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Leaving Reality Behind Etoy Vs Etoys Com Other Battles to Control Cyberspace By: Adam Wishart Regula Bochsler ISBN: 0066210763 See Detail of This Book on Amazon.Com
Leaving Reality Behind etoy vs eToys com other battles to control cyberspace By: Adam Wishart Regula Bochsler ISBN: 0066210763 See detail of this book on Amazon.com Book served by AMAZON NOIR (www.amazon-noir.com) project by: PAOLO CIRIO paolocirio.net UBERMORGEN.COM ubermorgen.com ALESSANDRO LUDOVICO neural.it Page 1 discovering a new toy "The new artist protests, he no longer paints." -Dadaist artist Tristan Tzara, Zh, 1916 On the balmy evening of June 1, 1990, fleets of expensive cars pulled up outside the Zurich Opera House. Stepping out and passing through the pillared porticoes was a Who's Who of Swiss society-the head of state, national sports icons, former ministers and army generals-all of whom had come to celebrate the sixty-fifth birthday of Werner Spross, the owner of a huge horticultural business empire. As one of Zurich's wealthiest and best-connected men, it was perhaps fitting that 650 of his "close friends" had been invited to attend the event, a lavish banquet followed by a performance of Romeo and Juliet. Defiantly greeting the guests were 200 demonstrators standing in the square in front of the opera house. Mostly young, wearing scruffy clothes and sporting punky haircuts, they whistled and booed, angry that the opera house had been sold out, allowing itself for the first time to be taken over by a rich patron. They were also chanting slogans about the inequity of Swiss society and the wealth of Spross's guests. The glittering horde did its very best to ignore the disturbance. The protest had the added significance of being held on the tenth anniversary of the first spark of the city's most explosive youth revolt of recent years, The Movement. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Delivering Timely Environmental Information to Your Community
United States Office of Research and Development EPA/625/R-01/010 Environmental Protection Office of Environmental Information September 2001 Agency Washington, DC 20460 http://www.epa.gov/empact Delivering Timely Environmental Information to Your Community The Boulder Area Sustainability Information Network (BASIN) E M P A C T Environmental Monitoring for Public Access & Community Tracking Disclaimer This document has been reviewed by the U. S. Environmental Protection Agency (EPA) and ap- proved for publication. Mention of trade names or commercial products does not constitute en- dorsement or recommendation of their use. EPA/625/R-01/010 September 2001 Delivering Timely Environmental Information to Your Community The Boulder Area Sustainability Information Network (BASIN) United States Environmental Protection Agency Office of Research and Development National Risk Management Research Laboratory Cincinnati, OH 45268 Recycled/Recyclable Printed with vegetable- based ink on paper that contains a minimum of 50% post-consumer fiber content processed chlorine free CONTRIBUTORS Dr. Dan Petersen of the U.S. Environmental Protection Agency (EPA), National Risk Management Laboratory, served as principal author of this handbook and managed its development with support of Pacific Environmental Services, Inc., an EPA contractor. The following contributing authors represent the BASIN team and provided valuable assistance for the development of the handbook: BASIN Team Larry Barber, United States Geological Survey (USGS), Boulder, Colorado Michael -
“I Don't Care for My Other Books, Now”
THE LIBRARY University of California, Berkeley | No. 29 Fall 2013 | lib.berkeley.edu/give Fiat Lux “I don’t care for my other books, now” MARK TWAIN’S AUTOBIOGRAPHY CONTINUED by Benjamin Griffin, Mark Twain Project, Bancroft Library Mark Twain’s complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. The eagerly-awaited Volume 2 delves deeper into Twain’s life, uncovering the many roles he played in his private and public worlds. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Like its predecessor, Volume 2 mingles a dia- ry-like record of Mark Twain’s daily thoughts and doings with fragmented and pungent portraits of his earlier life. And, as before, anything which Mark Twain had written but hadn’t, as of 1906–7, found a place to publish yet, might go in: Other autobiographies patiently and dutifully“ follow a planned and undivergent course through gardens and deserts and interesting cities and dreary solitudes, and when at last they reach their appointed goal they are pretty tired—and they The one-hundred-year edition comprises what have been frequently tired during the journey, too. could be called a director’s cut, says editor Ben But this is not that kind of autobiography. This one Griffin. “It hasn’t been cut to size or made to fit is only a pleasure excursion. the requirements of the market or brought into ” continued on page 6-7 line with notions of public decency. -
Southern Comfort
FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience. -
Print Journalism: a Critical Introduction
