Corinne Adrienne
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
KAEDAH PEROLEHAN RANCANGAN TELEVISYEN DI RTM: ISU DAN CABARAN SYARIKAT PRODUKSI TEMPATAN Arizah Jamil, Zairul Anuar Md. Dawam &A
KAEDAH PEROLEHAN RANCANGAN TELEVISYEN DI RTM: ISU DAN CABARAN SYARIKAT PRODUKSI TEMPATAN Arizah Jamil, Zairul Anuar Md. Dawam & Mohd Nor Shahizan bin Ali ABSTRAK Sejak tahun 1984, Radio dan Televisyen Malaysia (RTM) melalui Unit Perolehan Rancangan telah menetapkan beberapa syarat dan kaedah kepada pembekal-pembekal rancangan atau syarikat produksi yang ingin memasarkan dan menjual rancangan televisyen mereka di RTM 1 (TV1), RTM 2 (TV2) dan TVi. Kaedah perolehan rancangan televisyen bermula dengan sistem agihan jam, sistem tender terbuka, sistem konsortium, sistem tender terhad dan yang terkini adalah mengikut sistem pitching. Namun begitu, setiap kaedah perolehan tersebut telah menimbulkan beberapa isu seperti isu monopoli, isu pengagihan slot jam yang tidak jelas, kewujudan syarikat yang menjual slot jam yang diperoleh kepada syarikat lain (Ali baba), isu pengelasan syarikat dan isu penilaian ketika proses pembentangan dilakukan. Malah, isu-isu yang berlaku ketika pelaksanaan tersebut menyebabkan perubahan sistem pengurusan dalam kaedah perolehan yang dilakukan oleh RTM. Isu-isu ini telah memberikan cabaran kepada pihak penerbit atau syarikat produksi dalam usaha untuk memasar dan menjual produk atau rancangan televisyen mereka ke RTM. Justeru, artikel ini membincangkan lima jenis sistem pengurusan dalam kaedah perolehan rancangan yang pernah dilaksanakan oleh pihak RTM dan seterusnya isu dan cabaran yang dihadapi oleh syarikat produksi tempatan dalam setiap pelaksanaan kaedah perolehan tersebut. Artikel ini diharap dapat membantu para penerbit memahami kaedah perolehan rancangan televisyen yang dilakukan oleh RTM, sekali gus membantu mereka memperoleh slot televisyen yang ditawarkan. Kata kunci: RTM, kaedah perolehan rancangan televisyen, penerbit tempatan, slot televisyen. Gendang Alam, Jilid 6, 2016 ABSTRACT Since 1984, RTM through the Procurement Unit Plan has set a number of conditions and methods to the suppliers design or production companies who want to market and sell their television program on TV1, TV2 and TVi. -
Empowering Youth Entrepreneurship
___________________________________________________________________________ 2016/SMEWG42/026 Agenda: 19.1 Empowering Youth Entrepreneurship Purpose: Information Submitted by: Malaysia 42nd Small and Medium Enterprises Working Group Meeting Ho Chi Minh City, Viet Nam 27–28 April, 2016 EMPOWERING YOUTH ENTREPRENEURSHIP 1 42nd APEC SMEWG Meeting Background of the Programme 29 March 2014 RM10 million (USD 2.56 mil) Objectives allocated for TUBE 1 Acculturate entrepreneurship Paradigm shift 2 from job seekers to employment providers Concept Create resilient & 3 Targeted for sustainable youth entrepreneurs 42ND APEC SMEWG MEETING 42nd APEC SMEWG Meeting Blue Ocean Strategy Government has allocated RM10 million (USD 2.56 mil) for implementation of TUBE to young entrepreneurs 42nd APEC SMEWG Meeting Modules and Incentives Phase 1 Phase 2 Phase 3 • Test the • Increase • Guidance on perseverance of business effective business mind & physical knowledge & practice endurance effective business • Buddy System • 7 days of operations (Business physical training Counselor’s from (military • Group business SME Corp.) concept) activities • 12 months of • 14 days course monitoring Certificate & RM15,000 (USD 3,843) Grant for Business Start-up 42nd42 ND APECAPEC SMEWGSMEWG MEETING Meeting Outreach and Promotional Activity Briefing to MPs 18 June 2015 Parliament Soft Launch Programme 23 June 2015 SME Corp. Malaysia • Programme Start Date: Phase 1 & 2 : 23 Nov - 6 Dec 2014 TUBE 1.0 Phase 3 : 8 Dec 2014 - 8 Dec 2015 • Programme Start Date: Phase 1 & 2 : 1 Nov- -
Media Broadcast
