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Black Soldiers in Liberal Hollywood
Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film. -
Suffering and Coping in the Novels of Anne Tyler Camden Story Hastings University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2014 Suffering and Coping in the Novels of Anne Tyler Camden Story Hastings University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the American Literature Commons Recommended Citation Hastings, Camden Story, "Suffering and Coping in the Novels of Anne Tyler" (2014). Honors Theses. 153. https://egrove.olemiss.edu/hon_thesis/153 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. SUFFERING AND COPING IN THE NOVELS OF ANNE TYLER By Camden Hastings A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2014 Approved By ______________________________________ Advisor: Dr. Kathryn McKee ______________________________________ Reader: Dr. Stephanie Miller ______________________________________ Reader: Dr. Deborah Barker © 2014 Camden Hastings ALL RIGHTS RESERVED ii DEDICATION For my mother, who has supported me from the very beginning in all of my endeavors, both academic and otherwise, and who is my hero. For my younger sister, Tinsley, who has encouraged me so often when I needed it the most and who has been a source of many wonderful memories and laughs over the years. For my uncle, A.G. Harmon, who has provided me support, guidance, and inspiration in this and all other parts of my life. -
The Write News
F The Write News BRANCH MEETING AND LUNCHEON February 10, 2018 - 11:00 am to 2:00 pm Finding Your Most Powerful Words featuring Clive Matson What I Learned from the Beat Generation (And What I Wish We Hadn’t Learned) Clive will cover: First thought, best thought Writing as an expression of the body Suspicion of boundaries Honesty and impulse Sacraments and direct experience Vitality of Myths “I bring forty years of experience leading workshops and coaching writers of all kinds. Little by little I've seen that my original training was sound, provocative, and instructive, so I'll quote Pound, Williams, R.Creeley, Ginsberg and show how their dictums apply to today's writing. The guidance is crucially important now that we're entering a time similar to the 1960s when we are at odds with our government, the Sixth Extinction looms globally, and politically we're in decades similar to what Chaucer called "this sour and hungry time." Clive Matson (MFA Columbia University 1989) hung out in New York in the early 1960s with Beat Generation writers and that immersed him in streams of passionate intensity that run through us all. He writes from the itch in his body to the delight of his students according to Let the Crazy Child Write! (1998). He’s published nine volumes of poetry and his seventh book, Squish Boots (2002), was placed in John Wieners’ coffin. He received the PEN Oakland Josephine Miles National Literary Award in 2003 and the City of Berkeley Lifetime Achievement Award in Poetry in 2012. -
Honors English II Summer 2017 Assignment Due Monday, August 7, 11:59 Pm Turnitin.Com—Class ID: 15277294 Password: Gocards1
Honors English II Summer 2017 Assignment Due Monday, August 7, 11:59 pm Turnitin.com—Class ID: 15277294 Password: gocards1 Emerson Work Read “An American Scholar” by Ralph Waldo Emerson (available at www.emersoncentral.com/amscholar.htm). Write a brief essay (2-3 pages) about your status as an American scholar. How do you meet Emerson’s criteria? On what aspect of scholarship do you most need to work? Purposes: For your instructor to learn more about you, how you think, what you value, your hopes and expectations For your instructor to appraise your gifts of written expression and to begin to assess areas of focus for honing your skills For you to think about, formulate, and express ideas about both content and the writing process For you to engage in intellectual conversation with peers Format: Word-process in 12 pt Times New Roman, double-spaced Name in upper right corner of page one—no cover page Additional specific instructions for full submission may be given the first week of school Choice Novel Read an independent novel of literary merit that you have not read before. Minimum of 300 pages (may be two books to total over 300 pages). The TWHS English Department recommends that you actually read about 200 pages a week of challenging material to continue growth in reading over the summer; however, we’re just requiring 300 pages for the entire summer. The Scarlet Letter, The Adventures of Huckleberry Finn, or The Great Gatsby will NOT count for credit for this project. You will need access to the books during that first week or so of school. -
Dinner at the Homesick Restaurant: Anne Tyler and the Faulkner Connection
Atlantis Vol. 10 No. 2 Spring' printemps 1985 Dinner at the Homesick Restaurant: Anne Tyler and the Faulkner Connection Mary J. Elkins Florida International University ABSTRACT The structure of Anne Tyler's novel, Dinner at the Homesick Restaurant is interestingly reminiscent of that of William Faulkner's As I Lay Dying; an investigation of the similarities reveals an underlying connection between the two works, a common concern with family dynamics and destinies. Both novelists examine the bonds between people, mysterious bonds beyond or beneath articulation. Dinner at the Homesick Restaurant is not, however, a pale imitation or a contemporary retelling of the Bundren novel. It is a participant in a tradition. The parallels between the two novels are suggestive rather than exact. Despite a certain sharing of Faulkner's fatalism, Tyler gives us characters a bit less passive and events a bit less inexorable. The echoes from Faulkner deepen and intensify the themes of Tyler, but in her novel, for one character at least, obsession ultimately gives way to perspective. The ending is not Faulknerian but Tyler's own; the optimism is limited but unmistakeable. Anne Tyler's latest novel, Dinner to the Home• also named Tull.2 A close look suggests that the sick Restaurant, begins with this sentence, similarities are not limited to names and surface "While Pearl Tull was dying, a funny thought appearances. The structure of Dinner at the occurred to her."1 Pearl does not actually die Homesick Restaurant is reminiscent of that of until the beginning of the last chapter; she "lies As I Lay Dying. -
