Orchestral THE NEW SYMPHONY ORCHESTRA (conducted by LANDON RONALD) 12-inch record 5s. 6d. 0842 Herodiade (a) Les Egyptiennes (b) Les Babyloniennes Massenet present record THI.should be deemed the companion of Nos. 0843 and 0844 (" Les Phceni- ciennes " and "Les Gaul- oises ") issued during the last few months. The three records give the music-lover a colour-full picture of the Babylonian splendour of the times of Herod, King of Galilee. It may he remembered that Massenet's was produced in London in 1904-but under the title of Salome: the locale, moreover, changed from the Holy Land to Ethiopia, by the British censor's orders ! The records we have made of Herodiade are both of the ballet music that opens Act II. in the opera. King Herod lies on his luxurious couch, the while attendants sing to him. He can think of no one but Salome, and bids the slaves dance to distract his mind. First, the Egyptian women: their posing and pirouetting are vividly suggested by the richness of melody, in the minor mode, which distinguishes the first part of the record. There is the characteristic Oriental flow of wood-wind, backed tip by semi-muffled brass. On an undetermined chord is a pause, announc- ing the more spirited Babylonian dancing women, whose gyrations are more voluptuous and unre- strained, the record tells us. There is a fascination of Eastern idiom in the harmonies as brought out by the skilled combina- tion under their distinguished conductor, Landon Ronald. The record is no less pleasing than the rest of the famous series now standing to the credit of the New Symphony Orchestra. Landon Ronald and his orchestra (in collabora- tion with ) have recently inaugu- rated a notable series of Promenade Concerts at the Albert Hall. The enthusiastic thousands who attend should taste again the orchestral joys by having N.S.O. records of their favourite master- pieces at home. On pages 77-80 of the complete " His Master's Voice " catalogue are given records embracing almost the full repertoire of this famous orchestra. Egmont Overture, Finlandia Symphonic Poem, Peer Gynt Suite, Schubert's Unfinished Sym- phony, Grieg's Pianoforte Concerto-all these inspiring works, beloved to every heart and ear, are available among the three-score records. (Speed 78) Mr. JOHN COATES () (with pianoforte accompaniment) xo-inch record 3s. 6d.

HE whole king- dom-nay, the T whole musical world-will hail with delight the appear- ance of the celebrated tenor, John Coates. This artist's fame extends o'er wide domains, for of late years he has toured extensively in other lands. Everywhere he has been acclaimed as a tenor of the first flight. His operatic work has been of great importance. Few English artists have the versa- tility to sing in opera as easily as in concert work. Coates is an artist of unbounded talent. His record for July is Brewer's dainty "Ninetta." The performance reveals the fact that the tenor voice is of silken quality and excellent timbre. There is fire in it as well as delicacy of expression. The tone control is exceptional. From declamatory phrase to a caressing open note the voice slips with masterly ease. The emotional traits shown in the singing tell us that john Coates has temperament that lifts him very high among English artists. The record is a delightful conception throughout. (Speed 79)

Published by Roosey & Co. Miss FLORA WOODMAN (soprano)

AVISH as we were in the praises of L our New Night- ingale in issuing her first record last month, the public were still more laudatory. Everyone was keen to possess the superb record of " Oh Tell me Nightingale," which was voted a revelation of voice, singing and reproduction.Meanwhile, Flora Woodman's triumphs grow day by day. Her second record is another artless ballad of olden times-the kind of song When Myra sings we seek th' whose performance enchanting sound, requires the "art which And bless the notes that do so sweetly wound; conceals art." The What music needs must dwell upon by that tongue words are a previous Whose speech is tuneful as another's Lord Lansdowne and song. by Such harmony! such wit! a face so the music the fair! anonymous A. L. So many pointed arrows who can Of the bear? record we can The slave that from her wit, that say that it shows the from her wit and beauty flies, If he but hears that siren's voice he new soprano in lovely dies, he dies I her Ahl Ahl voice, with all many He hears and dies! accomplishments re- (George Granville,Lord Lansdowne) (1667-1735) vealed in amazing fashion. (Speed 79) Published by Enoch & Sons Madame ALMA GLUCK (soprano) (with flute obbligato and orchestral accompaniment) to-inch record 4s. 6d. 3978 Lo ! here the gentle lark Sir H. Bishop

