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Canon EOS 1D
C J C GETTING THE MOST FROM YOUR EOS-1 CLASS DIGITAL SLR TIPS AND TECHNIQUES: CAMERA HANDLING & MAXIMUM IMAGE QUALITY OVERVIEW Canon’s EOS-1 class digital SLRs (EOS-1D, EOS-1Ds, EOS-1D Mark II and EOS-1Ds Mark II) are clearly the company’s highest quality and most powerful digital SLRs to date. Thanks to their key attributes of EF Lens compatibility, Canon CMOS sensor technology and DIGIC/DIGIC II Image Processors, EOS-1 class digital SLRs produce images with exceptionally low noise, excellent detail and superb color. As with any professional camera system, there are numerous variables in camera operation, lens selection and image quality optimization that must be clearly understood and mastered by the user in order to achieve the best possible results. The purpose of this document is to identify the factors that affect the autofocus (AF) performance and image quality aspects of EOS-1 class digital SLRs, and provide tips and techniques on getting the most out of this powerful camera and lens system. We have intentionally provided detailed explanations to clarify the reasoning behind our recommendations, but at the beginning of the document there is also a brief summary of the main points for your convenience. Thank you for using Canon products! We want you to know that we sincerely appreciate your patronage. OVERVIEW 2 QUICK REFERENCE GUIDE Camera Operation Tips Select focusing points manually: Selecting the focusing point manually speeds up the autofocus system because the camera does not have to decide which focus point or points to use. Manual focusing point selection also allows you to control exactly where the camera is focusing. -
SPECULATIONS on the MEGAPIXEL RACE OR "DO I NEED a + 32 MEGAPIXEL SENSOR?" by S.Saragosa A.K.A
SPECULATIONS ON THE MEGAPIXEL RACE OR "DO I NEED A + 32 MEGAPIXEL SENSOR?" By S.Saragosa a.k.a. tjshot Recent announcements of 24 Mpxls APS-C and rumors of 36 Mpxls full frame sensors seem to have changed the scenario for digital camera enthusiasts, triggering opposite reactions: some of us are out of the skin to get the new babies (I'm among them) while others seem to question the effectiveness of such upgrades. We had similar doubts in the past when upgrading to higher density sensors and I've read many articles on the internet stating that you don't really need more than about 20 Mpxls full frame sensor (due to lense diffraction/aberration, sensor sampling performance etc.) I hardly agree. At the level of development we have reached today a small increase of pixel pitch (effective sampling rate -> sharpness and resolution boost) in the sensor will induce a much higher (square growth law) megapixel count, thus requiring much larger in-camera buffer memory, faster data saving channels, more powerful computers etc. At the same time noise control becomes increasingly difficult (square growth law) due to higher amplification of the signal needed to achieve the same ISO rating; on the other side smaller pitch sensors seem to produce a much more even and defined noise, partly counterbalancing the degradation in quality (think about the terrible "pepper" grain in Canon EOS 5D compared to the smoother Canon EOS 7D). Many additional elements factor in, resulting in final image quality: A/D converter performance (12bit to 14bit seems to produce a very high boost in dynamic range, noise performance etc.), image processor, firmware etc. -
A Digital Astrophotography Primer - OR - This Is NOT Your Daddy’S SLR!
A Digital Astrophotography Primer - OR - This is NOT your Daddy’s SLR! Page 1 of 22 Table of Contents A Digital Astrophotography Primer...........................................................................................................................................................1 Table of Contents.......................................................................................................................................................................................2 Introduction............................................................................................................................................................................................3 What is an SLR, anyways? ....................................................................................................................................................................3 SLR, DSLR, What’s the Difference?.....................................................................................................................................................4 The Viewfinder ......................................................................................................................................................................................4 The Focus Mechanism ...........................................................................................................................................................................5 The Capture Medium .............................................................................................................................................................................6 -
Underwater Photographyphotography a Web Magazine
UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 Nikon D100 housings Fuji S2 housing Sony F707 housing Kodak DCS Pro 14n Sperm whale Nai’a liveaboard U/w photojournalist - Jack Jackson Henry the seadragon Scilly Seals Lights & divers Easy macro British fish Underwater tripod Visions 2002 UwP 1 What links these sites? Turn to page 7 to find out... UwP 2 UnderwaterUnderwater PhotographyPhotography a web magazine Oct/Nov 2002 e mail [email protected] Contents 4 Travel & events 30 Meet Henry 43 Easy macro 8 New products 14 Sperm whale by Andy & Angela Heath with Ee wan Khoo 35 Scilly Seals 47 British fish with Tony Wu 19 Nai’a liveaboard with Will & Demelza by Mark Webster Posslethwaite 54 Size matters 35 Lights & divers by Jukka Nurminen & Alex Mustard by Pete Atkinson 25 U/w photojournalist by Martin Edge Cover photo by Tony Wu 58 Visions 2002 by Jack Jackson UwP 3 Travel & events Jim Breakell Tahiti talk at Dive Show, Oct 12/13 2002 In September Jim Breakell of Scuba Safaris went on a fact finding trip to the Pacific. First off he went to Ryrutu for for a few days humpback whale watching, then a week on the inaugural trip of the Tahiti Aggressor and then on to Bora Bora (what a hard life he has!) He will be giving an illustrated talk about his trip at the Dive Show in Birmingham on October 12/13th 2002. For more information contact Scuba Safaris, PO Box 8, Edenbridge, Kent TN8 7ZS. Tel 01342 851196. www.scuba-safaris.com John Boyle video trip May 2003 INVITATION John Boyle will be hosting a video diving trip from Bali to Komodo on Kararu next year. -
Concurrently Designing a Physical Production System and an Information System in a Manufacturing Setting
Concurrently Designing a Physical Production System and an Information System in a Manufacturing Setting By James Alexander Scott Katzen B.S. Mechanical Engineering, Massachusetts Institute of Technology 1996 Submitted to the Sloan School of Management and the Department of Mechanical Engineering in partial fulfillment of the requirements for the degrees of Master of Business Administration And Master of Science in Mechanical Engineering In conjunction with the Leaders For Manufacturing (LFM) Program at the Massachusetts Institute of Technology June 2003 © Massachusetts Institute of Technology, 2003. All rights reserved. Signature of Author_____________________________________________________________________ James Alexander Scott Katzen Sloan School of Management Department of Mechanical Engineering May 9, 2003 Certified by___________________________________________________________________________ Jeremie Gallien Assistant Professor of Operations Research, Sloan School of Management Thesis Supervisor Certified by___________________________________________________________________________ David Hardt Professor of Mechanical Engineering, Department of Mechanical Engineering Thesis Supervisor Accepted by___________________________________________________________________________ Margaret Andrews Executive Director of Masters Program Sloan School of Management Accepted by___________________________________________________________________________ Ain Sonin Chairman of Graduate Committee Department of Mechanical Engineering 2 Concurrently Designing -
Getting the Right Gear
Chapter 1 Getting the Right Gear In This Chapter ▶ Picking the right camera for the job ▶ Complementing your camera with accessories ports and action photography is like most things in Slife — if you want to be the best at it, you need to have the best gear. Luckily for you, lots of options are available when determining the best gear based on your level of experi- ence and expertise. In this chapter, I help you determine what you’re going to need — including what type of camera and any necessary accessories — based on what you plan on photographing and how comfortable you are behind the lens. The Internet contains a wealth of information, but nothing beats asking other photographers what they’re using. You can share in their camera jubilation or avoid the same pitfalls that they fell into by purchasing that “bargain” point-and-shoot camera that didn’t turn out to be such a bargain after all. ChoosingCOPYRIGHTED the Best Camera MATERIAL for the Job at Hand Whether you’ll be taking photographs at your daughter’s soccer game or trying to make a career out of sports photography, having the right camera for the situation will make all the difference. In the past, very few affordable cameras could capture action as well as the pro’s gear. However, today’s market is full of completely viable options, 003_9781118385302-ch01.indd3_9781118385302-ch01.indd 3 88/31/12/31/12 11:51:51 PMPM 4 Sports & Action Photography In A Day For Dummies from professional dSLRs (digital single-lens reflex), to compact point-and-shoots that you can take everywhere you go, to smartphones with surprisingly impressive cameras good for the candid shots on the go. -
Megaplus Conversion Lenses for Digital Cameras
Section2 PHOTO - VIDEO - PRO AUDIO Accessories LCD Accessories .......................244-245 Batteries.....................................246-249 Camera Brackets ......................250-253 Flashes........................................253-259 Accessory Lenses .....................260-265 VR Tools.....................................266-271 Digital Media & Peripherals ..272-279 Portable Media Storage ..........280-285 Digital Picture Frames....................286 Imaging Systems ..............................287 Tripods and Heads ..................288-301 Camera Cases............................302-321 Underwater Equipment ..........322-327 PHOTOGRAPHIC SOLUTIONS DIGITAL CAMERA CLEANING PRODUCTS Sensor Swab — Digital Imaging Chip Cleaner HAKUBA Sensor Swabs are designed for cleaning the CLEANING PRODUCTS imaging sensor (CMOS or CCD) on SLR digital cameras and other delicate or hard to reach optical and imaging sur- faces. Clean room manufactured KMC-05 and sealed, these swabs are the ultimate Lens Cleaning Kit in purity. Recommended by Kodak and Fuji (when Includes: Lens tissue (30 used with Eclipse Lens Cleaner) for cleaning the DSC Pro 14n pcs.), Cleaning Solution 30 cc and FinePix S1/S2 Pro. #HALCK .........................3.95 Sensor Swabs for Digital SLR Cameras: 12-Pack (PHSS12) ........45.95 KA-11 Lens Cleaning Set Includes a Blower Brush,Cleaning Solution 30cc, Lens ECLIPSE Tissue Cleaning Cloth. CAMERA ACCESSORIES #HALCS ...................................................................................4.95 ECLIPSE lens cleaner is the highest purity lens cleaner available. It dries as quickly as it can LCDCK-BL Digital Cleaning Kit be applied leaving absolutely no residue. For cleaing LCD screens and other optical surfaces. ECLIPSE is the recommended optical glass Includes dual function cleaning tool that has a lens brush on one side and a cleaning chamois on the other, cleaner for THK USA, the US distributor for cleaning solution and five replacement chamois with one 244 Hoya filters and Tokina lenses. -
