MINNESOTA DANCING TIMES a Publication of the Minnesota Chapter 2011 of USA Dance June 2013

MINNESOTA DANCING TIMES A publication of the Minnesota Chapter 2011 of USA Dance June 2013

Photo from the Tea Dance by Karin Lynn Photography, karinlynnphotography.com

Inside this issue: The Tea Dance, Letter to the Editor, Father’s Day, and More! Join us for USA Dance MN's DANCERS' NIGHT OUT Upcoming Dances Want to dance? Dancers’ Night Out lists social dance events in Minnesota. Want to see your dance listed here? Email the details to [email protected]. BECOME A USA DANCE MN MEMBER AT OUR DANCE AND GET IN FREE! Sun 6/2 - FREE Beginner Rumba Class; Cheek Sun 6/16 - FREE Beginner Rumba Class; Cheek Hotline: (651) 483-5467 to Cheek, 11415 Foley Blvd NW, Coon to Cheek, 11415 Foley Blvd NW, Coon Email: [email protected] Rapids; 2-3:30; instructor Harry Benson; Rapids; 2-3:30; instructor Harry Benson; Web: www.usadance-mn.org 763 755 3644 763 755 3644 Sun 6/2 - Salsa Dance Party; Dancers Studio, 415 Sun 6/16 - Salsa Dance Party; Dancers Studio, 415 Pascal St. N, St. Paul; 7-7:50; $5; 651 641 Pascal St. N, St. Paul; 7-7:50; $5; 651 641 0777 or www.dancersstudio.com 0777 or www.dancersstudio.com June Sun 6/2 - TC Rebels West Coast Swing and Variety Sun 6/16 - TC Rebels West Coast Swing and Dance; Social Dance Studio, 3742 23rd Variety Dance; Social Dance Studio, 3742 Saturday, June 15th Ave S, Minneapolis; 7-10:30; $11, $7 23rd Ave S, Minneapolis; 7-10:30; $11, $7 members; 952 941 0906, info@tcrebels. members; 952 941 0906, info@tcrebels. 7-8 pm Foxtrot Lesson com, or www.tcrebels.com com, or www.tcrebels.com Instructor: Jeff Nehrbass Mon 6/3 - Rhythm Junction; Four Seasons Dance Mon 6/17 - Rhythm Junction; Four Seasons Dance Studio, 1637 Hennepin Ave S, Mpls; Studio, 1637 Hennepin Ave S, Mpls; Swing Dance; 8-11; $5; 612 342 0902 or Swing Dance; 8-11; $5; 612 342 0902 or 8-11 pm Variety Dance www.fourseasonsdance.com www.fourseasonsdance.com Music DJ: Caroline Olsen Wed 6/5 - West Coast Swing Dance Party; Dancers Wed 6/19 - West Coast Swing Dance Party; Studio, 415 Pascal St. N, St. Paul; 9-10; $5; Dancers Studio, 415 Pascal St. N, St. $7 USA Dance members 651 641 0777 or www.dancersstudio.com Paul; 9-10; $5; 651 641 0777 or www. $10 Non-members Thu 6/6 - Variety Dance; Dancers Studio, 415 dancersstudio.com Pascal St. N, St. Paul; 8-8:50; $5; 651 641 Thu 6/20 - Variety Dance; Dancers Studio, 415 0777 or www.dancersstudio.com Pascal St. N, St. Paul; 8-8:50; $5; 651 641 Fri 6/7 - Club Salsa; Blue Moon Ballroom, 2030 0777 or www.dancersstudio.com Balance Pointe Studios Hwy 14 E, Rochester; Salsa, bachata, Sun 6/23 - FREE Beginner Rumba Class; Cheek (Formerly Retro Ballroom) cumbia, cha cha, merengue, salsaton; to Cheek, 11415 Foley Blvd NW, Coon 5808R West 36th Street lesson at 7:30, dance 8-11; $8, $6 youth; Rapids; 2-3:30; instructor Harry Benson; casual dressy attire; 507 288 0556 or 763 755 3644 St. Louis Park, MN 55416 www.bluemoonballroom.com Mon 6/24 - Rhythm Junction; Four Seasons Dance Sat 6/8 - TC Rebels Anniversary Dance; Social Studio, 1637 Hennepin Ave S, Mpls; Dance Studio, 3742 23rd Ave S, Swing Dance; 8-11; $5; 612 342 0902 or Minneapolis; West coast swing and www.fourseasonsdance.com variety dance from 8-12; featuring pro Wed 6/26 - West Coast Swing Dance Party; July John Lindo; $15, $10 members; 952 Dancers Studio, 415 Pascal St. N, St. 941 0906, [email protected], or www. Paul; 9-10; $5; 651 641 0777 or www. Saturday, July 20th tcrebels.com dancersstudio.com Sun 6/9 - FREE Beginner Rumba Class; Cheek Thu 6/27 - Variety Dance; Dancers Studio, 415 7-8 pm Rumba Lesson to Cheek, 11415 Foley Blvd NW, Coon Pascal St. N, St. Paul; 8-8:50; $5; 651 641 Instructor: Eliecer Ramirez Vargas Rapids; 2-3:30; instructor Harry Benson; 0777 or www.dancersstudio.com 763 755 3644 Sat 6/29 - Tim Patrick and His Blue Eyes Band; 8-11 pm Variety Dance Sun 6/9 - Salsa Dance Party; Dancers Studio, 415 Medina Entertainment Center, 500 Hwy Music DJ: Eliecer Ramirez Vargas Pascal St. N, St. Paul; 7-7:50; $5; 651 641 55, Medina; Lesson at 7:30, full band 0777 or www.dancersstudio.com 8:30-11:30; $12; 763 478 6661 or www. Mon 6/10 - Rhythm Junction; Four Seasons Dance medinaentertainment.com $7 USA Dance members Studio, 1637 Hennepin Ave S, Mpls; Sun 6/30 - FREE Beginner Rumba Class; Cheek $10 Non-members Swing Dance; 8-11; $5; 612 342 0902 or to Cheek, 11415 Foley Blvd NW, Coon www.fourseasonsdance.com Rapids; 2-3:30; instructor Harry Benson; Wed 6/12 - West Coast Swing Dance Party; 763 755 3644 Dancers Studio, 415 Pascal St. N, St. Sun 6/30 - Salsa Dance Party; Dancers Studio, 415 E.R.V Dance Studios Paul; 9-10; $5; 651 641 0777 or www. Pascal St. N, St. Paul; 7-7:50; $5; 651 641 816 Mainstreet dancersstudio.com 0777 or www.dancersstudio.com Hopkins, MN 55343 Thu 6/13 - Variety Dance; Dancers Studio, 415 Sun 6/30 - TC Rebels Variety Dance; Social Dance Pascal St. N, St. Paul; 8-8:50; $5; 651 641 Studio, 3742 23rd Ave S, Minneapolis; 0777 or www.dancersstudio.com 7-10:30; $11, $7 members; 952 941 0906, Fri 6/14 - Summer Solstice Potluck Dance; Cheek [email protected], or www.tcrebels. to Cheek, 11415 Foley Blvd NW, Coon com n Rapids; 7-10:30, $10; call 763 755 3644 to register a dish USA Dance MN HOTLINE Sat 6/15 - USA Dance; Balance Pointe Studios, 5808R W. 36th St, St. Louis Park; Foxtrot (651) 483-5467 lesson at 7, dance 8-11; $10, $7 USA www.usadance–mn.org Dance members

Call for information on dance events. Leave a message for membership information.