of including as D ESIROUSmany open- air" records as pos- sible in this summer supplement, we think ourselves fortunate to be able to offer a Gluck record of Bishop's nature-song. The beauty of the singing and effects can but faintly be conveyed by print. Hearing will enthrall you. The orchestra quickly makes way for the flute whose roulades and flourishes are out-done by the bird-like voice that breaks in on the instrument's carol. The lyric tone-quality that shines out from the record like the shimmer of a precious stone is equalled only by the amazing certainty of attack of this lovely voice. Charming Alma Gluck-how much longer before you leave your American triumphs and smile on us here again ? The few Gluck concerts we have been favoured with have whetted our appetite for more. However, we have her records which are mirror-like reproductions of the original voice and art. The new one is a masterpiece. (Speed 80) Lieut. HUBERT EISDELL (tenor) (with pianoforte accompaniment) za-inch record is. 6d. 02577 Love's Garden of Roses Haydn Wood another of Haydn Wood's YETdelightful songs in the language of flowers. There is a tripping pianoforte prelude sug- gesting the bloom of a summer garden. Eisdell's voice is as sweet as ever, but of fuller volume. He retains his delicacy of utterance and fineness of appeal, while imbuing the verses with emotional fire. The melody is distinctive and swinging. The love story is passionately told, and Eisdell sings Come, dearest heart, 'nmid the liow'rs of June, with that wealth in Come out my garden so gay, of earnestness I've roses, bright roses of every hue. And sunshine for the whole day and enthusiasm There is laughter in my garden. and song that has to And a spell over all the land come Ahlnever afairer world could tc,towander hand in hand. be associated . his Come to my garden of roses, with name. low, Winds whisper In truth, no Ne'er was so sweet a garden. With lovea-glow. damsel could Laughter love in and the sunshine the Joys all divine, resist gallant Come, cone to my garden, Lieutenant if he 11 _oh were really to Come, dearest heart, where the flow'rs enfold, A dream that is tender and true. love-make with 'Tis here we may find in a rose's heart A message glad for nee and you. stich charming There is laughter in and song my garden, effect! (Speed 78) And such bliss that our hearts can tell. In the world we walk together, where love alone doth dwell. (Ruth Rutherford) Words printed by permission of the publishers, Chappell & Co., Ltd Mr. STEWART GARDNER () (with orchestral accompaniment) ::-inch record 5S. 6d. 02578 God my Father " Les Sept Paroles du Christ " (The seven words of Christ) Dubois OR many years the record of F "God my Father," by De Gogorza, t h e famous Spanish- American baritone, stood out as one of the most powerful and moving per- formances that could be enjoyed. This was the first record ever played in the Albert Hall with accompaniment of the full (real) band of the Coldstream Guards conducted by Dr. Rogan. None present will ever forget the electrifying effect on the audience as the tones of " His Master's Voice " Auxetophone rolled through the hall. Many were visibly affected, so touching and uplifting was the song. In declaring that Stewart Gardner's new record of the air is the equal of the old one, we pay our brilliant young baritone the highest compliment. His noble voice resounds majestically with the stately phrases, full religious fervour being imparted to the memorable lines. Either as a piece of pure singing or as an example of interpretation of religious music, it is a little masterpiece. The recording is notably good. (Speed 79) Mr. HARRY DEARTH (bass) (with pianoforte accompaniment by the composer, and orchestra) so-inch record, 3s. 6d. 4-2551 The Crown of the Year-" Songs of the Open Country " Easthope Martin