Photographica 24/03/2020 10:00 AM GMT
Auction - Photographica 24/03/2020 10:00 AM GMT Lot Title/Description Lot Title/Description 1 Canon Cameras and Lenses, comprising a Canon EOS D30 DSLR 15 Photographic Accessories, including 3 Linhof 6½ x 9 DDS film holders, a body, a Canon EOS 600 camera, a Canon T50 camera, a Canon T70 Schneider Xenar 16.5cm f/4.5 board-mounted lens with Compur shutter, camera, a Canon AE-1 Program camera, a Canonet rangefinder other lenses, some with leaf shutters, a JVC P-100UKC 6 volts 5cm camera, an EF 75-300mm lens and an EF 90-300mm lens (a lot) approx television, untested and other items Est. 50 - 70 Est. 30 - 50 2 Nikon SLR Cameras and Bodies, comprising a Nikon D70s DSLR 16 A Tray of Sub-Miniature 'Spy' Cameras, including a Minox B camera, a camera with an AF Nikkor 28-80mm lens, a Nikon D70 DSLR body, a Minox C camera, a Yashica Atoron camera and a Minolta 16 II camera, Nikon F-301 body, a Nikkormat FTN body, a Nikon EM body, an AF all in maker's cases, together with sundry related items Nikkor 70-210mm f/4-5.6 lens, boxed and a Speedlight SB-16 (a lot) Est. 70 - 100 Est. 50 - 70 17 A Tray of Ensign Midget and Other Sub-Miniature Cameras, a Model 22 3 Pentax M SLR Cameras, comprising three Pentax ME Super cameras, a camera, three Model 33 cameras, a Model 55 camera, a box of unused ME Super body, a MG camera and an MV 1 body (a lot) Ensign Lukos E10 film dated Dec 1935, a Kiku 16 Model II and a Speedex 'Hit-type' cameras, two United Optical Merlin cameras and a Est. -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
Owner's Manual
Turning ordinary moments into extraordinary pictures Owner’s Manual Revision 1.10 Copyright 2013 Cognisys, Inc. 1 Table of Contents 1. SAFETY INSTRUCTIONS .................................................................................................................................. 5 2. GETTING STARTED ......................................................................................................................................... 5 2.1 THE STOPSHOT CONTROLLER .............................................................................................................................. 5 2.2 GETTING FAMILIAR WITH STOPSHOT ..................................................................................................................... 6 2.3 CONNECTING STOPSHOT - BEAM SENSOR - (LASER OR IR)......................................................................................... 9 2.4 CONNECTING STOPSHOT – MULTIPLE FLASHES ..................................................................................................... 10 2.5 CONNECTING STOPSHOT – SHUTTER INTERFACE SWITCH ........................................................................................ 12 2.6 NAVIGATING STOPSHOT ................................................................................................................................... 13 3. DETAILED OPERATION ................................................................................................................................. 14 3.1 OVERVIEW .................................................................................................................................................... -
Megapixels and Sensors: Is Bigger Really Better? Seven Or Eight Megapixels Is the Current Standard on Most Point-And-Shoot Cameras
POINT & SHOOT DIGitAL CAMERAS B UYING Digital Cameras Digital Store & Mail Order Hours: Sunday: 10:00 am – 5:00 pm Monday - Thursday: 9:00 am – 7:00 pm Friday: 9:00 am – 1:00 pm EST, 2:00 pm DST Saturday: Closed 800-947-9950 212-444-6600 420 Ninth Avenue @ 34th Street New York, NY 10001 INTRODUCTION 4 TYPES OF CAMERA USERS 6 ENTRY LEVEL 8 ADVANCED 10 PRO 12 MEGAPIXELS 14 Digital Cameras bhphotovideo.com FEATURES & ACCESSORIES 16 Quick searches and live support help you get everything you want and exactly what you need. Create an account, make a wish KEY FEATURES 22 list, and sign up for our newsletter, all in our secure environment. Introduction Today’s point-and-shoot cameras are convenient, simple, and small enough to fit in the palm of your hand. Stash one in your jacket pocket and you won’t miss a moment. Advances in camera technology now enable image capture at faster speeds. Some have bells and whistles specifically tailored to the needs of photographers—from built-in waterproof casings to in-camera panorama stitching. Manufacturers offer several models, from simple to sophisticated, to meet a wide variety of picture-taking needs. But with all the digital cameras out there, how do you even begin to pick the one that’s right for you? First consider budget. Point-and-shoot cameras range from $79 on upwards to $800. A lower-priced camera might have all the basic features you need. Or, you might want to invest more for a camera with beefy manual controls. -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar.