DOCSLIB.ORG

Showcase 2017 Dylan Blore

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Showcase 2017 Dylan Blore BA HONOURS ACTING SHOWCASE 2017 DYLAN BLORE PERFORMANCE CREDITS Character Show Director Venue Franny Balm in Gilead Gregor Duncan SWG3 Mathew Brady Inherit the Wind Francis Lyons East Kilbride Arts Centre Various LovePlay Gregor Duncan New CLan Arts Roger Lord of the Flies Francis Lions New CLan Arts WORKSHOPS & MASTER CLASSES Acting for Camera Shooters Mastering the Audition Donna Soto-Morettini The Ultimate Audition Workshop Claire Catterson & Lenny Mullan Estill Level 1 & 2 Gillian McLaren Scott Michael Chekhov Arturas Dubaka Mastering Shakespeare Royal Conservatoire of Scotland Intensive Acting Weekend Royal Conservatoire of Scotland AethAERIAL arts Physical Theatre/Circus Skills RELATED SKILLS Accents Standard English*, RP, West Midlands, Yorkshire, Edinburgh, General American, Southern American Dance Contemporary Music Violin Singing Tenor Sports Cycling, Stage Combat, Karate (KMA) Other Skills Improvisation PERSONAL DETAILS Height 5’9” Eyes Brown Hair Brown Nationality British Equity No S00445568 Mobile No 07894 027 113 Email [email protected] ETIENNE BRESULIER PERFORMANCE CREDITS Character Show Director Venue Xavier Balm in Gilead Gregor Duncan SWG3 Reverend Brown Inherit the Wind Francis Lyons East Kilbride Arts Centre Greg/Pierre LovePlay Gregor Duncan New CLan Arts Derek Once a Catholic Francis Lyons New CLan Arts WORKSHOPS & MASTER CLASSES Acting for Camera Shooters Mastering the Audition Donna Soto-Morettini The Ultimate Audition Workshop Claire Catterson & Lenny Mullan Estill Level 1 & 2 Gillian McLaren Scott RELATED SKILLS Accents Scottish*, RP, Northern Irish, Southern Irish, Welsh, General American, American Southern, Northern English, Liverpool, West Coast American, East Coast Scottish, West Coast Dance Contemporary Sports Football, Rugby, Badminton, Swimming, Juggling, Stage Combat Languages French*, Italian*, Spanish, Latin PERSONAL DETAILS Height 5’11" Eyes Blue Hair Dirty Blonde Nationality Scottish Equity No S00445323 Mobile No 07715 286 227 Email [email protected] REBECCA CLARK PERFORMANCE CREDITS Character Show Director Venue Ann Balm in Gilead Gregor Duncan SWG3 Teacher NTS 5 Minute Theatre John Naples-Campbell PASS Theatre Mam Cooking With Elvis Scott Johnston PASS Theatre Patient 4.48 Psychosis Scott Johnston PASS Theatre Mrs Crummles Nicholas Nickleby Scott Johnston PASS Theatre Watched Alien Nation Scott Johnston PASS Theatre Miss Gardner Carrie John Naples-Campbell PASS Theatre Various And They Played Derek Douglas The Pleasance Shang-A-Lang Chorus Oliver! Malcolm Burnett Edinburgh Playhouse Chorus Aladdin Cornelius Clarke Brunton Theatre WORKSHOPS & MASTER CLASSES Acting for Camera Shooters Mastering the Audition Donna Soto-Morettini The Ultimate Audition Workshop Claire Catterson & Lenny Mullan Estill Level 1 & 2 Gillian McLaren Scott Uta Hagen Gayle Telfer Stevens Augusto Boal Scott Johnston RELATED SKILLS Accents Edinburgh*, Glaswegian, Liverpool, Cockney, Yorkshire, RP, Australian, New Zealand, American-Standard, American-Southern, American-New York Dance Contemporary, Salsa, Lindy Hop, Jazz, Aerobics Singing Alto Sports Swimming, Skiing, Boxing, Running, Cycling, Yoga, Canoeing, Rock Climbing Other Skills