ERE is a novel record that sings of the pride H of the countryside. Written by Easthope Martin with true British vigour and swing, the song has the advan- tage not only of being sung by breezy Harry Dearth, but also the composer's collaboration : Easthope Martin plays the pianoforte accompaniment which gives such rare piquancy to the record, as there is also au orchestral back- ground.The unaffected, unstrained art of the composer makes the record doubly Sing, sing of the harvesting time, attract- (Heigh-hol the sun is so fair.) ive in days Fields all aglow with sheaves in a row. when And harvesters harvesting there; songs lose shape Cutting the corn with a jolly good will, "excess Corn for the market and corn for the mill. through Plenty for all and to spare. of technique," as Oh! this is the crown of the year, it were.The The glory and crown of the year, full- Although you may sing of the joy of the Yet this is the crown of the year! (spring, blooded singing Sing, sing of the harvesting time, in the" straight" (Heigh-ho! the moon is so fair.) by Fields all ashine with sheaves in a line. vein popular And never a harvester there; Harry Dearth is Only a roan and a maid by the tree. Dreaming of love and a cottage to be, an achievement Cottage for lovers to share. (Helen Taylor) of high artistic Words Printed by permission of the merit. (Speed 80) Publishers, Enoch & Sons Madame EDNA THORNTON (contralto) "Opera in English" (with orchestral accompaniment) zo-inch record 3s. 6d. 2-3074 The Secret (II Segreto) "Lucrezia Borgia" Donizelli

our in- PURSUINGtention to present the front rank English vocalists in gems from the great -but sung in i';uglisli--we offer the present record. Madame EdnaThorn- tou shows herself an artist of all-round at- tainments in the` Secret' Song from Doiiiretti's "I,ucrezia Borgia." The gaiety and archness of the sparkling song are rendered with "fetching" spirit. The vocal agility displayed is quite out of the ordinary. The extremities of "range" are wonderful for a professed contralto. And the same richness is heard in the upper register as on those organ-like lower notes that label Edna Thornton's voice "great." The shake-near the end is a most brilliant piece of work. (Speed 79) Published by Ricordi & Co. Miss HILL and Mr. MARCUS THOMSON (with orchestral accompaniment) iz-inch record 5s. 6d. 04127 The Swing Song "Veronique" Messager ESSAGER'S tuneful M operetta probably has no more popular air than the world-famous Swing Song. This melody has about it those same indefinable qualities that cause, say, the Barcarolle from "Tales of Hoffmann" to remain fresh and haunting. Miss Carmen Hill, who has so recently made her debut (a brilliant one, too !) on " His Master's Voice " records, is presented this month in com- bination with Mr. Marcus Thomson, whose fine voice and artistic renderings have secured him a high place on the concert plat- form.

Their joint version of the Swing Song is a spark- ling piece of work. The harmonies are most deftly and sympathetically handled. (Speed 79) iOLL A RECORD THE WORLD FALL IN LOVE WITH

