Scotland's Theatre Architecture
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Image: Brian Hartley
IMAGINATE FESTIVAL Scotland’s international festival of performing arts for children and young people 6-13 may 2013 TICKETS:0131 228 1404 WWW.TRAVERSE.CO.UK Image: Brian Hartley IMAGINATE FESTIVAL FUNDERS & SUPPORT ABOUT IMAGINATE Every year Imaginate receives financial and in kind support from a range of national and international organisations.We would like to thank them all for their invaluable support of the Imaginate Festival. Imaginate is a unique organisation in Scotland,leading in the promotion,development If you would like to know more about our supporters or how to support us,please visit: and celebration of the performing arts for children and young people. www.imaginate.org.uk/support/ We achieve this through the delivery of an integrated M A J O R F U N D E R S BEYONDTHE FESTIVAL annual programme of art-form development, learning supported through the partnerships and performance, including the world Imaginate believes that a high quality creative Scottish Government’s Edinburgh Festivals Expo Fund famous Imaginate Festival, Scotland’s international development programme is the key to unlocking festival of performing arts for children and young people. creativity and supporting artistic excellence in the performing arts sector for children and young people in THE IMAGINATE FESTIVAL Scotland. This programme creates regular opportunities for artists and practitioners, whether they are students, T R U S T S A N D F O U N D AT I O N S PA R T N E R S Every year the Festival and Festival On Tour attracts established artists or at the beginning of their career. -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
PLACES of ENTERTAINMENT in EDINBURGH Part 5
PLACES OF ENTERTAINMENT IN EDINBURGH Part 5 MORNINGSIDE, CRAIGLOCKHART, GORGIE AND DALRY, CORSTORPHINE AND MURRAYFIELD, PILTON, STOCKBRIDGE AND CANONMILLS, ABBEYHILL AND PIERSHILL, DUDDINGSTON, CRAIGMILLAR. ARE CIRCUSES ON THE WAY OUT? Compiled from Edinburgh Theatres, Cinemas and Circuses 1820 – 1963 by George Baird 2 TABLE OF CONTENTS MORNINGSIDE 7 Cinemas: Springvalley Cinema, 12 Springvalley Gardens, 1931; the seven cinemas on the 12 Springvalley Gardens site, 1912 – 1931; The Dominion, Newbattle Terrace, 1938. Theatre: The Church Hill Theatre; decision taken by Edinburgh Town Council in 1963 to convert the former Morningside High Church to a 440 seat theatre. CRAIGLOCKHART 11 Skating and Curling: Craiglockhart Safety Ponds, 1881 and 1935. GORGIE AND DALRY 12 Cinemas: Gorgie Entertainments, Tynecastle Parish Church, 1905; Haymarket Picture House, 90 Dalry Road, 1912 – became Scotia, 1949; Tivoli Picture House, 52 Gorgie Road, 1913 – became New Tivoli Cinema, 1934; Lyceum Cinema, Slateford Road, 1926; Poole’s Roxy, Gorgie Road, 1937. Circus: ‘Buffalo Bill’, Col. Wm. Frederick Cody, Gorgie Road, near Gorgie Station, 1904. Ice Rink: Edinburgh Ice Rink, 53 Haymarket Terrace, 1912. MURRAYFIELD AND CORSTORPHINE 27 Cinema: Astoria, Manse Road, 1930. Circuses: Bertram Mills’, Murrayfield, 1932 and 1938. Roller Skating Rink: American Roller Skating Rink, 1908. Ice Rink: Murrayfield Ice Rink; scheme sanctioned 1938; due to open in September 1939 but building was requisitioned by the Government from 1939 to 1951; opened in 1952. PILTON 39 Cinema: Embassy, Boswall Parkway, Pilton, 1937 3 STOCKBRIDGE AND CANONMILLS 40 St. Stephen Street Site: Anderson’s Ice Rink, opened about 1895;Tivoli Theatre opened on 11th November 1901;The Grand Theatre opened on 10th December 1904;Building used as a Riding Academy prior to the opening of the Grand Picture House on 31st December 1920;The Grand Cinema closed in 1960. -
Othello Marketing Pack
1 OTHELLO By William Shakespeare MARKETING PACK 2 Contents: 1. General Information/Contact Sheet (2) 2. Sample Press Release (3) 3. Touring Schedule (4) 4. Information Page on the show (5-6) 5. Othello Review (7) 6. Biographies (8-11) 7. Production Photos (12) 8. Past Shows (13-15) 3 Date / August 2009 Icarus Theatre Collective and Original Theatre Company co-present national tour of Shakespeare’s Othello Othello, Moor of Venice By William Shakespeare Co-Produced & Directed by Max Lewendel Produced by Alastair Whatley Othello is a legend in his own lifetime, noble, brave, victorious. Honest Iago fuels his venom with malignance and hateful contempt. Poignant, intense, heartbreaking ; Othello mercilessly explores every inch of the human condition. Following on from the success of Shakespeare’s R&J and Kill Bill Macbeth, South Hill Park Arts Centre presents a major new production of Shakespeare’s great domestic tragedy co-produced with Icarus Theatre Collective and Original Theatre Company. Othello’s world will be brought vividly to life as a live string quartet and a stunning ensemble cast combine with some of literature’s most vibrant language and characters. A dangerous tale of ambition, jealousy and love will unfurl as Shakespeare’s classic tale of deception hurtles to its dramatic and poignant conclusion. Producer Alastair Whatley explains that, “After exploring Romeo and Juliet with school boys and Macbeth with Tarantino we have this year married Shakespeare with live music to the most astonishing effect. It took months of casting to find the actors who could also play the string instruments to such high standards.” The play stars Vinta Morgan as Othello, a regular actor for The Royal Shakespeare Company he has most recently finished playing in Romeo and Juliet in Stratford Upon Avon, and the renowned Maltese actor Christopher Dingli as Iago. -
