Eden Court Theatre Presents the Return by Ellie Stewart Scottish Tour

Total Page:16

File Type:pdf, Size:1020Kb

Eden Court Theatre Presents the Return by Ellie Stewart Scottish Tour Eden Court Theatre presents The Return by Ellie Stewart Scottish tour runs until 10 March # TheReturn Eden Court Theatre brings the mysterious true story of missing man Martin Guerre to life in Scottish Tour of The Return Production images have been released for The Return which is currently on tour around Scotland until 10 March. The Return is written by rising-star of Scottish playwriting Ellie Stewart (Strictly -Traverse Theatre, Mischief - Play, Pie & Pint) Directed by Philip Howard, former artistic director of Dundee Rep and the Traverse Theatre Based on the mysterious true story of Martin Guerre written from the perspective of his wife. Image credit: Ewen Wetherspoon IMAGES AVAILABLE TO DOWNLOAD HERE Eden Court Theatre’s new production, The Return, inspired by an old and still mysterious story embarks on a national tour in February and March 2018. The true story of Martin Guerre is an intriguing one. One day in 1549, in the small village of Artigat in the foothills of the French Pyrenees, a young peasant man named Martin disappeared, leaving behind a wife, young son, and relatively well-off family. Things had not been going well for Martin in the days before his disappearance. He had a troubled relationship with his family, with his own father accusing him of stealing and selling family grain, but no one expected him to suddenly vanish. Seven years later, Martin’s wife Bertrande is still in Artigat tending to her livestock and mothering her young, fatherless son. One day, out of the blue, a strangely familiar man walks into her life, full of mystery. Bertrande decides to present the man to the community as her long-lost spouse – returned. But is it really Martin? Inspired by the true story of Martin Guerre, Ellie Stewart’s new play The Return is a gripping play about the mystery of identity and the survival instinct, and asks whether we can ever truly know even those we love the best. Commissioned and premiered by Eden Court, The Return, is produced by the same creative team behind Eden Court’s Not About Heroes in 2015. Philip Howard, former artistic director of Dundee Rep & the Traverse Theatre, once again directs, joined by designer Kenneth MacLeod, who has worked with the Royal Conservatoire of Scotland, Dundee Rep and Vox Motus amongst many others. Playwright Ellie Stewart is a rising star of Scottish playwriting. Speaking of why she wrote the play, Ellie said: “I’ve been intrigued by the story of Martin Guerre since I first heard it about twenty-five years ago… It’s been told in different ways over the years, and I’ve always been interested in the pivotal role of his wife Bertrande. The story resurfaced for me recently when I returned to the Pyrenees and was bombarded with sensory memories. My starting point for the writing was to explore the story from Bertrande’s point of view. “As I was writing I was thinking about people who are seeking refuge in our times, and about the challenges of relationships and parenting. And of course, it’s a love story. Some things are timeless. Perhaps human instincts, emotions and behaviours haven’t changed that much over the years.” The cast brings together Emilie Patry (Bertrande), Thoren Ferguson (Arnaud) and cellist Greg Sinclair on stage. Emilie Patry (Bertrande) trained at the Central School of Speech and Drama and at the Studio 34 in Paris and is co-founder of Jagged Fence Theatre Company. Theatre credits include The Gamblers (Greyscale, UK Tour) and A Beginning, Middle and an End (Traverse/Tron/Hull Truck). Thoren Ferguson (Arnaud) is a Scottish actor, musician and composer who has worked in TV, radio and theatre with credits including Logan High (BBC) and Armchair Detectives (BBC). Greg Sinclair is a musician and performance artist who has worked with companies including Curious Seed, Starcatchers and Dundee Rep. TOUR DETAILS Howden Park Centre, Livingston, 20 Feb. Tickets here Macrobert Arts Centre, Stirling. 