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Cambridge University Press 978-0-521-46488-8 - Twentieth-Century British Theatre: Industry, Art and Empire Claire Cochrane Index More information Index 7.84 Theatre Company, 222 standard English a career essential, 210 7.84 (England), 304 n. 136 subsidised training, 209 7.84 (Scotland), 222–3, 300 n. 46 television soap actors regional repertory The Cheviot, the Stag and the Black, Black background, 215 Oil, 223 Theatre Union and actor training, 103 unemployment and low earnings, 201–3 Abbensetts, Michael, 231–2 young actors on radio, 211, 214 Black Christmas, 231 Actors’ Association, 78, 80, 81 Empire Road, 231 Actors’ Union, 80 The Museum Attendant, 231 Actresses’ Franchise League, 81–2 Sweet Talk, 231 Adams, John, 237 Aberdeen, 30 Adams, Robert, 107, 143, 144 Aberdeen theatres, 30 Adelphi Players, 159 Her (His) Majesty’s Theatre, 30, 38 Adrian, Max, 95 The Palace, 30 Adventures of Robin Hood, The, 192 Aberystwyth School of new drama, 127 Afro-Asian Caribbean Agency (Edric Connor ‘Absent Minded Beggar, The’ (Kipling and Agency), 226, 227, 230 Sullivan), 41 agglomeration as seen in producing theatres, 28 Achurch, Janet, 50, 134 group exploitation of, 157 Ackroyd, Harold, 257 metropolising creativity, 247 Act of Union (1707), 4, 22 Ahuma, John, 107 Act of Union (1800), 22 Ainley, Henry, 74, 102 actors Aitken, Sir Robert, 182 film actors drawn from London theatre, 98 Albery, Bronson, 55, 77, 104, 177 film and financial advantage, 97 Albery, Donald, 177 grammar school education, 210, 211, 212, 214 Albery, James, 55 importance of the ‘English’
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