And Libraries, Noting That Her and Aleks Was Entranced with All the Sights and Activities
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ALA | 2008-2009 Annual Report
ALA | Annual Report Join Renew Contact Us FAQs giveALA Take action! Log in Divisions Offices Round Tables Committees Publications Related Search ala.org: Home About ALA ALA Governing & Strategic Documents Annual Report About ALA Mission & History ALA & LIS Acronyms ALA Governing & Strategic Documents Constitution & Bylaws Council Officers & Executive Board Handbook of Organization Legal Guidelines Annual Report Past Annual Reports Letter to the Membership About ALA 2008-2009 Year in Review Awards and Honors Conferences and Workshops Financials In Appreciation Leadership Other Highlights ENTER Programs and Partners About this image . Publishing Washington Office Financial Data ALA Election Information Policy Manual Offices Contact Us American Library Association | 50 E. Huron, Chicago IL 60611 | 1.800.545.2433 Copyright Statement Privacy Policy Feedback 2011 © American Library Association http://web.archive.org/web/20110222153614/https://www.ala.org/ala/aboutala/governance/annualreport/index.cfm[12/22/2016 12:37:41 PM] ALA | Letter to the Membership Join Renew Contact Us FAQs giveALA Take action! Log in Divisions Offices Round Tables Committees Publications Related Search ala.org: Home About ALA ALA Governing & Strategic Documents Annual Report Letter to the Membership About ALA Letter to the Membership Mission & History In 2008–2009, libraries revealed the many ways they serve as first responders in times of economic crisis, providing critical services and resources to those in need. Even as libraries themselves faced budget cuts, layoffs, and closures, the use of their invaluable services ALA & LIS Acronyms surged, and libraries looked for new and creative ways to serve their communities. ALA Governing & Strategic Documents Grassroots support for libraries seemed to grow with the increase in usage. -
We, the Judges: the Legalized Subject and Narratives of Adjudication in Reality Television, 81 UMKC L. Rev. 1 (2012)
UIC School of Law UIC Law Open Access Repository UIC Law Open Access Faculty Scholarship 1-1-2012 We, the Judges: The Legalized Subject and Narratives of Adjudication in Reality Television, 81 UMKC L. Rev. 1 (2012) Cynthia D. Bond John Marshall Law School Follow this and additional works at: https://repository.law.uic.edu/facpubs Part of the Entertainment, Arts, and Sports Law Commons, Judges Commons, and the Law and Society Commons Recommended Citation Cynthia D. Bond, We, the Judges: The Legalized Subject and Narratives of Adjudication in Reality Television, 81 UMKC L. Rev. 1 (2012). https://repository.law.uic.edu/facpubs/331 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Open Access Faculty Scholarship by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. "WE, THE JUDGES": THE LEGALIZED SUBJECT AND NARRATIVES OF ADJUDICATION IN REALITY TELEVISION CYNTHIA D. BOND* "Oh how we Americans gnash our teeth in bitter anger when we discover that the riveting truth that also played like a Sunday matinee was actually just a Sunday matinee." David Shields, Reality Hunger "We do have a judge; we have two million judges." Bethenny Frankel, The Real Housewives of New York City ABSTRACT At first a cultural oddity, reality television is now a cultural commonplace. These quasi-documentaries proliferate on a wide range of network and cable channels, proving adaptable to any audience demographic. Across a variety of types of "reality" offerings, narratives of adjudication- replete with "judges," "juries," and "verdicts"-abound. -
Alumni Memories
Theatre Circle INSIGHTS Special Edition - Fall 2009 Indiana University Department of Theatre and Drama Alumni Memories DeAnna D. Rieber, BA’81, reports that the “IU and the Drama Department opened up my whole world!” She shared fond memories of many wonderful teachers, includ- ing Chair R. Keith Michael “an amazing teacher,” drama teacher Marilyn Norris - “she was fabulous, and like so many other students, Bill [William] Kinzer. I found out later in life that my father had Mr. Kinzer when he attended IU many years before.” Nancy Kierspe Carlson, BA’58, has wonderful stories to tell about the Brown County Playhouse and “those wild rides down to Nashville in a covered truck in the summer of 1957.” She writes, “Richard K. Knaub, who taught at I.U. and