Improvisation, Devising, Physical Theatre, Naturalism, Facilitator, T.I.E PERSONAL DETAILS Height 5’7” Equity No S00425662 Eyes Blue Mobile 07534 043 173 Hair Blonde Email [email protected] Nationality Scottish SEAN CONNOR-CORCORAN PERFORMANCE CREDITS Character Show Director Venue Rake Balm in Gilead Gregor Duncan SWG3 John 13 Anthony Kelly East Kilbride Arts Centre Horner The Country Wife Ian Grieve New CLan Arts Jack Merridew Lord of the Flies Francis Lyons New CLan Arts Film/TV/Other experience Role Title Director Graham Anna and the Apocalypse John McPhail Ant One of Us William McGregor Boy 2 Frankie Boyle’s Tramadol Nights Nick Wood WORKSHOPS & MASTER CLASSES Acting for Camera Shooters Mastering the Audition Donna Soto-Morettini The Ultimate Audition Workshop Claire Catterson & Lenny Mullan Estill Level 1 & 2 Gillian McLaren Scott RELATED SKILLS Accents Scottish*, RP, General American, Southern American, New York, Southern Irish, Northern Irish, London, Manchester, Lancashire, Geordie, Australian Singing Baritone Sports Swimming, Darts, Football, Cycling, Badminton Other Skills UK Driving Licence PERSONAL DETAILS Height 5'8" Eyes Blue Hair Dark Brown Nationality Scottish Equity No S00438017 Mobile No 07809 555 035 Email [email protected] DANIEL CULLEN PERFORMANCE CREDITS Character Show Director Venue Frank/Tig Balm in Gilead Gregor Duncan SWG3 Various The Misty Island Daniel Cullen Caley Skye Various Travel Safe Jacquii Gavigan School Tour Ramsbottom Rapunzel Daniel Cullen Theatre Tour Malky Roddy Hogg Jeanette Percival School Tour David Comedy Saved Me Laura Marks The Stand Abanazer Aladdin Scott Kyle Bathgate Theatre Michael Someone Who’ll Stephen Cafferty Theatre Tour Watch Over Me Various (2009-12) Various M&M Productions School Tour WORKSHOPS & MASTER CLASSES Acting for Camera Shooters Mastering the Audition Donna Soto-Morettini The Ultimate Audition Workshop Claire Catterson & Lenny Mullan Estill Level 1 & 2 Gillian McLaren Scott RELATED SKILLS Accents Scottish*, RP, English (Various), American (Various), Australian, South African Singing Bass Sports Football, Shinty, Swimming, Running Other Skills Directing, Writing, Presenting, Voice-Over, T.I.E, Clean UK Driving Licence PERSONAL DETAILS Height 6’3’’ Eyes Hazel Hair Black Nationality Scottish Spotlight No 3333 5614 9512 Equity No S00447086 Phone 07930 184 891 Email [email protected] BETHANY CUNNINGHAM PERFORMANCE CREDITS Character Show Director Venue Darlene Balm in Gilead Gregor Duncan SWG3 Wendy Peter Pan Ross Dougle Wight Websters Theatre Rachel/Melinda Inherit the Wind Francis Lyons East Kilbride Arts Centre Rachel/Lyndsey LovePlay Gregor Duncan New CLan Arts Simon Lord of the Flies Francis Lyons New CLan Arts Film/TV/Other experience Role Title Director Lead Free Music Video Cameron Strachan WORKSHOPS & MASTER CLASSES Acting for Camera Shooters Mastering the Audition Donna Soto-Morettini The Ultimate Audition Workshop Claire Catterson & Lenny Mullan Estill Level 1 & 2 Gillian McLaren Scott RELATED SKILLS Accents Scottish*, RP, Standard American, New York, Southern American, Australian, Irish,Yorkshire. Music Marimba (Grade 4), Cello (Grade 6). Singing Mezzo Soprano Sports Skiing*, Netball, Swimming Other Skills Clean UK Driving Licence, Story Telling, Stage Combat PERSONAL DETAILS Height 5’2" Eyes