21 Feb. Tickets here Cumbernauld Theatre, Cumbernauld. 22 Feb. Tickets here Tron Theatre, Glasgow. 23 Feb. Tickets here The Byre Theatre, St Andrews. 24 Feb. Tickets here Strathearn Artspace, Crieff. 27 Feb. Tickets here Traverse Theatre, Edinburgh. 28 Feb – 1 Mar. Tickets here New Deer Public Hall, New Deer. 2 Mar. Tickets here The Lemon Tree, Aberdeen. 3 Mar. Tickets here Macphail Centre, Ullapool. 5 Mar. Tickets here Locharron, Locharron. 7 Mar. Boat of Garten, Boat of Garten. 8 Mar. Braemar, Braemar. 9 Mar. Tullynessle & Forbes, Tullynessle & Forbes. 10 Mar. www.eden-court.co.uk Facebook: /edencourttheatre Twitter: @EdenCourt # TheReturn Cast & Creatives Writer - Ellie Stewart Director - Philip Howard Designer - Kenneth Macleod Lighting & Sound Designer - Mike Savage Movement Director - EJ Boyle Composer - Greg Sinclair Producers - Mike Griffith, Philip Howard, Jane Litster Stage Manager - Sam Ramsay Cast: Bertrande - Emilie Patry Arnaud - Thoren Ferguson Sanxi - Greg Sinclair /ENDS For more information, interview and review requests for The Return, please contact: Will Moss – [email protected] / 0131 202 6220 Susie Gray – [email protected] / 07834073795 For further information on Eden Court please contact: Teresa Bendoris - [email protected] / 01463 239 841 Notes for Editors Biographies Ellie Stewart - Writer Ellie Stewart’s play Hope and Joy (about a woman who lays an egg) won the Tron Theatre’s Progressive Playwright Award in 2016. Mischief (described as lyrical, witty and raunchy) was produced by Play Pie Pint with the Traverse Theatre in 2016. She is a founder member of the Thrawn Craws writers’ collective, and also writes for Village Pub Theatre. Her poetry is published by Tapsalteerie and she is currently writer in residence with Firefly Arts in West Lothian. Ellie is thrilled to be working on The Return with Philip Howard, Eden Court and the outstanding artistic and production teams. Her profound thanks goes out to all who have inspired, lived and worked this play with her. Philip Howard - Director Trained at the Royal Court Theatre on the Regional Theatre Young Director Scheme from 1988-1990. Associate Director at the Traverse Theatre, Edinburgh from 1993-1996 and Artistic Director from 1996-2008. Productions at the Traverse include 24 world premieres of plays by David Greig, David Harrower, Iain F MacLeod, Linda McLean, Henry Adam, Catherine Czerkawska, Catherine Grosvenor, Sue Glover, Iain Heggie, Jules Horne, Nicola McCartney, Ronan O’Donnell and the late Iain Crichton Smith. Fringe First awards for Kill the Old Torture Their Young, Wiping My Mother’s Arse, Outlying Islands (also Royal Court, London; World Stage Festival, Toronto) and Damascus (also Harbourfront Centre, Toronto; Off Broadway, New York; Meyerhold, Moscow; Tricycle, London; British Council tour to Near East & North Africa); Jury Special Award for Production of Petrol Jesus Nightmare #5 (In the Time of the Messiah) at InFest, National Theatre of Priština, Kosovo. From 2012-15 Philip was joint Artistic Director of Dundee Rep, with Jemima Levick, where productions included Victoria, Cars and Boys and In My Father’s Words (also Off- Broadway, New York). Since 1993 he has produced and / or directed 18 small-scale Highland touring productions including Promises Promises for Eden Court/Dundee Rep and Not About Heroes for Eden Court. Adaptations include Fuenteovejuna and King John (Òran Mór, Glasgow); Titus Andronicus for director Stewart Laing (Dundee Rep); Brigadoon (Royal Conservatoire of Scotland). Publications include Scotland Plays, Scottish Shorts and Theatre in Scotland — A Field of Dreams (Nick Hern Books). Philip is a director of Pearlfisher, a new theatre company dedicated to the touring of new plays and talent development. Kenneth MacLeod - Designer From Inverness, Kenneth is a set, costume & video designer and illustrator. Recent design credits include Chess, Cabaret, West Side