Print Journalism A critical introduction Print Journalism: A critical introduction provides a unique and thorough insight into the skills required to work within the newspaper, magazine and online journalism industries. Among the many highlighted are: sourcing the news interviewing sub-editing feature writing and editing reviewing designing pages pitching features In addition, separate chapters focus on ethics, reporting courts, covering politics and copyright whilst others look at the history of newspapers and magazines, the structure of the UK print industry (including its financial organisation) and the development of journalism education in the UK, helping to place the coverage of skills within a broader, critical context. All contributors are experienced practising journalists as well as journalism educators from a broad range of UK universities. Contributors: Rod Allen, Peter Cole, Martin Conboy, Chris Frost, Tony Harcup, Tim Holmes, Susan Jones, Richard Keeble, Sarah Niblock, Richard Orange, Iain Stevenson, Neil Thurman, Jane Taylor and Sharon Wheeler. Richard Keeble is Professor of Journalism at Lincoln University and former director of undergraduate studies in the Journalism Department at City University, London. He is the author of Ethics for Journalists (2001) and The Newspapers Handbook, now in its fourth edition (2005). Print Journalism A critical introduction Edited by Richard Keeble First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX9 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Selection and editorial matter © 2005 Richard Keeble; individual chapters © 2005 the contributors All rights reserved. -
Pam Lifford As the New President of the Studio’S CP Division, Lifford Discusses the Strategies and Goals That Will Drive Growth for Warner Bros
MAY 2016 VOLUME 19 NUMBER 2 ® WBCP’s Pam Lifford As the new president of the studio’s CP division, Lifford discusses the strategies and goals that will drive growth for Warner Bros. Consumer Products, the world’s No. 5 ranked licensor. Plus: Retail Sales Top $262 Billion Disney Reports Record Growth 12 Licensors Join the List Do your royalty statements tell the whole story? Frankly, almost never. Even the most professional looking royalty statements can mask issues resulting in unreported royalties. Often there is a lack of visibility with actual gross sales, the amount or type of deductions is not transparent; and sales territories, channels and customers are undisclosed. Additionally, unapproved products are not highlighted, unexploited rights remain dormant and hidden, and other issues are not revealed. These are real and costly problems that only a royalty compliance audit can make right. Avoid falling into royalty statement fiction. Let the Royalty Audit and Contract Compliance professionals at EisnerAmper take a close look at your royalty statements. See for yourself how a no-cost, no-obligation consultation could lead to real time monetary recovery and a prospective increase in your licensing revenue. You can get the whole story. Call or write Lewis Stark, 212.891.4086 | [email protected] Learn more at EisnerAmper.com/ROYALTY ® Let’s get down to business. eisneramper.com 212.949.8700 This exclusive report, published annually by License! Global, provides retail sales data of licensed merchandise worldwide, key trends and specific brand insights across multiple industry sectors including entertainment, sports, fashion/apparel, corporate brands, art and non-profit. -
Rethinking the Participatory Web: a History of Hotwired's “New Publishing Paradigm,” 1994–1997
University of Groningen Rethinking the participatory web Stevenson, Michael Published in: New Media and Society DOI: 10.1177/1461444814555950 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2016 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Stevenson, M. (2016). Rethinking the participatory web: A history of HotWired's 'new publishing paradigm,' 1994-1997. New Media and Society, 18(7), 1331-1346. https://doi.org/10.1177/1461444814555950 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. -
122 a Century of Grand Opera in Philadelphia. Music Is As Old As The
122 A Century of Grand Opera in Philadelphia. A CENTURY OF GRAND OPERA IN PHILADELPHIA. A Historical Summary read before the Historical Society of Pennsylvania, Monday Evening, January 12, 1920. BY JOHN CURTIS. Music is as old as the world itself; the Drama dates from before the Christian era. Combined in the form of Grand Opera as we know it today they delighted the Florentines in the sixteenth century, when Peri gave "Dafne" to the world, although the ancient Greeks listened to great choruses as incidents of their comedies and tragedies. Started by Peri, opera gradually found its way to France, Germany, and through Europe. It was the last form of entertainment to cross the At- lantic to the new world, and while some works of the great old-time composers were heard in New York, Charleston and New Orleans in the eighteenth century, Philadelphia did not experience the pleasure until 1818 was drawing to a close, and so this city rounded out its first century of Grand Opera a little more than a year ago. But it was a century full of interest and incident. In those hundred years Philadelphia heard 276 different Grand Operas. Thirty of these were first heard in America on a Philadelphia stage, and fourteen had their first presentation on any stage in this city. There were times when half a dozen travelling companies bid for our patronage each season; now we have one. One year Mr. Hinrichs gave us seven solid months of opera, with seven performances weekly; now we are permitted to attend sixteen performances a year, unless some wandering organization cares to take a chance with us. -