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University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/59427 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. THESIS INTRODUCTION The picture of themselves which the Victorians have handed down to us is of a people who valued morality and respectability, and, perhaps, valued the appearance of it as much as the reality. Perhaps the pursuit of the latter furthered the achievement of the former. They also valued the technological achievements and the revolution in mobility that they witnessed and substantially brought about. Not least did they value the imperial power, formal and informal, that they came to wield over vast tracts of the globe. The intention of the following study is to take these three broad themes which, in the national consciousness, are synonymous with the Victorian age, and examine their applicability to the contemporary theatre, its practitioners, and its audiences. Any capacity to undertake such an investigation rests on the reading for a Bachelor’s degree in History at Warwick, obtained when the University was still abuilding, and an innate if undisciplined attachment to things theatrical, fostered by an elder brother and sister. Such an attachment, to those who share it, will require no elaboration. My special interest will lie in observing how a given theme operated at a particular or local level. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Edinburgh International Festival Society Papers
Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62. -
Schools Programme
Schools Programme WELCOME A recent study found that children who regularly attended theatre with their school had higher aspirations and better hopes about their future lives. This news sent my heart soaring as this is what this job is all about! The productions presented this year are surprising and eclectic, taking the spectator along visually interesting pathways. The works include a wide variety of theatrical genres from spoken text to puppetry, from dance theatre and musical explorations to acrobatics. Many of the productions are non-text based making them accessible to a broader audience. Central to the Festival are four exciting shows by Scotland based companies as well as a regional focus on Flanders, the Dutch-speaking northern part of Belgium, one of the world’s leaders in producing innovative theatre and dance for young audiences. We have also extended the dates of the Festival to accommodate the increased demand from schools with three international productions opening in the week prior to the main Festival week. In line with our mission, this will allow more children access to high quality theatre. I hope that the 2020 Edinburgh International Children’s Festival is full of special moments for you and your students. Exquisitely theatrical experiences that encourage children and young people to wish, desire and aspire beyond their own lives and immediate neighbourhoods, into their potential future selves. Focus on Flanders supported by: Noel Jordan Festival Director Beyond the Festival: • Creative learning project Imaginate -
Inventory Acc.13182 Edith Macarthur
Acc.13182 October 2010 Inventory Acc.13182 Edith Macarthur National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Papers, circa 1942-2006, of Edith Macarthur, actor (b.1926). The collection includes scripts, photographs, press cuttings and other items of theatre and television memorabilia. Edith Macarthur’s stage career has taken her to most major producing theatres in Scotland, and to many in England. The variety of her range is demonstrated in the collection, from her early days with respected amateur company, the Ardrossan and Saltcoats Players, to acclaim with prestigious companies such as the Royal Lyceum, Citizens’, Gateway, Bristol Old Vic, Pitlochry Festival, Traverse and Royal Shakespeare. Leading roles in the canon of major plays by Arthur Miller, James Bridie, Anton Chekhov, Eugene O’Neill, Noel Coward and their like, and various acclaimed productions of ‘The Thrie Estaites’, established her stage reputation. Alongside runs a vein of comedy and variety, from the ‘Five Past Eight Shows’ of the 1950s at the Citizens’, to regularly playing Cinderella’s Fairy Godmother in pantomime during the 1980s and 1990s. There is also a considerable body of television work, from early series such as ‘The Borderers’ and ‘Sutherland’s Law’, and the renowned 1970s adaptation of ‘Sunset Song’, to the long-running Scottish Television soap, ‘High Road’. A milestone was the 1993 film ‘The Long Roads’ by John McGrath. At about this time Miss Macarthur was coming to the attention of less mainstream theatre-producers in Scotland. -
Hampshire Industrial Archaeology Society, Journal No. 21, 2013, Part 1