MALAYSIAN GAMES FESTIVAL @KUALA LUMPUR. 14-16 SEPTEMBER 2019 MERDEKA SQUARE, KUALA LUMPUR MEDIA BROADCAST: ALERT: National Department for Culture and Arts (JKKN) organized the Malaysian Games Festival for the 5th time to create interest and preserving Malaysian traditional games from being outdated and gradually disappearing in times as well as preserving the national heritage arts value for the young generation by featuring more than 20 types of traditional and modern games from the multi-ethnic society of Malaysia. MALAYSIAN GAMES FESTIVAL@KUALA LUMPUR COLOURS THE MALAYSIA DAY 2019 CELEBRATION Kuala Lumpur 10 September - The Federal Territory of Kuala Lumpur National Department for Culture and Arts (JKKN WPKL) in cooperation with Kuala Lumpur City Hall (DBKL) will be organizing the Malaysian Games Festival @ Kuala Lumpur on the 14th until 16th September 2019 at Merdeka Square, Kuala Lumpur. The programme aimed at rejuvenate and elevating people’s sports and traditional games arts activities to the urban community where this experience will also be shared with tourists from inside and outside the country. The organization of this festival is for the 5th time, and it is a continuity of the 8 success of the implemented programmes in previous years. IMPLEMENTATION Date : 14, 15 and 16 Sept 2019 (Saturday-Monday) Time : 7:00 am until 11:00 pm Venue : Merdeka Square Kuala Lumpur Official Launching : 15 September 2019 (Sunday) ORGANIZED BY Ministry of Tourism, Arts and Culture Malaysia Ministry of Federal Territories Ministry of Health Malaysia National Department for Cultural and Arts Kuala Lumpur City Hall Harmony Traditional Sports Club PROGRAMME OBJECTIVES In general, the objectives of the Malaysian Games Festival @ Kuala Lumpur are as follows: - a. -
Filem Lakonan Izzue Islam
Filem Lakonan Izzue Islam. Izzue IslamKelahiranMuhammad Izzul Islam bin Mazlan (1990-06-02) 2 Jun 1990 (umur 29)Kota Bharu, Kelantan, MalaysiaKediamanKuala LumpurPendidikanSijil Pelajaran Malaysia (SPM)PekerjaanPelakon, model, penyanyiTahun aktif2010–kiniKetinggian1.75 m (5 ka 8+7⁄8 in)Berat55 kg (121 lb; 8.7 st)PasanganAwin Nurin (k. 2013)Kerjaya muzikGenrePopPekerjaanPenyanyiInstrumenVokalTahun aktif2011–kiniSyarikat rakamanKRU StudiosKegiatan berkaitanForteen (2011-18) Muhammad Izzul Islam bin Mazlan (lahir 2 Jun 1990)[a] ialah seorang penyanyi, pemuzik dan pelakon Malaysia. Memulakan kerjaya seninya dengan berlakon dan seterusnya nyanyian dengan menyertai sebuah kumpulan di bawah naungan KRU Studios iaitu kumpulan Forteen.[1] Beliau mula dikenali selepas memenangi anugerah "Pelakon Terbaik[2] Festival Filem Malaysia ke-25" dan "Hero Baru Terhebat Anugerah Blokbuster 2". Namanya kian meningkat apabila diberikan tanggungjawab menggalas watak utama di dalam drama Sebenarnya, Saya Isteri Dia!.[3] Kehidupan awal Beliau dilahirkan pada 2 Jun 1990 sebagai Muhammad Izzul Islam bin Mazlan di Kota Bharu, Kelantan dan berkelulusan Sijil Pelajaran Malaysia (SPM). Forteen Rencana utama: Kumpulan Forteen Izzue Islam menyertai kumpulan Forteen sewaktu kumpulan ini ditubuhkan pada 2011. Kumpulan ini turut dianggotai Muhammad Ridzuan Sharifuddin (One), Saiful Ridzuan Abdul Hamid (Ariz) dan Mohd Arif Ameerais Azhar (Ameerais). Forteen mula dikenali umum setelah muncul bersama single "Berdua Bersatu" yang dkeluarkan pada 27 Ogos 2011.[4] Album EP sulung mereka, Kita dikeluarkan pada 19 Disember 2013 diterbitkan oleh KRU Records,[5] mengandungi 6 lagu. Pada 2014, KRU Music mengumumkan bahawa Forteen bakal menganjurkan konsert buat pertama kalinya pada 29 Mac 2014 bagi menghargai peminat mereka[6][7] Namun, pihak menganjur telah menunda konsert tersebut kepada tarikh baharu iaitu 26 April 2014 bagi menghormati kejadian pesawat MH370 yang hilang pada 8 Mac 2014.[8][9] Pada Disember 2016, Izzue menafikan khabar angin mengatakan beliau keluar dari Forteen. -