2 MDT / June 2013 www.usadance-mn.org of email addresses of interested parties and USA Dance – MN members. It is a tool used for email communi- USA Dance: Chapter #2011 Board cation with chapter members. Who Are We? • Chapter membership is 259. Minutes Corissa: Project Dance Minnesota We are a nonprofit organization formed to preserve and promote ballroom dancing, both Tuesday, May 7, 2013 • Important because it uniquely meets the priorities and objective of USA Dance Min- as an art and a healthful sport. The Minnesota Submitted by Leslie Whitney nesota, to improve the quantity and quality of chapter, USA Dance MN, was formed in 1991. In attendance: Pete Westlake (President), Cathy Des- ballroom dance. Membership in USA Dance is open to dancers sert (Vice President), Jane Phipps (Treasurer), Leslie • Project Dance Minnesota has been widely of all levels. There are several categories to Whitney (Secretary), Zhuojing Liu, Bonnie Burton, successful, reaching 100-150 dancers each choose from: Social, Competitor, Junior Marty Faeh, Tracy White, Corissa Ranum, Daniel week, including many newcomers. (17 and under), Collegiate, and Associate (pro- O’Connell, Karen Maldonado • Corissa’s report detailed additional points. fessional/instructor). PROJECTS Location: Quixotic Coffee, 769 Cleveland Ave. South, USA Dance MN sponsors monthly dances St. Paul, MN Tea Dance Recap and other special dance events. Members • We are very grateful to Dede Ouren for chair- are entitled to discounts on admission to the Call to Order: Quorum established. Agenda ap- ing this event. She will not be doing so next monthly dances, as well as access to a great proved. April minutes approved. year. A committee will be organized. network for meeting other dancers. ORGANIZATIONAL MATTERS • 94 people for brunch and an additional 42 for dancing. As a member, you’ll have fun dancing Treasurer’s Report • Budget report will be available next month. and meeting many new friends. For more information, call the USA Dance MN HOTLINE: 651- • Jane submitted a current report as of April Moving Website 30, 2013. 483-5467. • Free hosting no longer exists, so the website • Treasurer’s report approved. was moved to a new hosting provider. The Minnesota Dancing Times is published Brief Area Report • A motion was made and approved for the monthly by the members of the Minnesota Bonnie: Dancing Times Liaison funding to move the website and compensate Chapter of USA Dance, providing information • Bonnie distributed a report which highlighted Nic Westlake for the work involved. and news of ballroom dancing to members the following: Project Dance Minnesota and friends. • We thank Mary Beth Beckman and Nic West- • A motion was made and approved for July Editor: Mary Beth Beckman (612) 424-2228 lake for their work on the newsletter. funding of Project Dance Minnesota. Design/Layout: Nic Westlake (612) 412-1112 • Distribution is approximately 1,800 hard Hunting and Storing our “Stuff” Advertising: Bonnie Burton (952) 454-4620 copies. • Board members need to email Marty with a Mailing: Committee member • The digital newsletter had over 100,000 hits list of the chapter’s “stuff” that may be in our in April. Contributors: Mary Beth Beckman, Paul Botes, possession. • Pricing for advertisements was detailed. Nathan Daniels, Elizabeth Dickinson, Donna • Submissions are wanted and needed. Please Discuss Goals/Vision for Chapter 2011 Edelstein, Karin Lynn Photography, Karen Mal- submit to Mary Beth by the 10th of the Marketing Plan: Daniel donado, Jack Munday, Deborah J. Nelson, Dede month. • Daniel prepared a plan for marketing the mis- Ouren, Nels Petersen, Grace Peterson, Corissa Cathy: Facebook, Constant Contact, Printing, sion of expanding the reach and influence of Ranum, Libby Ryan, Chris Trask, Peter Westlake Membership ballroom dance in Minnesota. Project Dance Contributions: Articles submitted may be edited • We reach about 300 per month on Facebook. Minnesota and collegiate outreach are two for length, clarity, and content. Photos should Information on dances, special events, and tools that USA Dance Minnesota can utilize. be high-resolution jpg, png, or pdf files. Email free lessons are posted. Daniel’s report detailed plans for marketing submissions to: [email protected]. • Constant Contact is the chapter’s collection to these groups, thereby working to accom- plish our mission. Subscriptions: $22/year. Make checks New Board Member Nomination payable to USA Dance MN and send to Theresa Kimler, 7050 49th St. N, St. Paul, MN • The board nominated and approved the 55128 n appointment of Daniel O’Connell, who will Inside the Times replace Corissa Ranum. Next Meeting: Tuesday, June 4th, 2013, 5:30 Dancers' Night Out ...... 2 p.m. Quixotic Coffee, 769 Cleveland Avenue South n Advertising USA Dance MN Board Meeting Minutes ...... 3

From the Editor ...... 4 DISPLAY ADS: To advertise your event The President’s Corner ...... 7 or professional service, submit a digital file (300 dpi pdf or jpeg format ONLY) or camera- Letter to the Editor ...... 8 ready artwork to [email protected] (952.454.4620), along with payment to USA The 2013 Tea Dance ...... 10 Dance MN. Advertising for charge cards, insurance, or travel cannot be accepted. Roots and Wings to Dance ...... 12 Payment to accompany ad. The Dancing Life ...... 14 Full page 7.5” wide x 10” high $130 Five-Minute Film ...... 16 Half page 7.5” wide x 4.75” high $80 Look Your Best ...... 18 OR 3.5” wide x 9.5” high Qtr. page 3.5” wide x 4.75” high $60 Blessed with Problems ...... 20 Business Card 3 consecutive months $50 Gentlemen Lead ...... 22 Competition Calendar ...... 23 SWAPLINE ADS: Free 3-line ad in Swaplines available to subscribers (dance merchandise Ask Dr. Dance ...... 24 only). Send to: [email protected] Swaplines ...... 26 Dance Partner Wanted Ads ...... 26 DEADLINE FOR ALL MATERIALS: Photo from the University of Minnesota 10th OF EACH MONTH Dance Contacts ...... 27 Spring Formal by Libby Ryan From the Editor By Mary Beth Beckman

want to direct your attention to an A judge is in a position of power that awesome feature in the Dancing has been bestowed upon her. It’s not Times this month: a bona fide let- something inherent or something Iter to the editor. You should go read she deserves; it’s something that is that first, because much of this will allowed. In the course of her duties, be a response to it. I’d also suggest she critiques hundreds of individuals. rereading May’s “From the Editor” so Turnabout is fair play. If a panel of you can attempt to follow the argu- judges generates as much confusion ments raised by Mr. Nathan Daniels, and as many complaints as the one at the author of this month’s letter. Nationals did, this is something that should be discussed—not because I may not have made this entirely all of those concerns have merit but clear in my note last month, but because no one is immune to critique, what I wrote was informed by the no matter what her position is within feedback I received from individuals a community. who competed at Nationals. In his letter, Mr. Daniels makes a great point Frankly, if a judge isn’t doing a sat- about video being a two-dimensional, isfactory job, there should be con- stationary medium for watching sequences. Right now, the only tool ballroom dancing, and while I main- dancers have for getting more honest tain that video is still a very useful work out of judges is to complain, and tool for ascertaining what happens so complain, they must—and loudly. at any given event, this is an area In the absence of a regulating body To solicit Mary Beth's editing services, where I misrepresented my case. I that enforces a high standard of judg- ask questions about the newsletter, would like to mention now that my ing, the task of assessing the judging or submit content, contact her at aggregate reports from Nationals falls to all of us. [email protected]. included detailed discussions of what avid ballroom dance spectators at the Mr. Daniels raises a point separate event saw and the surprise the results from the existing discussion in May’s caused them. That doesn’t make these “From the Editor,” but I’d like to com- people professionals or more capable ment on it. He implies that because of judging dancing than the judges, judges don’t have the list of couples’ but it does indicate that the results did home states in front of them, regional- not fall within expectations for many ism couldn’t possibly play into judg- of the viewers present at the event. As ing. However, if you own a studio in Mr. Daniels says: “That’s subjective Seattle, all the Washington couples judging.” have much greater access to purchas- ing coaching from you; the Seattle In his letter, Mr. Daniels states that he couples have the greatest advantage felt attacked by last month’s “From of all. If you walk out onto the floor the Editor,” which is something I feel and see a couple you’ve coached I need to address. We are all welcome many times thanks to their geographi- to our perceptions, but I feel that to cal proximity to you, and you’re read last month’s article as an attack is the kind of judge who is swayed by inappropriate. To be one judge among what’s familiar (or who’s helping a large panel of judges does not make you pay your bills), region has just one wholly culpable for criticism played into the results. Sometimes it aimed towards the panel. To take it benefits you, sometimes it hurts you, personally is human but not necessar- and sometimes it doesn’t affect you in ily productive. any way, but it exists, and it sours the integrity of dancesport as a whole.

