2014 Planning Team, on Behalf of the Calvin College English Department

Total Page:16

File Type:pdf, Size:1020Kb

2014 Planning Team, on Behalf of the Calvin College English Department THANK YOU FOR JOINING US we’ll see you in 2016! #FFWGR /ffwgr @FFWgr festival.calvin.edu CONTENTS CAMPUS MAP . .. 2 locations for session venues, parking, shuttle stops, coffee break areas, dining facilities, and more WELCOME . 3 GRATITUDE . 4-5 working together to make the Festival possible FESTIVAL BASICS . 6-7 registration hours, information center, internet access, ticketed events, and more GETTING AROUND . 8-9 shuttles, parking, commuting FOOD: ON CAMPUS . 10-11 FOOD: OFF CAMPUS . 12 SPEAKERS . 13-22 alphabetical by author BOOK SIGNINGS . 23 . underwritten by: EXHIBITION HALL . 24-25 exhibitor listing and presentations FESTIVAL CIRCLES . 26 for further discussion SCHEDULE . .27-42 thursday, april 10 . 27-30 friday, april 11 . 31-37 saturday, april 12 . 38-42 SPONSOR MESSAGES . .43-51 contents ‹¤› 1 LAKE DRIVE CAMPUS MAIL & PRINT SERVICES BLDG Detailed Grand Rapids maps are MAP PHYSICAL N PLANT RAVENSWOOD available at the registration desk . GUEST HOUSE W E 96 NORTH FIELD S EASTBELTLINE (M37) East Beltline Fuller Avenue P8 196 P parking for Festival Calvin attendees WEST ZUIDEMA US College FIELD SOCCER VAN REKEN FIELD 131 P parking lots P7 Burton KALSBEEK B book signings 28th Street 96 HUIZENGA C coffee break area HUIZENGA P12 YOUNGSMA TENNIS CENTER AND TRACK D dining option CENTER SPOELHOF FIELDHOUSE ADDITIONAL PARKING: COMPLEX S shuttle stop BOER- Church of the Servant, 3835 Burton SE BENNINK Shuttle service provided on Thursday and Friday (see pages 8-9 for details) P13 ECOSYSTEM M boxed meal pick-up Van Noord PRESERVE HOOGENBOOM Arena NOORDEWIER HEALTH AND VANDERWERP Knollcrest buildings in use RECREATION CENTER Knollcrest Dining Hall D by festival P6 Dining Hall other campus VENEMA Accessibility Map AQUATIC ROOKS buildings CENTER VANDELLEN BEETS-VEENSTRA A map showing the location TIMMER BUNKER INTERPRETIVE of elevators and accessible HEYNS SCHULTZE CENTER ELDERSVELD entrances for all campus P5 ENGINEERING BUILDING NORTH buildings is available at HALL BOLT Festival Information Center the registration desk . Auditorium Center Art Gallery Recital Hall Commons Campus Store B SCIENCE P9 Swets Choral Hall BUILDING Commons Dining Hall D P4 DEVRIES HALL Lower West Lobby M OF SCIENCE Johnny’s Café D Commons Covenant Upper East Lobby Fish House Annex Fine Arts Center S Uppercrust (upstairs) D M Alumni Association Board Room (upstairs) Prince Conference Exhibition Hall Library Center Hekman DeVos Festival Marketplace Commons Lecture Hall P3 Lobby C Library P10 Communication Commons Lecture Hall Lobby (downstairs) C Center S Willow Room ATM Spoelhof Board Room Center P14 P15 P16 Hiemenga Hall President’s Dining Room S Fireside Room C Gezon Auditorium S Bridge: Calvin's Crossing Hickory Room Lab Theatre Chapel Bytwerk Theatre (downstairs) Dogwood Room (upstairs) (downstairs) P DeVos Grab and Go D Lobby B Spoelhof Café D Registration Desk Phi Chapel Undercroft P2 Meeter Center Lecture Hall (downstairs) DE WIT MANOR Chi Calvin Theological Theta/Epsilon Seminary P11 Seminary Seminary Chapel Apartments KNOLLCREST EAST RESIDENCES P1 S P Beta Zeta Omega Delta Seminary Auditorium Alpha Kappa Lambda MAIN ENTRANCE Gamma Sigma BURTON STREET 2 ‹¤› campus map A hearty welcome . Our sincere thanks to those returning to the Festival and to those joining us for the first