The People Who Invented the Internet Source: Wikipedia's History of the Internet
The People Who Invented the Internet Source: Wikipedia's History of the Internet PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sat, 22 Sep 2012 02:49:54 UTC Contents Articles History of the Internet 1 Barry Appelman 26 Paul Baran 28 Vint Cerf 33 Danny Cohen (engineer) 41 David D. Clark 44 Steve Crocker 45 Donald Davies 47 Douglas Engelbart 49 Charles M. Herzfeld 56 Internet Engineering Task Force 58 Bob Kahn 61 Peter T. Kirstein 65 Leonard Kleinrock 66 John Klensin 70 J. C. R. Licklider 71 Jon Postel 77 Louis Pouzin 80 Lawrence Roberts (scientist) 81 John Romkey 84 Ivan Sutherland 85 Robert Taylor (computer scientist) 89 Ray Tomlinson 92 Oleg Vishnepolsky 94 Phil Zimmermann 96 References Article Sources and Contributors 99 Image Sources, Licenses and Contributors 102 Article Licenses License 103 History of the Internet 1 History of the Internet The history of the Internet began with the development of electronic computers in the 1950s. This began with point-to-point communication between mainframe computers and terminals, expanded to point-to-point connections between computers and then early research into packet switching. Packet switched networks such as ARPANET, Mark I at NPL in the UK, CYCLADES, Merit Network, Tymnet, and Telenet, were developed in the late 1960s and early 1970s using a variety of protocols. The ARPANET in particular led to the development of protocols for internetworking, where multiple separate networks could be joined together into a network of networks. In 1982 the Internet Protocol Suite (TCP/IP) was standardized and the concept of a world-wide network of fully interconnected TCP/IP networks called the Internet was introduced. -
The Kansas Publisher Official Monthly Publication of the Kansas Press Association July 6, 2011
The Kansas Publisher Official monthly publication of the Kansas Press Association July 6, 2011 Inside Today Page 3 Jim Purmarlo thinks newspa- pers should be more open about their policies and procedures. Page 4 KPA president Patrick Lowry is impressed by the Ellsworth County Independent-Reporter’s reaction to a devastating fi re. Page 4 The Western Kansas Mini-Con- vention is Sept. 8. Look here for the schedule. Page 6 Jonathan Kealing is the newest member of the Kansas Press Association Board of Directors. Page 8 Firefi ghters spray water on the Ellsworth County Independent-Reporter building. Doug Anstaett takes a look at the nameplates of Kansas newspapers. Guess which one Fire destroys Ellsworth I-R offi ce he thinks is the most unique? Paper gets out edition on time good side to this story, too. Our friends and landlords, Mark and Josie Roehrman, escaped By Linda Mowery-Denning the building without injury. That is something to KPA Calendar or someone who makes their living with cheer. words, this may be one of those frustrating There is more. July 20 Ftimes when fi nding just the right words — I can’t help but be a bit amused by the reac- NNA Governmental Affairs or any words at all – fails me. tion to the fi re and the newspaper’s future Sunday Conference, Washington, D.C. As anyone who reads a newspaper or watches night as probably more residents than attend the television probably knows by now, the building annual Cowtown Festival watched fi refi ghters Sept. 8 that housed the Ellsworth County Independent- from across central Kansas fi ght the fl ames and KPA Western Kansas Mini- Reporter was gutted by fi re Sunday night (June Convention, City Limits Con- 23). -
BACHELORARBEIT Browser Und Ihr Einfluss Auf Die Entwicklung Des
BACHELORARBEIT im Studiengang Informatik/Computer Science Browser und ihr Einfluss auf die Entwicklung des Web Ausgeführt von: Thomas Greiner Personenkennzeichen: 0910257037 BegutachterIn: Dipl.-Ing. Dr. Gerd Holweg Gols, 15.01.2012 Eidesstattliche Erklärung „Ich erkläre hiermit an Eides statt, dass ich die vorliegende Arbeit selbständig angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher weder in gleicher noch in ähnlicher Form einer anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Ich versichere, dass die abgegebene Version jener im Uploadtool entspricht.“ Gols, 15.01.2012 Ort, Datum Unterschrift Kurzfassung Der Browser ist von heutigen Computern nicht mehr wegzudenken. Seit der Entstehung des World Wide Web und mit ihm des ersten Browsers gab es Ereignisse, die die Geschichte beider maßgeblich verändert haben. Vom Ursprung des Web, über den ersten Browser Krieg zwischen Microsoft und Netscape und die folgende Ära des Internet Explorer 6, bis hin zu den Anfängen des heute noch vorherrschenden zweiten Browser Krieges, war es stets ein Auf und Ab, wenn es darum ging, das Web zu dem zu formen, wie wir es heute kennen. Die Frage, die sich hierbei auftut, ist doch, wie viel Einfluss die Browser tatsächlich auf die Entwicklung des Web gehabt haben oder ob möglicherweise sogar das Web die Entwicklung der Browser beeinflusst hat. Das ist die zentrale Frage hinter dieser Arbeit. Diese wird durch die Kombination aktueller Zahlen über die Marktanteile der jeweiligen Browser und Aussagen einflussreicher Personen wie Steve Jobs, Eric Schmidt und Mitchell Baker, sowie die Meinungen zweier österreichischer Unternehmer, die von ihren Erfahrungen mit dem Web berichten, beantwortet.