4 MDT / June 2013 www.usadance-mn.org After a series of rhetorical questions how much they want us to. Why the rest of us would be embarrassed to intended to make the idea of politics should we make their job—the one criticize it. You’re not above scrutiny; in amateur dancing seem preposter- they’re getting paid for—this easy? no one is. This message is intended for ous (a series of questions I answered More fundamentally, why would any- all of you. I know nothing about Mr. in the first draft of this article), Mr. one trust a person saying, “I promise Daniels’ level of judging integrity, nor Daniels says that because judges’ there’s nothing underhanded going do I know anything of yours. But I do marks are public domain, it’s unwise on here, so stop looking at me, and know that judge bias is not anywhere for judges to mark their preferred stop talking about me”? near as infrequent as it’s presented by couples over the couples who perform dance professionals, and it’s my job as better. But judges also often say that If any judge reading this is offended an impartial body to apply pressure dancers should pay no attention to the that I’d say such things, you might and hold those in power accountable. marks and instead focus on improv- want to consider where your val- I wouldn’t be doing my job if I let ing their dancing. The only way we ues lie. If you’re more outraged by these things go uncommented on. can make judges feel the heat and someone raising the question of value marking with integrity is by judge bias than by actual judge bias, All of this sidesteps the actual pur- looking at the marks, discussing them there’s something out of place here. pose of May’s “From the Editor,” publicly, and not being cowed into si- To respect the integrity of your work, though, which was to get your aver- lence. If we don’t look at or talk about you need to fight to uphold it, and age, low-information dance commu- marks, they don’t hold any weight, that doesn’t mean being upset with nity member thinking critically about and judges without integrity can go anyone who points out the failings of competitive ballroom dance. How are on not being held accountable. many in your profession (though do you all coming on that, by the way? feel free to be angry with me—I don’t The fact that coaching and judging mind); it means holding one another If judges’ marks aren’t a clear, con- aren’t kept separate in ballroom dance accountable and not turning a blind sistent measurement of success, why as they are in other sports (figure eye to judge bias when you see it. compete? There is great value in the skating and gymnastics, to name two) Strive to improve the quality of your internal challenge of working hard to invites dishonesty. Without consis- work rather than trying to shut down improve, to be victorious over your tent criteria enforced between judges, all critics. own shortcomings. We’d love to hear with the added monetary incentive about what inspires you to dance and of political coaching, and without a Judges always say it’s the job of the what you gain from your competition regulating body working to dissuade dancer to be so much better than the experiences. Do you have something dishonest behavior, it’s no wonder we competition that the judges would be to add to this discussion? Please feel get some backwards-looking results embarrassed to mark them anything free to submit your angle on this or sometimes. No, we shouldn’t just take but first; well, it’s the job of judges to any other issue by June 10th to be n the judges’ words for it, no matter do such excellent, honest work that featured in the July issue.

www.usadance-mn.org June 2013 / MDT 5 Twin Cities Rebels Anniversary Weekend June 8 & 9, 2013

Featuring Master Instructor & Dancer John Lindo

In workshops, dance demo, and deejaying his favorite music at the dance!

John Lindo is an international West Coast Swing champion, West Coast Swing Workshops competitor, teacher, coach, judge, and owner of Libertyyg Swing Saturday: Dance Championships. After beginning in country-western •3 workshops between 1-4:30pm dance in 1992, John Lindo quickly made his mark on the West Coast Swing circuit by garnering an astonishing number of •1 workshop from 7-8pm awards and championships in Jack-and-Jills and Strictly Swings. Some of his First Place awards include the U.S. Open, Grand Sunday: Nationals, Phoenix Champion of Champions. He is also sought •4 workshops between 1-5:45pm after internationally for his experience and teaching, having travelled to five countries in the past year alone. John currently resides in New Jersey, and is an influential presence in the New Pricing per workshop: York City West Coast Swing scene. He is known for his $12 members/students; $17 guests energetic style, exciting leverage moves and showmanship. Discounted ppgricing when y ou bundle The Anniversary Dance for the day! Saturday—8:00-Midnight Saturday bundle: All 4 workshops and the dance for $50 members/$75 guests Deejayed by Gail Zimmerman and John Lindo! West Coast Swing and Variety music Sunday bundle: All 4 workshops $40 members/$60 guests $10 for members and students w/ID; $15 for guests Annual memberships are $25 and available at the door. The Dance and all workshops are held at Social Dance Studio, 3742 23rd Avenue South, With dance demo by John Lindo, refreshments, Minneapolis, MN 55407 and great door prizes! Look for more information at www.tcrebels.com The President’s Corner By Peter Westlake

aybe it’s just me, but In no particular order: I have always been under the impression 1. Air conditioning! Mthat dancing tends to quiet down 2. It’s free on Sundays with in the Cities during the sum- Project Dance Minnesota mer. I realize this time of year is 3. Dancing under the stars lovely in Minnesota—perhaps (how romantic) the reward for all the punish- ment we suffer the rest of the 4. Our monthly dances year—but it always seemed to never have rain delays me that this should mean more of 5. Great excuse to put off everything else and not any less mowing the lawn until dancing. tomorrow 6. Twin Cities Open in July So as we grind our way past 7. No mosquitoes Memorial Day and begin to enjoy the season, I thought I’d give 8. Get a leg up on your you my top ten reasons to cut a competitors for fall rug this summer. I hope you can competitions Peter Westlake is the president of USA Dance relate to some of them. See you Minnesota. He is also an accomplished competitive 9. Reconnect with human- out on the dance floor! dancer with his partner, Sehyun Oh. ity after a week of camp- ing in the woods 10. You love it! And Dancing with the Stars is over. n

Photo from May's Project Dance Minnesota at The Woman’s Club of Minneapolis by Karen Maldonado

www.usadance-mn.org June 2013 / MDT 7 Letter to the Editor By Nathan Daniels

was asked by more than one per- a couple with the highest number dance being evaluated, and how son to write a response to the May of second-place marks could win. many couples to be called back 2013 article “From the Editor.” All Again, that is the skating system, into the subsequent round or to be Irequests came from amateur competi- not the judges’ fault. [Editor’s note: placed in a final; or a sheet of paper tors who competed at the Nationals In May’s “From the Editor,” the with virtually no information, this year and thought that there was skating system was not represented where you must place your judge a lot of misinformation contained in as the judges’ responsibility. While ID, the heat number, the dance be- said article. this is useful information for people ing evaluated, and either the recall who are yet unaware of how the numbers to the next round or the I am celebrating my thirty-fifth year skating system works, it is not in placement of the finalist couples. of being in the dance industry. I have response to any point made in last That’s it—no other info. In higher- been teaching and coaching for thirty- month’s editor’s note.] level championships and scholar- five years, competing both profession- 2. Judges not agreeing. That is why ships, the finalists are introduced, ally and pro/am for twenty-five years, there are many judges on the floor. and only then do the judges hear and judging for the last ten years. While one judge might like top the home state of the competitors. [Editor’s note: This is also not a re- I do not want this response to be taken lines, another might like footwork, sponse to anything that was stated as a personal attack but rather as edu- partnership skills, movement, and in May’s “From the Editor.”] cational information from a knowl- so on. Every judge has his or her edgeable source. (Although I do feel a own criteria as to what they mark 4. Quality of dance is a very slippery bit attacked personally, since I was one and why. Also, depending on when slope. What one judge considers of the judges on this year’s panel at a judge looks at a couple, the opin- good quality, another might consid- the USA Dance Nationals.) ion could vary greatly. Consistency er okay quality, while yet another is a virtue! (Hint: If you stand up might consider excellent quality. It 1. The skating system. This is the straight and are on time with the depends on your criteria for what system that is used by USA Dance music, then more than half your constitutes “quality.” That’s subjec- and the NDCA in the United battle has been won, especially in tive judging. States. This is not the judges’ fault the lower-level categories.) 5. Video is a two-dimensional me- or responsibility; it is simply the 3. Couples from certain regions of dium, not a three-dimensional one, method used. If the couples are not the country. The panel of judges for assessment of human move- consistent in their presentation and do not necessarily know where the ment. It is not the same. If you the judges are doing their job, then couples are from. They don’t have were not there, you have no basis there will be marks that are all over a program in front of them with for comparative energy or dance the board. If there are six couples competition information when dynamics. Also, when viewing a on the floor and no one gets the judging. They simply have either a video, one has time to study the majority of first-place marks, then PDA with competitor numbers, the competitor. When judging, you