The History of Film Adaptation in Malaysia: the Long Journey of Its Rise and Fall
THE HISTORY OF FILM ADAPTATION IN MALAYSIA: THE LONG JOURNEY OF ITS RISE AND FALL (Sejarah Filem Adaptasi di Malaysia: Sebuah Perjalanan Jatuh Bangun yang Panjang) Wan Hasmah Wan Teh [email protected] School of Humanities, Universiti Sains Malaysia. Published online: 3 December 2018 To cite: Wan Hasmah Wan Teh. (2018). The history of film adaptation in Malaysia: The long journey of its rise and fall. Malay Literature 31(2), 361 – 382. Abstract Morris Beja in his book Film and Literature: An Introduction, said that since the Academy Awards was introduced in 1927 – 1928, about three quarters of the award for best film was won by film adaptations. This is proof that film adaptation is a form of art that has gained the attention of the world community and was a well- known form of narrative in the 19th and 20th centuries in Europe. This paper takes the initiative to trace the history of film adaptations in general by focusing on such films in Malaysia. Findings of the study reveal that the history of film adaptation in Malaysia started in 1933 during the filming enterprise of Cathay Film and Malay Film in Singapore up to the setting up of Merdeka Studio in Kuala Lumpur in the 1970s and beyond. The film industry in Malaysia faced many problems including the influx of imported films from Indonesia and the commercialization factor that did not guarantee profits. However, around 2006, concerted efforts were reinforced to adapt literary works into films, through workshops and competitions organized by Malaysian government bodies such as Dewan Bahasa dan Pustaka (DBP), National Film Development Corporation (FINAS) and Radio and Television Malaysia (RTM). -
81 NEW THIS MONTH 82 MOVIES 84 TV SHOWS 86 AUDIO/RADIO Entertainment 87 ARTIST of the MONTH © 2019 WALT DISNEY STUDIOS MOTION PICTURES
80 FILM REVIEWS 81 NEW THIS MONTH 82 MOVIES 84 TV SHOWS 86 AUDIO/RADIO Entertainment 87 ARTIST OF THE MONTH © 2019 WALT DISNEY STUDIOS MOTION PICTURES. ALL RIGHTS RESERVED. CAPTAIN MARVEL June 2019_GPE.indd 79 16/05/2019 12:35 PM FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE MOVIES. Captain Marvel is an excellent extension of city), director Marielle Heller treats her wilfully a story universe that has come to dominate unlikable characters with the unshakeable movies for the last 10 years, and it doesn’t love of a parent and sees them through to a look like it will stop soon. I don’t know what’s redemption of realism and understanding. more dazzling: This new Captain Marvel movie or the genius of the long-term thinking that has been put into plotting out the whole Marvel universe. CAPTAIN MARVEL goingplacesmagazine.com Stung by the criticism that its top superheroes are all men (Scarlett Johansson’s Black Widow doesn’t have any super powers), Marvel has answered the enormous success of DC’s Wonder Woman with Captain Marvel, the story of a regular human given super THE ACCOUNTANT powers so enormous that they could dwarf Perhaps because I come from a family of anything that has come before. The movie | accountants, it was hard for me to imagine 80 barely scratches the surface of what she that a movie called The Accountant could be a | June 2019 could potentially do, but from what I’ve seen CAN YOU EVER FORGIVE ME? high-octane thriller about a savant, Bond- already, she completely up-ends everything I Based on the true story of how celebrity like, ninja-like assassin who happens to also thought I knew about the superhero laws of biographer Lee Israel (Melissa McCarthy) be incredibly good at doing sums. -
