31 October Free Entry

Total Page:16

File Type:pdf, Size:1020Kb

31 October Free Entry 2013 countryside visitor centre Open daily 10am-5pm 23 March - 31 October FREE ENTRY www.scotborders.gov.uk/harestanes The Best of the Borders! 13 Celebrate Harestanes’ 21st anniversary and the Year of Natural Scotland 2013! Set in beautiful countryside and with a great outdoor play park, there’s plenty to do, whatever the weather. Discover for yourself why Harestanes is one of the Borders best-loved attractions. Great tasting coffee and fresh baked cakes Savour the taste of freshly-ground FairTrade coffee and enjoy delicious scones and traybakes in Gill Orde’s lovely café. Planning a birthday party? Hire our courtyard room for parties and group visits. Assistance available for school and nursery classes. Gold Award - Green Business Harestanes is committed to reducing its impact on the environment by reducing energy and water use each year, and recycling as much as possible. Visit www.green-business.co.uk for details. Walking and cycling Discover the local countryside by foot and by bike. Harestanes is on St Cuthbert’s Way, a day’s walk from Melrose. A network of quiet public roads provides a choice of options for cyclists, including the 4 Abbeys Route. Disabled access The visitor centre ground floor is wheelchair-accessible with parking at the main entrance. A courtesy wheelchair is available for use around the building. Travel by bus The nearest request stop for buses is the A68 / B6400 junction, 15 minutes’ walk from Harestanes. Visit www.travelinescotland.com for timetables. Stay in touch Join our e-mail list at www.scotborders.gov.uk/harestanes for news of events and exhibitions. Harestanes Countryside Visitor Centre Ancrum, JEDBURGH TD8 6UQ Tel: 01835 830306 Email: [email protected] Web: www.scotborders.gov.uk/harestanes Copyright Names, images and logos identifying Scottish Borders Council and Harestanes Countryside Visitor Centre are subject to copyright, and design rights. The copyright of most of the information belongs to Scottish Borders Council. Unless otherwise stated, this information may be copied by you free of charge without obtaining formal permission, but only if it is produced accurately and not used in a misleading context or for commercial purposes, and provided you identify the source of the material and acknowledge the owner of the copyright. Events 23 March – 31 October 13 Bookings with payment can be made over the telephone from 23 March 10am-5pm daily by calling (01835) 830306. No refund if a booking is cancelled within 14 days of an event. A 50% refund will be made if a booking is cancelled more than 14 days before an event. Full refund if an event is cancelled. WEEKLY EVENTS Tuesdays 16th April – 28th 01835 823155 or 07979 902891. May 1330-1430 Further dates TBC. Thursdays 18th April – 20th June 1000-1100 Thursdays 18th April – 31st Music Time with Pooee October 1200-1600 and her Puppets! Harestanes SoftPlay Singing, playing instruments, New for Harestanes! Indoor soft dancing and puppets for pre- play for toddlers. £1 per child school children. £3 per session and enjoy a special discount in (five sessions per booking). For the café. 0-4 years. All children details call Pooee Pitman on must be with an adult. MARCH Fri 29th – Sun 31st 1000- Decorate Your Egg! 1600 Approx. 1 mile. Give your egg an Easter Outdoor event make-over. Bring your own Easter Treasure Trail egg or buy one for 30p. Buy a treasure map, follow the Under-8s must be with an clues and collect an Easter adult. £1.50 per decorated egg prize! Children must be egg. No booking required. with an adult. £1.50 per map. No booking required. Sun 31st 1100-1300, 1330- 1530 (approx. 20mins) Sat 30th 1100-1300, 1330- Indoor event 1530 (approx. 20mins) Decorate Your Egg! Indoor event See 30th March for details. APRIL Ages 4+, under-8s must be with Mon 1st 1000-1600 an adult. Max. of 10 participants. Approx. 