8 MDT / June 2013 www.usadance-mn.org have very little time in which to couples on the floor, a coach/ They are just personal choices and assess the situation and make a judge has worked with nine of the opinions. decision. Just do the math: you twelve? What do they do then? sometimes have three to five sec- Only six can make a final, and only From my experience, I do not think onds—and not always a consecu- one can win. Politics? If a coach/ that politics are very prevalent in tive three to five seconds—to make judge owns a studio and they amateur dancing, because there is a decision. Not an easy task. promote their own couples, is that just no point to it. With your marks being public domain, it would be 6. Politics. What does politics mean? It political? Well, only if their couples very unwise to be political. Now, probably means something differ- are not the best. Favoritism, as far I really do not have blinders on. I ent to different people. Sometimes as what a judge would like to pro- cannot say that there are no politics humanness is confused with poli- mote in a certain style of dance— involved in certain judges’ deci- tics. If you recognize someone, then more open work, more closed sion making-processes. However, your eye is simply drawn to that work, class and line versus speed the vast majority of us do have person. What you do subsequently and tricks, delayed leg actions, integrity. could be deemed political. Integrity not lowering your heel on a back rock, etc. Politics? I think not—just should be applied at this point. Hopefully this information will personal opinion. There are so shed a bit of light upon the plight of If a coach/judge works with a many examples of things people a ballroom judge and our judging couple and marks them well, is deem political that simply are not. system. n that politics? What if out of twelve

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Sponsored by the TC Rebels at Social Dance Studio: 3742-23rd Avenue South, Minneapolis, MN 55407

www.usadance-mn.org June 2013 / MDT 9 The 2013 Tea Dance By Dede Ouren

hat is the secret password forty-two additional guests came out added a great deal of energy and en- to get through the Lake to dance. thusiasm to the dance floor. Accolades Minnetonka Marathon and sincere appreciation to Taylor Wpolice barricade on the first Sunday in Accolades to Sharon Kennedy and Wall, who organized the student at- May? “I have to get to the Lafayette Zhuojing Liu for their significant gifts tendance. Sponsors appreciated and Club! I’m in charge of music at the of time and energy to help make the were impressed by the social graces of Tea Dance.” This was the plight of the event successful. Thanks to Sharon the students who personally delivered wonderful team from the University for her attention to detail in creating handwritten thank-you notes to their of Minnesota Ballroom Dance Club, the budget, taking reservations, and sponsors at the dance. coordinated by Lee Wintervold, keeping the scatter-brained chair on bringing the sound system and Chris task. Another sincere thank you to the Last but certainly not least was the Kempainen, our masterful DJ. While USA Dance Minnesota board liaison, show. Theresa Kimler and Nels the Tea Dance committee was count- Zhuojing Liu, for distributing flyers, Petersen gave an unforgettable, ing down the minutes, they were promoting attendance, presenting the stunning performance for a very circling around the lake trying to budget to the board, and covering appreciative audience. They danced find a back road to the club. Even the the registration table. Special recogni- a breathtaking waltz and their best Lafayette employees scheduled to tion is also in order for Bill and Cathy foxtrot ever. Nels and Theresa have serve the brunch were waylaid. One Dessert (Rapit Printing) for donating singlehandedly put Minnesota determined employee parked her car the promotional Save the Date post- dancesport on the map. They have and walked one and a half miles to ers and flyers. Another special thank won more open amateur titles than make her appearance. The 2013 Tea you to the USA Dance supporters anyone ever has or perhaps ever will. Dance must go on, and it did, beau- who generously sponsored twenty This includes national championship tifully! Ninety-five people enjoyed University of Minnesota students, titles in open nine-dance, rhythm, and a delicious brunch. We had three making it possible for them to at- smooth. In addition to making ours rave reviews about the food and no tend brunch: Bill and Cathy Dessert, the most-winning chapter of national complaints this year that “real men Sharon Kennedy, Zhuojing Liu, Dede titles in USA Dance history, they also don’t eat quiche.” In the afternoon, Ouren, Philip Taft, and Lee and Leslie continuously present a multitude Whitney. The students were delighted of endowments unsurpassed in our at the opportunity to attend and chapter’s history.

Photos from the Tea Dance by Karin Lynn Photography, karinlynnphotography.com

10 MDT / June 2013 www.usadance-mn.org Also in the show dancing a tango- Fischer, Karrie Glasgow, Aaron Helm, was Monica Mohn who suggested Tea bolero formation was the Rhapsody Tom LaTourelle, Andy Nordberg, Tom Dance, and that name has stuck ever and Rhythm Dancesport Academy, Nyberg, Stephanie Riley, Paula Sattler, since. Getting that first dance off the originally founded in 1999. That year, Kim Schmidt, and Lisa Wu. The chore- ground was a ton of work for the first Jeff Chinn started an experiment ography was done by Jeff Chinn with committee of six dancers. They are all to see how quickly swing dancers assistance from Tom LaTourelle, Andy glad to see that it is now a tradition. would learn ballroom dance steps and and Janie Nordberg, and Tom Nyberg. Of course, USABDA changed its name technique. He believed they would to USA Dance, and the rest is history. do well, since swing dancers already Jeff also provided some little-known knew how to move to the music, history about our 21st Annual Tea What a privilege it has been for me to and as couple dancers, they under- Dance. In 1991, he was married at the work with the USA Dance Minnesota stood the lead-follow connection. His Lafayette Club. For their wedding, board members, Tea Dance commit- hypothesis was correct. After about he and his wife funded a formation tee members, and Lafayette catering ten months and eighty dancers, the dance which eventually morphed into staff these past seven years, planning group solidified to fifteen who per- a USABDA formation team. Jeff was and coordinating this beautiful event. formed several times in 2000 before vice president of the Minnesota chap- It is such a delight to see the ballroom disbanding. Twelve years later, they ter of USABDA at that time and was filled with dear friends dressed to the are re-forming with dedicated dancers asked to direct the very first USABDA nines, hear the beautiful music, and be who range from zero ballroom dance spring dance. He suggested the waltzed around the gorgeous ballroom experience to those with national Lafayette Club as the venue, and it has one more time. Thank you for the championship titles. The beauti- remained here ever since. The origi- opportunity to serve this wonderful ful performance at the Tea Dance nal name that was bantered about for organization. I feel so fortunate to be a was their debut with six couples. our first USABDA spring formal was part of the Minnesota ballroom dance n The dancers were Jeff Chinn, Diana USABDA Spring Formal. When ask- community. Evenson, Shawn Evenson, Emily ing the committee for other names, it The committee welcomes anyone who would like to assist with the planning and organization for next year’s Tea Dance.

www.usadance-mn.org June 2013 / MDT 11 Roots and Wings to Dance Happy Father’s Day! By Chris Trask

aiting for my class to start CT: Talk about the first day you can I felt like an angel when I was curled with Martin Pickering at remember on the dance floor, your up, pretending I was sleeping as my Cinema Ballroom, I no- age, what you wore, and how you dad carried me onto the floor above Wticed Meghan and her father, Scott felt. his head. His soft, fatherly movement Anderson, practicing a waltz move. woke me up as we began to dance It was a treasured moment to witness MA: The first day I remember on the across the floor. the love between a father and daugh- dance floor was when I was three ter. You see, I was born on Father’s years old dancing the hustle with my Another fond memory is the time I Day, and I have also danced with my dad at the Breakers to the song “Love was performing with my dad at the father, so I have a very soft spot in my Potion #9.” I wore a two-piece, hot- Dance Shoppe’s summer recital when heart for fathers. pink fringe outfit that my little belly my shoe flew off into the audience. I hung over. I had white hair that was was terrified, but I remember my dad Tapping Meghan on the shoulder, tied on the top of my head. I always looking at me with his comforting I whispered, “I would like to write loved performing, but I especially eyes and reassuring me that every- about you and your father for June’s loved performing with my dad be- thing was going to be okay. He is issue of the Dancing Times.” cause he did all the steps and I just never a person to get down about a hung on and went along for the ride mistake. He would just look back at it “Oh, I would love that.” Meghan as he spun and lifted me all over the and laugh. The show must go on. smiled, showing her cute dimple. place. CT: Give me adjectives that de- “Let’s keep it a secret,” I whispered CT: Describe the most memorable scribe your father, and describe the back. “It can be your Father’s Day moments dancing with your dad. roots your father gave you. card from you.” MA: One of the most memorable MA: The adjectives that describe my Thinking about the best way to pres- moments for me was dancing “Angel father are the following: passionate, ent this to you, the readers, and to on My Pillow” at the World Dance at hardworking loving, genuine, tal- Scott, her father, I decided to design the Target Center during my parents’ ented, lives in the present moment, a this Father’s Day card with a series of competition. This number was choreo- giver, accepting. When explaining the personal questions about the relation- graphed by the amazing Peri Adair. roots that my father gave me, I would ship between Meghan and her father. The number was our first performance describe it by saying that my father’s that told a story about the bond as strong love for my mother provides a father and daughter. solid foundation of love and security