time . You, of course, provide the energy, WELCOME substance, personality, and purpose of the Festival . Thank you in advance for all of the ideas, questions, affirmations, challenges, stories, and laughs that you will stir into the Festival pudding this weekend . We count on you to give as much as you get, and you never let us down . And, of course, we believe you will get a lot . On offer is a line-up of authors, editors, and book people of all stripes who will share the best and deepest of their writing lives and challenge you to seek and share the best of yours . Surprises are the norm—and the most fun . Many of the authors featured this year seem to have a special talent for surprising us, rescuing basic universal truths from cliché and excavating the complexity beneath those simple truths . Anne Lamott sets Help, Thanks, Wow on the foundation “that there’s something to be said about keeping prayer simple,” but as she erects her simple frame, she asks how we can begin even to comprehend prayer when it is “so real, so huge, beyond mystery” and we are “so ruined, and so loved, and in charge of so little ”. Gene Yuen Lang’s American Born Chinese deflects the exhortation to “be yourself” to the task of making us realize how hard it is to do that: How we can bend ourselves to the colossal challenge of being who we were created to be? In The Year of Biblical Womanhood, Rachel Held Evans converts our curiosity about how she will fare in her attempt to “live biblically” to the question of how biblical living reshapes the way we read the Bible—or any sacred text . And James McBride, fueled by his sustaining belief that humans have more in common than in division, couples the two main characters of The Good Lord Bird to test this article of faith; he pushes our noses into the mud and blood of a caricatured 1850s America, and we see how an irreverent, self-preserving, adolescent slave and America’s most important and outlandish religious fanatic, John Brown, reconceive the genius of Brown’s faith and hope in our common humanity . McBride’s “whopper” also reminds us that we often learn best through eager, attentive play . So sport with G . Willow Wilson’s tech-savvy genies, Amy Leach’s famished but fussy pandas, Christopher Beha’s searching storytellers, Julia Spencer-Fleming’s winsome townsfolk, Okey Ndibe’s bewildered Ike, and so many more . Please engage and enjoy yourself: listen, question, create, laugh, befriend, and “friend ”. And let us know if there is anything—anything at all—we can do to help . — the Festival 2014 planning team, on behalf of the Calvin College English Department welcome ‹¤› 3 Community Partners Ann Byle Sylvia Cooper WITH Grand Rapids Public Library Rachel Craddock Grand Valley State University GRATITUDE Mary Anne Culbertson Grandville Avenue Arts and Humanities Ed Cyzewski Pierce Cedar Creek Institute Allison Duncan Greg Dunn and Shelly LeMahieu Dunn Design Team Roseann Dykstra Shanda Blue Easterday Hyde Creative, graphic design Lesa Engelthaler General Underwriters Sandy DeGroot, Kathy DeJong, Elaine Kathie Evenhouse Baker Publishing Group Hannink, Jean Lappinga, Mary Meekhof, and Mihaela Apostol Webb, banner design Susan Hudson Fox Center for Excellence in Preaching at Calvin Theological Seminary Eastern Floral, plant and floral design Shirley Freeman Lion Hudson Brenda Gibson Wm . B . Eerdmans Publishing Company Bee Gosnell WestBow Press Technology Consultants Dorothy Littell Greco Zondervan PEC Technologies, website