designed the lighting at the playhouse, would drive the cranky truck; and in the back were, honest-to-gosh, ten rickety folding chairs…five aligned on each side, attached to nothing, free to bounce wherever the bumps took them.” She also noted that today that would never happen - and she is right! THANK YOU, alumni, for responding to our request for your memories! This is a great start in our quest to collect stories, Special thanks to Theatre Circle for support of this color edition photos, and memorabilia that will tell our collective story for of STAGES which includes generations to come. When I shared these with students, some Theatre Circle INSIGHTS, a thought that a few of you might be pulling my leg. But, with a quarterly publication focusing little research we were able to come up with evidence that the on current events in the depart- stories are true. -
STAGES the Annual Theatre Circle and Alumni Newsletter - Fall 2015 Indiana University Department of Theatre, Drama, + Contemporary Dance
STAGES The Annual Theatre Circle and Alumni Newsletter - Fall 2015 Indiana University Department of Theatre, Drama, + Contemporary Dance Musical Theatre Students Learn From Broadway Royalty On April 7, 2015, the department was treated to a master class Emily Kelly (BFA ’16): I sang “Changing My Major” from Fun given by Audra McDonald, prior to her giving a concert that Home because I thought it would be a good acting exercise with evening at the IU Auditorium. McDonald is the premiere musical Audra. It’s a very important song: it shows Alison Bechdel as a col- theatre performer of her generation, having proven her versatility lege freshman, the morning after she has sex for the first time, with and talent with a record-setting six Tony awards for acting, includ- a girl. It’s a very special thing when a young girl finally feels so com- ing one in each of the categories for plays and musicals, leading and fortable in her own skin, is falling in love and, despite her fears and featured roles. McDonald’s master class was exhilarating to watch. the other complications in her life, finds pure joy in looking back at I asked the four BFA Musical Theatre students about their experi- one night she shared with this girl. ences with this legend. Samantha Mason (BFA ’15): I chose “No One Else” from Natasha, Pierre, and the Great Comet of 1812. As soon as I heard it, I felt an immediate connection to the piece. It felt like a piece of literature: It’s like having a little treasure hunt because I can go into the song to discover new bits of information about what the character is feeling in that moment. -
The Ritual of the Runway: Studying Social Order and Gender
THE RITUAL OF THE RUNWAY: STUDYING SOCIAL ORDER AND GENDER PERFORMANCE IN PROJECT RUNWAY A Thesis by ANDREA SCHWEIKHARD ROBISON Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2009 Major Subject: Communication THE RITUAL OF THE RUNWAY: STUDYING SOCIAL ORDER AND GENDER PERFORMANCE IN PROJECT RUNWAY A Thesis by ANDREA SCHWEIKHARD ROBISON Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Antonio La Pastina Committee Members, Eric Rothenbuhler Mary Ann O’Farrell Head of Department, Richard Street December 2009 Major Subject: Communication iii ABSTRACT The Ritual of the Runway: Studying Social Order and Gender Performance in Project Runway. (December 2009) Andrea Schweikhard Robison, B.A., Texas A&M University Chair of Advisory Committee: Dr. Antonio La Pastina Project Runway premiered on Bravo TV on December 1st, 2004, and is now in its sixth season, which aired on Lifetime. On Project Runway, designer contestants live together in apartments in downtown New York for the duration of filming and work on weekly challenges at Parsons The New School for Design. I am interested in determining the ways in which reality shows like Project Runway both allow and restrict the display of gender and sexual identity for contestants through the construction of a social order. This study is a textual analysis of all five currently released seasons of Project Runway. I draw from theories of social interaction to provide the interpretive framework for this study. -
Understanding Media and Culture: an Introduction to Mass Communication