ABSTRAK Penuli
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RUMPUN (E-Journal) Jurnal Antarabangsa Persuratan Melayu (RUMPUN) International Journal of Malay Letters Jilid 3/Jan/2015, 47-74 Persatuan Penulis Budiman Malaysia ISSN:2289-5000 Budiman Writers Association of Malaysia KUMPULAN CERPEN PASCASEJARAH MELALUI BACAAN SEMIOTIK [THE SEMIOTIK READING ON THE POST-HISTORICAL SHORT STORIES] Tengku Intan Marlina Tengku Mohd Ali Akademi Pengajian Melayu, Universiti Malaya, Kuala Lumpur, Malaysia [email protected] ABSTRAK Penulisan ini akan membincangkan cerpen Pascasejarah dari sudut Teori Semiotik Peirce dan Morris yang dapat mengungkapkan satu penanda kepada petanda yang sampai kepada pemikiran pembaca berkisar dengan cerita-cerita yang telah berlaku, atau cerita yang sudah menjadi sejarah. Penandanya dapat dikenalpasti melalui proses semiosis dalam tiga kategori, iaitu: hasil pemahaman persembahan, objek dan interpretasi. Tanda-tanda yang diungkapkan oleh pengarang dalam teks memperlihatkan kisah- kisah sejarah yang dimasukkan ke dalam Pascasejarah kerana kisah- kisah sejarah itu sendiri merupakan “rumus yang berulang- berulang” dan dijadikan ikhtibar kepada para pembaca. Kisah-kisah benar dan nyata dari sejarah-sejarah yang terdahulu dipersembahkan oleh pengarang dalam fiksyen melalui tanda- tanda ikon, indeks dan simbol. Tajuk-tajuknya pula memperlihatkan tanda-tanda yang tersendiri yang perlu ditafsir oleh pembaca dan memberi indeks pengertian yang tersirat di sebalik tanda-tanda yang dipaparkan. Keseluruhan tajuk-tajuk cerpen tersebut merupakan indeksikal kepada dunia imaginatif dan kreatif dalam cerita yang digarap oleh pengarang. Tajuk-tajuk tersebut dipilih dan diletakkan bersesuaian dengan isi cerita yang telah dapat 47 menyiratkan makna rumusan cerita yang hendak disampaikan oleh pengarang melalui sejarahsejarah lalui Greek dan Rom serta mitos Yunani. -
Gear up for Ntv7's Music Bash (NST 20/05/1998)
20/05/1998 Gear up for ntv7's music bash Sajahan Waheed THE country's newest terrestrial TV station, ntv7, airs its first concert, Konsert Seceria Pelangi - Somewhere Over The Rainbow, on Friday at 8.30pm. The 90-minute show, to be telecast "live" from the station's Studio One in Shah Alam, is in conjunction with the station's official launch by Prime Minister Datuk Seri Dr Mahathir Mohamad. Fourteen popular acts from here and other parts of Asia will be featured in the show. The Malaysian artistes are Nora, Ning Baizura, Siti Nurhaliza, Jay Jay, Awie, Erra Fazira, KRU and Raihan. The international acts comprise Mehnaz from India, Mayang Sari (Indonesia), Jeremie (Philippines), Mavis Hee (Singapore), Chiu Hai Zheng (Taiwan) and popular group Carabao (Thailand). The songs you can expect include Oh! La! La! (KRU), Games (Mavis Hee), Kau Dan Aku (Ning Baizura), Lumapit Ka (Jeremie), Puji Pujian (Raihan), Ratuku (Awie), Breathless (Chiu Hai Zeng), Cinta Abadi (Erra Fazira), Made In Thailand (Carabao), Ku Ingin (Mayang Sari), Joget Angan Tak Sudah (Jay Jay), Kehadiranmu (Nora), Cindai (Siti Nurhaliza) and I Feel Good (Mehnaz). There will also be a special performance by 30 students from Sekolah Rendah Sri Kuala Lumpur, and three young ballerinas from The Ballet Studio and The Federal Academy Of Ballet. They will sing Quek Mambo, and Somewhere Over The Rainbow, originally sung by Judy Garland in the movie The Wizard Of Oz. However, for this concert, the song will be delivered in Bahasa Malaysia with lyrics by Habsah Hassan. "We are sparing no effort in bringing in these foreign acts as we want to feature the best in entertainment," said the station's chief executive officer, Shazalli Ramly. -