1 mile. £5. Booking: Advised. Outdoor event Easter Treasure Trail Sat 6th 1300-1630 inc. break See 29th March for details. Indoor event Wed 3rd 1400-1600 Weave a Willow Deer Make your own beautiful Indoor event willow sculpture under expert Arty Wednesday guidance. Ages 12 to adult. Create your own nature-based Max. of 8 participants. £12. art work to take home. A Booking: Advised. Harestandifferent theme each week. Centre Sun 7th 1300-1630 inc. break Sun 14th 1400-1630 Indoor event Indoor & Outdoor event Weave a Willow Hare Draw in the Wild Make your own beautiful Learn to sketch nature under willow sculpture under expert expert tuition. Suitable for guidance. Ages 12 to adult. beginners. A different theme £12. Max. of 8 participants. each month. Ages 16 to adult. Booking: Advised. £8. Max. of 10 participants. Booking: Advised. Wed 10th 1400-1600 Indoor event Sun 21st 1400-1500 Arty Wednesday Indoor event See 3rd April for details. Tim Stead: His Life and Work Sat 13th 1000-1600 Maggy Stead Lenert presents Training event an illustrated talk on her Freshwater late husband Tim’s passion Invertebrate ID for uncovering the beauty Improving our knowledge of of wood through his unique wildlife relies on accurate furniture and sculpture. £3. identification. Freshwater Booking: Advised. This event biologist Dave Colvill leads complements With the Grain: a workshop identifying A Celebration of the Life pond invertebrates. and Work of Tim Stead in Ages 16 to adult. Max. of Harestanes Gallery Sat 23rd 12 participants. FREE. March – Mon 27th May. Organised by The Wildlife Information Centre. Booking: Essential (via www. wildlifeinformation.co.uk) MAY Sat 4th 1300-1630 inc. break Sun 12th 1300-1600 inc. Indoor event break Weave a Garden Plant Indoor & Outdoor event Support Draw in the Wild Use willow to make your own See 14th April for details. elegant plant support under expert tuition. Ages 16 to Sat 18th 0500-0730 adult. Max. of 8 participants. Outdoor event £18. Booking: Advised. Dawn Chorus Woodland Walk Sun 5th 1300-1630 inc. break Hear the dawn chorus at its Indoor event best and enjoy a springtime Weave a Garden Plant walk through beautiful Support woodland. Ages 8+. Under- See Sat 4th May for details. 16s must be with an adult. Max. of 24 participants. Mon 6th 1100-1300, 1400- Adult £5, Child £3. No dogs. 1600 (approx. 20 mins) Booking: Essential. Part of Indoor event Scottish Borders, Naturally! 18 May-16 June. More details May Day Make at www.scotborders.gov.uk/ Celebrate Spring with fun naturally art and craft activities for everyone! Ages 4+, under-8s Wed 22nd 1400-1530 must be with an adult. £2. No Outdoor event booking required. Harestanes Butterfly HarestanesSurvey Countryside Visitor Centre Take part in a national survey for Butterfly Conservation over a 1 mile route. No experience necessary. Under-16s must be with an adult. No dogs. FREE. Max. of 10 participants. Booking: Advised. Part of Scottish Borders, Naturally! 18th May-16th June. More © Charlie Waite details at www.scotborders. gov.uk/naturally and refreshments provided. Ages 16 to adult. Max. of 8 Sat 25th 1030-1400 participants. Adult £65, Conc. Hosted event £50. Booking: Essential. Toddleathon for UNICEF Complete a toddler ‘marathon’ Wed 29th 1400-1530 to raise funds for UNICEF in Outdoor event support of children around Harestanes Butterfly the world, and receive a Survey certificate! For children See 22nd May for details. 2-5 years accompanied by Part of Scottish Borders, parent(s). Details and sponsor Naturally! 18th May-16th forms from Ken Henderson, June. More details at www. tel. 01750 20112, email: scotborders.gov.uk/naturally kennethhenderson420@ btinternet.com or turn up on Wed 29th 2000-2200 the day. Outdoor event Sun 26th 0930-1700 Evening Woodland Outdoor event Walk Discover a world of bats, Laurie Campbell moths and owls on a short Photography Workshop walk in the woods at dusk. (Beginners & Intermediates) No dogs. Ages 8 to adult. Join wildlife and landscape Under-16s must be with an photographer Laurie adult. Max. of 24 participants. Campbell in a practical Adult £5, Child £3. Booking: small group workshop. Essential. Expert advice on all aspects Part of Scottish Borders, of outdoor photography. Naturally! 18th May-16th Participants must bring a June. More details at www. camera, tripod and outdoor scotborders.gov.uk/naturally clothing. Sandwich lunch JUNE Sat 1st 1300-1600 Part of Scottish Borders, Outdoor event Naturally! 