The Transnational Sound of Harpo Marx
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Electronic version URL: http://journals.openedition.org/miranda/36228 DOI: 10.4000/miranda.36228 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marie Ventura, “Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx”, Miranda [Online], 22 | 2021, Online since 02 March 2021, connection on 27 April 2021. URL: http:// journals.openedition.org/miranda/36228 ; DOI: https://doi.org/10.4000/miranda.36228 This text was automatically generated on 27 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx 1 Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Introduction: a Transnational Trickster 1 In early autumn, 1933, New York critic Alexander Woollcott telephoned his friend Harpo Marx with a singular proposal. Having just learned that President Franklin Roosevelt was about to carry out his campaign promise to have the United States recognize the Soviet Union, Woollcott—a great friend and supporter of the Roosevelts, and Eleanor Roosevelt in particular—had decided “that Harpo Marx should be the first American artist to perform in Moscow after the US and the USSR become friendly nations” (Marx and Barber 297). “They’ll adore you,” Woollcott told him. “With a name like yours, how can you miss? Can’t you see the three-sheets? ‘Presenting Marx—In person’!” (Marx and Barber 297) 2 Harpo’s response, quite naturally, was a rather vehement: you’re crazy! The forty-four- year-old performer had no intention of going to Russia.1 In 1933, he was working in Hollywood as one of a family comedy team of four Marx Brothers: Chico, Harpo, Groucho, and Zeppo. -
Tomberg Rare Books Corrected Proof
catalog one tomberg rare books CATALOG ONE: Rare Books, Mimeograph Magazines, Art & Ephemera PLEASE DIRECT ORDERS TO: tomberg rare books 56 North Ridge Road Old Greenwich, CT 06870 (203) 223-5412 Email: [email protected] Website: www.tombergrarebooks.com TERMS: All items are offered subject to prior sale. Please email or call to reserve. Returns will be accepted for any reason with notification and within 14 days of receipt. Payment is expected with order and may be made by check, money order, credit cards or Paypal. Institutions may be billed according to their needs. Reciprocal courtesies to the trade. ALL BOOKS are first edition (meaning first printing) hardcovers in original dust jackets; exceptions noted. All items are guaranteed as described and in very good or better condition unless stated otherwise. Autograph and manuscript material is guaranteed and may be returned at any time if proven not to be authentic. DOMESTIC SHIPPING is by USPS Priority Mail at the rate of $9.50 for the first item and $3 for each additional item. Medial mail can be requested and billed. INTERNATIONAL SHIPPING will vary depending upon destination and weight. Above: Item 4 Left: Item 19 Cover: Item 19, detail 1. [Artists’ Books]. RJS & KRYSS, T.L. DIALOGUE IN PALE BLUE Cleveland: Broken Press, 1969. First edition. One of 200 copies, each unique and assembled by hand. Consists entirely of pasted in, cut and folded blue paper constructions. Oblong, small quarto. Stiff wrappers with stamped labels. Light sunning to wrappers, one corner crease. Very good. rjs and tl kryss were planning on a mimeo collaboration but the mimeograph broke, leaving them with only paper. -
Demonizing Unions: Religious Rhetoric in the Early 20Th
DEMONIZING UNIONS: RELIGIOUS RHETORIC IN THE EARLY 20TH CENTURY AMERICAN STRIKE NOVEL A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by David Michael Cosca August 2019 © David Michael Cosca DEMONIZING UNIONS: RELIGIOUS RHETORIC IN THE EARLY 20TH CENTURY AMERICAN STRIKE NOVEL David Michael Cosca, Ph. D. Cornell University 2019 Demonizing Unions uncovers the significance of a Biblical idiom in American novels portraying violent labor conflicts from the 1910s to the 1930s. I reveal the different ways that Upton Sinclair’s King Coal and The Coal War, Mary Heaton Vorse’s Strike!, and Ruth McKenney’s Industrial Valley employ a Biblical motif both to emphasize the God-like power of Capital over society, and to critique an emergent socio-political faith in business power. The texts I examine demonstrate how it was clear to industrialists in the early 20th century that physical violence was losing its efficacy. Therefore, much of the brunt of the physical conflict in labor struggles could be eased by waging a war of ideas to turn public opinion into an additional, ultimately more powerful, weapon against the potential of organized labor. I argue that in these texts, the besmearing of the discontented workers as violent dupes of “outside agitators,” rather than regular folks with economic grievances, takes on Biblical proportions. In turn, these authors utilize Biblical stories oriented around conceptions of power and hierarchy to illuminate the potential of ordinary humans to effect their own liberation. BIOGRAPHICAL SKETCH David Cosca grew up in Santa Maria, CA. -