Story (Royal Conservatoire of Scotland) Never Land, Not About Heroes (Eden CourtTheatre), Money Makes The World Go Round, Echoes In The Night, The Stranger (Carnival/Cunard Line) The Maids (Dundee Rep), Time & Motion (National Youth Ballet) and Chick Whittington (MacRobert Arts Centre). He was also storyboard artist on Flight (Vox Motus/Edinburgh International Festival). Upcoming productions include Spring Awakening (Royal Conservatoire of Scotland/Dundee Rep). Kenneth is a Production Arts & Design Graduate of the Royal Conservatoire of Scotland, and recipient of the Alex McCrindle Award for Production. He also studied Scenic Design & Immersive Themed Entertainment at The California Institute Of The Arts. He is thrilled to be back designing for Eden Court Theatre. EJ Boyle - Movement Director EJ is a choreographer and movement director. Theatre work: Oresteia: This Restless House (Citizens Theatre/ NTS/Edinburgh International Festival), Lanark: A Life in Three Acts (Citizens Theatre/Edinburgh International Festival); The Cheviot, the Stag and the Black Black Oil, Victoria, Great Expectations, Much Ado About Nothing, James and the Giant Peach (Dundee Rep); Trainspotting, Cuttin’ A Rug (Citizens Theatre); Still Game: Live (Glasgow Hydro); Forest Boy (Noisemaker - New York Musical Festival/Arcola); Into The Woods/ Atlantic: A Scottish Story (Noisemaker/RCS), Richard III (West Yorkshire Playhouse); Hedda Gabler, The Lion the Witch and the Wardrobe, Jumpy (Royal Lyceum Edinburgh); Still Game:Live (Glasgow Hydro); Cabaret, West Side Story, Carousel (Royal Conservatoire of Scotland). For Eden Court: Not AboutWHeroes (Eden Court) Film/TV: The Crown (Netflix Original Series); In Plain Sight (ITV); Two Doors Down (BBC); God Help the Girl (Sundance Special Jury Prize) Other work: Creative Associate/Choreographer Glasgow 2014 Commonwealth Games Ceremonies; Assistant Artistic Director Baku 2015 European Games; Mass Movement Director Queens 90th Birthday Parade; Director Under the Ground (Edinburgh Fringe), Associate Director Out of This World (Sadlers Wells/UK Tour) Greg Sinclair - Composer/ Sanxi Greg Sinclair is a musician and performance artist. In 2016 he won The Arts Foundation’s children’s theatre fellowship. His performance Sonata for a Man and a Boy won a CATS award for best production for children and young people in 2013.
Recommended publications
  • 31 October Free Entry
    2013 countryside visitor centre Open daily 10am-5pm 23 March - 31 October FREE ENTRY www.scotborders.gov.uk/harestanes The Best of the Borders! 13 Celebrate Harestanes’ 21st anniversary and the Year of Natural Scotland 2013! Set in beautiful countryside and with a great outdoor play park, there’s plenty to do, whatever the weather. Discover for yourself why Harestanes is one of the Borders best-loved attractions. Great tasting coffee and fresh baked cakes Savour the taste of freshly-ground FairTrade coffee and enjoy delicious scones and traybakes in Gill Orde’s lovely café. Planning a birthday party? Hire our courtyard room for parties and group visits. Assistance available for school and nursery classes. Gold Award - Green Business Harestanes is committed to reducing its impact on the environment by reducing energy and water use each year, and recycling as much as possible. Visit www.green-business.co.uk for details. Walking and cycling Discover the local countryside by foot and by bike. Harestanes is on St Cuthbert’s Way, a day’s walk from Melrose. A network of quiet public roads provides a choice of options for cyclists, including the 4 Abbeys Route. Disabled access The visitor centre ground floor is wheelchair-accessible with parking at the main entrance. A courtesy wheelchair is available for use around the building. Travel by bus The nearest request stop for buses is the A68 / B6400 junction, 15 minutes’ walk from Harestanes. Visit www.travelinescotland.com for timetables. Stay in touch Join our e-mail list at www.scotborders.gov.uk/harestanes for news of events and exhibitions.