18th May-16th Harestanes BioBlitz June. More details at www. Help to identify the wide range scotborders.gov.uk/naturally of animals, fungi and plants that make Harestanes their Sat 1st 1000-1700 home and continue a long Hosted event tradition of wildlife recording. Tesco Bank 4 Abbeys Experts from TWIC (The Challenge Wildlife Information Centre) A hike & bike charity challenge and other organisations will by Tesco Bank staff in aid of be on hand to lead recording three nominated charities parties. Ages 8 to adult, following the 4 Abbeys Cycle under-16s must be with an Route. Hares ntrysideadult. FREE. Visitor Centre Sun 2nd 1200-1600 Sun 9th 1300-1600 inc. Indoor & Outdoor event break Harestanes Wildlife Indoor & Outdoor event Family Fun! Draw in the Wild Try pond-dipping, listen to See 14th April for details. underwater sounds in the Part of Scottish Borders, wildlife garden, make a Naturally! 18th May-16th bumblebee house or create June. More details at www. your own leaf art! There’s scotborders.gov.uk/naturally lots of activities and hands- on advice from wildlife Wed 12th 1400-1530 experts too. FREE entry. Outdoor event Part of Scottish Borders, Harestanes Butterfly Naturally! 18th May-16th Survey June. More details at See 22nd May for details. www.scotborders.gov.uk/ Part of Scottish Borders, naturally Naturally! 18th May-16th June.
Recommended publications
  • On Watery Borders, Borderlands, and Tania Kovats' Head to Mouth
    arts Article On Watery Borders, Borderlands, and Tania Kovats’ Head to Mouth Ysanne Holt Department of Arts, Northumbria University, Newcastle upon Tyne NE1 8ST, UK; [email protected] Received: 30 June 2019; Accepted: 13 August 2019; Published: 20 August 2019 Abstract: With a relational view of landscapes and natural environments as continuously “in process” and formed from the over-layered and interdependent connections between nature and culture, the human and the non-human, this paper considers some recent practices by artists who have worked in the largely rural border region of Northern England and Southern Scotland. Expanding from a focus on the artist Tania Kovats’ 2019 Berwick Visual Arts exhibition, Head to Mouth, and a wider frame of non-anthropocentric ecological thought in relation to the visual arts, it explores the significance of diverse creative engagements with water, here with the River Tweed, and their potential value in a current cross-border context of social and environmental challenges and concern. Keywords: borderlands; ecological thinking; River Tweed; Tania Kovats; contemporary arts and environment; water; Anglo-Scottish borders 1. Introduction The UK border region of Northern England and Southern Scotland is sparsely populated and often perceived and experienced as marginal and remote, with associations either of peace and tranquility, or of isolation and peripherality. Amidst social and political anxieties wrought by referenda on Scottish Independence (2014) and Brexit (2016), and the environmental problems that face this primarily rural, cross-border location overall, the significance of its shared resources, practices, and identities and the value in this context of recent forms of visual arts practice are important considerations.
    [Show full text]
  • Village Halls Handbook
    VILLAGE HALLS HANDBOOK For the Scottish Borders November 2011 Village Halls Handbook Page Introduction 2 SECTION ONE: Governance 1.1 Legal structures 3 1.2 Charitable Status 4 1.3 Role of Committees and Office Bearers 8 SECTION TWO: Managing People 2.1 Employment of Staff 10 2.2 Volunteers 10 2.3 HR Policies 10 SECTION THREE: Managing Money 3.1 Annual Monitoring and Accounts 11 3.2 Water charges, rates and utilities 12 3.3 VAT and Charities 13 3.4 Fundraising 14 SECTION FOUR: Managing Resources 4.1 Record-keeping 15 4.2 Insurance 16 4.3 Maintaining your Hall’s Facilities: kitchen, disabled access etc 17 4.4 Marketing your Hall 20 SECTION FIVE: Working with users 5.1 Booking Procedures: maximum occupancy; food safety clause 21 5.2 Hire Charges 22 5.3 Day Book and Hall Users Folder: statistics, instructions for use 23 5.4 Organising events 23 SECTION SIX: Legislation and Regulation 6.1 Licences: liquor, entertainment, music, raffles, marriage, film 24 6.2 Food Safety Management 28 6.3 Health & Safety: risk assessment, fire, asbestos, electrical safety 29 6.4 Oil tanks 31 6.5 Policies: equal opportunities, environment, health& safety, HR, PVG 32 1st edition published May 2007 Revised September 2011 Produced by Scottish Borders Community Development Company (operating as The Bridge) Registered in Scotland as a Company Limited by Guarantee No. 305830: Scottish Charity No. SC037646 Registered and Head Office: 6a Roxburgh Street, Galashiels, TD1 1PF www.the-bridge.uk.net Some further information added October 2011 by Berwickshire Association for Voluntary Service (BAVS).