ISSN 2043-0663 Hampshire Industrial Archaeology Society Journal No. 21 (2013) www.hias.org.uk from Downloaded www.hias.org.uk from Front cover picture: The restored auditorium of the Kings Theatre, Southsea. (Ron Hasker) [see page 3] Back cover pictures: Top: Postcard view of Netley Hospital from the pier, with the dome of the chapel (still extant) dominating the centre. (Jeff Pain) [see page 9] Downloaded Bottom right: The lantern of J. E. Webb’s patent sewer gas destructor lamp in The Square, Winchester. (J. M. Gregory) [see page 14] Bottom left: 22 000 lb (10 tonne) Grand Slam bomb case on display at the Yorkshire Air Museum, Elvington. (Richard Hall) [see page 24] 1 Hampshire Industrial Archaeology Society (formerly Southampton University Industrial Archaeology Group) Journal No. 21, 2013 _________________________________________________________________ Contents Editorial ………………………..……………………………………………………………..1 The Contributors and Acknowledgements……………………………………………………2 The Kings Theatre, Southsea Ron Hasker .. …………………………….………………………………………….3 Netley Hospital 1855-1915 Jeff Pain …………………………………………………………………………. 8 Winchester’s Gas supply Martin Gregory ………………………………………………………………..…...13 Ashley Walk Bombing Range Richard Hall .…………………………………………………………………… …21 Editorial Welcome to Issue 21 of our Journal as we set out on our third decade. As usual, we have tried to include articles on a variety of subject areas in Industrial Archaeologywww.hias.org.uk in Hampshire. Our first article is on the Kings Theatre Southsea. Many of our provincial theatres have been lost in the last fifty years. Ron Hasker has provided a short history of the theatre and its construction and has chronicled its rebirth under the management of a local Trust. The restoration has retained most of the original features. -
Useful Information Why Cycle?
FAMOUS FIGURES CYCLE RIDE CYCLE TRAILS 7.5 mil e/ 12 km The famous people cycle ride takes FAMOUS FIGURES you on a tour to uncover some of CYCLE RIDE Portsmouth’s famous inhabitants of 7.5 mil e/ 12 km the past. The ride is 7.5 miles long. Detour A Highland Road Cemetery – the final resting place for Portsmouth Visitor Information Service From famous figures from history such as Nelson many interesting and distinguished names from Portsmouth’s past including many servicemen and women Why Cycle? We have two centres in Portsmouth. One is by the entrance to the and Henry VIII to some literary giants, famous as well as 8 holders of the Victoria Cross, associates of Historic Dockyard and the other is on the seafront next to the Blue engineers and architects – not to mention a 20th Charles Dickens and even Royalty. Whether you live in the area or not you may be surprised what Reef Aquarium. We offer a range of services including: information the landscape reveals to you. century comedian and actor, this ride will open on local attractions, events, entertainment and transport; discount tickets and vouchers for local attractions; accommodation your eyes to some of the many famous people Cycling lets you explore at your own pace – you can stop and admire the view, watch the birds, have a picnic or take photos. bookings; sale of local gifts, maps and publications; local theatre with Portsmouth connections. Detour B bookings. We are open 7 days a week 9:30am-5:15pm. (Closed Regular cycling can help you increase your fitness levels Christmas Day and Boxing Day, Southsea closed Wed and Thurs Old Portsmouth – this area covers 800 years of history from November to February). -
Eden Court Theatre Inverness
140 performances across 16 venues - BSL, Ca ptioning & Audio Description January 2017 onwards Find it hard to get to theatres or to see or hear shows? Open up for EDINBURGH lots of helpful GLASGOW information. STIRLING LISTINGS AND ACCESS GUIDE INSIDEDUNDEE PITLOCHRYPERTH ABERDEEN INVERNESS Welcome to the Access Scottish Theatre guide, which contains useful information about accessible performances and venues across Scotland. We think that it is important that you have all the information you need to make bookings, get to the venue and enjoy yourself when you are there. Access Scottish Theatre will launching a new website in January 2017. Visit us at www.accessscottishtheatre.com How to use the guide The guide is split in to three main sections - listings of accessible performances, venues and touring companies. The listings and venue pages are ordered by city. On page 22 you can find out how to use the venue pages. We have tried to include useful information as simply as possible, but we have used some abbreviations. Layout key for listings pages: Venue page number Show time Show date Name of service Show description provider if applicable Time of Touch Staying Tour if applicable up to date — find out more inside back cover Visit www.accessscottishtheatre.com for up to date listings. Search for the services you require in the cities and venues you want. You can also sign up to monthly e:bulletins or download PDF and Word versions of the guide. “Like” us on Facebook or follow us on Twitter for instant alerts and updates. Listing information in this guide has been provided by the venues and companies.