    [Show full text]
  • On Watery Borders, Borderlands, and Tania Kovats' Head to Mouth
    arts Article On Watery Borders, Borderlands, and Tania Kovats’ Head to Mouth Ysanne Holt Department of Arts, Northumbria University, Newcastle upon Tyne NE1 8ST, UK; [email protected] Received: 30 June 2019; Accepted: 13 August 2019; Published: 20 August 2019 Abstract: With a relational view of landscapes and natural environments as continuously “in process” and formed from the over-layered and interdependent connections between nature and culture, the human and the non-human, this paper considers some recent practices by artists who have worked in the largely rural border region of Northern England and Southern Scotland. Expanding from a focus on the artist Tania Kovats’ 2019 Berwick Visual Arts exhibition, Head to Mouth, and a wider frame of non-anthropocentric ecological thought in relation to the visual arts, it explores the significance of diverse creative engagements with water, here with the River Tweed, and their potential value in a current cross-border context of social and environmental challenges and concern. Keywords: borderlands; ecological thinking; River Tweed; Tania Kovats; contemporary arts and environment; water; Anglo-Scottish borders 1. Introduction The UK border region of Northern England and Southern Scotland is sparsely populated and often perceived and experienced as marginal and remote, with associations either of peace and tranquility, or of isolation and peripherality. Amidst social and political anxieties wrought by referenda on Scottish Independence (2014) and Brexit (2016), and the environmental problems that face this primarily rural, cross-border location overall, the significance of its shared resources, practices, and identities and the value in this context of recent forms of visual arts practice are important considerations.
    [Show full text]
  • Siegfried Sassoon
    PROSCENIUM Not About Heroes By Stephen MacDonald Not About Heroes About Not The American Premiere of “Not About Heroes” was presented by the Williamstown Theatre Festival, Nikos Psacharapoulous, Artistic Director Produced by special arrangement with Samuel French, Inc Wednesday 27th June to Saturday 30th June 2018 Compass Theatre, Ickenham Not About Heroes By Stephen MacDonald Siegfried Sassoon ..................................................... Ben Morris Wilfred Owen .................................................... James Stephen Directed by ........................................................ Richard Kessel Stage Manager .................................................. Keith Cochrane Assisted By ...................................................... Crystal Anthony Technical Assistance ....................................... Charles Anthony Lighting Operation ................................................ Roger Turner Sound Operation ................................................Richard Kessel The Action From a room in Sassoon’s country house in Wiltshire, late at night on 3rd November 1932, Sassoon re-lives incidents that happened between August 1917 and November 1918. In sequence they take place in: • A quiet corner of the Conservative Club in Edinburgh (3rd November 1917) • Two rooms in the Craiglockhart War Hospital for Nervous Disorders, Edinburgh (August-October 1917) • The countryside near Milnathort, Scotland (October 1917) • Owen’s room in Scarborough, Yorkshire (January 1918) • Sassoon’s room in the American
    [Show full text]
  • Village Halls Handbook
    VILLAGE HALLS HANDBOOK For the Scottish Borders November 2011 Village Halls Handbook Page Introduction 2 SECTION ONE: Governance 1.1 Legal structures 3 1.2 Charitable Status 4 1.3 Role of Committees and Office Bearers 8 SECTION TWO: Managing People 2.1 Employment of Staff 10 2.2 Volunteers 10 2.3 HR Policies 10 SECTION THREE: Managing Money 3.1 Annual Monitoring and Accounts 11 3.2 Water charges, rates and utilities 12 3.3 VAT and Charities 13 3.4 Fundraising 14 SECTION FOUR: Managing Resources 4.1 Record-keeping 15 4.2 Insurance 16 4.3 Maintaining your Hall’s Facilities: kitchen, disabled access etc 17 4.4 Marketing your Hall 20 SECTION FIVE: Working with users 5.1 Booking Procedures: maximum occupancy; food safety clause 21 5.2 Hire Charges 22 5.3 Day Book and Hall Users Folder: statistics, instructions for use 23 5.4 Organising events 23 SECTION SIX: Legislation and Regulation 6.1 Licences: liquor, entertainment, music, raffles, marriage, film 24 6.2 Food Safety Management 28 6.3 Health & Safety: risk assessment, fire, asbestos, electrical safety 29 6.4 Oil tanks 31 6.5 Policies: equal opportunities, environment, health& safety, HR, PVG 32 1st edition published May 2007 Revised September 2011 Produced by Scottish Borders Community Development Company (operating as The Bridge) Registered in Scotland as a Company Limited by Guarantee No. 305830: Scottish Charity No. SC037646 Registered and Head Office: 6a Roxburgh Street, Galashiels, TD1 1PF www.the-bridge.uk.net Some further information added October 2011 by Berwickshire Association for Voluntary Service (BAVS).