    [Show full text]
  • Stow & Fountainhall NL No 29
    www.stow-borders.co.uk Stow & Fountainhall COMMUNITY NEWSLETTER ISSUE 29 ~ summer/autumn 2017 CULTURE ON OUR DOORSTEP CULTURE ON OUR DOORSTEP If you’ve been around in our part of the Gala Water valley this summer you’re likely to have been aware of the rich mix of cultural events that our part of the world seems to have developed a thirst for and which it’s bursting to slake. Stowed Out, a triumph of local passion and organisation, has just finished at the time of collating the newsletter - our own Music and Arts Festival which brings to the Quoiting Green annually an ever-evolving mix of musicians to the sound stage; contemporary performers to the ROAR spoken word stage; and connects this year with the thought-provoking Cloudhouse Café and Gallery-based ‘Sanctuary’ exhibition of painting and sculpture by local artists, inspired by our area’s history and location, curated by one of our local artists, and running until late September. A few days after Stowed Out, two Fellows of the Royal Photographic Society connected to our locality, gave an enthralling photography presentation in Stow Town Hall which was enthusiastically attended. Over the summer Fountainhall Village Hall committee brought a play, an (orchestral) performance and puppets to our smaller village, enriching our days and cementing Fountainhall as a venue for small touring theatre companies - a direction of travel begun earlier this year. The Backroad Picture House began in late 2016 and its programme for the coming season is unveiled inside offering another fine mix from classic to contemporary films, across genres, for both adults and children over the coming winter.
    [Show full text]
  • Issue 26 of the Eildon Tree
    SUMMER/AUTUMN 2015 ISSUE 26 THE EILDON TREE Issue 26. Spring/SummerFREE 2015 1 Reviews s e i ity un r o t S t mm Co r o h S Poetry s w e i v Enter our free writing competition er nt celebrating the re-opening of the I Borders Railway line - deadline Friday 26 June! THE EILDON TREE NEW WRITING FROM THE SCOTTISH BORDERS & BEYOND 2 CONTENTS GUIDELINES 3 The Unadopted Road – Tim Nevil 22 Ice Scream – Barbara Pollock 24 EDITORIAL 4 On Pharmacy Road – Margaret Skea 25 WAVERLEY LINES WRITING COMPETITION 5 The Secret – Lewis Teckkam 28 POETRY Remembering Jeanie – Sandra Whitnell 30 Hymn to Creation – Norman Bissett 6 Who Am I? – Patricia Watts 32 Tapestry of Hope – Eileen Cummings 6 INTERVIEW WITH COLIN WILL 36 Sugar Plum – Christopher Hall 6 The Heron – Elaine Heron 6 ARTICLES Bonnets on the Coat Stand – Mary Johnston 7 Scott’s Treasures – Mary Morrison 40 A Chemical Investigation of Melrose Abbey – Bridget Hugh MacDiarmid and the Borders of Scotland – Alan Khursheed 7 Riach 44 Hyena – Gordon Meade 7 Life Experience and Memoir Writing – Raghu B. Windfall – Roy Moller 7 Shukla 47 Rough Relic – Jamie Norman 8 BOOK REVIEWS 50 Stormy Day Eyemouth – Keith Parker 8 Very Big Numbers – Ronnie Price 8 BIOGRAPHIES 60 Yammer – Hamish Scott 8 War Talk – Jock Stein 8 Clearing Out Mum’s Flat – Alexander Gunther 9 Feral – Colin Will 9 Stopping for a Chat – Colin Will 9 Once Gone, Twice Returned – Davy MacTire 9 Hawick Common Riding = Men – Judy Steel 10 Crossing Lammermuir – Kate Campbell 11 Nineteen – Vee Freir 12 Still Runs the Teviot – Toni Parks 12 Happy – Rafael Miguel Montes 12 FICTION Trousers, Cockroaches & Quantum Universes – Oliver Eade 13 Running Up the Escalator – Jane Pearn 15 Every Picture – June Ritchie 16 Oscar’s Last Sunset – Sean Fleet 18 Sittin Here – Alistair Ferguson 18 Ticking Bomb – Janet Hodge 19 The River of Silver – Thomas Clark 20 THE EILDON TREE Issue 26.