12 MDT / June 2013 www.usadance-mn.org for me as their daughter. I always you do good, it will come back to you together that told the story of how my remember traveling with my parents at some point in your life. My parents dad taught me how to dance. as they were competing profession- are living proof of this, and I am truly ally. I was the little girl on the side of blessed to have been born into this Every time we performed the number, the floor collecting rhinestones and family. My dad has always tried to I felt that it was just me and my dad looking at both of them like they were live in the moment instead of think- in the room. It was the most amazing a king and a queen. I remember my ing about what happened yesterday feeling to be not only dancing again, favorite dance of theirs was foxtrot. or what is going to happen tomorrow. but to be dancing again with my dad. My dad was always a gentleman on He enjoys every moment of every day. After that performance, I knew that and off the floor and was always there He always makes sure he has fun and dancing is what I was meant to do. I for my mom. continues to bring some of the kid out am now a dance instructor at Cinema each day. Ballroom. CT: Explain how your father’s actions speak louder than words and CT: Describe the moment you felt CT: What would you like to say to how he is an inspiration for you and he gave you the wings to dance and your father for Father’s Day? others. start your own life. MA:

MA: Both of my parents have done MA: When I went to college, I stopped Dad, so much in the industry and have dancing for a while, thinking I wanted never flaunted their achievements. I to pursue a completely different career You are my friend, my hero, my inspira- think that is why they are both re- in the public relations industry. I was tion, my idol, the best husband to my spected by so many people. My dad lucky enough to work in L.A. and beautiful mother, and the most amazing has always stayed true to himself and Minneapolis in the industry I went to father to Marc and me. I really feel like his beliefs, which I admire in him. school for, but I always felt that some- the luckiest, proudest girl in the world to He is also someone who truly sees thing was missing. It wasn’t until I have you as my dad. I love you with all my the good in everyone he meets. My performed with my dad at the Cowles heart. dad truly amazes me every day. He Center in 2012 that I knew what was is the hardest-working, smartest, and missing. I was so nervous to step out Happy Father’s Day! friendliest man I know. He has always on that stage again after so many Love, taught me to be kind to others no mat- years. What got me through it was my Meg n ter what. Always help those in need, dad and the beautiful piece we put even if you don’t have a lot yourself. If

www.usadance-mn.org June 2013 / MDT 13 The Dancing Life Dancing and Despair By Elizabeth Dickinson

earning to count for my With her determination and new American smooth prosthetic advancements, I routines has not been an know she will dance again, easyL process. Apparently, once probably on September’s again, there was information Dancing with the Stars. it was assumed I knew, but I didn’t know it in the way I was Not that it helps the situation, supposed to. What makes it but it makes me feel embar- worse is that I’ve been having rassed at my own lack of pa- trouble with the easy counts on tience with myself. I can dance the basic steps. Ha. with very few obstacles. But my reaction to Adrianne’s situation In most things, I’m a fairly is similar to that of Peta, one of equable person, but I sometimes the pro dancers on Dancing with have an experience in dancing the Stars. when every brain cell seems to freeze. My reaction is similar to Peta said she just started bawl- the Monopoly game card that ing at the thought of waking up reads: “Go directly to jail. Do not and not being able to dance. pass Go. Do not collect $200.” The definition of despair is to Elizabeth Dickinson is a dancer and life coach Except I go directly to despair. be without hope. Hope means in the Twin Cities. She offers complimentary an expectation and desire coaching consultations and can be reached at It makes me think of the title something specific will occur. www.pursueyourpath.com. character in the musical Pippin Adrianne knows she’ll dance yelling, “I’ll never find it. Never! again. I’ve been through the Never! Never!” at the close of process of not knowing before. I the song “On the Right Track.” know I’ve gotten through it. I’ve already started to understand I’ll never understand counting. counting in a slightly deeper Never, never, never. way.

My husband always says mildly, Beyond hope, Adrianne knows “No one ever died from ball- she will dance again. room dancing.” Or in the words of that song Which makes me think about from Pippin: Adrianne, the ballroom dancer who lost her foot (and could’ve There’s no trick to staying sensible lost her life) in the Boston Despite each cul-de-sac Marathon bombings. “I just ‘Cause each step’s indispensable want people to know that you When you’re on the right track. can come out of a situation that n might seem like the end of the Go, Adrianne! world and come out stronger,” she said.

14 MDT / June 2013 www.usadance-mn.org Email: [email protected] Website: www.usadance-mn.org

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hen you walk down the this time?” Results give you an idea of My head spinning with information sculpted staircase into the how the judges perceived your fusion and aspirations, I got ready for the for- grand lobby of the Pfister of technique and artistry, but at this mal pro show Saturday night. There WHotel, beneath the gilded, arched particular competition, I learned the is nothing quite like absorbing and ceilings and glittering chandeliers, most through a seminar and watching processing the information of a semi- you get the feeling that you have en- the pro shows each night. Saturday nar, only to see it beautifully and dy- tered the old-world charm for which morning, I attended a seminar given namically executed hours later—very ballroom was intended. My black- by Toni Redpath and Michael Mead inspiring for an amateur ballroom and-white movie mind was already on the performance aspect of compet- dancer. I was entranced by the fierce imagining elegant couples, swirling ing—such a fun, expressive couple! competition in the pro rounds and so ballgowns, and the sweet strains of a Focus, intent, dynamics, the slightest proud of all the pro couples at Cinema waltz (perhaps an Audrey Hepburn expression, the direction of your gaze, Ballroom for making it to the semifi- romance). To top it off, the lounge in a hand on his chest—each movement nals! I think my voice was a bit hoarse the lobby boasted a grand piano and either enhances or hinders the story from cheering. In the final round, my an older gentleman who beautifully you seek to tell through a particular eyes were glued to Mazen Hamza and played some of my favorite classical dance. Your audience waits expec- Izabella Jundzill. Their every move- pieces late into the evening. I could tantly, hoping you’ll invite them to ment was dynamically charged, but have sipped wine and listened for join with you in the story’s plot and with a grace and flexibility that belied hours, but I had to keep in mind that I the ensuing emotion and intensity. any effort required to execute their would be getting up at 5 a.m. to apply Michael and Toni were so effective in challenging routines. I admit I was a my creative mind to the extensive art modeling a wide range of emotions bit starstruck. I left the Wisconsin State of ballroom makeup. through the repetition of a simple box Dancesport Championships with an step that I felt as if I had witnessed even greater love and appreciation Competing is always exciting for me. an entire film in five minutes. It was for the art of ballroom dancing and Each time I step onto the floor, it sends evident to me how much my dancing the goal of carrying this short film a thrill through me to hear the music needs to grow if I am to advance in the with me back to my studio practice begin, feel the connection of my part- arena of competitive ballroom. sessions. n ner, and think, “How can I best por- tray the beauty and art of the routine

Photos from the May USA Dance by Nels Petersen

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MORE INFORMATION AT MNBALLROOMBLAST.COM Look Your Best Care and Maintenance of Feathers and Boas By Deborah J. Nelson

was looking recently for informa- This brings out the feather flue and tion on the care of feathers and makes the individual strands more boas, which are now very popular fluffy. You can do this with a boa as Idecorations on ballroom costumes well. Then get a large pan of boiling and gowns. This is what I found on water, put a lid on the pan cover- the website of one of the companies ing 90% of the pan, and then gently that Satin Stitches used to purchase put each individual feather into the feathers from. In checking with other stream of steam emitting from the online sources for this information, pan. I found the same text listed in many places. I have not personally cleaned “Agitating and steaming feathers feathers, so I have not personally tried puts moisture back into the flue and these techniques. I have reviewed the expands the appearance—this is information, and it seems reasonable especially true for peacock and ostrich to me. In case you are considering feathers. Once the feather has opened Deborah J. Nelson is the founder, cleaning or storing your feathers, keep up, more steaming has little or no president, and head designer of Satin this information handy for reference. effect. Stitches Ltd. See more costuming tips at www.satinstitches.com. The following text has been slightly “Washing should be done in warm, edited from “Care and Cleaning soapy water. Dry them naturally on a clothesline. Never dry with direct heat of Feathers and Feather Boas” at such as putting them on a radiator or www.fancyfeather.com. in the oven. Once dry, steam them to “Feathers and boas are natural items, make them fluff out. and as such, some care and attention is required to look after them. “Most boas are twisted when they are made. Heavier boas, such as ostrich, “As feathers and boas are animal coque, and turkey ruff naturally be- products, international, federal, and come untwisted with use and should USDA regulations require us to store be re-twisted periodically to maintain all merchandise in an environment their looks. Feathers are not colorfast, where insect infestation is eliminated. so do not mix the colors when wash- All our feathers and boas are stored in ing them. an environment of paradichloroben- zene and/or naphthalene to comply “Place feathers and boas in a plastic with these regulations. Removal of bag with mothballs, which you can any unwanted smell can easily be obtain from the local hardware store.” accomplished by putting the product The following text has been slightly outside in warm, direct sunlight for a few hours. edited from the “Care of Feathers” buying guide written by eBay user “Feathers and boas naturally dry out dehaluyi. over a period of time and lose both “All feathers are mainly composed their fluffiness and their looks. To of a specific protein called keratin. restore feathers and boas to a fuller Keratin contains sulfur and is very fi- look, we recommend that you agitate brous. There are two types of feathers: and steam them. This is always a good contour and down. Contour feathers place to start in order to make them are those found on wings, tails, and look more attractive. backs. Their stiffness comes from “Firstly, rub the feathers or boas interlocking hooklets that project from between your hands gently but firmly. the quill. Down feathers don’t have