(with pianoforte accompaniment) io-inch record as. 6d. 4-2379" Molly Brannigan (Old Irish 1Výlody) A/f cCORMACK at the very hei t of his powers ! Irish vocalists have r decades A. v sung that palpitating old Iii " Molly Brannigan," but has ever singer wealth of appeal, of pathos, of expressive feeling as has McCormack here ? The record is gem that will enchant everyone that hears. Th, brogue is fascinatingly rich, the quaintness of phn e is made mountains of: humour and pathos turn b1 and jostle against one another with artistic contrast,! is the performance. Its effect in the garde a pure joy. dear Man dear, did ye never hear o' pretty Molly Man I remember ell the milkin' time The left side of me carcass is as weak as water- Brannigan, was past and gene gruel, man, An' troth she s ieft me. an' I'll never be a man We walked thro' the 11 ovs when she swore There's not a pick upon me bones sinceMolly's again 10 proved so cruel, man, Not a spot on nie hide will the summer sun That ever she could 'it oh! the false and Oh ! if I had a blunder-gun I'd go and fight a tan cruel one duel, e'er again d left here for man, Since Molly's gone and left me here alone for For all that she's gon nee to For sure I'd better shoot me'self than live here to die. die. to die. The place where me heart was you'd aisy roll Alan dear I remember' I'm cool and determined as any soul am under, a turnip in, rain began, man, round her It's as large as all Dublin and from Dublin to I wrapped nie frieze ct and ne'er Won't ye come to nie Wake when I go the long the Divil's Glyn, a waistcoat had t c meander, t man, If she wished to take another, sure she might Me shirt was rather I'll think me'self as valiant as the famous have left mine back again false and cruel one Alexander. man, An' not 'a gone an' left me here alone for to For all that she's gon0 When I hear ye cryin' o'er me yez "A-why die. die. did ye diel" Miss MARGARET COOPER (with pianoforte accompaniment by herself) to-inch record 3s. 6d. 2-3073 Inquisitive Ann Sterndale Bennett When Ann was young and innocent She had imagination. She used to ask such funny things To Mother's consternation ; One day, at breakfast, Father made Remarks about the food, Ann didn't catch them clearly, but They sounded rather rude! Ann asked Mamma what Father meant. He seemed, oh, quite upset. Said Mother: " Don't ask questions, dear,"-!" Pass the mustard! Ann hasn't found out yet! Her Uncle's got a motor that's The latest innovation. He often takes her out a drive. It's such a nice sensation ! One day the motor stuck, and then It quite refused to go, And Uncle as he climbed beneath Said something sweet and low. Ann asked Mamma what Uncle meant. He seemed, oh, quite upset : Mar- Said Mother: "Dear, he JAMM1 I) the brakes" 1"Jam, dear!") garet Cooper Anti hasn't found out yet! VERSATILEtakes the keenest Of course Ann used to fall in love. It's such a pleasant pastime. delight in delivering a Though ev'ry time she promised that " It really was the last time: song like Inquisitive She asked Mamma if marriage was Ann." She bubbles A blissful sort of state: Said Mother: "book at Father, and over with the comi- Take warning by MY fate I" Ann asked Papa what Mother meant, cality of it, and her He "asides" seemed, oh, quite upset : talking are And what HE said to Mother-well, C' What a champion ! deliciously done. Ann hasn't found out yet! Now Anti, I'm very grieved to say She gets heaps of Grew worse as she grew older, into the She ran away with Johnny Gray point. smart In suite of all they told her: verses, and voices the He took her in his aeroplane, They started off from Dover. dialogue most Ann asked him what would happen if The aeroplane turned over. ningly. Just then there came a gust of wind, The aeroplane upset, Her self-accompani- Who answers poor Ann's questions ment is as clever as now-(" She did fall downwards!") (Speed We haven't found out yet! ever. 79) (Harold Sinz¢son) Words Printed by Permission of the Publishers, Walsh, Holmes &Co. ALESSANDRO VALLO (tenor) (with orchestral accompaniment) io-inch record 3s. 6d. 7-52064 A Trieste ! ("Salve, o terra irredenta ") Onward to Trieste ! ITALIAN PATRIOTIC HYMN Carosio

our latest Ally! May you con- WELCOME,quer quickly and realise your national aspirations ! We are pleased to be able to offer for July the tremendously popular Patriotic Hymn, "A Trieste! " -" Onward to Trieste ! "-which Italians are sing- ing frenziedly in every city of the Peninsula Kingdom-and in London. The Irredenta, or Unredeemed Land at the head of the Adriatic, must and will he regained by Italy. So Italians sing their aspirations in this song. Signor Vallo, who makes the sparkling record, has been singing the song with huge success at the London Coliseum in June. If only as a patriotic march-tune, the record would be well worth acquiring. Its lilt is haunt- ing to a degree, and after playing it a few times one can realise with what enthusiasm the lusty Bersaglieri are singing the song as they sweep for- ward over the mountainous regions between North Italy and Austria. Their onward rush is the result of splendid organisation and irresistible dash: sing- ing as they go, the brave Italians surmount every difficulty.Again, hear this fine record, and share the spirit of our Ally. (Speed 75) Instrumental MISCHA ELMAN (violin) (with pianoforte accompaniment) xo-inch record 4s. 6d. 3-7921 Minuet in G, No. 2 Beethoven