Brown Hair Brunette Nationality Scottish Equity No S00443795 Mobile No 07860 863 094 Email [email protected] MADELINE GRIEVE PERFORMANCE CREDITS Character Show Director Venue Dopey Balm in Gilead Gregor Duncan SWG3 Henry Drummond Inherit the Wind Francis Lyons East Kilbride Arts Centre Chorus Memory & Difficult Lifts Drew Taylor- Wilson CCA Various Roles Encounters Gregor Duncan New CLan Arts Mother Peter Inherit the Wind Francis Lyons New CLan Arts RU12 Tommy Tupper’s David Goodall Theatre in Education Terrific Toyshop WORKSHOPS & MASTER CLASSES Acting for Camera Shooters Mastering the Audition Donna Soto-Morettini The Ultimate Audition Workshop Claire Catterson & Lenny Mullan Estill Level 1 & 2 Gillian McLaren Scott RELATED SKILLS Accents Scottish*, RP, Standard, American, Southern American, Cockney, Irish,Welsh Dance Contemporary Music Guitar, Ukulele Singing Mezzo-Soprano Sports Swimming, Tennis, Football, Basketball, Hockey Other Skills Songwriter, Chaperoning, Musical Theatre Skills, Workshop leader PERSONAL DETAILS Height 5’7" Eyes Blue Hair Blonde Nationality Scottish Equity No S00446514 Mobile No 07491 524 502 Email [email protected] JOSHUA HAYNES PERFORMANCE CREDITS Character Show Director Venue Martin/Stranger Balm in Gilead Gregor Duncan SWG3 Meeker/Elijah Inherit the Wind Francis Lyons East Kilbride Arts Centre Trevellyn/Joel Encounters Gregor Duncan New CLan Arts Sam (Sam ’n’ Eric) Lord of the Flies Francis Lyons New CLan Arts Film/TV/Other experience Role Title Director Amir Pedar Sookhteh Nathalie Ahmad Rodney Keep It Real Johnny Dupré Byron M.I. High Simon Hynd Richard Senior Adrian McDowall WORKSHOPS & MASTER CLASSES Acting for Camera Shooters Mastering the Audition Donna Soto-Morettini The Ultimate Audition Workshop Claire Catterson & Lenny Mullan Estill Level 1 & 2 Gillian McLaren Scott RELATED SKILLS Accents Scottish*, RP, General American, Southern American, Northern English, Cockney, New York. Music Guitar*, Bass, Ukulele, Piano, Mandolin, Harmonica Singing Baritone Sports Yoga Other Skills Puppetry PERSONAL DETAILS Height 5'9" Eyes Brown Hair Black Nationality Scottish Equity No S00446446 Mobile No 07887 928 307 Email [email protected] LYNSEY HIGGINS PERFORMANCE CREDITS Character Show Director Venue Bonnie/Rust Balm in Gilead Gregor Duncan SWG3 Mrs Krebs/Judge Inherit the Wind Francis Lyons East Kilbride Arts Centre Brigitta, Millie Loveplay Gregor Duncan New CLan Arts Mother Basil Once a Catholic Francis Lyons New CLan Arts WORKSHOPS & MASTER CLASSES Acting for Camera Shooters Mastering the Audition Donna Soto-Morettini The Ultimate Audition Workshop Claire Catterson & Lenny Mullan Estill Level 1 & 2 Gillian McLaren Scott RELATED SKILLS Accents Scottish*, RP, Standard American, Southern American, New York, Irish, Welsh, Liverpudlian, Newcastle Music Piano (Grade3), Violin (Grade 3) Singing Mezzo Soprano Other Skills Clean UK Driving Licence, Extensive Work with Children, Stage Combat, Film Experience PERSONAL DETAILS Height 5‘2” Eyes Brown Hair Brown
Load more

Recommended publications
  • Othello Marketing Pack