and database Melody Harrison Hanson construction Trina Hayes Richard and Sheila Henderson Endowments Friends of the Festival Judith Henson Henry and Ruth Baron Family Endowment Laura Hoekstra Wiersma Memorial Endowment ORGANIZATIONS Merrie Sue Holtan abookchick .com Kelly Hughes Bruce Buursma Communications/ Rachel Hyde Calvin Partners Words Well Done LaVerna B . Johnson Asian Studies Program Lipscomb University Randi Kawakita Calvin Academy for Lifelong Learning nicholas-h2o Roberta King Calvin Alumni Association Oak Knoll Readers and Writers Deborah Kohn Calvin Campus Store Janette E . Kok Calvin Institute of Christian Worship INDIVIDUALS Mary Hulst and Drew Kromminga Campus Ministries Jessica Lueck and Jason Akin Mary D . Lagerwey Center Art Gallery Charlene Andrew Pamela Leggett Classics Department Jorella Andrews Donald and Linda LeMahieu Hekman Library M . Lynn Arwady Rhonda Lubberts Honors Program Dave and Mary Bardolph Amy Maczuzak Knollcrest East Apartments Katelyn Beaty Aaron Massung Office of Admissions John and Judy Bielema MaryAnn McKibben Dana Office of Multicultural Affairs Dan and Kate Bolt Janice and Thomas McWhertor Sexuality Series Marcia Bosscher Kristin A . Meekhof Student Activities Office Eve Bradshaw Anne Mitchell Student Life Division Laura Lynn Brown Bill Montgomery Kelly Boyte Brill Mavis Moon Annette Byl Kris Opie 4 ‹¤› gratitude Robert and Judy Otte Student Committee Student Intern Sharon and Henry Ottens Corrie Baker Ellie Hutchison Don and Evonne Plantinga Sarah Kuipers Ball Diane and Herman Praamsma Becca Berends Kristy Quist Lydia Beukelman The Calvin Community Kathy Reinke Stephanie Bradshaw Mardee Rightmyer We are indebted to the entire Calvin Sara Conrad community for providing the energy, Lois Hoitenga Roelofs Hayley Cox resources, hospitality, and expertise needed Carol J . Rottman Lauren Cremean to host the Festival and help it run smoothly . Jean A . Schreur Maria Cupery Please join us in gratefully acknowledging Philip Sefton Ben DeVries the many individuals, offices, and departments Chloe Selles Sarah De Vries who have worked so hard to put on this event . Peg Carmack Short Audrey Enters From the largest of tasks to the smallest, Ella Mae Smith Hayoung Eom from the obvious to the unnoticed, their Bruce Stambaugh Anneke Essenburg work has made this event possible, and for Daniel Feng Craig and Cindy Steffen that we are immensely thankful . We are Jenna Griffin Kerry and Ruthanne Stoltzfus especially grateful to staff members in Gabe Gunnink Jerome Stueart the following offices: Trent Heille Christina M . Tazelaar Audio-Visual Christina Hill Janna Roop and Allen Timm Box Office Max Howard Pauline Trembley Campus Ministries Michael Kelly Phyllis Van Andel Grace Kim Campus Safety Esther Van Zytveld Josiah Kinney Campus Store Cynthia Vander Woude Jessica Koranda Communications and Marketing Karl and Connie Kuiper VanDyke Erin Koster Conferences and Campus Events Suzann Van Klompenberg Catherine Kramer Financial Services Denise Vredevoogd Claire Lambert Food Service Wanda L . Weber Julia LaPlaca Instructional Graphics Cheryl Weeks-Rosten Evans Lodge Media Relations Helen Wentzheimer Maryanne Loughran Office of the President David Westendorp Tanice Mast Office of the Provost Mary C . Woodiwiss Linnea McLaughlin Physical Plant Mary Zwaanstra Adam Meyer Prince Conference Center Nikita Quincy Miner Abby Zwart Printing Services Sarah Nikkel Marlene and Paul Zwier Student Activities Office Erin Smith .