18 MDT / June 2013 www.usadance-mn.org these interconnecting hooklets, so they natural-bristled kind is best) and, neutral pH (pH of 7) box. Most wood- are softer and fluffier. supporting the feather gently from en and cardboard boxes are too acidic behind, follow the natural direction of (pH of 6 or less). You can do a Google “While feathers may seem to be wa- the plumage to softly brush away dust search for neutral pH box suppliers, terproof, it is only the secretions from or to dislodge insects. Never brush and there are quite a few. However, if certain glands on live birds that keep against the natural grain or growth you wish to display your collection, the feathers coated with oils. If this oil of a feather. Support the feather at all Plexiglas makes an ultraviolet filtering is removed by washing, dust collec- times directly behind the area you sheet that can be cut to any size and tion, etc., the feathers begin to lose are cleaning (wear soft cotton gloves placed over a neutral pH box. their suppleness and deteriorate. when handling feathers), taking care not to break the quill with too much “Keep your feathers safe from dust, “Many things can damage feath- pressure. moisture, bright light, and insects, and ers. Insects such as moths, lice, and you will have a beautiful collection some beetles, which love the sulfur “I have also found that gentle puffs that can be enjoyed for many decades. contained in the keratin; a buildup of from a baby nasal or ear syringe will dust, especially when this is followed dislodge dust that has not yet em- “An additional note: if your feathers by or accompanied by high humid- bedded in the oils of a feather, but get infested with critters, place in a pa- ity so that moisture begins to cling remember—gently. Too much huffing per bag with a small amount of Sevin to the dust; too much exposure to and puffing will begin to dry out the Dust, shake gently, leave for two or light, which saps the color right out of remains of the oils. three hours, then gently, gently brush feathers; or over-handling can damage off the dust as described above. If you feathers. Feathers survive the longest “While some feathers may tolerate a have many critters on your feathers, in temperatures of 60 to 75 degrees soapy cleaning, the rule of thumb is: it’s best to just toss them rather than Fahrenheit, with a humidity level be- don’t do it! I know a few who have have the infestation spread.” low 50 to 55%, and out of glaring light. had success using a baby shampoo product on severely soiled feathers, None of this information belongs to “So how do you clean feathers so but even they will tell you it was blind me, but I’m passing it along in case that the process doesn’t harm them? luck and they are very grateful the you can’t take the time to do a Google Feathers are so delicate and fragile, feathers weren’t ruined. And, yes, search yourself. Basically, feathers especially once they are taken from there are conservators skilled in the art are fragile, so take care of them as the live birds, that any cleaning may of feather cleaning, but you will sign a best you can to help them stay in top damage them. While down feathers waiver before they will touch a single condition for as long as possible. And tolerate washing and cleaning quite fragile feather. if you find your feathers past their well, ornamental or contour feathers prime, consider replacing them with do not. Check your feathers frequently “Although we all like to look at our fresh feathers. n for dust and insects, and if you find feather collection or feathered items, either, use a soft, soft baby brush (the it is always best to keep them in a

www.usadance-mn.org June 2013 / MDT 19 Blessed with Problems By Corissa Ranum

ome of the best advice I have I’m currently battling, which, all in all, which has been a very bittersweet ever been given is to consider is not a terrible problem to be facing. journey. I’m leaving a wonderful myself blessed with problems. community filled with great dancers AtS first, I didn’t get it. How can Considering myself blessed with and even better friends, but I have the someone be blessed with a problem, problems has changed my perspec- opportunity to travel along the coast something most people try to avoid? tive towards dance and life in general, and develop myself in my career. For But upon reflection, it makes me really instilling a sense of gratitude within that, I am truly blessed. Thanks to all evaluate my life. Is it really that awful me. Not only does this make me less of you who have made me who I am to be struggling to keep one’s head frustrated with my dance position, today through mentorship, friendship, left? I’m not worried about my next but it reveals the quality of life that I and support. I cannot express how sad meal or if I can pay rent on time; it’s a have. I’ve been dealing with leaving I am to leave, and I hope to see you all problem with my dance position that Minnesota and moving to Delaware, again soon on the dance floor. n

Photos from the Tea Dance by Karin Lynn Photography, karinlynnphotography.com

20 MDT / June 2013 www.usadance-mn.org th July 11-13 Marriott City Center

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t a Loft Literary Center eightieth birthday, his friends class I recently took on arranged for him to dance with writing magazine articles eighty women. He liked the idea (yes,A I have a lot to learn), we and did it for each of his birth- read an article as an example of days after that. At age eighty- how to do a feature on a person four, he got carried away and involved in something of inter- danced with almost one hundred est. The article, titled “Gotta women in a row without stop- Dance!” by Elizabeth Gilbert, ping. Frankie Manning died in was published in Gentlemen 2009, but it has been said that Quarterly. It featured Frankie he lives on in everybody who Manning, a dancer from the danced with him. 1930s who was famous for dancing lindy hop. The piece went on What about lindy hop now? to explain that Frankie was the There are no coincidences. The best dancer, coach, and choreog- Midwest Lindy Festival is an rapher of lindy hop in Harlem, annual lindy hop festival hosted New York, in the 1930s. over one weekend in May by Midwest Lindy Fest Production Since I didn’t know the dance in the Twin Cities—the weekend and was curious, I asked Monica I started to write this column. to teach me the basics at my next One of the events is to dance lesson. It is harder on my knees with Gordon Webster at Dancers than, for example, west coast Studio on Friday, May 10th. swing, which evolved from lindy Should Fran and I go dancing, hop. Monica asked if the article or maybe just watch? Gordon told how the dance got its name. Webster is a pianist and we agree John S. Munday is a writer and lawyer who lives It didn’t, and she said that lindy that his tremendous musician- in Isanti County, Minnesota, with his wife, Fran. hop was named in honor of ship and passion shine brightly. Together, they found ballroom dancing at Cheek Charles Lindbergh’s “hop” over Great music and a strong temp- to Cheek Studio, where Jack takes lessons with to Europe. Monica suggested I tation to try lindy hop. Just once? Monica Mohn. Jack’s book, Beauty in Partnership, go to YouTube and watch some It is an event to treasure. A Memoir of Ballroom Dancing, is available at dances. I found one of Frankie www.johnsmunday.com and several dance studios. Manning and was amazed. He We learned that the Midwest and his partner did the basic step Lindy Fest has a show, also on at a frantic speed, then started Friday night, with about eleven leaping and jumping. My knees performances by skilled lindy wouldn’t be the only thing to hoppers, some with impres- ache if I tried some of those sive championships. We looked moves. at videos of last year and can affirm the wonderful dancing. I learned that Frankie Manning At another lesson, Monica had was born in 1914. As he grew up, me practice west coast swing his only goal in life was to dance to lindy hop music. We also at the Savoy in Harlem, which tried foxtrot. Where is Frankie he did starting in 1932. On his Manning when we need him? n

22 MDT / June 2013 www.usadance-mn.org Competition Calendar

Jun 8 - 9, 2013 Jul 27, 2013 NJ DanceSport Classic - Summer Sizzler - NQE Southern Star Mid-Summer Classic Organized by Mario Battista & Wendi Davies at Rogers Hosted by Southern Star USA Dance Chapter #6038 in DanceSport Center in Hackensack, NJ. Qualifying event Tampa, FL. Will not accrue proficiency points and may not for 2014 Nationals. follow all rules in the rulebook.