    1 OTHELLO By William Shakespeare MARKETING PACK 2 Contents: 1. General Information/Contact Sheet (2) 2. Sample Press Release (3) 3. Touring Schedule (4) 4. Information Page on the show (5-6) 5. Othello Review (7) 6. Biographies (8-11) 7. Production Photos (12) 8. Past Shows (13-15) 3 Date / August 2009 Icarus Theatre Collective and Original Theatre Company co-present national tour of Shakespeare’s Othello Othello, Moor of Venice By William Shakespeare Co-Produced & Directed by Max Lewendel Produced by Alastair Whatley Othello is a legend in his own lifetime, noble, brave, victorious. Honest Iago fuels his venom with malignance and hateful contempt. Poignant, intense, heartbreaking ; Othello mercilessly explores every inch of the human condition. Following on from the success of Shakespeare’s R&J and Kill Bill Macbeth, South Hill Park Arts Centre presents a major new production of Shakespeare’s great domestic tragedy co-produced with Icarus Theatre Collective and Original Theatre Company. Othello’s world will be brought vividly to life as a live string quartet and a stunning ensemble cast combine with some of literature’s most vibrant language and characters. A dangerous tale of ambition, jealousy and love will unfurl as Shakespeare’s classic tale of deception hurtles to its dramatic and poignant conclusion. Producer Alastair Whatley explains that, “After exploring Romeo and Juliet with school boys and Macbeth with Tarantino we have this year married Shakespeare with live music to the most astonishing effect. It took months of casting to find the actors who could also play the string instruments to such high standards.” The play stars Vinta Morgan as Othello, a regular actor for The Royal Shakespeare Company he has most recently finished playing in Romeo and Juliet in Stratford Upon Avon, and the renowned Maltese actor Christopher Dingli as Iago.
    [Show full text]
  • Schools Programme
    Schools Programme WELCOME A recent study found that children who regularly attended theatre with their school had higher aspirations and better hopes about their future lives. This news sent my heart soaring as this is what this job is all about! The productions presented this year are surprising and eclectic, taking the spectator along visually interesting pathways. The works include a wide variety of theatrical genres from spoken text to puppetry, from dance theatre and musical explorations to acrobatics. Many of the productions are non-text based making them accessible to a broader audience. Central to the Festival are four exciting shows by Scotland based companies as well as a regional focus on Flanders, the Dutch-speaking northern part of Belgium, one of the world’s leaders in producing innovative theatre and dance for young audiences. We have also extended the dates of the Festival to accommodate the increased demand from schools with three international productions opening in the week prior to the main Festival week. In line with our mission, this will allow more children access to high quality theatre. I hope that the 2020 Edinburgh International Children’s Festival is full of special moments for you and your students. Exquisitely theatrical experiences that encourage children and young people to wish, desire and aspire beyond their own lives and immediate neighbourhoods, into their potential future selves. Focus on Flanders supported by: Noel Jordan Festival Director Beyond the Festival: • Creative learning project Imaginate
    [Show full text]
  • There's a Little Theatre in Us All!
    THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844
    [Show full text]
  • CONTENTS THURS 7OCT1987 NE\NS • an Indepth Guide on How to Survive Life at KB, a Must for All Would-Be Scientific Persons
    IAllOlllCE II \\ OI B!,,:\<, \I GIWERY IU S I ' \'(' I{ \\ I NaumGabo ....,__.. .,.,.. ,.tim. M<>oopf1nts BIJ;GAU & NOiTU IND!A,'' CUISINE ends 24th Oct. hliomladlr$ Colin Baxter's SrpnltClrT)"-Ool M.. Scotland the Nature r.u11 ... rorv"""*'5 of the Lend 21·230ct 164HIGHSTREET Mon-Sat 10 am-5 pm EDINBURGH Admisston free Toi : 031 -225 ZJ61 EDINBURGH UNIVERSITY STUDENTS' NEWSPAPER FREE CONTENTS THURS 7OCT1987 NE\NS • An indepth guide on how to survive life at KB, a must for all would-be scientific persons. • The truth about the "hackworld". Can the people behind the declarations expres­ sed in your EUSA Stu­ dent Handbook really be that sincere? L ·ETTERS • None! There's actu­ ally no letters on the • • letters page this week ~ . because a. this is a special Freshers' Week issue and b. because we're waiting for you the readers to send us your observa­ "Now, where are the EUSA offices again?" tions upon life as we know it. IVIUSIC • An extremely help­ ful venue guide for all new arrivals to the city. •A preview of what's coming up on the band scene. THE CE\TRE FOLD • See the bare essen­ tials revealed in this week's centre page spread! Rear of the Year: Oh! Don't look so glum Sara, Studenrs out today! . Freshers'VVeek'87 ~~-.-- • Guides to theatres and galleries for all you cultural type~. FEATUR'ES • Exposes on Edin­ burgh's pubs, shop­ ping facilities and a! even our own Unions. FILIVI • An amazing film giving away, including an exclusive James Bond pen competition.
    [Show full text]
  • Robbie Gordon Theatre-Maker and Playwright
    ROBBIE GORDON THEATRE-MAKER AND PLAYWRIGHT Email: [email protected] Mobile: 07891173246 Website: www.robbiegordon.org TRAINING 2012-2016 Royal Conservatoire of Scotland – BA (Hons) Contemporary Performance Practice CREDITS o Movement Director Lost Elves (Citizens Theatre and the Royal Conservatoire of Scotland) 13th – 29th December (Tramway). o Associate Director Square Go by Gary McNair and Kieran Hurley directed by Finn Den Hertog (Francesca Moody Productions) UK Tour: 9th September – 13th October 2019 o Writer/Movement Director 549: Scots of the Spanish Civil War directed by Jack Nurse (Wonder Fools) in association with the Citizens Theatre and Brunton Theatre: 21st May – 23rd June 2019 (Scottish Tour) o Writer/Director YOUNG BLOOD (Ayr Gaiety Young Theatre Company in collaboration with Royal Conservatoire of Scotland Young Company): 17th of November (Traverse Theatre as part of Chrysalis Emergence); 30th March 2019 (Royal Conservatoire of Scotland); 2nd April 2019 (Ayr Gaiety Theatre); 5th July 2019 (National Festival of Youth Theatre) o Director – WFxS presents: TWO ((Wonder Fools x SHOOSHT) 5th December 2018 o Workshop Leader/Sand Facilitator Pages of the Sea (Danny Boyle; National Theatre of Scotland; 1418 NOW): 11th November 2018 o Writer/Director The Madness of Crowds (The Royal Conservatoire of Scotland Young Theatre Company): 28th June (Royal Conservatoire of Scotland) o Writer A Man’s A Man For A’ Whit? (Wonder Fools in association with Summerhall and Burns Unbroke): 3rd March (Summerhall) o Writer/Movement Director 549:
    [Show full text]
  • Scotland's Theatre Architecture
    Theatres are an important part of Scotland’s cultural, social and architectural history. Each has its own story to tell. In 2008-9 Historic Scotland undertook a thematic study of Scotland’s historic theatre buildings, working closely with The Theatres Trust. This booklet celebrates the architects and styles of our theatres. ACTING WITH CONFIDENCE Scotland’s Theatre Architecture ISBN 978-1-84917-038-3 H1.611 The House Produced from sustainable material sustainable from The House Produced H1.611 Theatres are an important part of Scotland’s cultural, social and architectural history. Each has its own story to tell. In 2008-9 Historic Scotland undertook a thematic study of Scotland’s historic theatre buildings, working closely with The Theatres Trust. This booklet celebrates the architects and styles of our theatres. ACTING WITH CONFIDENCE Scotland’s Theatre Architecture ISBN 978-1-84917-038-3 H1.611 The House Produced from sustainable material sustainable from The House Produced H1.611 A stonework detail from The King’s Theatre, Edinburgh 2 THEATRES Scotland’s Theatre Architecture Stained glass in the entrance doors of the Universal Hall, Findhorn THEATRES Scotland’s Theatre Architecture 3 Foreword Theatres are an important part of Scotland’s cultural, social and architectural history and as venues they have played a key role in the development of our performing arts. They range from prominent and highly distinctive buildings which give character and expression to our streetscapes, through to near-hidden structures which nonetheless frequently conceal wonderfully decorative interiors. Each has its own history, its own personality, its own triumphs and tragedies.
