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ART. MUSIC,Erc. Tamer Vea
Cover: Meryl 5treep by Ted Qu inlan _,,,.., -- ............ ~ ........... BPM Must Stand for ·FEA T'URES Big Pathetic Mess: Monotonous, Tedious, Disgustulous Jesse Myserson and Noah Weston .... SMOG Re-Opens Page 23 Grace Owyer ... Pa ge 4 -- The Observer - Cooper and Dhavemas Save "Breach" Conference Honors 50th from Melodrama February 2007 Joey Lee ... Page 24 Volume 1. Issue. 1 Anniversary of Hungarian Revolu tion Rachel Meade .. Page 6 Media Concerns Tackled at Conference ......_..ART. MUSIC,Erc. Tamer Vea ... Page 8 Music Reviews Untitled Landscapes #1-4 Andrew Worthington and Ted Quinlan A Photo Essay .. Page 26 Mekko Harjo ... Page 10 Sexy Singles Your Club Shouldn't Get Money Fiona Cook .. Page 28 No, Really, It Shouldn't Noah Weston .. Page 12 Sex Column Genevieve Lynch ... Page 29 Report on New Orleans Stephen Tremaine ... Page 14 COMIC.. .Page 30 Letters to the Editor... Page 1 6 Art of Glass BACK PAGE / Jason Mastbaum ... Page 17 Fox News Ticker Scrolf'Ouring Life Imitates Geeky Science Fiction And Video Of Anna Nicole Smith in Clown What This Means for the Future Makeup Michael Newton ... Page 31 Or. Mischa Nachtigal ... Page 20 .- ~ er nearly six months of delays peering through the windows of the new side and growing skepticism as to door. Confusion as to what to make of the new the likelihood of renovation ever pavilion ensued as several times throughout the eaching completion. SMOG re night the door was raised to create a larger space pened this past Saturday to but then lowered again as the crowd inside mixedA student reactions. complained of the cold.
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Music's Augmented Future
thereport ISSUE 410 | 17 OCTOBER 2017 Music’s augmented future 1 ISSUE 410 17.10.17 COVERAR SPECIAL FEATURE PART 1 AR you experienced? he first thing to understand about Cycle report alongside technologies like Kingston; in the years since there have been particularly around its potential to become augmented reality (AR) technology microblogging, social networking platforms a steady stream of experiments around music truly mainstream. There are several reasons is that while it may be a hot trend of and 3D printing. and AR. You can read about some of them for this, starting with 2016’s big app craze: 2017, it’s certainly not a new trend. 2008 was also the year when Apple and later in this issue. Pokémon Go (pictured). TSci-fi author William Gibson was writing Google launched their first app stores for In the years after 2008, many of these While catching virtual beasties in real- about the idea of augmenting humans’ vision smartphones, with startups like Layar and campaigns have, with hindsight (and often world locations also seemed gimmicky at first with digital content in 1994, although arguably Metaio early to experiment with “browser” even at the time) seemed like gimmicks; – the mobile game raced to $500m of revenue head-up displays (HUDs) in aircraft were the apps that overlaid information onto the good for getting a few headlines when they and then $1bn. Even in April 2017, there were first example of AR decades before that. phone’s camera feed. launched, then quickly forgotten with no still 65m active players globally, and for many report AR as we understand it in 2017 has been By 2009, Music Ally was writing about AR obvious impact on sales or fan engagement.
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Lcd Soundsystem This Is Happening Free Download Album LCD Soundsystem - This Is Happening FLAC Download
lcd soundsystem this is happening free download album LCD Soundsystem - This Is Happening FLAC download. Produced for The DFA in 2009/2010 Mastered at Chicago Mastering Service Recorded @ the Manshun and DFA. This Is Happening is dedicated to the memory of Jerry Fuchs, the very best of us, and to his amazing and loving family, who are our family now. Comes in a gatefold card sleeve with regular English booklet plus supplementary black & white Japanese booklet with lyrics and obi. Includes two bonus tracks (track: 10, 11). Warner Music Reissue of 2012 release. Other versions. Category Artist Title ( Format ) Label Category Country Year DFA 22503, 509993 09903 2 6 LCD Soundsystem This Is Happening (CD, Album) DFA, Virgin DFA 22503, 509993 09903 2 6 US 2010 50999 309903 2 6 LCD Soundsystem This Is Happening (CD, Album) Parlophone 50999 309903 2 6 Philippines 2010 none LCD Soundsystem This Is Happening (CDr, Album, Promo) EMI Music Ireland none Ireland 2010 50999 648781 2 6 LCD Soundsystem This Is Happening (CD, Album) Gala Records , DFA, Parlophone 50999 648781 2 6 Russia 2010 5099963370522 LCD Soundsystem This Is Happening (CD, Album, Gat) EMI Music Australia Pty. Limited, Parlophone, DFA 5099963370522 Australia 2010. Tracklist. 1 Dance Yrself Clean 2 Drunk Girls 3 One Touch 4 All I Want 5 I Can Change 6 You Wanted A Hit 7 Pow Pow 8 Somebody's Calling Me 9 Home. Companies, etc. Phonographic Copyright (p) – DFA Copyright (c) – EMI Records Ltd. Licensed To – EMI Records Ltd. Distributed By – EMI Music Australia Pty Ltd. Notes. This Is Happening produced by James Murphy for the DFA in 2009/2010 Mixed by James Murphy and Dave Sardy Mastered by Bob Weston at Chicago Mastering Service.
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Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
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