Jun 15, 2013 Aug 10 - 11, 2013 River City Ball 2013 Heartland Classic - NQE Hosted by Portland USA Dance chapter #1006. Hosted by Heartland, IN USA Dance Chapter #2022. Qualifying Event for 2014 Nationals. Jun 28 - 30, 2013 Gumbo DanceSport Championships - NQE Sep 7, 2013 2013 Senior IV National Championships Kansas City Dance Classic Hosted by Louisiana Gumbo USA Dance Chapter #5031 Organized by Matt & Ellen Pansing in Overland Park, KS. in Baton Rouge, LA. Qualifying event for 2014 Nationals. Will not accrue proficiency points and may not follow all rules in the rulebook. Jul 11-13, 2013 Twin Cities Open Ballroom Championships Sep 28, 2013 Hosted by Scott & Amy Anderson at the Minneapolis New England DanceSport Championships - Marriott City Center. Visit www.twincitiesopen.com or NQE email [email protected]. Hosted by MASSabda USA Dance Chapter #3002 in Danvers, MA. Qualifying event for 2014 Nationals.

Oct 4 - 6, 2013 Carolina Fall Classic - NQE Organized by Wayne & Marie Crowder in Charlotte, NC. Qualifying event for 2014 Nationals. Support the Oct 12 - 13, 2013 Northwest DanceSport Championships - NQE Minnesota Hosted by Portland USA Dance Chapter #1006. Dancing Times! Qualifying event for 2014 Nationals. Nov 1 - 3, 2013 The Dancing Times is put together every month Chicago DanceSport Challenge - NQE by the volunteer efforts of people across the Hosted by Chicagoland USA Dance Chapter #2001. Minnesota dance community. Help us continue Qualifying event for 2014 Nationals. to distribute this publication by advertising in the Dancing Times or by donating to our print- Feb 15 - 16, 2014 ing fund. Email Bonnie Burton at bonniebur- Mid-Atlantic Championships - NQE [email protected] or call (952) 454-4620 to learn Hosted by Mid-Eastern USA Dance Chapter #6001 in more about opportunities for advertising in the Bethesda, MD. Qualifying event for 2014 Nationals. Dancing Times. Mar 28 - 30, 2014 2014 National DanceSport Championships. To be held in Baltimore, MD.

www.usadance-mn.org June 2013 / MDT 23 ASK DR. DANCE Submit your questions to Dr. Dance: [email protected].

I’ve taken lots of lessons with lots to describe what they want from of coaches over the ten-plus years my dance position (I’m a lead) I’ve been dancing. One thing that without stereotyping and degrad- makes me really uncomfortable ing gay men? And I guess for the is how homophobic a lot of them coaches here, have you ever had a Q: are. I don’t think they even notice student ask you to communicate they’re doing it, but some of the with them differently about any- things they say are really offen- thing? Was that okay? sive. Is there a way I can ask them

Donna Said: Paul Said: things that accompany them. In the end, your comfort level will dictate I’m sorry to hear that this has been We live and work in an environment whether you continue in this endeavor your experience. It’s surprising as that has a large contingent of gay or not. Good luck! well, because on the national scene, men who dance, teach, and coach on I’m guessing that approximately one a daily basis. On the whole, I think fourth to one third of the coaches are we all get alone fine with humor and The Dance Medic Said: gay, and this is an industry where tolerance for everyone’s orientation. The vast majority of teachers of any everyone has worked together harmo- If, as a student, a coach or teacher discipline would certainly not want to niously for a long time. offends you in any way, you have the intentionally offend anyone. It is my right to call them on it or simply not thought that it is simple ignorance on You can and should always tell a reward them with your business. We the part of said person and that there teacher or coach what you need. In my also engage in an activity that invites is no malice intended. It is always opinion, you will get the best results if criticism, and if you are an individual appropriate to let your feelings be you choose coaches that nurture you that is easily hurt by negative feed- known and to ask to be treated in a and are able to help you give your best back, that criticism may seem unusu- way that is both positive and comfort- performance. ally harsh. able for you. If you receive a negative reaction from said person, discontinue Good luck with your dancing. We do things like taking dance lessons the relationship and move on. n because we enjoy most of the aspects of them despite some of the negative

Donna Edelstein is Paul Botes is a dance The Dance Medic a coach, judge, and instructor, coach, is a member of the organizer of the Snow choreographer, and Minnesota dance Ball DanceSport judge. He is an owner community chosen Competition. of American Classic each month based donnawrites@msn. Ballroom, located in on his or her unique com 763-557-6006 Chanhassen, MN. insight on the question.

24 MDT / June 2013 www.usadance-mn.org SHINYA MCHENRY AVAILABLE FOR PRIVATE AND GROUP LESSONS, CHOREOGRAPHY AND COACHING IN ALL STYLES OF INTERNATIONAL AND AMERICAN OVER 30 YEARS OF TEACHING EXPERIENCE

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➲➲Contact Anne 612.280.7818 ➲➲Contact Theresa Kimler 612.414.3099 [email protected] Contact for photos. Contact for photos. Most dresses also for rent for $250-$300. Size 6-10: White Smooth Gown with Gold and Turquoise Accents Size 2-8: Marilyn Monroe-Inspired Ballgown Designed to accentuate your figure with ruching and sleek lines. Great White gown with gold waist accent shaped perfectly to create a slim flared skirt at the bottom for maximum impact. Gorgeous belt and arm silhouette. Silk skirt, slit on right leg, mid-height backline. Made by bands. Made by Marsha Wiest-Hines. Doré. $2800. Size 2-6: Trendy Gold Ballgown ➲➲Contact Cheri 763.544.6724 [email protected] Super-shiny with rhinestone accent design to complement any figure. Contact for details and photos. Best on someone who wants to stand out in a crowd. Classic design Size 2-6: American Smooth Gowns meets the latest trend in fabrics! Includes super-sparkly armbands. $500-$700. $2800. ➲➲Contact Janie 763.797.5230 [email protected] Size 2-8: White & Black Couture Ballgown Contact for photos. More gowns available to purchase and rent. Designed by Chanel, brought to life by Jordy. Look for the signature crossing-C design. Black sheer over nude top with full rhinestones, Payment plans accepted. long sleeves, white skirt. Mid-height backline. Great for standard or Size 2-8: Gorgeous Peach Championship Gown smooth. $2400. One of a kind! Beautiful open back, stretch satin skirt with godets add Size 2-8: 2 Elegant Smooth Gowns with Long Sleeves and Fox-Fur fullness to movement. Fully stoned bodice and elegant gloves to match! Cuff Like new! Made by Marsha Wiest-Hines. $1200. 1) Black mesh peeks through an intricate velvet pattern overlay. Cobalt Size 2-8: Beautiful Pink/Metallic Gold Smooth Gown blue rhinestones. Made by Doré. $2000. Very feminine look with lace trim on neckline, bodice, long sleeves and 2) Gorgeous sheer navy blue with rhinestones from top to bottom. hems. Full coverage in AB multicolor stones! Like new—worn only Made by Randall Designs. $2000. twice! $1100. Size 2-8: The Ultimate White Designs to Shine Gown Size 2-8: Elegant Black Championship Gown Multiple blue-shaded stone pattern. 3-layer skirt, armbands, amazing Luxurious maribu boa on hem and neckline. Beautifully designed necklace, hair accessory. Must-see. Worn twice. $4000. with open back and long sleeves. Shows off curves. Covered in AB Size 2-8: Latin/Rhythm Dress - Black with Red Scarves multicolor stones. $1100 OBO. Jet stones, silk chiffon skirt, 3/4-length sleeves, sweetheart neckline, Size 2-8: Black Gown with Hot Orange & Yellow Accents bracelet, earrings, hair decoration. Made by Doré. $1000. Stunning gown has fiery orange and yellow accents, drapes on long Size 2-8: Latin/Rhythm Gown sleeves, bodice, and chiffon layers of skirt. Sexy slit shows off legs. Black stretch velvet bodice. Multi-layered silk skirt that ends at knees Beautiful color rhinestones. $800 OBO. when still. A great dress for the classic, movie-star type dancer. Size 2-8: Sexy Pink & White Rhythm Dress Effortless wear. Made by Doré. $1000. This stunning dress has tons of stones, beautiful pearl beading, Size 35.5 (US 6.5): Dance Naturals Tan Satin Latin/Rhythm Shoes and flirty skirt! Bracelets, necklace, and accessories included. A 2-1/2” heel. Brand-new. $75. showstopper! $700. Size 5EU (US 7 to 7.5): Supadance 1026 Beige Leather Practice Shoe ➲➲Contact Bernice 952.936.2185 or 952.545.2989 Worn once. $75. Size 7 ½ to 8N: Ladies’ Smooth Capezio Dance Shoes ➲➲Contact Gail 651.387.0885 [email protected] Closed-toe pumps. Flesh-colored. Worn once. $50. Size 5: Elegance Shoe Company Ladies Open-Toe Shoes 2 1/2 inch heel. Flesh-colored. Great quality; no longer fit due to pregnancy. $45. DANCE PARTNER WANTED ADS Looking for a practice partner? Compose an ad letting potential partners know what you're looking for and how to contact you. Submit ads of a maximum of three lines to [email protected]. Please include area code with any phone number.