    [Show full text]
  • Heritage Festival 2017
    Heritage Festival 2017 Where People, Place & Myth Meet PROGRAMME OF EVENTS PICTURING THE PAST: LIGHTING THE BORDERS PHOTOGRAPHY COMPETITION Lantern making workshops Entries by midnight, Friday 11 August 2017 11 August, 11.00–13.00 & 14.00–17.00 Live Borders Libraries & Archives, Newcastleton Village Hall, Newcastleton St Mary’s Mill, Selkirk TD7 5EW TD9 0QD. Parade: Sat 2 September meeting Entry Free at 20.00, Hermitage Castle, Newcastleton Celebrate Scotland’s Year of History, 12 August, 11.00–13.00 & 14.00–17.00 Heritage & Archaeology by capturing Duns Parish Hall, Church Square, Duns TD11 your Borders heritage through photography. 3DD. Parade: Friday 1 September meeting Do you have a favourite building, monument at 19.00 Market Square, Duns or archaeological feature in the Scottish Come along and make your own willow Borders? Why not get out and about with and tissue paper lantern for our spectacular your camera this summer? Entering is easy! public parades in Duns and Newcastleton! 1. You must be within one of these three These workshops are free with a small categories when the competition closes: donation (£2) towards materials appreciated. 11 years and under, 12–17 years, 18–25 years. Wear old clothes and bring your family 2. Download an entry form, which includes along. Drop in sessions – please allow at full conditions of entry: www.liveborders. least 1 hour to make your lantern. For more org.uk/librariesandarchives information on lantern making workshops please contact Sara. 3. A digital copy of the image along with the completed entry form must be submitted via &[email protected] email to [email protected].
    [Show full text]
  • Annualreport20.Pdf
    Annual2020 Report Rona Munro, Chair playwrights These are strange times. We are reporting on a year of the Studio’s work 76 which was undertaken in one reality at the point at which we’re entering Davey Anderson Robert Ballantyne Sadie Beauchamp another. Victoria Beesley Benn Brown Drew Campbell Giles Conisbee At time of writing, our understanding of what this reality will be like, for playwrights and for theatre, is changing almost daily. Jacqueline Conn Alice Mary Cooper Linda Cracknell One thing which is clear, is that playwrights have never been more Bob Davidson Mick Duke Ansley Echols Andy Edwards needed. Our communities need to process what is happening to us all, through drama and through stories. Oliver Emanuel Marjorie Ferry Joanna Glum Playwrights’ Studio and the Scottish Society of Playwrights recently hosted an online gathering at which a large number of playwrights, from Davey Goodwin Annie George Stephen Greenhorn David Greig all parts of Scotland, came together online to discuss our response to the pandemic and to the challenges facing live theatre. Playwrights also Maryam Hamidi Lesley Hart John Harvey Lewis Hetherington participated with other freelancers in the many depositions, lobbying Jules Horne Kieran Hurley Jaimini Jethwa James Ley documents and appeals that were sent to government, highlighting the imminent collapse of our live theatre without financial help. Jane Livingstone Simon MacCallum Rehanna MacDonald Financial help has been offered. I imagine we all expect that the detail of how that money is allocated will involve further scrutiny, lobbying and Iain Macrae John McCann Nicola McCartney Janine McEwan appeals but, basically we were heard, our value was affirmed, we should empower ourselves and remember that going forward.