    [Show full text]
  • The Dead and Their Bodies in World War I Poetry
    The Hilltop Review Volume 9 Issue 2 Spring Article 4 June 2017 Glorious and Execrable: The Dead and Their Bodies in World War I Poetry Rebecca E. Straple Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/hilltopreview Part of the Literature in English, British Isles Commons, and the Modern Literature Commons Preferred Citation Style (e.g. APA, MLA, Chicago, etc.) Chicago This Article is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in The Hilltop Review by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 14 Rebecca Straple Glorious and Execrable: The Dead and Their Bodies in World War I Poetry “Unburiable bodies sit outside the dug-outs all day, all night, the most execrable sights on earth: In poetry, we call them the most glorious.” – Wilfred Owen, February 4, 1917 Rebecca Straple Winner of the first place paper Ph.D. in English Literature Department of English Western Michigan University [email protected] ANY critics of poetry written during World War I see a clear divide between poetry of the early and late years of the war, usually located after the Battle of the Somme in 1916. Af- ter this event, poetic trends seem to move away from odes Mto courageous sacrifice and protection of the homeland, toward bitter or grief-stricken verses on the horror and pointless suffering of the conflict. This is especially true of poetry written by soldier poets, many of whom were young, English men with a strong grounding in Classical literature and languages from their training in the British public schooling system.
    [Show full text]
  • Stow & Fountainhall NL No 29
    www.stow-borders.co.uk Stow & Fountainhall COMMUNITY NEWSLETTER ISSUE 29 ~ summer/autumn 2017 CULTURE ON OUR DOORSTEP CULTURE ON OUR DOORSTEP If you’ve been around in our part of the Gala Water valley this summer you’re likely to have been aware of the rich mix of cultural events that our part of the world seems to have developed a thirst for and which it’s bursting to slake. Stowed Out, a triumph of local passion and organisation, has just finished at the time of collating the newsletter - our own Music and Arts Festival which brings to the Quoiting Green annually an ever-evolving mix of musicians to the sound stage; contemporary performers to the ROAR spoken word stage; and connects this year with the thought-provoking Cloudhouse Café and Gallery-based ‘Sanctuary’ exhibition of painting and sculpture by local artists, inspired by our area’s history and location, curated by one of our local artists, and running until late September. A few days after Stowed Out, two Fellows of the Royal Photographic Society connected to our locality, gave an enthralling photography presentation in Stow Town Hall which was enthusiastically attended. Over the summer Fountainhall Village Hall committee brought a play, an (orchestral) performance and puppets to our smaller village, enriching our days and cementing Fountainhall as a venue for small touring theatre companies - a direction of travel begun earlier this year. The Backroad Picture House began in late 2016 and its programme for the coming season is unveiled inside offering another fine mix from classic to contemporary films, across genres, for both adults and children over the coming winter.