2 Minuet in BEETHOVEN'SNo.G, as played by Elman, conjures up visions of stately rows of dancers of the olden time. The rhythmic bowing of the Russian virtuoso is uplifting. His singing tone is a revelation of roundness and cleanness. At the change into the livelier passage, the crispness of bowing is a delight. The phrasing, too, is more than ad- mirable-it is poetical. The whole performance has a rare charm and dignity that will appeal strongly to the cultured

TABLE OF APPEARANCESof WELL-KNOWN CONCERT ARTISTS who make "His Master's Voice" Records MARGARET COOPER... London Coliseum July 26to31 RpB$RT RAI)FORD London July 1 ...... Llandudno New Brighton...... ...... Harrogate...... Humorous TOM CLARE at the piano ra-inch record 5s. 6d. 02530 The Ideal Home Tom Clare

just loves to get the opportunity to poke TOMfun at food and fads. He gives himself a grand chance to score in "The Ideal Home "-his own composi- tion, by the way. He tilts at all the foibles of the day in his own inimitably bright manner, and brings down the house at every fresh journey of the needle. (Speed 78) Published by Reynolds & Co.

F. CHATTERTON HENNEQUIN (with pianoforte accompaniment) as-inch record ss. 6d. 01116 Alphonse Hennequin-Clarke

AST mouth Hennequin gave us "Spotty "- who boasted a smattering of French, and L practised it in the trenches. " Alphonse " is a French Piou-piou who tries his English (gained in a lightning cross-channel visit) on his trench-mate. Alphonse's misuse of slang is very funny-but he is persuaded that his colloquialisms are the real thing. A very clever piece of compo- sition and enunciation. (Speed 79) Published by Reynolds & Co. "TO 'TIGHT'S "PETTY"Daly's'lheatreProduction. THE NIGHT" GaietyTheatre He 11E charming comedy " Betty " is drawing all London to Daly's. Included in Of the the Gaiety our orchestral selections course, great star of show the George Grossmith are plums of the piece-and there's the Waltz, too, recorded royally makes " His Master's Voice" records of all the hit,! They're sung by the airy artist with amazing dash. The Selections the Waltz make gorgeous records. and MAYFAIR ORCHESTRA 12-inch double-aided 5;6 Selections I. (. II. (Rnbens) C413 "Finale, containing Act II.," "Duchess of 12-inch 5ý6 Dreams," "If it true," The with orchestra. the " were right side and The Only Way(Rubens) 02581 -°-"s," we ought to combine," "The Barcarolle' "Can it be love," ' Jotte," "Opposite Pub. byChappell &Co., Ltd. (Speed 78) the ducks," "I love the girls." Murders IHenty) 02580 Pub. by Chappell & Co., Ltd. (Speeds 78) Pub. by Reynolds & Co. (Speed 79) Waltz from 'Betty' (Ruben,) Any old night is a won- Pub. by Chappell derful night (Kern) 02579 & Co., Ltd. Pub.byFrancic,Day&Hunter (Speed 78) For Valour-Military Valse (Anclif by L-fier) MAYFAIR ORCHESTRA e, arr. Pub. by Hawker & Son (Speeds 78) 12-inch double-sided 516 Selections I. fa II. (Ruben,) C411 "The containing ' Boots and Shoes," Only Way," " To-night's the Night," Please don't flirt with me," ' Round the corner," ` I'd like to bring my Mother," "Too particular," "Dancing `When mad," I'm a millionaire," the boys come home to tea," Play me that tone," ` Any old night." Pub. by Chappell &Co., Ltd. (Speeds 78) Waltz (Ruben,) Pub. by Chappell & Co., Ltd. Au pays des amours (In C412 Lover's Land) (Georges Latour) Pub. by Enoch & Sons (Speeds 78) New Double-Sided Records Bands Band of H.M. COLDSTREA M GUARDS conducted by Capt. J. Mackenzie-Rogan,M.V.O., Mus. Doc., Hon. R.A.M.ra-inch double- sided records 5s. 6d.