    [Show full text]
  • Shapeshifting the Scottish Borders: a Geopoetic Dance of Place
    Northumbria Research Link Citation: Pencak, Claire (2019) Shapeshifting the Scottish Borders: A Geopoetic Dance of Place. Arts, 8 (3). ISSN 2076-0752 Published by: MDPI URL: https://www.mdpi.com/2076-0752/8/3/101 <https://www.mdpi.com/2076- 0752/8/3/101> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/40269/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) arts Article Shapeshifting the Scottish Borders: A Geopoetic Dance of Place Claire Pençak Northumbria Law School, Northumbria University, Newcastle upon Tyne NE1 8ST, UK; [email protected] Received: 30 June 2019; Accepted: 1 August 2019; Published: 7 August 2019 Abstract: In this paper, I unite dance theory and practice and geopoetics in order to reflect on edges, peripheries and borders in a geographic region, the Scottish Borders, where the dominant cultural narrative is and has historically been based on rivalry.
    [Show full text]
  • Creative Nature ARTS, NATURE and SEEING PLACES DIFFERENTLY
    creative nature ARTS, NATURE AND SEEING PLACES DIFFERENTLY Creative Nature Scotland is renowned for its breathtaking scenery and unique natural heritage. We have the UK’s highest mountains, deepest lochs, acres of forest and miles upon miles of unspoilt moorland. We have iconic wildlife, historic landscapes, and can boast an incredible 6,000 miles of shoreline – from rugged cliffs to pearl- white beaches – with almost 800 islands scattered around the coast. Our land is one of outstanding beauty. In 2013, Scotland wants to celebrate this. The Year of Natural Scotland is a year-long showcase of these natural assets, and offers a chance for all who live in and visit this country to look again, explore and marvel at what we have. As part of the Year of Natural Scotland, a series of artistic projects has been funded by Creative Scotland with support by Scottish Natural Heritage, bringing together organisations from the arts and environmental worlds. From living sculptures in our forests to performance picnics and scavenger hunts, sound maps and songs inspired by traditions of our fishing grounds, these projects are inspired by our natural environment, but working with artists, and communities who inhabit these spaces. Get out into Scotland’s great outdoors with this pocket-sized guide and discover some unique art that’s happening off the beaten track. 1 Aberdeen, My Place in the Natural World Aden, Balmedie, Haddo and Haughton Country Parks Spring and Autumn 2013 Aberdeen, My Place in the Natural World offers a great opportunity for young people to create a range of digital media influenced by the beauty of Aden, Balmedie, Haddo and Haughton Country parks.
    [Show full text]
  • Guide to Plays for Performance
    Guide to Plays for Performance Welcome to our Guide to Plays for Performance! I hope this Guide will not only be a useful tool for you in helping to choose next season’s play, but also a valuable companion throughout your career in the theatre. The Guide will give you a good overview of our list with detailed information on our most- performed plays as well as new releases and acquisitions. A more comprehensive version of the Guide is available online, and you are welcome to print off any sheets that are of particular interest to you there. Towards the end of this guide you will find a detailed listing of all our plays for performance, including cast details. If you find a play there that you would like a closer look at, just let me know and I will be happy to send you an approval copy of the script. If you wish to receive our quarterly supplements, with information about the most recent acquisitions, you must let me have an email address (send to: [email protected]) so that I can add you to our electronic mailing list. Check before rehearsals May I remind you that it is essential that before rehearsals begin, you check availability with me, as inclusion in the Guide does not necessarily indicate that amateur rights have been released, and some plays may be withdrawn later on without notice. I hope you will find an exciting and inspiring play for a future production in this Guide and look forward to hearing from you.