    [Show full text]
  • Ergotherapy and the Doctor Who Cured Wilfred Owen
    ‘Re-education’, ergotherapy and the doctor who cured Wilfred Owen The end of 2020 marks the 100th anniversary of Wilfred Owen’s war poems being published posthumously.1 A quarter of Owen’s poems and fragments were written or updated in late 1917 when he was a ‘shell-shock’ patient in Edinburgh’s Craiglockhart War Hospital. Here he penned his most remembered verse. Without Craiglockhart and the care of Edinburgh doctor, Dr Arthur John Brock, we may never have read Owen’s words on ‘the pity of war’.2 A century on, Brock’s ‘ergotherapy’ treatments may have resonance and applicability as we care for mental health issues emanating from current global crises. In 1917 Owen saw action in the Somme area of the Western Front. He became a casualty having fallen into a shell hole. Recovering from concussion he was later blown up by a trench mortar and reportedly spent days unconscious. On regaining consciousness, Owen found himself surrounded by the remains of a fellow officer. Owen was transferred to one of the two reception centres for ‘shell-shock’, the Royal Victoria Hospital (the Welsh Hospital, Netley), where he was diagnosed as suffering from ‘war neuroses’ by doctors there. He was then moved to one of Britain’s six ‘shell-shock’ hospitals for officers - Craiglockhart War Hospital in Edinburgh. There he was placed under the care of Dr Brock. Brock believed in purging what caused the shock before a programme of ‘re-education’3 whereby patients were returned to normal living and working. This involved ‘ergotherapy’ activities. ‘Ergotherapy’ is the use of physical exertion as a treatment4 or as Brock described it more widely, “cure by functioning.”5 His prescribed activities were both physical and active artistic engagement, stimulating the body and mind.
    [Show full text]
  • Issue 26 of the Eildon Tree
    SUMMER/AUTUMN 2015 ISSUE 26 THE EILDON TREE Issue 26. Spring/SummerFREE 2015 1 Reviews s e i ity un r o t S t mm Co r o h S Poetry s w e i v Enter our free writing competition er nt celebrating the re-opening of the I Borders Railway line - deadline Friday 26 June! THE EILDON TREE NEW WRITING FROM THE SCOTTISH BORDERS & BEYOND 2 CONTENTS GUIDELINES 3 The Unadopted Road – Tim Nevil 22 Ice Scream – Barbara Pollock 24 EDITORIAL 4 On Pharmacy Road – Margaret Skea 25 WAVERLEY LINES WRITING COMPETITION 5 The Secret – Lewis Teckkam 28 POETRY Remembering Jeanie – Sandra Whitnell 30 Hymn to Creation – Norman Bissett 6 Who Am I? – Patricia Watts 32 Tapestry of Hope – Eileen Cummings 6 INTERVIEW WITH COLIN WILL 36 Sugar Plum – Christopher Hall 6 The Heron – Elaine Heron 6 ARTICLES Bonnets on the Coat Stand – Mary Johnston 7 Scott’s Treasures – Mary Morrison 40 A Chemical Investigation of Melrose Abbey – Bridget Hugh MacDiarmid and the Borders of Scotland – Alan Khursheed 7 Riach 44 Hyena – Gordon Meade 7 Life Experience and Memoir Writing – Raghu B. Windfall – Roy Moller 7 Shukla 47 Rough Relic – Jamie Norman 8 BOOK REVIEWS 50 Stormy Day Eyemouth – Keith Parker 8 Very Big Numbers – Ronnie Price 8 BIOGRAPHIES 60 Yammer – Hamish Scott 8 War Talk – Jock Stein 8 Clearing Out Mum’s Flat – Alexander Gunther 9 Feral – Colin Will 9 Stopping for a Chat – Colin Will 9 Once Gone, Twice Returned – Davy MacTire 9 Hawick Common Riding = Men – Judy Steel 10 Crossing Lammermuir – Kate Campbell 11 Nineteen – Vee Freir 12 Still Runs the Teviot – Toni Parks 12 Happy – Rafael Miguel Montes 12 FICTION Trousers, Cockroaches & Quantum Universes – Oliver Eade 13 Running Up the Escalator – Jane Pearn 15 Every Picture – June Ritchie 16 Oscar’s Last Sunset – Sean Fleet 18 Sittin Here – Alistair Ferguson 18 Ticking Bomb – Janet Hodge 19 The River of Silver – Thomas Clark 20 THE EILDON TREE Issue 26.
    [Show full text]
  • Eden Court Theatre Inverness
    140 performances across 16 venues - BSL, Ca ptioning & Audio Description January 2017 onwards Find it hard to get to theatres or to see or hear shows? Open up for EDINBURGH lots of helpful GLASGOW information. STIRLING LISTINGS AND ACCESS GUIDE INSIDEDUNDEE PITLOCHRYPERTH ABERDEEN INVERNESS Welcome to the Access Scottish Theatre guide, which contains useful information about accessible performances and venues across Scotland. We think that it is important that you have all the information you need to make bookings, get to the venue and enjoy yourself when you are there. Access Scottish Theatre will launching a new website in January 2017. Visit us at www.accessscottishtheatre.com How to use the guide The guide is split in to three main sections - listings of accessible performances, venues and touring companies. The listings and venue pages are ordered by city. On page 22 you can find out how to use the venue pages. We have tried to include useful information as simply as possible, but we have used some abbreviations. Layout key for listings pages: Venue page number Show time Show date Name of service Show description provider if applicable Time of Touch Staying Tour if applicable up to date — find out more inside back cover Visit www.accessscottishtheatre.com for up to date listings. Search for the services you require in the cities and venues you want. You can also sign up to monthly e:bulletins or download PDF and Word versions of the guide. “Like” us on Facebook or follow us on Twitter for instant alerts and updates. Listing information in this guide has been provided by the venues and companies.
    [Show full text]
  • [email protected] / 07919 936313 INVERNESS / GLASGOW
    [email protected] / 07919 936313 www.kenneth-macleod.com INVERNESS / GLASGOW THE METAMORPHOSIS SET & COSTUME DESIGNER BASED ON THE STORY BY F. KAFKA VANISHING POINT / TRON THEATRE WRITTEN & DIRECTED BY SCOTTISH TOUR / ITALIAN TOUR MATT LENTON 2020 / 2021 RAPUNZEL SCENIC DESIGNER OOR WULLIE SET & COSTUME DESIGNER WRITTEN & DIRECTED BY JOHNNY MACROBERT ARTS CENTRE WRITTEN BY NOISEMAKER DIRECTED BY DUNDEE REP / SCOTTISH TOUR MCKNIGHT DECEMBER 2019 ANDREW PANTON DECEMBER 2019 KES SET & COSTUME DESIGNER THE COOK , THE THIEF, HIS PRODUCTION DESIGNER WRITTEN BY ROBERT ALAN EVANS PERTH THEATRE WIFE & HER LOVER FAENA MIAMI / UNIGRAM DIRECTED BY LU KEMP OCTOBER 2019 WRITTEN BY SCOTT GILMOUR OCTOBER 2019 DIRECTED BY ANDREW PANTON THE DARK CARNIVAL SET & COSTUME DESIGNER THE YELLOW IN THE BROOM SET & COSTUME DESIGNER WRITTEN & DIRECTED BY VANISHING POINT / CITIZENS THEATRE WRITTEN BY ANNE DOWNIE DUNDEE REP / SCOTTISH TOUR MATT LENTON FEBRUARY 2019 DIRECTED BY ANDREW PANTON AUGUST 2018 NOMINATED BEST DESIGN, CRITICS AWARD FOR THEATRE SCOTLAND 2019 BRIGHT YOUNG THINGS VIDEO DESIGNER SPRING AWAKENING SET & COSTUME DESIGNER natIONAL YOUTH BALLET SADLERS WELLS THEATRE SATER / SHEIK ROYAL CONSERVATOIRE / DUNDEE REP DIRTECTED BY MIKAH SMILIE AUGUST 2018 DIRECTED BY ANDREW PANTON AUGUST 2018 THE RETURN SET & COSTUME DESIGNER THE OUTSIDER SCENIC/ VIDEO DESIGNER WRITTEN BY ELLIE STEWART EDEN COURT THEATRE, SCOTTISH TOUR KANDER / EBB CUNARD, MS QUEEN ELIZABETH DIRECTED BY PHILLIP HOWARD MARCH 2018 DIRECTED BY TIM WELTON JANUARY 2018 CHICK WHITTINGTON SCENIC
    [Show full text]
  • Heritage Festival 2017