Little Rock, Arkansas
Society for American Music Thirty-Ninth Annual Conference Hosted by University of Arkansas at Little Rock Peabody Hotel 6–10 March 2013 Little Rock, Arkansas Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the Fpioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests. -
Jimmy Mchugh Collection of Sheet Music Title
Cal State LA Special Collections & Archives Jimmy McHugh Collection of Sheet Music Title: Jimmy McHugh Collection of Sheet Music Collection Number: 1989.001 Creator: Jimmy McHugh Music Inc Dates: 1894 - 1969 Extent: 8 linear ft. Repository: California State University, Los Angeles, John F. Kennedy Memorial Library, Special Collections and Archives Location: Special Collections & Archives, Palmer, 4th floor Room 4048 - A Provenance: Donated by Lucille Meyers. Processing Information: Processed by Jennifer McCrackan 2017 Arrangement: The collection is organized into three series: I. Musical and Movie Scores; II. Other Scores; III. Doucments; IV: LP Record. Copyright: Jimmy McHugh Musical Scores Collection is the physical property of California State University, Los Angeles, John F. Kennedy Memorial Library, Special Collections and Archives. Preferred Citation: Folder title, Series, Box number, Collection title, followed by Special Collections and Archives, John F. Kennedy Memorial Library, California State University, Los Angeles Historical/Biographical Note Jimmy Francis McHugh was born in Boston, Massachusetts on July 10th, 1893 and is hailed as one of the most popular Irish-American songwriters since Victor Herbert. His father was a plumber and his mother was an accomplished pianist. His career began when he was promoted from a office boy to a rehearsal pianist at the Boston Opera House. As his desire was to write and perform “popular” music, he left the job in 1917 to become a pianist and song plugger in Boston with the Irving Berlin publishing company. In 1921, he moved to New York after getting married and started working for Jack Mills Inc. where he published his first song, Emaline. -
Nashville Community Theatre: from the Little Theatre Guild
NASHVILLE COMMUNITY THEATRE: FROM THE LITTLE THEATRE GUILD TO THE NASHVILLE COMMUNITY PLAYHOUSE A THESIS IN Theatre History Presented to the Faculty of the University of Missouri – Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by ANDREA ANDERSON B.A., Trevecca Nazarene University, 2003 Kansas City, Missouri 2012 © 2012 ANDREA JANE ANDERSON ALL RIGHTS RESERVED THE LITTLE THEATRE MOVEMENT IN NASHVILLE, TENNESSEE: THE LITTLE THEATRE GUILD AND THE NASHVILLE COMMUNITY PLAYHOUSE Andrea Jane Anderson, Candidate for the Master of Arts Degree University of Missouri - Kansas City, 2012 ABSTRACT In the early 20th century the Little Theatre Movement swept through the United States. Theatre enthusiasts in cities and towns across the country sought to raise the standards of theatrical productions by creating quality volunteer-driven theatre companies that not only entertained, but also became an integral part of the local community. This paper focuses on two such groups in the city of Nashville, Tennessee: the Little Theatre Guild of Nashville (later the Nashville Little Theatre) and the Nashville Community Playhouse. Both groups shared ties to the national movement and showed a dedication for producing the most current and relevant plays of the day. In this paper the formation, activities, and closure of both groups are discussed as well as their impact on the current generation of theatre artists. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the College of Arts and Sciences, have examined a thesis titled “Nashville Community Theatre: From the Little Theatre Guild to the Nashville Community Playhouse,” presented by Andrea Jane Anderson, candidate for the Master of Arts degree, and certify that in their opinion it is worthy of acceptance. -
Atkorit! TV Dallas, Was Unable to Attend
NETWORKS tional agencies. Kurlan Ups CBS -TV, WCBS -TV Plan The group will be greeted by David J. Jacob- Damages Asked Clinic for Educators son, CBS -TV directbr of public relations, and In Plagiarism Suit Against CBS Craig Lawrence, general manager of WCBS- A SPECIAL three -hour clinic will be held today TV. Among the speakers will be Clarence AMENDED and supplemental complaint (Monday) by CBS -TV and the network's Worden, director of WCBS -TV's educational against CBS, William Paley, CBS board chair- WCBS-TV New York to explain to a group of and public service programs; Robert Herridge, man, and others, for breach of implied contract more than 200 New York City educators how producer of the WCBS-TV educational series, and plagiarism involving the show, My Friend a commercial network and station produce edu- Camera Three; E. Carlton Winckler, produc- Irma, has been filed in Los Angeles Superior cational programs. tion manager of the CBS -TV program depart- Court by producer -writer The clinic will be attended by representatives ment; Edgar Peterson, manager of the script Arthur Kurlan. Dam- of the metropolitan New York Agencies Com- and story department; Walter R. Pierson, man- ages asked were increased from $150,000 to mittee on Television, whose membership in- ager of production for the operations depart- $3 million when Judge Ellsworth Meyer grant- cludes more than 100 universities, colleges, ment: Anthony Boschetti, manager of procure- ed Mr. Kurlan permission to file the new com- museums, libraries and public schools in the ment; Gilbert De Stafano, manager of lighting; plaint Sept.