    [Show full text]
  • SCOTTISH BORDERS CULTURAL FORUM – October Gathering Notes
    SCOTTISH BORDERS CULTURAL FORUM – October Gathering Notes WASPS Studios, Level Crossing Road, Selkirk 6.00pm - 8.00pm, Friday 30th September 2016 Attendees: Felicity Bristow, Dave Lochhead, Wendy Dawson Young, Heather Bolton, Jane Houston-Green, Sarah Elliot, John Elliot, Gill Walton, Caroline Adam, Sheila Sapkota, Lisa Denham, Helen Douglas, Claire Pencak, Jen McPhail, Cllr Vicky Davidson, Ann Packard, Deryck Henley, Niall Campbell, Rona Munro, Fiona Sturgeon-Shea, Kevin Greenfield, Peter Munro, Frances Fergusson, Jules Horne, John Berry, Kerry Jones, Tania Paterson, Karen Dick, Inge Panneels, Fergus Watson, Mark Timmins, Mary Morrison Image credit: Felicity Bristow Summary: The October Gathering fell on the last day of September, to tie in with the annual WASPS Selkirk Open Studios, which opened to the public on the 1st and 2nd October, so it was a chance to have a sneak preview of work by the resident artists. The Gathering was facilitated by Mark Timmins. The format of the Gathering: There is no formal agenda for Cultural Forum gatherings, with the discussion being driven by those attending and it is a chance to meet, exchange and share information and focus on particular topics which emerge. The meetings do however kick off with short 5 min presentations, which can develop into further discussions/Q&A. For the October Gathering, the presentations were: Short (c. 5mins) Presentations: 1. Fiona Sturgeon Shea - Playwrights' Studio Scotland. Fiona will speak about the organisation and their mission and core work with playwrights in Scotland. 2. Fergus Watson – Business Gateway Advisor, Tourism. Fergus will talk about his role at Business Gateway, how he supports businesses and examples of projects which have been developed over the last year.
    [Show full text]
  • Annual Report 2001-2002 (PDF)
    National Library of Scotland Annual Report 2001- 2002 NATIONAL LIBRARY OF SCOTLAND • EDINBURGH • www.nls.uk RB.el.6 New acquisition. One of four early nineteenth-century panoramas of Edinburgh by Lady Elton (Mary Stewart). © National Library of Scotland 2002 Endpapers: Images of south ISBN 1 872116 34 5 Edinburgh in 1929, from a collection of photographs by Alfred Henry Rushbrook. Photography: Allan Forbes Design: Jim Cairns Design Editorial: Jacqueline Cromarty Kenneth Gibson Typeset in New Caledonia Printed in Scotland by J. Thomson Colour Printers National Library of Scotland George IV Bridge Edinburgh EH1 1EW www.nls.uk Contents Chairman’s foreword 4 Librarian’s introduction 5 Modernising the Library 7 Widening access 11 The national collections 17 The international dimension 23 Collaboration and partnership 27 Donors and depositors 29 Trustees and senior staff 30 Finance and statistics 31 Chairman’s foreword This year the Library has taken further steps towards a new vision which combines the maintenance of its traditional strengths with extension into a range of new and exciting activities. For example, during the year the Library undertook a much expanded series of public events, including lectures, book launches, and ‘meet the author’ conversations, and these proved an outstanding success and have encouraged whole new groups of users to feel that the Library is of relevance and value to them. In parallel, the Library’s website continues to grow and to be enriched with digital content, creating another important means to serve those people of Scotland and the wider world who are unable to access the Library’s services directly through its reading rooms.
    [Show full text]
  • Annual Report.Cdr
    Welcome This year’s annual report gives a snapshot of some of the work of Playwrights’ Studio during the financial year 2017/18, and begins to track its impact. In it, we are able to collate the numbers and names of the 66 playwrights who benefited from our work, and those who delivered it – as well as the 48 events and completed scripts that made up an extremely busy and successful year. Towards the end of the financial year, we were pleased and grateful to be awarded standstill funding from Creative Scotland for the following three years. Along with financial support from Glasgow City Council and our strong relationships with sponsors Nick Hern Books and partners such as the Royal Conservatoire of Scotland and University of Edinburgh, this is a ringing endorsement of the work of Scotland's playwrights as essential to a strong and healthy culture. Playwrights are at the heart of everything we do, from serving on our board of directors, to participating enthusiastically in our Programmes. Our thanks, as ever, go out to them! Fiona Sturgeon Shea, Creative Director Playwrights’ Studio, Scotland Rona Munro, Chair In my third year as Chair of Playwrights’ Studio, Scotland there has been both disaster and upheaval! As I write this introduction to the 2017/18 Annual Report, Playwrights’ Studio is currently homeless. As a consequence of the terrible fire at Glasgow School of Art, the offices in the CCA are closed and the organisation has had to seek temporary accommodation elsewhere. It’s a tribute to the staff that they have still presented a complete Edinburgh Festival programme in the face of this disruption, and continue to serve the needs of Scotland’s playwriting community.
    [Show full text]