    Heritage Festival 2017 Where People, Place & Myth Meet PROGRAMME OF EVENTS PICTURING THE PAST: LIGHTING THE BORDERS PHOTOGRAPHY COMPETITION Lantern making workshops Entries by midnight, Friday 11 August 2017 11 August, 11.00–13.00 & 14.00–17.00 Live Borders Libraries & Archives, Newcastleton Village Hall, Newcastleton St Mary’s Mill, Selkirk TD7 5EW TD9 0QD. Parade: Sat 2 September meeting Entry Free at 20.00, Hermitage Castle, Newcastleton Celebrate Scotland’s Year of History, 12 August, 11.00–13.00 & 14.00–17.00 Heritage & Archaeology by capturing Duns Parish Hall, Church Square, Duns TD11 your Borders heritage through photography. 3DD. Parade: Friday 1 September meeting Do you have a favourite building, monument at 19.00 Market Square, Duns or archaeological feature in the Scottish Come along and make your own willow Borders? Why not get out and about with and tissue paper lantern for our spectacular your camera this summer? Entering is easy! public parades in Duns and Newcastleton! 1. You must be within one of these three These workshops are free with a small categories when the competition closes: donation (£2) towards materials appreciated. 11 years and under, 12–17 years, 18–25 years. Wear old clothes and bring your family 2. Download an entry form, which includes along. Drop in sessions – please allow at full conditions of entry: www.liveborders. least 1 hour to make your lantern. For more org.uk/librariesandarchives information on lantern making workshops please contact Sara. 3. A digital copy of the image along with the completed entry form must be submitted via &[email protected] email to [email protected].
    [Show full text]
  • Annualreport20.Pdf
    Annual2020 Report Rona Munro, Chair playwrights These are strange times. We are reporting on a year of the Studio’s work 76 which was undertaken in one reality at the point at which we’re entering Davey Anderson Robert Ballantyne Sadie Beauchamp another. Victoria Beesley Benn Brown Drew Campbell Giles Conisbee At time of writing, our understanding of what this reality will be like, for playwrights and for theatre, is changing almost daily. Jacqueline Conn Alice Mary Cooper Linda Cracknell One thing which is clear, is that playwrights have never been more Bob Davidson Mick Duke Ansley Echols Andy Edwards needed. Our communities need to process what is happening to us all, through drama and through stories. Oliver Emanuel Marjorie Ferry Joanna Glum Playwrights’ Studio and the Scottish Society of Playwrights recently hosted an online gathering at which a large number of playwrights, from Davey Goodwin Annie George Stephen Greenhorn David Greig all parts of Scotland, came together online to discuss our response to the pandemic and to the challenges facing live theatre. Playwrights also Maryam Hamidi Lesley Hart John Harvey Lewis Hetherington participated with other freelancers in the many depositions, lobbying Jules Horne Kieran Hurley Jaimini Jethwa James Ley documents and appeals that were sent to government, highlighting the imminent collapse of our live theatre without financial help. Jane Livingstone Simon MacCallum Rehanna MacDonald Financial help has been offered. I imagine we all expect that the detail of how that money is allocated will involve further scrutiny, lobbying and Iain Macrae John McCann Nicola McCartney Janine McEwan appeals but, basically we were heard, our value was affirmed, we should empower ourselves and remember that going forward.
    [Show full text]