THURSDAY, AUGUST 1, 2013 TIME PROGRAM 6.00 Am AL QURAN MENJAWAB BERSAMA DR DANIAL ZAINAL ABIDIN
THURSDAY, AUGUST 1, 2013 TIME PROGRAM 6.00 am AL QURAN MENJAWAB BERSAMA DR DANIAL ZAINAL ABIDIN (RR) 6.30 am MUQADDIMAH 7.00 am TANYALAH USTAZ 2013: RAMADAN SPECIAL Each episode will feature an Ustaz to answer all the questions via email or phone call based on the verses of Quran. 8.00 am PESAN ATOK (R) 8.30 am UPIN & IPIN 9.00 pg SAFIYYA (R) 10.00 pg PASUKAN GERAKAN MARIN 3 (R) 11.00 pg MARHABBA DE LAILA (R) 12.00 pm BERITA TV9 12.30 pm DRAMA INDONESIA - LAGU CINTA NIRMALA A gripping sinetron for all to watch! Casts: Nabila Syakieb, Samuel Zylgwyn, Giovanni Yosafat Tobing, Dhini Aminarti, Sheila Marcia Joseph. 1.30 pm BABY LOONEY TUNES Baby Looney Tunes is an American animated television series that shows Looney Tunes characters as babies till toddlers. 2.00 pm SUPERMAN THE ANIMATED SERIES Batman Beyond tells the story of a new and different Batman. It takes place far in the future, years after Batman appeared for the last time. Terry McGinnis rekindles the fire in Bruce Wayne's bitter old heart, and takes up the role as the new Dark Knight - with the old one as his mentor. 2.28 pm BANANANA! SQUAD A capsule talk show hosted by 2 bubbly kids, who are sharing the ideas of what’s hot, fun in the kids world, with injection of general knowledge. Host: Hadi and Deera 2.30 pm NICK DI 9 WONDERPETS Linny the guinea pig, Tuck the turtle, and Ming-Ming the duckling are class pets in a schoolhouse. -
Vol 23 No 1 Juli 2019 Rev 23-8-19.Indd
Jurnal Ilmu Sosial dan Ilmu Politik, Volume 23, Issue 1, July 2019 Jurnal Ilmu Sosial dan Ilmu Politik Volume 23, Issue 1, July 2019 (72-85) ISSN 1410-4946 (Print), 2502-7883 (Online) doi: 10.22146/jsp.37586 Television and National Identity: An Ethnography of Television Audience in the Border of Indonesia-Malaysia Rizki Briandana Faculty of Communication Science, Universitas Mercu Buana (email: [email protected]) Abstract Television has a strategic position in constructing national identity. As part of the everyday life of the community, television provides a community-driven medium to construct its identity. In relation to the existence of mass media in the community and the issue of forming a national identity, there are unique problems that exist in the Sebatik Island of the Indonesian and Malaysian frontiers. These Indonesian people have no access to the broadcasting media, especially television, from Indonesia. This situation has persisted for several years, so the citizens of Sebatik Island use television broadcasts from Malaysia as their primary source of media communication. This study aims to examine how the people of Sebatik Island construct their national identity through the Malaysian television programs they watch daily.The methodology used in this study is ethnography with data collection techniques through observation and interviews of eight informants in September 2017. The result shows that the “mixed national identity” of Sebatik society is infl uenced by various factors and one of them is Malaysian television. Malaysian television programs also play a role as a socialization agent, among with other agents such as the presence of the community, the country, the organization, the culture, and the ideology. -
Editing Techniques an Analysis on Action Scenes in Road Action Films in Malaysia