C 407 Florodora-Selections I and II (Stuart) containing :-" Come and see our Island," "The Silver Star of Love," " Galloping," "Phrenology." " When an interfering person," "Tell me, pretty maiden," "The Millionaire," "I've an inkling," "Finale Waltz." HE recent revival in London of Leslie Stuart's classic musical comedy renders these band T selections greatly ä propos. The Coldstream Guards have never shown greater aplomb and finish than in the execution of these lilting melo- dies, familiar to every ear. If only for the delicious "Tell me, pretty maiden," the record is worth buying. The ensembles throughout are captivat- ing. (Speeds 79) Published by Chappell & Co., Ltd. The Empire March Sir Charles Santley, C 408 arr. by Capt. Mackenzie-Rogan A Dervish Chorus Sebek

HE Empire March is composed by that Grand Old Man of Song, Sir Charles Santley, who, T in his retirement, feels that if he may not BAND of H.M. COLDSTREAM GUARDS cond. by Capt. Mackenzie-Rogan

sing to the nation at war, he must write a military march. The vigorous themes have a great attrac- tion and there is much original conception. The playing is worthy of the piece. The novel Dervish Chorus is full of devilry and snap. (Speeds 78 & 80)

METROPOLITAN DANCE BAND :z-inch double-sided record 5s. 6d. (Paddy's Outing Holliday C 409 Fireman's Frolic-Two-StepMaude Craske-Day Published by West & Co.

Outing " contains that rare vim and dash that made such a success of the PADDY'S" Policeman's Holiday." The two-step quaintly named "Fireman's Frolic" is a saucily arranged band-piece which everyone will relish. The band secure amazingly racy versions of each of these two new works. (Speeds 79 & 80) METROPOLITAN MILITARY BAND :o-inch double-sided record 3s. 6d. - Anthem the Allies Kay B 293 Publisher)of by Newman Publishing Co. Italian National March SKILFUL weaving of the various national airs of the Allies arrayed against the A Teuton. Patriotic hearts will be stirred by the memories each new verse brings tip. Coupled with this is Italy's National March which has a verve truly Latin. The playing is Continental in its sense of rhythm. (Speeds 78) MAYFAIR ORCHESTRA to-inch double-sided record 3s. 6d. ýI just want you Arthurs & Hirsch B 292 Published by Francis, nay f Hunter Dreamily, drowsily Bernard Published by Whitehall Music Co. COUPLE of languorous summer-time tunes in a haunting vein. "I just want you" has A the " popular " touch in marked measure, and the bell interpolations make it especially appealing. " Dreamily, drowsily " has the scent of the cornfields in it. The renditions are marked with great taste and delicacy. (Speeds 79 & 78) Pianoforte Solos Miss UNA BOURNE ro-inch double-sided record 3S. 6d. { Danse Creole Chaminade B 291 Pierrette Chaminade Published by Enoch 6 Sons HE renowned pianist here gives us two of Madame Chaininade's daintiest pieces of T programme music. To hear these played in the garden is to be bewitched. The "Danse Creole" is redolent of tropical lands. There is a quaint fascination in the dance measure that will cause the disc to be played over and over again. In " Pierrette " we have a crisply dainty piece, of melodious lilt. The rushing cords are fingered with exquisite delicacy by Miss Una Bourne, who achieves a triumph of playing and recording. Lovers of the pianoforte will find in this charming record constant delight, no matter how often the record he re-played.-Again, try its effect in the garden, 'mid the roses. (Speed 79) On this page we print a perfect Programme for a Summer Evening