➲➲Vee Hammond 651.206.9890 vee. and rhythm. 3 years’ dance experience. Takes ➲➲Justin Sundberg 612.964.1741 [email protected] lessons weekly. Will provide floor time. St. [email protected] Follow, 5’ 2”, seeks practice partner for Paul. Lead, 5’10”, 28, seeks practice partner for bronze/some silver-level Latin and smooth smooth, rhythm, and WCS. Open to all styles ➲➲Jane Phipps 612.859.5245 styles. Takes private lessons periodically. and possible lessons or competition. 3 years’ [email protected] Loves to perform. Possible lesson sharing, experience. Will provide floor time at a major Follow, 5’5”, seeks practice partner for showcases, or competitions. studio. bronze/silver competition-level smooth and ➲➲Marty Faeh 952.220.1851 rhythm. 3 years’ dance experience. Takes [email protected] lessons regularly. Any practice location okay. Lead, 5’11”, 51, seeks practice partner for bronze competition-level standard, smooth,

26 MDT / June 2013 www.usadance-mn.org DANCE CONTACTS A collection of businesses and clubs of interest to Minnesota dancers. If you'd like to be listed on this page, send your contact information to [email protected].

Studios Dance with Us America Instructors: Services 10 Southdale Center, Edina Jeffrey Ringer American Classic Ballroom 612.564.5483 Made for Movement 550 Market Street, Chanhassen www.dancewithusamerica.com Clubs 952-595-0003 952.934.0900 Instructors: www.made4movement.com www.acballroom.com Elena Bersten, Gene Bersten Aqua Gliders Dance Club Contact: Instructors: Dancers Studio 612.869.3062 Marsha Wiest Hines Natalie Palmer Botes, Paul Botes, 415 Pascal Street N, Saint Paul Café Bailar Services: Angella Hadrath, Matthew Karston 651.641.0777 www.cafebailar.com Costume design, production, and Arthur Murray Dance Studio www.dancersstudio.com tailoring Cotillion Dance Club of 534 Selby Avenue, St. Paul Instructors: Stillwater Oh Sew Special 651.227.3200 Sophia Ardalan, Shane Haggerty, P.O. Box 102, Stillwater, MN 55082 7300 South France Avenue Suite 323, Edina Balance Pointe Studios Jeff Halverson, Christine 651.388.1231 5808R W 36th Street, St. Louis Park Hardcastle, Bonnie Inveen, Chris [email protected] 952-746-5539 Kempainen, Troy Lerum www.ohsewspecial.net 952.922.8612 Contacts: E.R.V. Dance Studios Ballroom www.balancepointestudios.com Scott and Maggie Paynter Contact: & DanceSport Susan Richardson Instructors: 816 Mainstreet, Hopkins LaDanza Dance Club Julie Delene, Cindy Nehrbass, Jeff Stillwater, MN Services: 952.303.3339 Tailoring, alterations, and redesign Nehrbass [email protected] 651.439.3152 Ballroom & Wedding Dance www.ERVdancestudios.com facebook.com/LaDanzaDanceClub Satin Stitches Ltd. tudio 11894 Round Lake Blvd NW, S Contacts: 2717 42nd St E, Minneapolis Instructors: Minneapolis Amber Anderson, Rachelika Mark and Wanda Bierbrauer 612.371.0300 763.323.9507 Baruch, Shailyn Fonseca, Sayoni Linden Hills Dancing Club www.myballroomdancestudio.com Haldar, Aiden Mamedov, Eliecer 1.800.48SATIN Lake Harriet United Methodist www.satinstitches.com Instructor: Ramirez Vargas, Rebecca Rae Church, 4901 Chowen Avenue Tom Larson Ramirez, Will Weaver South, Minneapolis Contact: Four Seasons Dance Studio Deborah J. Nelson Blue Moon Ballroom 952.412.7230 2030 Hwy 14 E, Rochester 1637 Hennepin Ave S, Minneapolis www.lindenhillsdancingclub.org Services: 507.288.0556 612.342.0902 MN West Coast Swing Dance Custom-designed dancewear www.BlueMoonBallroom.com www.fourseasonsdance.com Club Instructors: B-Dale Club, 2100 N Dale St, Cheek to Cheek Studio Roseville Instructors 11415 Foley Blvd NW, Coon Rapids Bruce Abas, Rebecca Abas Fred Astaire Dance Studio 651.487.6821 Scott Anderson 612.816.4446 763.755.3644 mnwestcoastswingdanceclub.com cheektocheekdancestudio.com 1975 Seneca Road, Suite #700, Michael D. Bang 612.799.4147 Eagan, MN 55122 REBELS Swing Dance Club Harry Benson 763.843.2285 Instructor: 952.941.0906 Gene Bersten 763.234.8656 Harry Benson 651.451.6300 www.FredAstaireMN.com www.tcrebels.com Klaudyna Borewicz 612.203.9123 Cinema Ballroom Stardust Dance Club Rachel Damiani 612.718.6823 1560 St. Clair Ave, St. Paul North Star Dance Studio Bloomington, MN Dine and Dance Nathan Daniels 763.545.8690 651.699.5910 [email protected] Joy Davina 612.353.4445 www.cinemaballroom.com 612.799.4147 facebook.com/northstar.dancestudio Suburban-Winterset Dance Club Jennelle Donnay 651.357.2060 Instructors: Woman's Club of Minneapolis, 410 Donna Edelstein 612.910.2690 Instructors: Meghan Anderson, Jonathan Chen, Oak Grove Street, Minneapolis Jennifer Foster 952.922.8316 Michael D. Bang, Laia Olivier Dustin Donelan, Eric Hudson, 952.894.1412 Robert Foster 952.922.8316 Michelle Hudson, Kristina Lee, Rendezvous Dance Studio www.suburbanwinterset.com Esther Granbois 612.872.1562 Kirsten McCloskey, Nadine 711 W Lake Street, Suite B, Lindsey Rebecca Hall 612.940.9546 Messenger, Shane Meuwissen, Minneapolis Tango Society of Minnesota Martin Pickering, Dipendra 612.224.2905 David Hanson 218.722.0742 Thakur, Douglas Wallock 612.872.1562 www.mntango.org Julie Jacobson 651.261.6442 www.theplacetodance.com Jay Larson 651.387.3886 Dahl Dance Center Tapestry Folkdance Center River Center Plaza, 1619 North Social Dance Studio 3748 Minnehaha Ave, Minneapolis Tom Larson 612.371.0300 3742 23rd Ave S, Minneapolis Kristina Lee 715.821.9039 Broadway, Rochester 612-722-2914 Shinya McHenry 808.294.1983 507.252.1848 612.353.4445 www.tapestryfolkdance.org www.dahldance.com www.socialdancestudio.com Deanne Michael 612.508.9255 USA Dance, Minnesota Chapter Instructors: Monica Mohn 612.874.0747 Dance and Entertainment 651.483.5467 Joy Davina, Todd Paulus Cindy Nehrbass 952.922.8612 651.605.5784 www.usadance-mn.org Jeff Nehrbass 952.922.8612 [email protected] StudioJeff Laia Olivier 612.388.4370 www.danceandentertainment.com 701 St. Germain St W Suite 201, St. Cloud Mariusz Olszewski 612.242.5159 Instructors: Todd Paulus 612.353.4445 320.266.4137 Karin Rice 612.242.2188 James Wood, Tricia Wood www.studiojeff.com Mary Rosenstiel 612.720.2584 Lisa Vogel 651.208.0818

www.usadance-mn.org June 2013 / MDT 27 MINNESOTA DANCING TIMES A publication of the Minnesota Chapter 2011 of USA Dance 7050 49th St. N • St. Paul MN 55128

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