Understanding Media and Culture: An Introduction to Mass Communication [AUTHOR REMOVED AT REQUEST OF ORIGINAL PUBLISHER] UNIVERSITY OF MINNESOTA LIBRARIES PUBLISHING EDITION, 2016. THIS EDITION ADAPTED FROM A WORK ORIGINALLY PRODUCED IN 2010 BY A PUBLISHER WHO HAS REQUESTED THAT IT NOT RECEIVE ATTRIBUTION. MINNEAPOLIS, MN Understanding Media and Culture: An Introduction to Mass Communication by University of Minnesota is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. Contents Publisher Information ix Acknowledgments x About the Author xi Chapter 1: Media and Culture 1.1 Media and Culture 2 1.2 Intersection of American Media and Culture 5 1.3 The Evolution of Media 9 1.4 Convergence 19 1.5 The Role of Social Values in Communication 25 1.6 Cultural Periods 32 1.7 Mass Media and Popular Culture 37 1.8 Media Literacy 45 Chapter 2: Media Effects 2.1 Mass Media and Its Messages 54 2.2 Media Effects Theories 67 2.3 Methods of Researching Media Effects 74 2.4 Media Studies Controversies 80 Chapter 3: Books 3.1 Books 89 3.2 History of Books 91 3.3 Books and the Development of U.S. Popular Culture 101 3.4 Major Book Formats 113 3.5 Current Publishing Trends 119 3.6 The Influence of New Technology 128 Chapter 4: Newspapers 4.1 Newspapers 139 4.2 History of Newspapers 142 4.3 Different Styles and Models of Journalism 154 4.4 How Newspapers Control the Public’s Access to Information and Impact 164 American Pop Culture 4.5 Current Popular Trends in the Newspaper Industry -
The Lobby Observer
Today in history, 2004, the Red Sox reverse the curse and win the World Series. Boo yah. The Lobby Observer Volume IV, Issue IV Your Eye at Westborough High October 27, 2006 WHS Students Rally to Help Save David Rubenstein By Diana Katz The Westbor- expense. Therefore he been active and are in- ough community has needs to raise money to volved in raising money been gathering together pay for this life saving for Mr. Rubenstein. Re- to raise money and treatment. Fundraisers, cently, the Westborough awareness in order to in the community, are High School women’s a help save the life of well underway to raise cappella group, called David Rubenstein, a the needed $90,000 dol- Girls Meet World, and Westborough resident. lars, and an additional the Middle School con- Inside this issue: Mr. Rubenstein was di- $50,000 for other ex- cert choir, performed agnosed two years ago penses, for his trans- various songs at Tat- David Rubenstein 1 with Systemic plant in upcoming No- nuck Bookseller, in an scleroderma, an uncom- vember. effort to raise money. mon autoimmune dis- The NTF, or the Na- The two groups at- Teacher Profiles: Miss 1 Snider ease that harms inter- tional Foundation for tracted a large crowd, nal organs. At this time, Transplants, is helping and were successful in Teacher Profiles: Mr. 2 there are only 150,000 David earn money for supporting David’s Stillitano to 300,000 reported his transplant. The Na- cause. cases of this disease tional Foundation for “Girls a cappella is Best Buddies 3 across the country. -
Wednesday, April 16, 2003
2007 Joint Conference of the National Popular Culture and American Culture Associations April 4 - 7, 2007 Boston Marriott Copley Place ii Editor: Leslie L. Fife, Oklahoma State University; PCA/ACA Conference Coordinator Blackwell Editor: Michelle Sathan Additional information about the PCA/ACA is available at http://www.h-net.org/~pcaaca Table of Contents iii TABLE OF CONTENTS PCA AREA CHAIRS FOR THE 2007 CONFERENCE................. V ACA AREA CHAIRS FOR THE 2007 CONFERENCE ............XIV PCA/ACA CONFERENCE SITES & DATES........................... XVII 2006 PCA OFFICERS .................................................................XVIII 2006 ACA OFFICERS.................................................................XVIII BUSINESS AND BOARD MEETINGS........................................XIX SPECIAL CONFERENCE SESSIONS AND EVENTS...........XXIII CONFERENCE PAPERS FOR SALE ......................................XXXI REGISTRATION & EXHIBIT INFORMATION ................... XXXI SCHEDULE OVERVIEW........................................................ XXXII SCHEDULE ......................................................................................... 1 WEDNESDAY, APRIL 4, 2007 .......................................................... 1 WEDNESDAY, APRIL 4, 12:30–2:00 P.M............................................. 1 WEDNESDAY, APRIL 4, 2:30–4:00 P.M............................................... 5 WEDNESDAY, APRIL 4, 4:30–6:00 P.M............................................. 14 WEDNESDAY, APRIL 4, 6:30–8:00 PM.............................................