    [Show full text]
  • Delegate Programme
    Delegate Programme WELCOME TABLE OF CONTENTS More networking opportunities – We are 04 About Imaginate 16 Learning to Fly trialling a range of new events to enable (7–13 yrs), Scotland 05 How to Book delegates to interact more with each other 18 UduL across the week. This will be particularly 06 Festival Family Day (7–15 yrs), Spain useful for those attending our Festival for the first time. I encourage you to delve in 07 Little Top 19 Inuk and see which of our new delegate events (0–18 mths), Scotland (7–15 yrs), Belgium appeal to you. 08 Sparrow 20 Robot Song You will also notice that we work with (0–2 yrs), Norway (8–13 yrs), Australia venues across the city. We are committed 09 BOKS 21 Sound Symphony to breaking down barriers to bring as many (2–5 yrs), Belgium (ASN), Scotland children as possible to our Festival, and staging productions in areas of multiple 10 Hermit 22 Birdboy deprivation is key to that. The venues (2–6 yrs), The Netherlands (9–15 yrs), Ireland selected provide a good geographical 11 light! spread and help us reach a wide range of 23 Rehearsed Reading (3–7 yrs), Belgium children and young people in Edinburgh. 24 Works in Progress More information on how to get to each 12 Plock! Welcome to the 2020 Edinburgh venue by bus is provided on p.31. (4–9 yrs), Belgium 26 Delegate Events and Social Events International Children’s Festival featuring 15 production across a variety of genres I hope you join us and over 300 delegates 13 WhirlyGig 30 Maps from all over the world for what promises (6–11 yrs), Scotland including music, spoken word text, 32 Programme at a Glance to be an exciting Festival.
    [Show full text]
  • Saturday24may
    T IC K E T S : 0 k 1 u 3 . 8 1 g 0 r 2 o 0 2 . 2 8 e t E 1 a 4 N n i 0 U g J 4 a 2 m i . Y A w D w N w O M - Y A M 24 AY SATURD 2008 BANK OF SCOTLAND IMAGINATE FESTIVAL MAJOR SUPPORTER Welcome to the Bank of Scotland Imaginate Festival! MAJOR FUNDERS The newly named Festival (previously Bank of Scotland Children's International Theatre Festival) offers some of the best theatre in the world for children and young people. This year's Festival brings 15 productions to Scottish Government’s Edinburgh Festivals Expo Fund Edinburgh. Theatre, opera, dance and physical theatre from some of the most exciting national and international TRUSTS AND FOUNDATIONS companies. ‘We are delighted to continue our longstanding With shows for all ages, from babies upwards – you’ll be over the moon as you discover a wonderful world of partnership with Imaginate, bringing the world's best surprises! Electrifying fairies, giant babies, scary wolves, theatre for children and young people to Scotland performing fleas, an incredible lion and a rock 'n' roll boysband! The Bank of Scotland Imaginate Festival is through the Bank of Scotland Imaginate Festival. The The Mackintosh Foundation, The Nancie Massey Charitable Trust y out of this world! e l o Bank is committed to the arts in Scotland and in F and The Cruden Foundation w e r Tony Reekie (Director) d n A addition to Imaginate we work with a range of partners including The y b Bank of Scotland Imaginate Festival s n o i t Bank of Scotland Imaginate Festival is a member of a r t National Galleries of Scotland and the Edinburgh International Festival.