Recommended publications
  • The Inprint Margarett Root Brown Reading Series, 1980 – 2014
    The Inprint Margarett Root Brown Reading Series, 1980 – 2014 Alice Adams Toi Derricotte Khaled Hosseini Rick Moody Louis Simpson Kim Addonizio Anita Desai Maureen Howard Lorrie Moore Josef Skvorecky Chimamanda Ngozi Adichie Kiran Desai Richard Howard Mary Morris Jane Smiley Daniel Alarcón Junot Díaz Marie Howe Walter Mosley Charlie Smith Edward Albee Joan Didion David Hughes Howard Moss Dave Smith Elizabeth Alexander Annie Dillard John Irving Taha Muhammad Ali Lee Smith Sherman Alexie Chitra Divakaruni Major Jackson Bharati Mukherjee Patricia Smith Julia Alvarez E. L. Doctorow Phyllis Janowitz Paul Muldoon Zadie Smith Yehuda Amichai Emma Donoghue Gish Jen Harryette Mullen W. D. Snodgrass Roger Angell Mark Doty Ha Jin Alice Munro Susan Sontag Max Apple Rita Dove Denis Johnson Jack Myers Gilbert Sorrentino Rae Armantrout Denise Duhamel Charles Johnson Antonya Nelson Gary Soto Margaret Atwood Stephen Dunn Edward P. Jones Marilyn Nelson Elizabeth Spencer Toni Cade Bambara Stuart Dybek Donald Justice Naomi Shihab Nye David St. John Russell Banks Jennifer Egan Mary Karr Téa Obreht Daniel Stern John Banville Dave Eggers Richard Katrovas Edna O’Brien Gerald Stern Coleman Barks Deborah Eisenberg Janet Kauffman Tim O’Brien Pamela Stewart Julian Barnes Lynn Emanuel Brigit Pegeen Kelly Sharon Olds Robert Stone Andrea Barrett Anne Enright Tracy Kidder Mary Oliver Mark Strand Donald Barthelme Louise Erdrich Jamaica Kincaid Michael Ondaatje Elizabeth Strout Charles Baxter Martin Espada Maxine Hong Kingston Joseph O’Neill William Styron Ann Beattie Jeffrey
    [Show full text]
  • 2016 Fiction Longlist Release FINAL
    RELEASE: SEPTEMBER 15, 2016 Contact: Sherrie Young 9:30 a.m. EDT National Book Foundation (212) 685-0261 [email protected] 2016 NATIONAL BOOK AWARDS LONGLIST FOR FICTION The ten contenders for the National Book Award for Fiction. New York, NY (September 15, 2016) – The National Book Foundation today announced the Longlist for the 2016 National Book Award for Fiction. Finalists will be revealed on October 13. (Please note that this date was originally set for October 12, but has been changed to acknowledge Yom Kippur.) The Fiction Longlist includes a former National Book Award Winner for Young People’s Literature and two titles by former National Book Award Finalists for Fiction. The list also includes three Pulitzer Prize finalists. One title is currently shortlisted for the 2016 Baileys Women’s Prize for Fiction and another was recently selected for Oprah’s Book Club. There is one debut novel on the list. The year’s Longlist is told from and about locations all around the world. Authors hail from and titles explore locations that range from Alaska, New Delhi, Bulgaria, and even a reimagined United States. Colson Whitehead’s Underground Railroad follows Cora, a fugitive slave, as she escapes the south on a literal underground railroad in a speculative historical fiction that reckons with the true legacy of liberation and escape. In a very different journey, former Pulitzer Prize finalist Lydia Millet’s Sweet Lamb of Heaven follows a mother as she traverses the country with her daughter, fleeing her powerful husband. What Belongs to You, a debut novel by Garth Greenwell, finds its American narrator in Sofia, Bulgaria attempting to reconcile the shame and desire bound up in his own sexuality.