International Journal of Technical Research and Applications e-ISSN: 2320-8163, www.ijtra.com Special Issue 10 (Nov-Dec 2014), PP. 122-127 EDITING TECHNIQUES: AN ANALYSIS ON ACTION SCENES IN ROAD ACTION FILMS IN MALAYSIA Rosli Sareya Dr Zairul Anuar Md Dawam, Dr. Humin dan Addley Bromeo Bianus Universiti Malaysia Sabah ABSTRACT- This essay will dismantle about the which is massively used in the entertainment world in utilization of editing techniques in an action scene in road action Hollywood, Bollywood and other Asian countries. Film films in Malaysia. An action scene in films will look more producers in Malaysia such as KRU Studio have also used dramatic and could provide optimum effect if appropriate this machine in producing their film outputs. editing techniques are used. It is not solely depending on the Editing is not merely seen as a task of separating and acting, visual and audio. However, editing techniques must be emphasized by the director and editor in producing a scene. The rearranging scenes and then combining it to become a story. director and editor must be aware and know the suitability on Editing that is equipped with the technique is a method which the utilization of editing techniques in an action scene so that the could give psychological effect on the audience. As an desired effects could be achieved. Many researches have been example, the film entitled Evolusi KL Drift 2 directed by conducted regarding the cinematography in films in Malaysia. Samsul Yusof could give terrifying experience and effect to Nonetheless, there is still a lack of emphasis on editing the audience especially in the chasing scenes. -
The Almighty: Documenting Islamic Awareness and the Spiritual Migration of Malaysian Artists
Proceedings of ADVED 2017- 3rd International Conference on Advances in Education and Social Sciences 9-11 October 2017- Istanbul, Turkey RETURN TO THE ALMIGHTY: DOCUMENTING ISLAMIC AWARENESS AND THE SPIRITUAL MIGRATION OF MALAYSIAN ARTISTS Mashitah Sulaiman 1*, Mohd Nazir Ahmad2 1(Dr.) Center for Core Studies & Faculty of Leadership and Management, Universiti Sains Islam Malaysia, Bandar Baru Nilai, Negeri Sembilan, MALAYSIA, [email protected]/ +60 13- 3911694 2(Mr.) Faculty of Information Management, Universiti Teknologi MARA, 40150 Shah Alam, Selangor, MALAYSIA, [email protected]/ +60 13-3614665 *Corresponding author Abstract Since 1970s, Islamic Resurgence in Malaysia which initially emerges in the urban city of Kuala Lumpur has a significant impact on the Malay Muslims at every angle of their life, physically and spiritually, individually and socially. The impact of the Islamic Resurgence has been deep-rooted in the Malays at all levels of the society. Participation of the Malay middle class in the Islamic Resurgence was significantly intensified which then helps to upsurge Islamic consciousness in the society, particularly in the urban cities of Shah Alam and Kuala Lumpur. This study aims to analyze the phenomenon of the spiritual migration of the Malay Muslim artists to practice Islamic way of life and to study their commitment on the Islamic teaching based on their convictions. This study also analyzes factors that contribute to Islamic awareness among the Malay Muslim artists in Malaysia and its impacts on their life. A qualitative approach is used for this multidisciplinary historical and socio-religious research. Content analysis of the primary data, such as interviews and newspaper, and also the secondary data, for example magazine and television programs was used to critically analyze the Malay Muslim artists’ transformation to practice and return to Islamic teaching.