OVERTURE * " Midsummer Night's Dream " 0853 NEW SYMPHONY ORCHESTRA SONG " I hear a thrush at eve " 4-2370 McCORMACK SONG " Angels guard thee " 2-033045 ALMA GLUCK ORCHESTRAL "Betty" Waltz and "For Valour" Waltz C 414 MAYFAIR ORCHESTRA ARIA " Vesti la giubba " 052159 CARUSO SONG " O Flower Divine " 4-2529 HUBERT EISDELL SONG " Cloze Props " 02561 HARRY DEARTH ORCHESTRAL " Pleading " & Demoiselle Chic B 274 JACOBS and his TROCADERO ORCHESTRA SONGS Romance & Mandoline 2-033042 MELBA VIOLIN SOLO " Ave Maria " (Schubert) 07995 MISCHA ELMAN HUMOROUS "Any old night" ("To-night's the night") 02579 GEORGE GROSSMITH SONG " Oh tell me nightingale " 2-3062 FLORA WOODMAN ORCHESTRAL Selections " Passing Show of 1915 " C 405 PALACE ORCH. with FINCK

Your Dealer can supply all these "His Master's Voice" Records LAST MONTH'S RECORDS ORCHESTRAL-12-inch record 5s. 6d. THE NEW SYMPHONY ORCHESTRA (conducted by LANDON RONALD) 2-0518 Invitation to the Waltz Weber VOCAL 12-inch record 12s. 6d. World" 03399 God shall wipe away all tears. "Light of the Mme. Clara Butt 12-inch records 5s. 6d. 03404 The Doll's Song "Tales of Hoffmann" Miss Nora D'Argel 09284 Divine Service in Camp Prayer and exhortation by Rev. J. R. Parkyn 02571 RBritish Bulldog's watching at the door Harry Lauder 02572 .T Harry Lauder 10-inch records 4.. 6d. 2-3069 Waltz Song "Tom Jones" Mina Ruth Vincent 2-3014 The lass with the delicate air Madame Alma Gluck 10-inch records 3s. 6d. 4-2545 Love Ships Hubert Eisdell 4-2543 The Nelson-Touch Stewart Gardner 2-3072 There's only one England Miss Palgrave Turner 4-2544 The Somerset Farmer Charles Tree 2-3071 Visitors Miss Maraarat Cooper 2-3070 I'll make a man of you, "The Passing Show" Miss Gwendolinc Brogdea HUMOROUS 12-inch records 5s. 6d. 02570 Once the Kaisers Army Tom Clare 01113 Spotty F. Chatterton Heanequin DOUBLE-SIDED RECORDS 12-inch records Si. 6d. (II Bacio 1,The Band of H.M. Coldstream Guards Dye ken John Peel-Descriptive 1 !cond. by Capt. J. Mackenzie-Rogan) J The Friendly Rivals 11The Band of H.M. Coldstream Guards l By the Swanee River-Descriptive (cond. b Capt J. Mackenzie-Rogan) Our Fleet Metropolitan Military Band 1 Salute the Allied Flags When the Angelus is ringing De Groot and the Piccadilly Orchestra t Penitence Mayfair Orchestra Tipperary Variations-Part I. II. Jacobs and His Trocadero Orchestra (INSTRUMENTALTYMPANON-10-inchTipperary Variation s -Part

double-aided record 3s. 6d. B 1 Douleur-Part 1. } 285 Douleur-Part 11. Sacha Votitc6enko "WATCH YOUR STEP"-EMPIRE REVUE C 406 Watch Your Step-Selection 1.1 (I 12-inch 5/6 Mayfair Orchestra J The Syncopated Walk B 290 l The Minstrel Parade 10-inch 316 Mayfair Orchestra 03406 The Syncopated Walk 12-inch 516 Phyllis Gabriel & Chows