    [Show full text]
  • Songs by Artist
    Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play
    [Show full text]
  • Emerging Paradigms in Critical Mixed Race Studies G
    Emerging Paradigms in Critical Mixed Race Studies G. Reginald Daniel, Laura Kina, Wei Ming Dariotis, and Camilla Fojas Mixed Race Studies1 In the early 1980s, several important unpublished doctoral dissertations were written on the topic of multiraciality and mixed-race experiences in the United States. Numerous scholarly works were published in the late 1980s and early 1990s. By 2004, master’s theses, doctoral dissertations, books, book chapters, and journal articles on the subject reached a critical mass. They composed part of the emerging field of mixed race studies although that scholarship did not yet encompass a formally defined area of inquiry. What has changed is that there is now recognition of an entire field devoted to the study of multiracial identities and mixed-race experiences. Rather than indicating an abrupt shift or change in the study of these topics, mixed race studies is now being formally defined at a time that beckons scholars to be more critical. That is, the current moment calls upon scholars to assess the merit of arguments made over the last twenty years and their relevance for future research. This essay seeks to map out the critical turn in mixed race studies. It discusses whether and to what extent the field that is now being called critical mixed race studies (CMRS) diverges from previous explorations of the topic, thereby leading to formations of new intellectual terrain. In the United States, the public interest in the topic of mixed race intensified during the 2008 presidential campaign of Barack Obama, an African American whose biracial background and global experience figured prominently in his campaign for and election to the nation’s highest office.
    [Show full text]
  • Read an Excerpt
    The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality.
    [Show full text]
  • Addition to Summer Letter
    May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
    [Show full text]
  • Award Winners
    RITA Awards (Romance) Silent in the Grave / Deanna Ray- bourn (2008) Award Tribute / Nora Roberts (2009) The Lost Recipe for Happiness / Barbara O'Neal (2010) Winners Welcome to Harmony / Jodi Thomas (2011) How to Bake a Perfect Life / Barbara O'Neal (2012) The Haunting of Maddy Clare / Simone St. James (2013) Look for the Award Winner la- bel when browsing! Oshkosh Public Library 106 Washington Ave. Oshkosh, WI 54901 Phone: 920.236.5205 E-mail: Nothing listed here sound inter- [email protected] Here are some reading suggestions to esting? help you complete the “Award Winner” square on your Summer Reading Bingo Ask the Reference Staff for card! even more awards and winners! 2016 National Book Award (Literary) The Fifth Season / NK Jemisin Pulitzer Prize (Literary) Fiction (2016) Fiction The Echo Maker / Richard Powers (2006) Gilead / Marilynn Robinson (2005) Tree of Smoke / Dennis Johnson (2007) Agatha Awards (Mystery) March /Geraldine Brooks (2006) Shadow Country / Peter Matthiessen (2008) The Virgin of Small Plains /Nancy The Road /Cormac McCarthy (2007) Let the Great World Spin / Colum McCann Pickard (2006) The Brief and Wonderous Life of Os- (2009) A Fatal Grace /Louise Penny car Wao /Junot Diaz (2008) Lord of Misrule / Jaimy Gordon (2010) (2007) Olive Kitteridge / Elizabeth Strout Salvage the Bones / Jesmyn Ward (2011) The Cruelest Month /Louise Penny (2009) The Round House / Louise Erdrich (2012) (2008) Tinker / Paul Harding (2010) The Good Lord Bird / James McBride (2013) A Brutal Telling /Louise Penny A Visit
    [Show full text]
  • LANCASTER UNIVERSITY Popular Music, the Christian Story, and The
    LANCASTER UNIVERSITY Popular Music, the Christian Story, and the Quest for Ontological Security David John Gillard MA (Distinction) A Thesis Submitted to the Faculty of Graduate Studies In Fulfilment of the Requirements for The Degree of Doctor of Philosophy (PhD) DEPARTMENT OF POLITICS, PHILOSOPHY AND RELIGION OCTOBER 2019 Abstract Popular Music, the Christian Story, and the Quest for Ontological Security David John Gillard MA A Thesis Submitted to the Faculty of Graduate Studies In Fulfilment of the Requirements for The Degree of Doctor of Philosophy (PhD) October 2019 The crisis of socialisation into Christian belief is, in part, evidence of Western secularisation. Added to this, there is evidence of significant existential restlessness. Moreover, many individuals feel alienated from the Church, which has been the historic Western provider of a discourse offering ontological security. Such restlessness finds emotional expression within a popular music culture that frequently interrogates Christian belief. It is argued here that not only is there a hegemonic resistance to Christian discourse, but that the Church inadvertently colludes with these forces, favouring its historic, rationalistic methods of evangelism, the effectiveness of which is now limited. This thesis offers a model to redress aspects of this disconnect, arguing for the significance of affective spaces within which spiritual reflection is encouraged. Using Zygmunt Bauman’s sociology of liquid modernity the thesis considers the fluid nature of Western society. In particular, it explores the ways in which popular music articulates core themes in a society in which individuals are effectively bricoleurs, drawing from popular culture in order to tactically resist hegemony. Central to the discussion is the idea that humans are ‘hard wired’ to develop a sense of self in a proto-musical manner.