    [Show full text]
  • Festival 2019
    www.imaginate.org.uk WELCOME 2019 is a very special year for the Edinburgh International Children’s Festival. We turn 30! The Festival has grown and endured thanks to the incredible support of local audiences. Families return every year knowing the theatre and dance productions we present are formative encounters in young people’s lives. The performances are diverse, challenging and enthralling. They encourage children to be critical thinkers with curious minds, whilst making them laugh, gasp or cry. This year, you will again have a unique opportunity to see some of the best theatre and dance from across the globe. Take a voyage from a retro kitchen into outer space with a nod to the first female astronaut. Marvel at a truly invisible man. Or enter into the home of a miniaturist for an immersive and awe-inspiring magical journey. No need to pack anything – just bring your imagination along for the ride. Come and celebrate this auspicious occasion with us this May as we present 15 productions from 8 different countries. We can’t wait to celebrate our 30th birthday with you! Noel Jordan Festival Director “I love this festival. The shows we saw were utterly brilliant. They brought us pure joy and uplifted our spirits.” Parent, Festival 2018 2 To book: www.imaginate.org.uk | 0131 228 1404 PROGRAMME AT A GLANCE THREE LEGS 6 VALENTINA'S 7 DENMARK GALAXY SCOTLAND 1.5–5 yrs 2–5 yrs NERO 8 THE LITTLE BATH 9 GERMANY FRANCE 2–5 yrs 2–6 yrs MAPPAMONDO 10 AND IF I WERE ME 11 THE NETHERLANDS FRANCE 2–6 yrs 5–9 yrs THE INVISIBLE 12 SMALL WONDERS 13 MAN
    [Show full text]
  • Reality 1–26 October, 2013
    FILM THEATRE MUSIC COMEDY LITERATURE VISUAL ARTS WORKSHOPS AND MORE REALITY 1–26 OCTOBER, 2013 MHFESTIVAL.COM 2 / Partners The Scottish Mental Health Arts and Film Festival is hosted by the Mental Health Foundation in association with national partners If you would like to know more about the designers behind this year’s brochure, visit ostreet.co.uk Contents / 3 WELCOME TO THE 2013 FESTIVAL This October is all about reality. What does reality mean to you? Does anyone else see the world exactly as you do? Why do so many artists find mental health to be such a fertile ground for creativity? Launching in the Highlands, this year’s Festival will explore all these questions and more. Our line-up is our biggest and best yet, encompassing nearly 300 events stretching the length and breadth of Scotland. Our exhilarating film programme will challenge you to see life through a different lens; while theatre invites you to enter new worlds through live performance. We have a brand new collaboration in the shape of a weekend literature festival with Aye Write! And, as always, our festival is rooted in the creativity of communities throughout Scotland, with a backbone of workshops, exhibitions and celebrations from those working to promote positive mental health and challenge stigma all year round. Thanks to our fantastic network of artists, activists and organisers, we are now one of the largest social justice festivals in the world. Join us and be moved, amused, provoked and inspired. And help us create new realities and possibilities. Lee Knifton
    [Show full text]
  • A Review of Touring Theatre and Dance in Scotland: Strand 1: Data Analysis of Creative Scotland Funded Touring 2012 – 2016 Contents