    [Show full text]
  • Sophie's World
    Sophie’s World Jostien Gaarder Reviews: More praise for the international bestseller that has become “Europe’s oddball literary sensation of the decade” (New York Newsday) “A page-turner.” —Entertainment Weekly “First, think of a beginner’s guide to philosophy, written by a schoolteacher ... Next, imagine a fantasy novel— something like a modern-day version of Through the Looking Glass. Meld these disparate genres, and what do you get? Well, what you get is an improbable international bestseller ... a runaway hit... [a] tour deforce.” —Time “Compelling.” —Los Angeles Times “Its depth of learning, its intelligence and its totally original conception give it enormous magnetic appeal ... To be fully human, and to feel our continuity with 3,000 years of philosophical inquiry, we need to put ourselves in Sophie’s world.” —Boston Sunday Globe “Involving and often humorous.” —USA Today “In the adroit hands of Jostein Gaarder, the whole sweep of three millennia of Western philosophy is rendered as lively as a gossip column ... Literary sorcery of the first rank.” —Fort Worth Star-Telegram “A comprehensive history of Western philosophy as recounted to a 14-year-old Norwegian schoolgirl... The book will serve as a first-rate introduction to anyone who never took an introductory philosophy course, and as a pleasant refresher for those who have and have forgotten most of it... [Sophie’s mother] is a marvelous comic foil.” —Newsweek “Terrifically entertaining and imaginative ... I’ll read Sophie’s World again.” — Daily Mail “What is admirable in the novel is the utter unpretentious-ness of the philosophical lessons, the plain and workmanlike prose which manages to deliver Western philosophy in accounts that are crystal clear.
    [Show full text]
  • United States District Court Southern District of New York ------X 5/28/2014
    Case 1:12-cv-06646-AJN-SN Document 90 Filed 05/28/14 Page 1 of 80 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK -----------------------------------------------------------------X 5/28/2014 CAPITOL RECORDS, LLC, d/b/a EMI MUSIC NORTH AMERICA, Plaintiff, 12-CV-06646 (AJN)(SN) -against- REPORT AND RECOMMENDATION ESCAPE MEDIA GROUP, INC., Defendant. -----------------------------------------------------------------X SARAH NETBURN, United States Magistrate Judge. TO THE HONORABLE ALISON J. NATHAN: INTRODUCTION In 1999, a teenage college dropout finished writing software for an internet service called Napster that would allow people to swap music stored on their computers. Six months after the service was released, 18 record companies filed a lawsuit to shut it down. Since then, content- sharing websites have proliferated. Listening to music obtained free from others over the internet has become increasingly common; so too have lawsuits that pit corporate copyright owners against emergent online service providers in disputes over the use of copyrighted musical works. This is such a lawsuit. Before the Court is the plaintiff EMI’s motion for summary judgment on its copyright infringement claims against Escape Media Group, which operates the free music-streaming website Grooveshark.com. Like many recent copyright lawsuits against online service providers, this case turns not on whether Grooveshark exploits EMI’s copyrighted works without Case 1:12-cv-06646-AJN-SN Document 90 Filed 05/28/14 Page 2 of 80 authorization, but on whether Escape can secure immunity from monetary liability for any infringing activity under the Digital Millennium Copyright Act. After considering the papers submitted in support of and in opposition to EMI’s summary judgment motion, as well as the arguments advanced by the parties at the April 29, 2014 hearing, the Court recommends that EMI’s motion for summary judgment be GRANTED IN PART and DENIED IN PART.
    [Show full text]
  • Complete List of Oprah's Book Club Books
    Complete List of Oprah’s Book Club Books 2020 American Dirt by Jeanine Cummins Hidden Valley Road: Inside the Mind of an American Family by Robert Kolker Deacon King Kong by James McBride 2019 The Water Dancer by Ta-Nehisi Coates Waterford does not own, can request Olive, Again by Elizabeth Strout from another library 2018 An American Marriage by Tayari Jones The Sun Does Shine by Anthony Ray Hinton Becoming by Michelle Obama 2017 Behold the Dreamers by Imbolo Mbue 2016 The Underground Railroad by Colson Whitehead Love Warrior: A Memoir by Glennon Doyle Martin 2015 Ruby by Cynthia Bond 2014 The Invention of Wings by Sue Monk Kidd (announced in 2013, published in 2014) 2012 – “Oprah’s Book Club 2.0,” post-Oprah Winfrey Show club launched Wild: From Lost to Found on the Pacific Crest Trail by Cheryl Strayed The Twelve Tribes of Hattie by Ayana Mathis 2010 Freedom by Jonathan Franzen A Tale of Two Cities and Great Expectations by Charles Dickens 2009 Say You're One of Them by Uwem Akpan 2008 A New Earth: Awakening to Your Life’s Purpose by Eckhart Tolle The Story of Edgar Sawtelle by David Wroblewski 2007 The Measure of a Man by Sidney Poitier The Road by Cormac McCarthy Middlesex by Jeffrey Eugenides Love in the Time of Cholera by Gabriel García Márquez The Pillars of the Earth by Ken Follett 2006 Night by Elie Wiesel 2005 A Million Little Pieces by James Frey As I Lay Dying, The Sound and the Fury, and Light in August by William Faulkner 2004 One Hundred Years of Solitude by Gabriel García Márquez The Heart Is a Lonely Hunter by Carson McCullers Anna Karenina by Leo Tolstoy The Good Earth by Pearl S.
    [Show full text]
  • Bringing the Page to the Stage
    aid n P US Postage Houston TX Houston Non-Profit Org Non-Profit Permit No. 1002 No. Permit OW r B t s e a s o n t i c k e ts $175 OO The purchase of season tickets, a portion of which is tax-deductible, helps make this series possible. series s e a s o n t i c k e t b e n e f i ts i n c lu d e bringing the page to the stage G • Seating in the reserved section for each of the eight readings ain arett r seats H eld U ntil 7:25 P m m CHimamanda nGOZi adiCHie rint G • Signed copy of Jhumpa Lahiri’s new novel The Lowland P daniel alarCón n exas 77006 exas availaBle fO r P iCK UP On tH e eveninG Of H er readinG i t rOBert BO sWell • Access to the first-served “Season Subscriber” 1520 West 1520 West anne CarsOn book-signing line mOHsin Hamid • Two reserved-section guest passes Houston, Houston, tO Be U sed dUrinG tH e 2013/2014 seas On KHaled HO sseini rint mar JHUmPa laHiri • Free parking at the Alley Theatre P fOr tWO Of tH e eiGHt readinG s James mcBride in readin • Recognition as a “Season Subscriber” in each reading program COlUm mcCann GeOrGe saUnders eliZaBetH s trOUt To purchase season tickets on-line or for more details on season subscriber benefits, visit 2013–2014 season tickets on sale! inprinthouston.org To pay by check, fill out the form on the back of this flap.
    [Show full text]