    A Review of Touring Theatre and Dance in Scotland: Strand 1: Data Analysis of Creative Scotland Funded Touring 2012 – 2016 Contents Introduction 4 Key Findings 6 Section one: Creative Scotland’s support for touring theatre and dance companies through project funding Profile of Touring Productions 9 1.1 Overview 9 1.2 Genre of work 9 1.3 Production size and scale 10 1.4 Audience focus 11 1.5 Number of companies 12 1.6 Location of company 12 Funding 14 2.1 Total funding by year 14 2.2 Amount requested and amount awarded 14 2.3 Amount awarded and total estimated project costs at application stage 15 2.4 Actual project costs 16 2.5 Funding by art form 17 2.6 Analysis of unsuccessful touring applications 2013-17 18 Profile of Tours 20 3.1 Length of tour 20 3.2 Number of shows 20 3.3 One night stands / Performances per venue 22 3.4 Number of venues 23 3.5 Scale of venues 23 3.6 Most popular venues 25 3.7 Geographic location of venues by local authority 26 3.8 Map of toured venues 28 3.9 Calendar of tours – by month 29 3.10 Calendar of tours – by days of the week 29 Section two: Touring activity of Regularly Funded Organisations 2015/16 30 4.1 Background 30 4.2 RFOs which have toured work 30 4.3 Venue profile of RFO touring – Scottish venues only 30 4.4 Geographic profile 31 4.5 Attendance data for RFO touring 32 4.6 Calendar of tours 33 4.7 Note on the Edinburgh Festival Effect 34 Section three: Map of all touring in Scotland supported by Creative Scotland in 2015/16 35 5.1 Introduction 35 5.2 Number of venues and performances supported in 2015/16 (Scotland only) 35 5.3 Venue profile 36 5.4 Number of performances per venue 37 5.5 Geographic profile 37 5.6 Calendar of tours 40 Methodological Note 41 Appendices Appendix 1: 43 Appendix 2: 46 Appendix 3: 47 A REVIEW OF TOURING THEATRE AND DANCE IN SCOTLAND APRIL 2017 04 Introduction Background Creative Scotland is the public body that supports the arts, screen and creative industries across all parts of Scotland on behalf of everyone who lives, works or visits here.
    [Show full text]
  • © in This Web Service Cambridge University Press
    Cambridge University Press 978-0-521-46488-8 - Twentieth-Century British Theatre: Industry, Art and Empire Claire Cochrane Index More information Index 7.84 Theatre Company, 222 standard English a career essential, 210 7.84 (England), 304 n. 136 subsidised training, 209 7.84 (Scotland), 222–3, 300 n. 46 television soap actors regional repertory The Cheviot, the Stag and the Black, Black background, 215 Oil, 223 Theatre Union and actor training, 103 unemployment and low earnings, 201–3 Abbensetts, Michael, 231–2 young actors on radio, 211, 214 Black Christmas, 231 Actors’ Association, 78, 80, 81 Empire Road, 231 Actors’ Union, 80 The Museum Attendant, 231 Actresses’ Franchise League, 81–2 Sweet Talk, 231 Adams, John, 237 Aberdeen, 30 Adams, Robert, 107, 143, 144 Aberdeen theatres, 30 Adelphi Players, 159 Her (His) Majesty’s Theatre, 30, 38 Adrian, Max, 95 The Palace, 30 Adventures of Robin Hood, The, 192 Aberystwyth School of new drama, 127 Afro-Asian Caribbean Agency (Edric Connor ‘Absent Minded Beggar, The’ (Kipling and Agency), 226, 227, 230 Sullivan), 41 agglomeration as seen in producing theatres, 28 Achurch, Janet, 50, 134 group exploitation of, 157 Ackroyd, Harold, 257 metropolising creativity, 247 Act of Union (1707), 4, 22 Ahuma, John, 107 Act of Union (1800), 22 Ainley, Henry, 74, 102 actors Aitken, Sir Robert, 182 film actors drawn from London theatre, 98 Albery, Bronson, 55, 77, 104, 177 film and financial advantage, 97 Albery, Donald, 177 grammar school education, 210, 211, 212, 214 Albery, James, 55 importance of the ‘English’
    [Show full text]